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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A72B84 it is the complementary color #58D47B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A72B84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A72B84 shade: #AC2B7F, #BD3D92, #CE4FA5, #DF61B8 and #F073CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A72B84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A72B84 shade: #A72B84, #961971, #85075E, #74004B and #630038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A72B84 shade: #A62A83, #A62A62, #A62A40 and #A62A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A72B84 shade: #A62A83, #A62AA4, #862AA6, #652AA6 and #432AA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A72B84 shade matches the following richer shades: #A62A83, #B7198A and #C80992

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A72B84 shade: #A62A83, #953B7C, #844C74, #735D6D and #626E65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A72B84 shade: #852AA6, #A62AA6, #A62A85, #A62A64 and #A62A43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A72B84 shade: #64194F, #852269, #A62A83, #C7339D and #D251AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A72B84 shade: #A72B84, #A6642A and #2AA695

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A72B84 shade: #A72B84, #85A62A and #2A85A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A72B84 shade: #A72B84, #A6642A, #2AA64B and #2A6CA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A72B84 shade: #A72B84, #A6892A, #2AA64B and #2A47A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 21 / 35

HEX #A72B84

RGB 167 43 132

HSL 316.94, 0.59%, 0.41%

LAB 40.59, 58.19, -21.49

 

Complementary color

CMYK 58 / 0 / 42 / 17

HEX #58D47B

RGB 88 212 123

HSL 136.94, 0.59%, 0.59%

LAB 76.43, -53.71, 33.93

 

CMYK 0 / 75 / 26 / 33

HEX #AC2B7F

RGB 172 43 127

HSL 320.93, 0.6%, 0.42%

LAB 41.26, 58.8, -17.29

 

CMYK 0 / 68 / 23 / 26

HEX #BD3D92

RGB 189 61 146

HSL 320.16, 0.51%, 0.49%

LAB 47.28, 59.33, -19.37

 

CMYK 0 / 62 / 20 / 19

HEX #CE4FA5

RGB 206 79 165

HSL 319.37, 0.56%, 0.56%

LAB 53.42, 59.31, -20.99

 

CMYK 0 / 57 / 17 / 13

HEX #DF61B8

RGB 223 97 184

HSL 318.57, 0.66%, 0.63%

LAB 59.61, 58.97, -22.27

 

CMYK 0 / 52 / 15 / 6

HEX #F073CB

RGB 240 115 203

HSL 317.76, 0.81%, 0.7%

LAB 65.83, 58.45, -23.33

 

CMYK 0 / 74 / 21 / 35

HEX #A72B84

RGB 167 43 132

HSL 316.94, 0.59%, 0.41%

LAB 40.59, 58.19, -21.49

 

CMYK 0 / 83 / 25 / 41

HEX #961971

RGB 150 25 113

HSL 317.76, 0.71%, 0.34%

LAB 34.74, 56.81, -18.92

 

CMYK 0 / 95 / 29 / 48

HEX #85075E

RGB 133 7 94

HSL 318.57, 0.9%, 0.27%

LAB 29.28, 54.05, -15.41

 

CMYK 0 / 100 / 35 / 55

HEX #74004B

RGB 116 0 75

HSL 321.21, 1%, 0.23%

LAB 24.39, 49.26, -10.58

 

CMYK 0 / 100 / 43 / 61

HEX #630038

RGB 99 0 56

HSL 326.06, 1%, 0.19%

LAB 19.79, 43.23, -4.77

 

CMYK 0 / 75 / 21 / 35

HEX #A62A83

RGB 166 42 131

HSL 316.94, 0.6%, 0.41%

LAB 40.25, 58.13, -21.41

 

CMYK 0 / 75 / 41 / 35

HEX #A62A62

RGB 166 42 98

HSL 332.9, 0.6%, 0.41%

LAB 38.98, 54.15, -2.73

 

CMYK 0 / 75 / 61 / 35

HEX #A62A40

RGB 166 42 64

HSL 349.35, 0.6%, 0.41%

LAB 38.08, 51.23, 17.62

 

CMYK 0 / 75 / 75 / 35

HEX #A62A2A

RGB 166 42 42

HSL 0, 0.6%, 0.41%

LAB 37.72, 50.02, 30.81

 

CMYK 0 / 75 / 21 / 35

HEX #A62A83

RGB 166 42 131

HSL 316.94, 0.6%, 0.41%

LAB 40.25, 58.13, -21.41

 

CMYK 0 / 75 / 1 / 35

HEX #A62AA4

RGB 166 42 164

HSL 300.97, 0.6%, 0.41%

LAB 41.91, 63.1, -38.83

 

CMYK 19 / 75 / 0 / 35

HEX #862AA6

RGB 134 42 166

HSL 284.52, 0.6%, 0.41%

LAB 36.89, 56.71, -48.36

 

CMYK 39 / 75 / 0 / 35

HEX #652AA6

RGB 101 42 166

HSL 268.55, 0.6%, 0.41%

LAB 32.2, 50.35, -56.17

 

CMYK 60 / 75 / 0 / 35

HEX #432AA6

RGB 67 42 166

HSL 252.1, 0.6%, 0.41%

LAB 28.39, 44.92, -62.57

 

CMYK 0 / 75 / 21 / 35

HEX #A62A83

RGB 166 42 131

HSL 316.94, 0.6%, 0.41%

LAB 40.25, 58.13, -21.41

 

CMYK 0 / 86 / 25 / 28

HEX #B7198A

RGB 183 25 138

HSL 317.09, 0.76%, 0.41%

LAB 42.15, 67.4, -22.51

 

CMYK 0 / 96 / 27 / 22

HEX #C80992

RGB 200 9 146

HSL 316.96, 0.91%, 0.41%

LAB 45.01, 74.03, -22.7

 

CMYK 0 / 75 / 21 / 35

HEX #A62A83

RGB 166 42 131

HSL 316.94, 0.6%, 0.41%

LAB 40.25, 58.13, -21.41

 

CMYK 0 / 60 / 17 / 42

HEX #953B7C

RGB 149 59 124

HSL 316.67, 0.43%, 0.41%

LAB 39.53, 45.6, -18.43

 

CMYK 0 / 42 / 12 / 48

HEX #844C74

RGB 132 76 116

HSL 317.14, 0.27%, 0.41%

LAB 40.14, 29.73, -12.78

 

CMYK 0 / 19 / 5 / 55

HEX #735D6D

RGB 115 93 109

HSL 316.36, 0.11%, 0.41%

LAB 42.12, 11.93, -5.71

 

CMYK 11 / 0 / 8 / 57

HEX #626E65

RGB 98 110 101

HSL 135, 0.06%, 0.41%

LAB 45.2, -6.45, 3.48

 

CMYK 20 / 75 / 0 / 35

HEX #852AA6

RGB 133 42 166

HSL 284.03, 0.6%, 0.41%

LAB 36.74, 56.51, -48.61

 

CMYK 0 / 75 / 0 / 35

HEX #A62AA6

RGB 166 42 166

HSL 300, 0.6%, 0.41%

LAB 42.02, 63.43, -39.84

 

CMYK 0 / 75 / 20 / 35

HEX #A62A85

RGB 166 42 133

HSL 315.97, 0.6%, 0.41%

LAB 40.34, 58.41, -22.5

 

CMYK 0 / 75 / 40 / 35

HEX #A62A64

RGB 166 42 100

HSL 331.94, 0.6%, 0.41%

LAB 39.04, 54.36, -3.9

 

CMYK 0 / 75 / 60 / 35

HEX #A62A43

RGB 166 42 67

HSL 347.9, 0.6%, 0.41%

LAB 38.14, 51.44, 15.8

 

CMYK 0 / 75 / 21 / 61

HEX #64194F

RGB 100 25 79

HSL 316.8, 0.6%, 0.25%

LAB 23.57, 39.17, -14.82

 

CMYK 0 / 74 / 21 / 48

HEX #852269

RGB 133 34 105

HSL 316.97, 0.59%, 0.33%

LAB 32.15, 48.72, -18.1

 

CMYK 0 / 75 / 21 / 35

HEX #A62A83

RGB 166 42 131

HSL 316.94, 0.6%, 0.41%

LAB 40.25, 58.13, -21.41

 

CMYK 0 / 74 / 21 / 22

HEX #C7339D

RGB 199 51 157

HSL 317.03, 0.59%, 0.49%

LAB 48.19, 66.84, -24.41

 

CMYK 0 / 61 / 18 / 18

HEX #D251AD

RGB 210 81 173

HSL 317.21, 0.59%, 0.57%

LAB 54.66, 60.72, -23.69

 

CMYK 0 / 74 / 21 / 35

HEX #A72B84

RGB 167 43 132

HSL 316.94, 0.59%, 0.41%

LAB 40.59, 58.19, -21.49

 

CMYK 0 / 40 / 75 / 35

HEX #A6642A

RGB 166 100 42

HSL 28.06, 0.6%, 0.41%

LAB 48.75, 21.75, 42.71

 

CMYK 75 / 0 / 10 / 35

HEX #2AA695

RGB 42 166 149

HSL 171.77, 0.6%, 0.41%

LAB 61.6, -37, -0.77

 

CMYK 0 / 74 / 21 / 35

HEX #A72B84

RGB 167 43 132

HSL 316.94, 0.59%, 0.41%

LAB 40.59, 58.19, -21.49

 

CMYK 20 / 0 / 75 / 35

HEX #85A62A

RGB 133 166 42

HSL 75.97, 0.6%, 0.41%

LAB 63.69, -28.68, 56.53

 

CMYK 75 / 20 / 0 / 35

HEX #2A85A6

RGB 42 133 166

HSL 195.97, 0.6%, 0.41%

LAB 51.86, -15.13, -25.14

 

CMYK 0 / 74 / 21 / 35

HEX #A72B84

RGB 167 43 132

HSL 316.94, 0.59%, 0.41%

LAB 40.59, 58.19, -21.49

 

CMYK 0 / 40 / 75 / 35

HEX #A6642A

RGB 166 100 42

HSL 28.06, 0.6%, 0.41%

LAB 48.75, 21.75, 42.71

 

CMYK 75 / 0 / 55 / 35

HEX #2AA64B

RGB 42 166 75

HSL 135.97, 0.6%, 0.41%

LAB 60.13, -52.89, 37.34

 

CMYK 75 / 35 / 0 / 35

HEX #2A6CA6

RGB 42 108 166

HSL 208.06, 0.6%, 0.41%

LAB 44.19, -0.51, -37.13

 

CMYK 0 / 74 / 21 / 35

HEX #A72B84

RGB 167 43 132

HSL 316.94, 0.59%, 0.41%

LAB 40.59, 58.19, -21.49

 

CMYK 0 / 17 / 75 / 35

HEX #A6892A

RGB 166 137 42

HSL 45.97, 0.6%, 0.41%

LAB 58.19, 0.94, 52.16

 

CMYK 75 / 0 / 55 / 35

HEX #2AA64B

RGB 42 166 75

HSL 135.97, 0.6%, 0.41%

LAB 60.13, -52.89, 37.34

 

CMYK 75 / 57 / 0 / 35

HEX #2A47A6

RGB 42 71 166

HSL 225.97, 0.6%, 0.41%

LAB 33.46, 23.56, -54.34

 

Description

Color code: HEX #A72B84 | qconv.com Color code: HEX #A72B84 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 43 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 43 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 21 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 21% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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