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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7249E it is the complementary color #58DB61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7249E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7249E shade: #AC2499, #BD36AC, #CE48BF, #DF5AD2 and #F06CE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7249E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7249E shade: #A7249E, #96128B, #850078, #740065 and #630052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7249E shade: #A8239F, #A8237B, #A82357, #A82333 and #A82323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7249E shade: #A8239F, #8D23A8, #6923A8, #4623A8 and #2323A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7249E shade matches the following richer shades: #A8239F, #B813AD and #C902BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7249E shade: #A8239F, #973490, #874482, #765574 and #666566

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7249E shade: #6A23A8, #8D23A8, #A8239F, #A8237C and #A82358

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7249E shade: #64155E, #861C7E, #A8239F, #CA2ABF and #D746CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7249E shade: #A7249E, #A84723 and #23A87C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7249E shade: #A7249E, #9FA823 and #239FA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7249E shade: #A7249E, #A84723, #23A82C and #2384A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7249E shade: #A7249E, #A86E23, #23A82C and #235DA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 5 / 35

HEX #A7249E

RGB 167 36 158

HSL 304.12, 0.65%, 0.4%

LAB 41.13, 64.14, -36.46

 

Complementary color

CMYK 60 / 0 / 56 / 14

HEX #58DB61

RGB 88 219 97

HSL 124.12, 0.65%, 0.6%

LAB 78.23, -60.09, 48.78

 

CMYK 0 / 79 / 11 / 33

HEX #AC2499

RGB 172 36 153

HSL 308.38, 0.65%, 0.41%

LAB 41.74, 64.47, -32.42

 

CMYK 0 / 71 / 9 / 26

HEX #BD36AC

RGB 189 54 172

HSL 307.56, 0.56%, 0.48%

LAB 47.54, 65.61, -34.44

 

CMYK 0 / 65 / 7 / 19

HEX #CE48BF

RGB 206 72 191

HSL 306.72, 0.58%, 0.55%

LAB 53.51, 66.04, -35.96

 

CMYK 0 / 60 / 6 / 13

HEX #DF5AD2

RGB 223 90 210

HSL 305.86, 0.68%, 0.61%

LAB 59.57, 66.02, -37.15

 

CMYK 0 / 55 / 5 / 6

HEX #F06CE5

RGB 240 108 229

HSL 305, 0.81%, 0.68%

LAB 65.68, 65.71, -38.09

 

CMYK 0 / 78 / 5 / 35

HEX #A7249E

RGB 167 36 158

HSL 304.12, 0.65%, 0.4%

LAB 41.13, 64.14, -36.46

 

CMYK 0 / 88 / 7 / 41

HEX #96128B

RGB 150 18 139

HSL 305, 0.79%, 0.33%

LAB 35.56, 61.96, -33.9

 

CMYK 0 / 100 / 10 / 48

HEX #850078

RGB 133 0 120

HSL 305.86, 1%, 0.26%

LAB 30.26, 58.63, -30.62

 

CMYK 0 / 100 / 13 / 55

HEX #740065

RGB 116 0 101

HSL 307.76, 1%, 0.23%

LAB 25.72, 52.63, -25.8

 

CMYK 0 / 100 / 17 / 61

HEX #630052

RGB 99 0 82

HSL 310.3, 1%, 0.19%

LAB 21.06, 46.47, -20.77

 

CMYK 0 / 79 / 5 / 34

HEX #A8239F

RGB 168 35 159

HSL 304.06, 0.66%, 0.4%

LAB 41.26, 64.78, -36.84

 

CMYK 0 / 79 / 27 / 34

HEX #A8237B

RGB 168 35 123

HSL 320.3, 0.66%, 0.4%

LAB 39.51, 59.74, -17.57

 

CMYK 0 / 79 / 48 / 34

HEX #A82357

RGB 168 35 87

HSL 336.54, 0.66%, 0.4%

LAB 38.23, 55.88, 3.21

 

CMYK 0 / 79 / 70 / 34

HEX #A82333

RGB 168 35 51

HSL 352.78, 0.66%, 0.4%

LAB 37.42, 53.36, 25.05

 

CMYK 0 / 79 / 79 / 34

HEX #A82323

RGB 168 35 35

HSL 0, 0.66%, 0.4%

LAB 37.2, 52.68, 34.48

 

CMYK 0 / 79 / 5 / 34

HEX #A8239F

RGB 168 35 159

HSL 304.06, 0.66%, 0.4%

LAB 41.26, 64.78, -36.84

 

CMYK 16 / 79 / 0 / 34

HEX #8D23A8

RGB 141 35 168

HSL 287.82, 0.66%, 0.4%

LAB 37.28, 60.89, -48.86

 

CMYK 38 / 79 / 0 / 34

HEX #6923A8

RGB 105 35 168

HSL 271.58, 0.66%, 0.4%

LAB 31.88, 54.46, -57.88

 

CMYK 58 / 79 / 0 / 34

HEX #4623A8

RGB 70 35 168

HSL 255.79, 0.66%, 0.4%

LAB 27.66, 49.38, -64.96

 

CMYK 79 / 79 / 0 / 34

HEX #2323A8

RGB 35 35 168

HSL 240, 0.66%, 0.4%

LAB 24.91, 46.04, -69.6

 

CMYK 0 / 79 / 5 / 34

HEX #A8239F

RGB 168 35 159

HSL 304.06, 0.66%, 0.4%

LAB 41.26, 64.78, -36.84

 

CMYK 0 / 90 / 6 / 28

HEX #B813AD

RGB 184 19 173

HSL 304, 0.81%, 0.4%

LAB 43.76, 73.28, -41.06

 

CMYK 0 / 99 / 7 / 21

HEX #C902BB

RGB 201 2 187

HSL 304.22, 0.98%, 0.4%

LAB 47.04, 79.98, -43.92

 

CMYK 0 / 79 / 5 / 34

HEX #A8239F

RGB 168 35 159

HSL 304.06, 0.66%, 0.4%

LAB 41.26, 64.78, -36.84

 

CMYK 0 / 66 / 5 / 41

HEX #973490

RGB 151 52 144

HSL 304.24, 0.49%, 0.4%

LAB 39.66, 52.55, -30.48

 

CMYK 0 / 50 / 4 / 47

HEX #874482

RGB 135 68 130

HSL 304.48, 0.33%, 0.4%

LAB 39.41, 37.76, -22.49

 

CMYK 0 / 28 / 2 / 54

HEX #765574

RGB 118 85 116

HSL 303.64, 0.16%, 0.4%

LAB 40.59, 19.34, -12.27

 

CMYK 0 / 1 / 0 / 60

HEX #666566

RGB 102 101 102

HSL 300, 0%, 0.4%

LAB 42.9, 0.6, -0.43

 

CMYK 37 / 79 / 0 / 34

HEX #6A23A8

RGB 106 35 168

HSL 272.03, 0.66%, 0.4%

LAB 32.02, 54.62, -57.65

 

CMYK 16 / 79 / 0 / 34

HEX #8D23A8

RGB 141 35 168

HSL 287.82, 0.66%, 0.4%

LAB 37.28, 60.89, -48.86

 

CMYK 0 / 79 / 5 / 34

HEX #A8239F

RGB 168 35 159

HSL 304.06, 0.66%, 0.4%

LAB 41.26, 64.78, -36.84

 

CMYK 0 / 79 / 26 / 34

HEX #A8237C

RGB 168 35 124

HSL 319.85, 0.66%, 0.4%

LAB 39.55, 59.86, -18.13

 

CMYK 0 / 79 / 48 / 34

HEX #A82358

RGB 168 35 88

HSL 336.09, 0.66%, 0.4%

LAB 38.25, 55.97, 2.62

 

CMYK 0 / 79 / 6 / 61

HEX #64155E

RGB 100 21 94

HSL 304.56, 0.65%, 0.24%

LAB 23.85, 43.12, -24.37

 

CMYK 0 / 79 / 6 / 47

HEX #861C7E

RGB 134 28 126

HSL 304.53, 0.65%, 0.32%

LAB 32.71, 54.17, -30.51

 

CMYK 0 / 79 / 5 / 34

HEX #A8239F

RGB 168 35 159

HSL 304.06, 0.66%, 0.4%

LAB 41.26, 64.78, -36.84

 

CMYK 0 / 79 / 5 / 21

HEX #CA2ABF

RGB 202 42 191

HSL 304.13, 0.66%, 0.48%

LAB 49.46, 74.8, -42.39

 

CMYK 0 / 67 / 5 / 16

HEX #D746CD

RGB 215 70 205

HSL 304.14, 0.64%, 0.56%

LAB 55.31, 71.12, -41.08

 

CMYK 0 / 78 / 5 / 35

HEX #A7249E

RGB 167 36 158

HSL 304.12, 0.65%, 0.4%

LAB 41.13, 64.14, -36.46

 

CMYK 0 / 58 / 79 / 34

HEX #A84723

RGB 168 71 35

HSL 16.24, 0.66%, 0.4%

LAB 42.69, 37.85, 40.09

 

CMYK 79 / 0 / 26 / 34

HEX #23A87C

RGB 35 168 124

HSL 160.15, 0.66%, 0.4%

LAB 61.5, -45.14, 13.04

 

CMYK 0 / 78 / 5 / 35

HEX #A7249E

RGB 167 36 158

HSL 304.12, 0.65%, 0.4%

LAB 41.13, 64.14, -36.46

 

CMYK 5 / 0 / 79 / 34

HEX #9FA823

RGB 159 168 35

HSL 64.06, 0.66%, 0.4%

LAB 66.13, -18.96, 61.74

 

CMYK 79 / 5 / 0 / 34

HEX #239FA8

RGB 35 159 168

HSL 184.06, 0.66%, 0.4%

LAB 59.87, -28.85, -14.06

 

CMYK 0 / 78 / 5 / 35

HEX #A7249E

RGB 167 36 158

HSL 304.12, 0.65%, 0.4%

LAB 41.13, 64.14, -36.46

 

CMYK 0 / 58 / 79 / 34

HEX #A84723

RGB 168 71 35

HSL 16.24, 0.66%, 0.4%

LAB 42.69, 37.85, 40.09

 

CMYK 79 / 0 / 74 / 34

HEX #23A82C

RGB 35 168 44

HSL 124.06, 0.66%, 0.4%

LAB 60.38, -58.11, 51.21

 

CMYK 79 / 21 / 0 / 34

HEX #2384A8

RGB 35 132 168

HSL 196.24, 0.66%, 0.4%

LAB 51.48, -14.72, -26.89

 

CMYK 0 / 78 / 5 / 35

HEX #A7249E

RGB 167 36 158

HSL 304.12, 0.65%, 0.4%

LAB 41.13, 64.14, -36.46

 

CMYK 0 / 35 / 79 / 34

HEX #A86E23

RGB 168 110 35

HSL 33.83, 0.66%, 0.4%

LAB 51.38, 16.69, 48.53

 

CMYK 79 / 0 / 74 / 34

HEX #23A82C

RGB 35 168 44

HSL 124.06, 0.66%, 0.4%

LAB 60.38, -58.11, 51.21

 

CMYK 79 / 45 / 0 / 34

HEX #235DA8

RGB 35 93 168

HSL 213.83, 0.66%, 0.4%

LAB 39.6, 8.88, -45.63

 

Description

Color code: HEX #A7249E | qconv.com Color code: HEX #A7249E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 36 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 36 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 5 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 5% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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