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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A71095 it is the complementary color #58EF6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A71095. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A71095 shade: #AC1090, #BD22A3, #CE34B6, #DF46C9 and #F058DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A71095. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A71095 shade: #A71095, #960082, #85006F, #74005C and #630049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A71095 shade: #A70F95, #A70F6C, #A70F43, #A70F1A and #A70F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A71095 shade: #A70F95, #910FA7, #670FA7, #3E0FA7 and #150FA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A71095 shade matches the following richer shades: #A70F95 and #B600A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A71095 shade: #A70F95, #991E8A, #8A2D7F, #7B3C73 and #6C4B68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A71095 shade: #680FA7, #910FA7, #A70F96, #A70F6D and #A70F44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A71095 shade: #5C0852, #820C74, #A70F95, #CD13B7 and #EA1FD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A71095 shade: #A71095, #A73F0F and #0FA77C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A71095 shade: #A71095, #96A70F and #0F96A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A71095 shade: #A71095, #A73F0F, #0FA721 and #0F77A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A71095 shade: #A71095, #A76D0F, #0FA721 and #0F4AA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 11 / 35

HEX #A71095

RGB 167 16 149

HSL 307.15, 0.83%, 0.36%

LAB 39.17, 67.08, -34.12

 

Complementary color

CMYK 63 / 0 / 56 / 6

HEX #58EF6A

RGB 88 239 106

HSL 127.15, 0.83%, 0.64%

LAB 84.41, -66.09, 52

 

CMYK 0 / 91 / 16 / 33

HEX #AC1090

RGB 172 16 144

HSL 310.77, 0.83%, 0.37%

LAB 39.84, 67.38, -29.94

 

CMYK 0 / 82 / 14 / 26

HEX #BD22A3

RGB 189 34 163

HSL 310.06, 0.7%, 0.44%

LAB 45.09, 70.04, -32.95

 

CMYK 0 / 75 / 12 / 19

HEX #CE34B6

RGB 206 52 182

HSL 309.35, 0.61%, 0.51%

LAB 50.63, 71.59, -35.25

 

CMYK 0 / 69 / 10 / 13

HEX #DF46C9

RGB 223 70 201

HSL 308.63, 0.71%, 0.57%

LAB 56.37, 72.38, -37.04

 

CMYK 0 / 63 / 8 / 6

HEX #F058DC

RGB 240 88 220

HSL 307.89, 0.84%, 0.64%

LAB 62.23, 72.64, -38.45

 

CMYK 0 / 90 / 11 / 35

HEX #A71095

RGB 167 16 149

HSL 307.15, 0.83%, 0.36%

LAB 39.17, 67.08, -34.12

 

CMYK 0 / 100 / 13 / 41

HEX #960082

RGB 150 0 130

HSL 308, 1%, 0.29%

LAB 34.18, 63.23, -30.49

 

CMYK 0 / 100 / 17 / 48

HEX #85006F

RGB 133 0 111

HSL 309.92, 1%, 0.26%

LAB 29.75, 57.36, -25.69

 

CMYK 0 / 100 / 21 / 55

HEX #74005C

RGB 116 0 92

HSL 312.41, 1%, 0.23%

LAB 25.22, 51.37, -20.68

 

CMYK 0 / 100 / 26 / 61

HEX #630049

RGB 99 0 73

HSL 315.76, 1%, 0.19%

LAB 20.57, 45.23, -15.4

 

CMYK 0 / 91 / 11 / 35

HEX #A70F95

RGB 167 15 149

HSL 307.11, 0.84%, 0.36%

LAB 39.12, 67.23, -34.19

 

CMYK 0 / 91 / 35 / 35

HEX #A70F6C

RGB 167 15 108

HSL 323.29, 0.84%, 0.36%

LAB 37.19, 62.14, -11.72

 

CMYK 0 / 91 / 60 / 35

HEX #A70F43

RGB 167 15 67

HSL 339.47, 0.84%, 0.36%

LAB 35.91, 58.62, 12.82

 

CMYK 0 / 91 / 84 / 35

HEX #A70F1A

RGB 167 15 26

HSL 355.66, 0.84%, 0.36%

LAB 35.27, 56.78, 37.59

 

CMYK 0 / 91 / 91 / 35

HEX #A70F0F

RGB 167 15 15

HSL 0, 0.84%, 0.36%

LAB 35.19, 56.56, 43.05

 

CMYK 0 / 91 / 11 / 35

HEX #A70F95

RGB 167 15 149

HSL 307.11, 0.84%, 0.36%

LAB 39.12, 67.23, -34.19

 

CMYK 13 / 91 / 0 / 35

HEX #910FA7

RGB 145 15 167

HSL 291.32, 0.84%, 0.36%

LAB 36.27, 66.12, -49.86

 

CMYK 38 / 91 / 0 / 35

HEX #670FA7

RGB 103 15 167

HSL 274.74, 0.84%, 0.36%

LAB 29.45, 59.97, -61.26

 

CMYK 63 / 91 / 0 / 35

HEX #3E0FA7

RGB 62 15 167

HSL 258.55, 0.84%, 0.36%

LAB 24.18, 55.82, -70.14

 

CMYK 87 / 91 / 0 / 35

HEX #150FA7

RGB 21 15 167

HSL 242.37, 0.84%, 0.36%

LAB 21.17, 53.8, -75.22

 

CMYK 0 / 91 / 11 / 35

HEX #A70F95

RGB 167 15 149

HSL 307.11, 0.84%, 0.36%

LAB 39.12, 67.23, -34.19

 

CMYK 0 / 100 / 12 / 29

HEX #B600A1

RGB 182 0 161

HSL 306.92, 1%, 0.36%

LAB 42.03, 73.3, -36.67

 

CMYK 0 / 91 / 11 / 35

HEX #A70F95

RGB 167 15 149

HSL 307.11, 0.84%, 0.36%

LAB 39.12, 67.23, -34.19

 

CMYK 0 / 80 / 10 / 40

HEX #991E8A

RGB 153 30 138

HSL 307.32, 0.67%, 0.36%

LAB 37, 59.7, -30.98

 

CMYK 0 / 67 / 8 / 46

HEX #8A2D7F

RGB 138 45 127

HSL 307.1, 0.51%, 0.36%

LAB 35.62, 49.19, -26.51

 

CMYK 0 / 51 / 7 / 52

HEX #7B3C73

RGB 123 60 115

HSL 307.62, 0.34%, 0.36%

LAB 35.36, 35.43, -19.59

 

CMYK 0 / 31 / 4 / 58

HEX #6C4B68

RGB 108 75 104

HSL 307.27, 0.18%, 0.36%

LAB 36.4, 19.24, -11.28

 

CMYK 38 / 91 / 0 / 35

HEX #680FA7

RGB 104 15 167

HSL 275.13, 0.84%, 0.36%

LAB 29.6, 60.1, -61.01

 

CMYK 13 / 91 / 0 / 35

HEX #910FA7

RGB 145 15 167

HSL 291.32, 0.84%, 0.36%

LAB 36.27, 66.12, -49.86

 

CMYK 0 / 91 / 10 / 35

HEX #A70F96

RGB 167 15 150

HSL 306.71, 0.84%, 0.36%

LAB 39.17, 67.37, -34.72

 

CMYK 0 / 91 / 35 / 35

HEX #A70F6D

RGB 167 15 109

HSL 322.89, 0.84%, 0.36%

LAB 37.23, 62.24, -12.29

 

CMYK 0 / 91 / 59 / 35

HEX #A70F44

RGB 167 15 68

HSL 339.08, 0.84%, 0.36%

LAB 35.94, 58.68, 12.2

 

CMYK 0 / 91 / 11 / 64

HEX #5C0852

RGB 92 8 82

HSL 307.14, 0.84%, 0.2%

LAB 20.28, 42.99, -22.11

 

CMYK 0 / 91 / 11 / 49

HEX #820C74

RGB 130 12 116

HSL 307.12, 0.83%, 0.28%

LAB 30.08, 55.57, -28.4

 

CMYK 0 / 91 / 11 / 35

HEX #A70F95

RGB 167 15 149

HSL 307.11, 0.84%, 0.36%

LAB 39.12, 67.23, -34.19

 

CMYK 0 / 91 / 11 / 20

HEX #CD13B7

RGB 205 19 183

HSL 307.1, 0.83%, 0.44%

LAB 48.09, 78.55, -39.86

 

CMYK 0 / 87 / 10 / 8

HEX #EA1FD2

RGB 234 31 210

HSL 307.09, 0.83%, 0.52%

LAB 55.2, 85.82, -43.9

 

CMYK 0 / 90 / 11 / 35

HEX #A71095

RGB 167 16 149

HSL 307.15, 0.83%, 0.36%

LAB 39.17, 67.08, -34.12

 

CMYK 0 / 62 / 91 / 35

HEX #A73F0F

RGB 167 63 15

HSL 18.95, 0.84%, 0.36%

LAB 40.9, 40.79, 47.23

 

CMYK 91 / 0 / 26 / 35

HEX #0FA77C

RGB 15 167 124

HSL 163.03, 0.84%, 0.36%

LAB 60.95, -46.41, 12.25

 

CMYK 0 / 90 / 11 / 35

HEX #A71095

RGB 167 16 149

HSL 307.15, 0.83%, 0.36%

LAB 39.17, 67.08, -34.12

 

CMYK 10 / 0 / 91 / 35

HEX #96A70F

RGB 150 167 15

HSL 66.71, 0.84%, 0.36%

LAB 65.09, -22.94, 65.21

 

CMYK 91 / 10 / 0 / 35

HEX #0F96A7

RGB 15 150 167

HSL 186.71, 0.84%, 0.36%

LAB 56.79, -26.19, -18.19

 

CMYK 0 / 90 / 11 / 35

HEX #A71095

RGB 167 16 149

HSL 307.15, 0.83%, 0.36%

LAB 39.17, 67.08, -34.12

 

CMYK 0 / 62 / 91 / 35

HEX #A73F0F

RGB 167 63 15

HSL 18.95, 0.84%, 0.36%

LAB 40.9, 40.79, 47.23

 

CMYK 91 / 0 / 80 / 35

HEX #0FA721

RGB 15 167 33

HSL 127.11, 0.84%, 0.36%

LAB 59.75, -60.65, 54.24

 

CMYK 91 / 29 / 0 / 35

HEX #0F77A7

RGB 15 119 167

HSL 198.95, 0.84%, 0.36%

LAB 47.09, -9.33, -33.19

 

CMYK 0 / 90 / 11 / 35

HEX #A71095

RGB 167 16 149

HSL 307.15, 0.83%, 0.36%

LAB 39.17, 67.08, -34.12

 

CMYK 0 / 35 / 91 / 35

HEX #A76D0F

RGB 167 109 15

HSL 37.11, 0.84%, 0.36%

LAB 50.91, 16.22, 54.8

 

CMYK 91 / 0 / 80 / 35

HEX #0FA721

RGB 15 167 33

HSL 127.11, 0.84%, 0.36%

LAB 59.75, -60.65, 54.24

 

CMYK 91 / 56 / 0 / 35

HEX #0F4AA7

RGB 15 74 167

HSL 216.71, 0.84%, 0.36%

LAB 33.54, 19.49, -54.85

 

Description

Color code: HEX #A71095 | qconv.com Color code: HEX #A71095 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 16 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 16 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 11 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 11% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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