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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6E2A4 it is the complementary color #591D5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6E2A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6E2A4 shade: #ABE29F, #BCF4B2, #CDFFC5, #DEFFD8 and #EFFFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6E2A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6E2A4 shade: #A6E2A4, #95D091, #84BE7E, #73AC6B and #629A58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6E2A4 shade: #A4E1A1, #B5E1A1, #C6E1A1, #D7E1A1 and #E1DAA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6E2A4 shade: #A4E1A1, #A1E1B1, #A1E1C2, #A1E1D3 and #A1DEE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6E2A4 shade matches the following richer shades: #A4E1A1, #9AEB98 and #91F58E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6E2A4 shade: #A4E1A1, #ADD7AB, #B6CDB5, #BFC3BF and #C9BAC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6E2A4 shade: #C6E1A1, #B5E1A1, #A4E1A1, #A1E1B0 and #A1E1C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6E2A4 shade: #66CD63, #85D782, #A4E1A1, #C2EBC1 and #E1F5E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6E2A4 shade: #A6E2A4, #A1D7E1 and #E1A1BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6E2A4 shade: #A6E2A4, #A1A4E1 and #E1A1A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6E2A4 shade: #A6E2A4, #A1D7E1, #DFA1E1 and #E1ACA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6E2A4 shade: #A6E2A4, #A1C3E1, #DFA1E1 and #E1BFA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 27 / 11

HEX #A6E2A4

RGB 166 226 164

HSL 118.06, 0.52%, 0.76%

LAB 84.58, -30.91, 24.34

 

Complementary color

CMYK 2 / 68 / 0 / 64

HEX #591D5B

RGB 89 29 91

HSL 298.06, 0.52%, 0.24%

LAB 22.85, 36.44, -24.09

 

CMYK 24 / 0 / 30 / 11

HEX #ABE29F

RGB 171 226 159

HSL 109.25, 0.54%, 0.75%

LAB 84.77, -30.05, 27.23

 

CMYK 23 / 0 / 27 / 4

HEX #BCF4B2

RGB 188 244 178

HSL 110.91, 0.75%, 0.83%

LAB 91.06, -29.87, 26.2

 

CMYK 20 / 0 / 23 / 0

HEX #CDFFC5

RGB 205 255 197

HSL 111.72, 1%, 0.89%

LAB 95.38, -26.4, 22.64

 

CMYK 13 / 0 / 15 / 0

HEX #DEFFD8

RGB 222 255 216

HSL 110.77, 1%, 0.92%

LAB 96.82, -17.63, 15.11

 

CMYK 6 / 0 / 8 / 0

HEX #EFFFEB

RGB 239 255 235

HSL 108, 1%, 0.96%

LAB 98.38, -8.75, 7.75

 

CMYK 27 / 0 / 27 / 11

HEX #A6E2A4

RGB 166 226 164

HSL 118.06, 0.52%, 0.76%

LAB 84.58, -30.91, 24.34

 

CMYK 28 / 0 / 30 / 18

HEX #95D091

RGB 149 208 145

HSL 116.19, 0.4%, 0.69%

LAB 78.2, -31.13, 25.39

 

CMYK 31 / 0 / 34 / 25

HEX #84BE7E

RGB 132 190 126

HSL 114.38, 0.33%, 0.62%

LAB 71.72, -31.36, 26.5

 

CMYK 33 / 0 / 38 / 33

HEX #73AC6B

RGB 115 172 107

HSL 112.62, 0.28%, 0.55%

LAB 65.13, -31.59, 27.68

 

CMYK 36 / 0 / 43 / 40

HEX #629A58

RGB 98 154 88

HSL 110.91, 0.27%, 0.47%

LAB 58.43, -31.8, 28.93

 

CMYK 27 / 0 / 28 / 12

HEX #A4E1A1

RGB 164 225 161

HSL 117.19, 0.52%, 0.76%

LAB 84.13, -31.58, 25.26

 

CMYK 20 / 0 / 28 / 12

HEX #B5E1A1

RGB 181 225 161

HSL 101.25, 0.52%, 0.76%

LAB 85.12, -25.85, 26.77

 

CMYK 12 / 0 / 28 / 12

HEX #C6E1A1

RGB 198 225 161

HSL 85.31, 0.52%, 0.76%

LAB 86.22, -19.83, 28.45

 

CMYK 4 / 0 / 28 / 12

HEX #D7E1A1

RGB 215 225 161

HSL 69.38, 0.52%, 0.76%

LAB 87.42, -13.6, 30.27

 

CMYK 0 / 3 / 28 / 12

HEX #E1DAA1

RGB 225 218 161

HSL 53.44, 0.52%, 0.76%

LAB 86.37, -6.31, 28.98

 

CMYK 27 / 0 / 28 / 12

HEX #A4E1A1

RGB 164 225 161

HSL 117.19, 0.52%, 0.76%

LAB 84.13, -31.58, 25.26

 

CMYK 28 / 0 / 21 / 12

HEX #A1E1B1

RGB 161 225 177

HSL 135, 0.52%, 0.76%

LAB 84.28, -29.8, 17.11

 

CMYK 28 / 0 / 14 / 12

HEX #A1E1C2

RGB 161 225 194

HSL 150.94, 0.52%, 0.76%

LAB 84.65, -26.58, 8.71

 

CMYK 28 / 0 / 6 / 12

HEX #A1E1D3

RGB 161 225 211

HSL 166.88, 0.52%, 0.76%

LAB 85.06, -23.09, 0.34

 

CMYK 28 / 1 / 0 / 12

HEX #A1DEE1

RGB 161 222 225

HSL 182.81, 0.52%, 0.76%

LAB 84.62, -18.53, -7.72

 

CMYK 27 / 0 / 28 / 12

HEX #A4E1A1

RGB 164 225 161

HSL 117.19, 0.52%, 0.76%

LAB 84.13, -31.58, 25.26

 

CMYK 34 / 0 / 35 / 8

HEX #9AEB98

RGB 154 235 152

HSL 118.55, 0.67%, 0.76%

LAB 86.28, -40.77, 32.67

 

CMYK 41 / 0 / 42 / 4

HEX #91F58E

RGB 145 245 142

HSL 118.25, 0.84%, 0.76%

LAB 88.58, -49.28, 40.57

 

CMYK 27 / 0 / 28 / 12

HEX #A4E1A1

RGB 164 225 161

HSL 117.19, 0.52%, 0.76%

LAB 84.13, -31.58, 25.26

 

CMYK 20 / 0 / 20 / 16

HEX #ADD7AB

RGB 173 215 171

HSL 117.27, 0.35%, 0.76%

LAB 82.07, -22.11, 17.28

 

CMYK 11 / 0 / 12 / 20

HEX #B6CDB5

RGB 182 205 181

HSL 117.5, 0.19%, 0.76%

LAB 80.15, -12.25, 9.34

 

CMYK 2 / 0 / 2 / 24

HEX #BFC3BF

RGB 191 195 191

HSL 120, 0.03%, 0.76%

LAB 78.38, -2.12, 1.51

 

CMYK 0 / 7 / 0 / 21

HEX #C9BAC9

RGB 201 186 201

HSL 300, 0.12%, 0.76%

LAB 77.13, 8, -5.64

 

CMYK 12 / 0 / 28 / 12

HEX #C6E1A1

RGB 198 225 161

HSL 85.31, 0.52%, 0.76%

LAB 86.22, -19.83, 28.45

 

CMYK 20 / 0 / 28 / 12

HEX #B5E1A1

RGB 181 225 161

HSL 101.25, 0.52%, 0.76%

LAB 85.12, -25.85, 26.77

 

CMYK 27 / 0 / 28 / 12

HEX #A4E1A1

RGB 164 225 161

HSL 117.19, 0.52%, 0.76%

LAB 84.13, -31.58, 25.26

 

CMYK 28 / 0 / 22 / 12

HEX #A1E1B0

RGB 161 225 176

HSL 134.06, 0.52%, 0.76%

LAB 84.26, -29.98, 17.61

 

CMYK 28 / 0 / 14 / 12

HEX #A1E1C1

RGB 161 225 193

HSL 150, 0.52%, 0.76%

LAB 84.63, -26.78, 9.21

 

CMYK 50 / 0 / 52 / 20

HEX #66CD63

RGB 102 205 99

HSL 118.3, 0.51%, 0.6%

LAB 74.44, -51.05, 43.4

 

CMYK 38 / 0 / 40 / 16

HEX #85D782

RGB 133 215 130

HSL 117.88, 0.52%, 0.68%

LAB 79.16, -41.8, 34.25

 

CMYK 27 / 0 / 28 / 12

HEX #A4E1A1

RGB 164 225 161

HSL 117.19, 0.52%, 0.76%

LAB 84.13, -31.58, 25.26

 

CMYK 17 / 0 / 18 / 8

HEX #C2EBC1

RGB 194 235 193

HSL 118.57, 0.51%, 0.84%

LAB 89.27, -21.09, 16.06

 

CMYK 8 / 0 / 9 / 4

HEX #E1F5E0

RGB 225 245 224

HSL 117.14, 0.51%, 0.92%

LAB 94.61, -10.33, 7.87

 

CMYK 27 / 0 / 27 / 11

HEX #A6E2A4

RGB 166 226 164

HSL 118.06, 0.52%, 0.76%

LAB 84.58, -30.91, 24.34

 

CMYK 28 / 4 / 0 / 12

HEX #A1D7E1

RGB 161 215 225

HSL 189.38, 0.52%, 0.76%

LAB 82.71, -14.99, -10.55

 

CMYK 0 / 28 / 16 / 12

HEX #E1A1BD

RGB 225 161 189

HSL 333.75, 0.52%, 0.76%

LAB 73, 27.86, -4.92

 

CMYK 27 / 0 / 27 / 11

HEX #A6E2A4

RGB 166 226 164

HSL 118.06, 0.52%, 0.76%

LAB 84.58, -30.91, 24.34

 

CMYK 28 / 27 / 0 / 12

HEX #A1A4E1

RGB 161 164 225

HSL 237.19, 0.52%, 0.76%

LAB 69.16, 12.46, -31.11

 

CMYK 0 / 28 / 27 / 12

HEX #E1A1A4

RGB 225 161 164

HSL 357.19, 0.52%, 0.76%

LAB 72.35, 24.15, 7.91

 

CMYK 27 / 0 / 27 / 11

HEX #A6E2A4

RGB 166 226 164

HSL 118.06, 0.52%, 0.76%

LAB 84.58, -30.91, 24.34

 

CMYK 28 / 4 / 0 / 12

HEX #A1D7E1

RGB 161 215 225

HSL 189.38, 0.52%, 0.76%

LAB 82.71, -14.99, -10.55

 

CMYK 1 / 28 / 0 / 12

HEX #DFA1E1

RGB 223 161 225

HSL 298.13, 0.52%, 0.76%

LAB 73.94, 33.39, -23.3

 

CMYK 0 / 24 / 28 / 12

HEX #E1ACA1

RGB 225 172 161

HSL 10.31, 0.52%, 0.76%

LAB 74.88, 17.84, 13.15

 

CMYK 27 / 0 / 27 / 11

HEX #A6E2A4

RGB 166 226 164

HSL 118.06, 0.52%, 0.76%

LAB 84.58, -30.91, 24.34

 

CMYK 28 / 13 / 0 / 12

HEX #A1C3E1

RGB 161 195 225

HSL 208.13, 0.52%, 0.76%

LAB 77.31, -4.56, -18.66

 

CMYK 1 / 28 / 0 / 12

HEX #DFA1E1

RGB 223 161 225

HSL 298.13, 0.52%, 0.76%

LAB 73.94, 33.39, -23.3

 

CMYK 0 / 15 / 28 / 12

HEX #E1BFA1

RGB 225 191 161

HSL 28.13, 0.52%, 0.76%

LAB 79.52, 7.71, 19.64

 

Description

Color code: HEX #A6E2A4 | qconv.com Color code: HEX #A6E2A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 226 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 226 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 27 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 27% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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