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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A72A9C it is the complementary color #58D563. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A72A9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A72A9C shade: #AC2A97, #BD3CAA, #CE4EBD, #DF60D0 and #F072E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A72A9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A72A9C shade: #A72A9C, #961889, #850676, #740063 and #630050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A72A9C shade: #A7299C, #A7297A, #A72958, #A72936 and #A72929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A72A9C shade: #A7299C, #9029A7, #6E29A7, #4C29A7 and #2A29A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A72A9C shade matches the following richer shades: #A7299C, #B818AA and #C907B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A72A9C shade: #A7299C, #963A8E, #854B80, #745C72 and #636D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A72A9C shade: #6E29A7, #9029A7, #A7299C, #A7297B and #A72959

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A72A9C shade: #65195E, #86217D, #A7299C, #C832BB and #D350C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A72A9C shade: #A72A9C, #A74D29 and #29A77F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A72A9C shade: #A72A9C, #9CA729 and #299CA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A72A9C shade: #A72A9C, #A74D29, #29A734 and #2983A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A72A9C shade: #A72A9C, #A77329, #29A734 and #295EA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 7 / 35

HEX #A72A9C

RGB 167 42 156

HSL 305.28, 0.6%, 0.41%

LAB 41.64, 62.04, -34.44

 

Complementary color

CMYK 59 / 0 / 54 / 16

HEX #58D563

RGB 88 213 99

HSL 125.28, 0.6%, 0.59%

LAB 76.41, -57.64, 45.68

 

CMYK 0 / 76 / 12 / 33

HEX #AC2A97

RGB 172 42 151

HSL 309.69, 0.61%, 0.42%

LAB 42.25, 62.43, -30.42

 

CMYK 0 / 68 / 10 / 26

HEX #BD3CAA

RGB 189 60 170

HSL 308.84, 0.52%, 0.49%

LAB 48.2, 63.17, -32.22

 

CMYK 0 / 62 / 8 / 19

HEX #CE4EBD

RGB 206 78 189

HSL 307.97, 0.57%, 0.56%

LAB 54.29, 63.32, -33.6

 

CMYK 0 / 57 / 7 / 13

HEX #DF60D0

RGB 223 96 208

HSL 307.09, 0.66%, 0.63%

LAB 60.43, 63.11, -34.67

 

CMYK 0 / 53 / 5 / 6

HEX #F072E3

RGB 240 114 227

HSL 306.19, 0.81%, 0.69%

LAB 66.6, 62.67, -35.54

 

CMYK 0 / 75 / 7 / 35

HEX #A72A9C

RGB 167 42 156

HSL 305.28, 0.6%, 0.41%

LAB 41.64, 62.04, -34.44

 

CMYK 0 / 84 / 9 / 41

HEX #961889

RGB 150 24 137

HSL 306.19, 0.72%, 0.34%

LAB 35.88, 60.41, -32.16

 

CMYK 0 / 95 / 11 / 48

HEX #850676

RGB 133 6 118

HSL 307.09, 0.91%, 0.27%

LAB 30.46, 57.41, -29.04

 

CMYK 0 / 100 / 15 / 55

HEX #740063

RGB 116 0 99

HSL 308.79, 1%, 0.23%

LAB 25.61, 52.34, -24.68

 

CMYK 0 / 100 / 19 / 61

HEX #630050

RGB 99 0 80

HSL 311.52, 1%, 0.19%

LAB 20.95, 46.18, -19.59

 

CMYK 0 / 75 / 7 / 35

HEX #A7299C

RGB 167 41 156

HSL 305.24, 0.61%, 0.41%

LAB 41.53, 62.36, -34.61

 

CMYK 0 / 75 / 27 / 35

HEX #A7297A

RGB 167 41 122

HSL 321.43, 0.61%, 0.41%

LAB 39.93, 57.53, -16.33

 

CMYK 0 / 75 / 47 / 35

HEX #A72958

RGB 167 41 88

HSL 337.62, 0.61%, 0.41%

LAB 38.74, 53.79, 3.28

 

CMYK 0 / 75 / 68 / 35

HEX #A72936

RGB 167 41 54

HSL 353.81, 0.61%, 0.41%

LAB 37.96, 51.28, 23.81

 

CMYK 0 / 75 / 75 / 35

HEX #A72929

RGB 167 41 41

HSL 0, 0.61%, 0.41%

LAB 37.77, 50.65, 31.53

 

CMYK 0 / 75 / 7 / 35

HEX #A7299C

RGB 167 41 156

HSL 305.24, 0.61%, 0.41%

LAB 41.53, 62.36, -34.61

 

CMYK 14 / 75 / 0 / 35

HEX #9029A7

RGB 144 41 167

HSL 289.05, 0.61%, 0.41%

LAB 38.38, 59.31, -46.47

 

CMYK 34 / 75 / 0 / 35

HEX #6E29A7

RGB 110 41 167

HSL 272.86, 0.61%, 0.41%

LAB 33.33, 52.67, -54.88

 

CMYK 54 / 75 / 0 / 35

HEX #4C29A7

RGB 76 41 167

HSL 256.67, 0.61%, 0.41%

LAB 29.19, 47, -61.82

 

CMYK 75 / 75 / 0 / 35

HEX #2A29A7

RGB 42 41 167

HSL 240.48, 0.61%, 0.41%

LAB 26.36, 42.96, -66.59

 

CMYK 0 / 75 / 7 / 35

HEX #A7299C

RGB 167 41 156

HSL 305.24, 0.61%, 0.41%

LAB 41.53, 62.36, -34.61

 

CMYK 0 / 87 / 8 / 28

HEX #B818AA

RGB 184 24 170

HSL 305.25, 0.77%, 0.41%

LAB 43.87, 72.05, -39.11

 

CMYK 0 / 97 / 8 / 21

HEX #C907B8

RGB 201 7 184

HSL 305.26, 0.93%, 0.41%

LAB 47.01, 79.15, -42.2

 

CMYK 0 / 75 / 7 / 35

HEX #A7299C

RGB 167 41 156

HSL 305.24, 0.61%, 0.41%

LAB 41.53, 62.36, -34.61

 

CMYK 0 / 61 / 5 / 41

HEX #963A8E

RGB 150 58 142

HSL 305.22, 0.44%, 0.41%

LAB 40.35, 49.33, -28.19

 

CMYK 0 / 44 / 4 / 48

HEX #854B80

RGB 133 75 128

HSL 305.17, 0.28%, 0.41%

LAB 40.54, 32.88, -19.54

 

CMYK 0 / 21 / 2 / 55

HEX #745C72

RGB 116 92 114

HSL 305, 0.12%, 0.41%

LAB 42.13, 13.93, -8.74

 

CMYK 9 / 0 / 8 / 57

HEX #636D64

RGB 99 109 100

HSL 126, 0.05%, 0.41%

LAB 44.96, -5.69, 3.73

 

CMYK 34 / 75 / 0 / 35

HEX #6E29A7

RGB 110 41 167

HSL 272.86, 0.61%, 0.41%

LAB 33.33, 52.67, -54.88

 

CMYK 14 / 75 / 0 / 35

HEX #9029A7

RGB 144 41 167

HSL 289.05, 0.61%, 0.41%

LAB 38.38, 59.31, -46.47

 

CMYK 0 / 75 / 7 / 35

HEX #A7299C

RGB 167 41 156

HSL 305.24, 0.61%, 0.41%

LAB 41.53, 62.36, -34.61

 

CMYK 0 / 75 / 26 / 35

HEX #A7297B

RGB 167 41 123

HSL 320.95, 0.61%, 0.41%

LAB 39.97, 57.66, -16.88

 

CMYK 0 / 75 / 47 / 35

HEX #A72959

RGB 167 41 89

HSL 337.14, 0.61%, 0.41%

LAB 38.76, 53.88, 2.69

 

CMYK 0 / 75 / 7 / 60

HEX #65195E

RGB 101 25 94

HSL 305.53, 0.6%, 0.25%

LAB 24.55, 41.91, -23.26

 

CMYK 0 / 75 / 7 / 47

HEX #86217D

RGB 134 33 125

HSL 305.35, 0.6%, 0.33%

LAB 33.21, 52.41, -29.09

 

CMYK 0 / 75 / 7 / 35

HEX #A7299C

RGB 167 41 156

HSL 305.24, 0.61%, 0.41%

LAB 41.53, 62.36, -34.61

 

CMYK 0 / 75 / 7 / 22

HEX #C832BB

RGB 200 50 187

HSL 305.2, 0.6%, 0.49%

LAB 49.68, 71.61, -39.75

 

CMYK 0 / 62 / 6 / 17

HEX #D350C7

RGB 211 80 199

HSL 305.5, 0.6%, 0.57%

LAB 55.8, 65.36, -36.93

 

CMYK 0 / 75 / 7 / 35

HEX #A72A9C

RGB 167 42 156

HSL 305.28, 0.6%, 0.41%

LAB 41.64, 62.04, -34.44

 

CMYK 0 / 54 / 75 / 35

HEX #A74D29

RGB 167 77 41

HSL 17.14, 0.61%, 0.41%

LAB 43.78, 34.65, 38.06

 

CMYK 75 / 0 / 24 / 35

HEX #29A77F

RGB 41 167 127

HSL 160.95, 0.61%, 0.41%

LAB 61.34, -43.28, 11.17

 

CMYK 0 / 75 / 7 / 35

HEX #A72A9C

RGB 167 42 156

HSL 305.28, 0.6%, 0.41%

LAB 41.64, 62.04, -34.44

 

CMYK 7 / 0 / 75 / 35

HEX #9CA729

RGB 156 167 41

HSL 65.24, 0.61%, 0.41%

LAB 65.64, -19.5, 59.31

 

CMYK 75 / 7 / 0 / 35

HEX #299CA7

RGB 41 156 167

HSL 185.24, 0.61%, 0.41%

LAB 59.01, -27.03, -14.79

 

CMYK 0 / 75 / 7 / 35

HEX #A72A9C

RGB 167 42 156

HSL 305.28, 0.6%, 0.41%

LAB 41.64, 62.04, -34.44

 

CMYK 0 / 54 / 75 / 35

HEX #A74D29

RGB 167 77 41

HSL 17.14, 0.61%, 0.41%

LAB 43.78, 34.65, 38.06

 

CMYK 75 / 0 / 69 / 35

HEX #29A734

RGB 41 167 52

HSL 125.24, 0.61%, 0.41%

LAB 60.21, -56.19, 47.93

 

CMYK 75 / 22 / 0 / 35

HEX #2983A7

RGB 41 131 167

HSL 197.14, 0.61%, 0.41%

LAB 51.26, -13.8, -26.65

 

CMYK 0 / 75 / 7 / 35

HEX #A72A9C

RGB 167 42 156

HSL 305.28, 0.6%, 0.41%

LAB 41.64, 62.04, -34.44

 

CMYK 0 / 31 / 75 / 35

HEX #A77329

RGB 167 115 41

HSL 35.24, 0.61%, 0.41%

LAB 52.55, 13.68, 47.06

 

CMYK 75 / 0 / 69 / 35

HEX #29A734

RGB 41 167 52

HSL 125.24, 0.61%, 0.41%

LAB 60.21, -56.19, 47.93

 

CMYK 75 / 44 / 0 / 35

HEX #295EA7

RGB 41 94 167

HSL 214.76, 0.61%, 0.41%

LAB 40.03, 8.59, -44.35

 

Description

Color code: HEX #A72A9C | qconv.com Color code: HEX #A72A9C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 42 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 42 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 7 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 7% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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