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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A72366 it is the complementary color #58DC99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A72366. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A72366 shade: #AC2361, #BD3574, #CE4787, #DF599A and #F06BAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A72366. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A72366 shade: #A72366, #961153, #850040, #74002D and #63001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A72366 shade: #A82366, #A82343 and #A82323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A72366 shade: #A82366, #A8238A, #A223A8, #7E23A8 and #5A23A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A72366 shade matches the following richer shades: #A82366, #B81367 and #C90267

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A72366 shade: #A82366, #973466, #874466, #765566 and #666566

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A72366 shade: #A123A8, #A8238B, #A82368, #A82344 and #A82523

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A72366 shade: #64153D, #861C52, #A82366, #CA2A7B and #D74690

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A72366 shade: #A72366, #A87E23 and #239DA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A72366 shade: #A72366, #68A823 and #2368A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A72366 shade: #A72366, #A87E23, #23A863 and #234DA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A72366 shade: #A72366, #A8A623, #23A863 and #2325A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 39 / 35

HEX #A72366

RGB 167 35 102

HSL 329.55, 0.65%, 0.4%

LAB 38.51, 57.06, -5.93

 

Complementary color

CMYK 60 / 0 / 30 / 14

HEX #58DC99

RGB 88 220 153

HSL 149.55, 0.65%, 0.6%

LAB 79.36, -51.42, 22.39

 

CMYK 0 / 80 / 44 / 33

HEX #AC2361

RGB 172 35 97

HSL 332.85, 0.66%, 0.41%

LAB 39.3, 57.89, -1.49

 

CMYK 0 / 72 / 39 / 26

HEX #BD3574

RGB 189 53 116

HSL 332.21, 0.56%, 0.47%

LAB 45.12, 58.67, -4.4

 

CMYK 0 / 66 / 34 / 19

HEX #CE4787

RGB 206 71 135

HSL 331.56, 0.58%, 0.54%

LAB 51.13, 58.79, -6.69

 

CMYK 0 / 60 / 31 / 13

HEX #DF599A

RGB 223 89 154

HSL 330.9, 0.68%, 0.61%

LAB 57.24, 58.51, -8.52

 

CMYK 0 / 55 / 28 / 6

HEX #F06BAD

RGB 240 107 173

HSL 330.23, 0.82%, 0.68%

LAB 63.39, 58, -10.03

 

CMYK 0 / 79 / 39 / 35

HEX #A72366

RGB 167 35 102

HSL 329.55, 0.65%, 0.4%

LAB 38.51, 57.06, -5.93

 

CMYK 0 / 89 / 45 / 41

HEX #961153

RGB 150 17 83

HSL 330.23, 0.8%, 0.33%

LAB 32.94, 55.23, -2.34

 

CMYK 0 / 100 / 52 / 48

HEX #850040

RGB 133 0 64

HSL 331.13, 1%, 0.26%

LAB 27.73, 52.18, 2.25

 

CMYK 0 / 100 / 61 / 55

HEX #74002D

RGB 116 0 45

HSL 336.72, 1%, 0.23%

LAB 23.35, 46.53, 8.59

 

CMYK 0 / 100 / 74 / 61

HEX #63001A

RGB 99 0 26

HSL 344.24, 1%, 0.19%

LAB 18.92, 40.9, 15.41

 

CMYK 0 / 79 / 39 / 34

HEX #A82366

RGB 168 35 102

HSL 329.77, 0.66%, 0.4%

LAB 38.7, 57.33, -5.63

 

CMYK 0 / 79 / 60 / 34

HEX #A82343

RGB 168 35 67

HSL 345.56, 0.66%, 0.4%

LAB 37.72, 54.31, 15.3

 

CMYK 0 / 79 / 79 / 34

HEX #A82323

RGB 168 35 35

HSL 0, 0.66%, 0.4%

LAB 37.2, 52.68, 34.48

 

CMYK 0 / 79 / 39 / 34

HEX #A82366

RGB 168 35 102

HSL 329.77, 0.66%, 0.4%

LAB 38.7, 57.33, -5.63

 

CMYK 0 / 79 / 18 / 34

HEX #A8238A

RGB 168 35 138

HSL 313.53, 0.66%, 0.4%

LAB 40.18, 61.71, -25.78

 

CMYK 4 / 79 / 0 / 34

HEX #A223A8

RGB 162 35 168

HSL 297.29, 0.66%, 0.4%

LAB 40.75, 65, -43.11

 

CMYK 25 / 79 / 0 / 34

HEX #7E23A8

RGB 126 35 168

HSL 281.05, 0.66%, 0.4%

LAB 34.93, 58.1, -52.78

 

CMYK 46 / 79 / 0 / 34

HEX #5A23A8

RGB 90 35 168

HSL 264.81, 0.66%, 0.4%

LAB 29.92, 52.11, -61.17

 

CMYK 0 / 79 / 39 / 34

HEX #A82366

RGB 168 35 102

HSL 329.77, 0.66%, 0.4%

LAB 38.7, 57.33, -5.63

 

CMYK 0 / 90 / 44 / 28

HEX #B81367

RGB 184 19 103

HSL 329.45, 0.81%, 0.4%

LAB 40.63, 64.97, -3.05

 

CMYK 0 / 99 / 49 / 21

HEX #C90267

RGB 201 2 103

HSL 329.55, 0.98%, 0.4%

LAB 43.42, 70.76, 1.44

 

CMYK 0 / 79 / 39 / 34

HEX #A82366

RGB 168 35 102

HSL 329.77, 0.66%, 0.4%

LAB 38.7, 57.33, -5.63

 

CMYK 0 / 66 / 32 / 41

HEX #973466

RGB 151 52 102

HSL 329.7, 0.49%, 0.4%

LAB 37.83, 46.26, -7.25

 

CMYK 0 / 50 / 24 / 47

HEX #874466

RGB 135 68 102

HSL 329.55, 0.33%, 0.4%

LAB 38.28, 32.95, -6.85

 

CMYK 0 / 28 / 14 / 54

HEX #765566

RGB 118 85 102

HSL 329.09, 0.16%, 0.4%

LAB 40.09, 16.61, -4.38

 

CMYK 0 / 1 / 0 / 60

HEX #666566

RGB 102 101 102

HSL 300, 0%, 0.4%

LAB 42.9, 0.6, -0.43

 

CMYK 4 / 79 / 0 / 34

HEX #A123A8

RGB 161 35 168

HSL 296.84, 0.66%, 0.4%

LAB 40.58, 64.8, -43.39

 

CMYK 0 / 79 / 17 / 34

HEX #A8238B

RGB 168 35 139

HSL 313.08, 0.66%, 0.4%

LAB 40.23, 61.85, -26.32

 

CMYK 0 / 79 / 38 / 34

HEX #A82368

RGB 168 35 104

HSL 328.87, 0.66%, 0.4%

LAB 38.77, 57.54, -6.79

 

CMYK 0 / 79 / 60 / 34

HEX #A82344

RGB 168 35 68

HSL 345.11, 0.66%, 0.4%

LAB 37.74, 54.38, 14.69

 

CMYK 0 / 78 / 79 / 34

HEX #A82523

RGB 168 37 35

HSL 0.9, 0.66%, 0.4%

LAB 37.43, 52.06, 34.71

 

CMYK 0 / 79 / 39 / 61

HEX #64153D

RGB 100 21 61

HSL 329.62, 0.65%, 0.24%

LAB 22.24, 38.22, -4.58

 

CMYK 0 / 79 / 39 / 47

HEX #861C52

RGB 134 28 82

HSL 329.43, 0.65%, 0.32%

LAB 30.66, 48.1, -5.42

 

CMYK 0 / 79 / 39 / 34

HEX #A82366

RGB 168 35 102

HSL 329.77, 0.66%, 0.4%

LAB 38.7, 57.33, -5.63

 

CMYK 0 / 79 / 39 / 21

HEX #CA2A7B

RGB 202 42 123

HSL 329.63, 0.66%, 0.48%

LAB 46.5, 66.27, -6.38

 

CMYK 0 / 67 / 33 / 16

HEX #D74690

RGB 215 70 144

HSL 329.38, 0.64%, 0.56%

LAB 52.78, 62.78, -9.43

 

CMYK 0 / 79 / 39 / 35

HEX #A72366

RGB 167 35 102

HSL 329.55, 0.65%, 0.4%

LAB 38.51, 57.06, -5.93

 

CMYK 0 / 25 / 79 / 34

HEX #A87E23

RGB 168 126 35

HSL 41.05, 0.66%, 0.4%

LAB 55.45, 7.67, 52.34

 

CMYK 79 / 7 / 0 / 34

HEX #239DA8

RGB 35 157 168

HSL 184.96, 0.66%, 0.4%

LAB 59.25, -27.86, -15

 

CMYK 0 / 79 / 39 / 35

HEX #A72366

RGB 167 35 102

HSL 329.55, 0.65%, 0.4%

LAB 38.51, 57.06, -5.93

 

CMYK 38 / 0 / 79 / 34

HEX #68A823

RGB 104 168 35

HSL 88.87, 0.66%, 0.4%

LAB 62.57, -41.18, 57.16

 

CMYK 79 / 38 / 0 / 34

HEX #2368A8

RGB 35 104 168

HSL 208.87, 0.66%, 0.4%

LAB 42.89, 1.85, -40.38

 

CMYK 0 / 79 / 39 / 35

HEX #A72366

RGB 167 35 102

HSL 329.55, 0.65%, 0.4%

LAB 38.51, 57.06, -5.93

 

CMYK 0 / 25 / 79 / 34

HEX #A87E23

RGB 168 126 35

HSL 41.05, 0.66%, 0.4%

LAB 55.45, 7.67, 52.34

 

CMYK 79 / 0 / 41 / 34

HEX #23A863

RGB 35 168 99

HSL 148.87, 0.66%, 0.4%

LAB 61.01, -50.53, 26.03

 

CMYK 79 / 54 / 0 / 34

HEX #234DA8

RGB 35 77 168

HSL 221.05, 0.66%, 0.4%

LAB 34.99, 19.49, -53.07

 

CMYK 0 / 79 / 39 / 35

HEX #A72366

RGB 167 35 102

HSL 329.55, 0.65%, 0.4%

LAB 38.51, 57.06, -5.93

 

CMYK 0 / 1 / 79 / 34

HEX #A8A623

RGB 168 166 35

HSL 59.1, 0.66%, 0.4%

LAB 66.3, -14, 62.17

 

CMYK 79 / 0 / 41 / 34

HEX #23A863

RGB 35 168 99

HSL 148.87, 0.66%, 0.4%

LAB 61.01, -50.53, 26.03

 

CMYK 79 / 78 / 0 / 34

HEX #2325A8

RGB 35 37 168

HSL 239.1, 0.66%, 0.4%

LAB 25.28, 44.97, -68.98

 

Description

Color code: HEX #A72366 | qconv.com Color code: HEX #A72366 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 35 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 35 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 39 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 39% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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