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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A71675 it is the complementary color #58E98A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A71675. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A71675 shade: #AC1670, #BD2883, #CE3A96, #DF4CA9 and #F05EBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A71675. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A71675 shade: #A71675, #960462, #85004F, #74003C and #630029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A71675 shade: #A61574, #A6154D, #A61526 and #A61515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A71675 shade: #A61574, #A6159C, #8A15A6, #6315A6 and #3C15A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A71675 shade matches the following richer shades: #A61574 and #B60679

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A71675 shade: #A61574, #972470, #88346B, #794366 and #695261

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A71675 shade: #8915A6, #A6159D, #A61576, #A6154F and #A61529

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A71675 shade: #5D0C41, #82105B, #A61574, #CB1A8E and #E32BA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A71675 shade: #A71675, #A66315 and #15A69D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A71675 shade: #A71675, #76A615 and #1576A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A71675 shade: #A71675, #A66315, #15A646 and #1559A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A71675 shade: #A71675, #A68E15, #15A646 and #152DA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 30 / 35

HEX #A71675

RGB 167 22 117

HSL 320.69, 0.77%, 0.37%

LAB 37.97, 61.92, -16.2

 

Complementary color

CMYK 62 / 0 / 41 / 9

HEX #58E98A

RGB 88 233 138

HSL 140.69, 0.77%, 0.63%

LAB 83.01, -59.24, 34.95

 

CMYK 0 / 87 / 35 / 33

HEX #AC1670

RGB 172 22 112

HSL 324, 0.77%, 0.38%

LAB 38.75, 62.51, -11.78

 

CMYK 0 / 79 / 31 / 26

HEX #BD2883

RGB 189 40 131

HSL 323.36, 0.65%, 0.45%

LAB 44.2, 64.44, -14.99

 

CMYK 0 / 72 / 27 / 19

HEX #CE3A96

RGB 206 58 150

HSL 322.7, 0.6%, 0.52%

LAB 49.92, 65.41, -17.47

 

CMYK 0 / 66 / 24 / 13

HEX #DF4CA9

RGB 223 76 169

HSL 322.04, 0.7%, 0.59%

LAB 55.81, 65.73, -19.43

 

CMYK 0 / 61 / 22 / 6

HEX #F05EBC

RGB 240 94 188

HSL 321.37, 0.83%, 0.65%

LAB 61.79, 65.64, -21.01

 

CMYK 0 / 87 / 30 / 35

HEX #A71675

RGB 167 22 117

HSL 320.69, 0.77%, 0.37%

LAB 37.97, 61.92, -16.2

 

CMYK 0 / 97 / 35 / 41

HEX #960462

RGB 150 4 98

HSL 321.37, 0.95%, 0.3%

LAB 32.82, 58.74, -12.29

 

CMYK 0 / 100 / 41 / 48

HEX #85004F

RGB 133 0 79

HSL 324.36, 1%, 0.26%

LAB 28.25, 53.55, -7.07

 

CMYK 0 / 100 / 48 / 55

HEX #74003C

RGB 116 0 60

HSL 328.97, 1%, 0.23%

LAB 23.8, 47.73, -1.2

 

CMYK 0 / 100 / 59 / 61

HEX #630029

RGB 99 0 41

HSL 335.15, 1%, 0.19%

LAB 19.28, 41.87, 5.15

 

CMYK 0 / 87 / 30 / 35

HEX #A61574

RGB 166 21 116

HSL 320.69, 0.78%, 0.37%

LAB 37.67, 61.77, -16.05

 

CMYK 0 / 87 / 54 / 35

HEX #A6154D

RGB 166 21 77

HSL 336.83, 0.78%, 0.37%

LAB 36.33, 58, 6.88

 

CMYK 0 / 87 / 77 / 35

HEX #A61526

RGB 166 21 38

HSL 352.97, 0.78%, 0.37%

LAB 35.56, 55.78, 30.81

 

CMYK 0 / 87 / 87 / 35

HEX #A61515

RGB 166 21 21

HSL 0, 0.78%, 0.37%

LAB 35.4, 55.29, 40.26

 

CMYK 0 / 87 / 30 / 35

HEX #A61574

RGB 166 21 116

HSL 320.69, 0.78%, 0.37%

LAB 37.67, 61.77, -16.05

 

CMYK 0 / 87 / 6 / 35

HEX #A6159C

RGB 166 21 156

HSL 304.14, 0.78%, 0.37%

LAB 39.65, 67.08, -37.6

 

CMYK 17 / 87 / 0 / 35

HEX #8A15A6

RGB 138 21 166

HSL 288.41, 0.78%, 0.37%

LAB 35.39, 63.67, -50.75

 

CMYK 40 / 87 / 0 / 35

HEX #6315A6

RGB 99 21 166

HSL 272.28, 0.78%, 0.37%

LAB 29.27, 57.77, -60.98

 

CMYK 64 / 87 / 0 / 35

HEX #3C15A6

RGB 60 21 166

HSL 256.14, 0.78%, 0.37%

LAB 24.48, 53.53, -69.04

 

CMYK 0 / 87 / 30 / 35

HEX #A61574

RGB 166 21 116

HSL 320.69, 0.78%, 0.37%

LAB 37.67, 61.77, -16.05

 

CMYK 0 / 97 / 34 / 29

HEX #B60679

RGB 182 6 121

HSL 320.8, 0.94%, 0.37%

LAB 40.34, 67.87, -14.82

 

CMYK 0 / 87 / 30 / 35

HEX #A61574

RGB 166 21 116

HSL 320.69, 0.78%, 0.37%

LAB 37.67, 61.77, -16.05

 

CMYK 0 / 76 / 26 / 41

HEX #972470

RGB 151 36 112

HSL 320.35, 0.61%, 0.37%

LAB 36.01, 53.73, -16.33

 

CMYK 0 / 62 / 21 / 47

HEX #88346B

RGB 136 52 107

HSL 320.71, 0.45%, 0.37%

LAB 35.5, 42.29, -14.17

 

CMYK 0 / 45 / 16 / 53

HEX #794366

RGB 121 67 102

HSL 321.11, 0.29%, 0.37%

LAB 36.06, 28.45, -10.38

 

CMYK 0 / 22 / 8 / 59

HEX #695261

RGB 105 82 97

HSL 320.87, 0.12%, 0.37%

LAB 37.66, 12.36, -5.04

 

CMYK 17 / 87 / 0 / 35

HEX #8915A6

RGB 137 21 166

HSL 288, 0.78%, 0.37%

LAB 35.22, 63.51, -51.03

 

CMYK 0 / 87 / 5 / 35

HEX #A6159D

RGB 166 21 157

HSL 303.72, 0.78%, 0.37%

LAB 39.71, 67.23, -38.12

 

CMYK 0 / 87 / 29 / 35

HEX #A61576

RGB 166 21 118

HSL 319.86, 0.78%, 0.37%

LAB 37.75, 62, -17.18

 

CMYK 0 / 87 / 52 / 35

HEX #A6154F

RGB 166 21 79

HSL 336, 0.78%, 0.37%

LAB 36.38, 58.15, 5.66

 

CMYK 0 / 87 / 75 / 35

HEX #A61529

RGB 166 21 41

HSL 351.72, 0.78%, 0.37%

LAB 35.6, 55.9, 29.02

 

CMYK 0 / 87 / 30 / 64

HEX #5D0C41

RGB 93 12 65

HSL 320.74, 0.77%, 0.21%

LAB 19.93, 39.69, -10.98

 

CMYK 0 / 88 / 30 / 49

HEX #82105B

RGB 130 16 91

HSL 320.53, 0.78%, 0.29%

LAB 29.09, 51.37, -13.79

 

CMYK 0 / 87 / 30 / 35

HEX #A61574

RGB 166 21 116

HSL 320.69, 0.78%, 0.37%

LAB 37.67, 61.77, -16.05

 

CMYK 0 / 87 / 30 / 20

HEX #CB1A8E

RGB 203 26 142

HSL 320.68, 0.77%, 0.45%

LAB 46.16, 72.04, -18.45

 

CMYK 0 / 81 / 28 / 11

HEX #E32BA4

RGB 227 43 164

HSL 320.54, 0.77%, 0.53%

LAB 52.66, 76.36, -21.25

 

CMYK 0 / 87 / 30 / 35

HEX #A71675

RGB 167 22 117

HSL 320.69, 0.77%, 0.37%

LAB 37.97, 61.92, -16.2

 

CMYK 0 / 40 / 87 / 35

HEX #A66315

RGB 166 99 21

HSL 32.28, 0.78%, 0.37%

LAB 48.37, 21.55, 51

 

CMYK 87 / 0 / 5 / 35

HEX #15A69D

RGB 21 166 157

HSL 176.28, 0.78%, 0.37%

LAB 61.54, -36.67, -5.38

 

CMYK 0 / 87 / 30 / 35

HEX #A71675

RGB 167 22 117

HSL 320.69, 0.77%, 0.37%

LAB 37.97, 61.92, -16.2

 

CMYK 29 / 0 / 87 / 35

HEX #76A615

RGB 118 166 21

HSL 79.86, 0.78%, 0.37%

LAB 62.66, -35.61, 61.2

 

CMYK 87 / 29 / 0 / 35

HEX #1576A6

RGB 21 118 166

HSL 199.86, 0.78%, 0.37%

LAB 46.8, -8.73, -33.05

 

CMYK 0 / 87 / 30 / 35

HEX #A71675

RGB 167 22 117

HSL 320.69, 0.77%, 0.37%

LAB 37.97, 61.92, -16.2

 

CMYK 0 / 40 / 87 / 35

HEX #A66315

RGB 166 99 21

HSL 32.28, 0.78%, 0.37%

LAB 48.37, 21.55, 51

 

CMYK 87 / 0 / 58 / 35

HEX #15A646

RGB 21 166 70

HSL 140.28, 0.78%, 0.37%

LAB 59.77, -56.11, 39.28

 

CMYK 87 / 46 / 0 / 35

HEX #1559A6

RGB 21 89 166

HSL 211.86, 0.78%, 0.37%

LAB 37.95, 9.39, -47.12

 

CMYK 0 / 87 / 30 / 35

HEX #A71675

RGB 167 22 117

HSL 320.69, 0.77%, 0.37%

LAB 37.97, 61.92, -16.2

 

CMYK 0 / 14 / 87 / 35

HEX #A68E15

RGB 166 142 21

HSL 50.07, 0.78%, 0.37%

LAB 59.44, -2.55, 60.05

 

CMYK 87 / 0 / 58 / 35

HEX #15A646

RGB 21 166 70

HSL 140.28, 0.78%, 0.37%

LAB 59.77, -56.11, 39.28

 

CMYK 87 / 73 / 0 / 35

HEX #152DA6

RGB 21 45 166

HSL 230.07, 0.78%, 0.37%

LAB 26.13, 38.73, -66.39

 

Description

Color code: HEX #A71675 | qconv.com Color code: HEX #A71675 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 22 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 22 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 30 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 30% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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