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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6E093 it is the complementary color #591F6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6E093. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6E093 shade: #ABE08E, #BCF2A1, #CDFFB4, #DEFFC7 and #EFFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6E093. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6E093 shade: #A6E093, #95CE80, #84BC6D, #73AA5A and #629847

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6E093 shade: #A6E094, #BBE094, #CFE094, #E0DB94 and #E0C794

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6E093 shade: #A6E094, #94E096, #94E0AA, #94E0BE and #94E0D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6E093 shade matches the following richer shades: #A6E094, #A1EB89 and #9BF67E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6E093 shade: #A6E094, #ACD49F, #B2C9AA, #B7BEB5 and #BDB3C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6E093 shade: #CFE094, #BBE094, #A7E094, #94E095 and #94E0A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6E093 shade: #72CD54, #8CD674, #A6E094, #C1E9B4 and #DBF2D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6E093 shade: #A6E093, #94E0DC and #E094C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6E093 shade: #A6E093, #94A7E0 and #E094A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6E093 shade: #A6E093, #94E0DC, #CD94E0 and #E09498

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6E093 shade: #A6E093, #94CDE0, #CD94E0 and #E0A794

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 34 / 12

HEX #A6E093

RGB 166 224 147

HSL 105.19, 0.55%, 0.73%

LAB 83.72, -32.62, 31.92

 

Complementary color

CMYK 18 / 71 / 0 / 58

HEX #591F6C

RGB 89 31 108

HSL 285.19, 0.55%, 0.27%

LAB 24.28, 39.08, -32.94

 

CMYK 24 / 0 / 37 / 12

HEX #ABE08E

RGB 171 224 142

HSL 98.78, 0.57%, 0.72%

LAB 83.93, -31.62, 34.78

 

CMYK 22 / 0 / 33 / 5

HEX #BCF2A1

RGB 188 242 161

HSL 100, 0.76%, 0.79%

LAB 90.22, -31.48, 33.68

 

CMYK 20 / 0 / 29 / 0

HEX #CDFFB4

RGB 205 255 180

HSL 100, 1%, 0.85%

LAB 95.07, -29.02, 30.81

 

CMYK 13 / 0 / 22 / 0

HEX #DEFFC7

RGB 222 255 199

HSL 95.36, 1%, 0.89%

LAB 96.48, -20.36, 23.3

 

CMYK 6 / 0 / 15 / 0

HEX #EFFFDA

RGB 239 255 218

HSL 85.95, 1%, 0.93%

LAB 98.01, -11.56, 15.92

 

CMYK 26 / 0 / 34 / 12

HEX #A6E093

RGB 166 224 147

HSL 105.19, 0.55%, 0.73%

LAB 83.72, -32.62, 31.92

 

CMYK 28 / 0 / 38 / 19

HEX #95CE80

RGB 149 206 128

HSL 103.85, 0.44%, 0.65%

LAB 77.34, -32.8, 33.05

 

CMYK 30 / 0 / 42 / 26

HEX #84BC6D

RGB 132 188 109

HSL 102.53, 0.37%, 0.58%

LAB 70.85, -32.96, 34.24

 

CMYK 32 / 0 / 47 / 33

HEX #73AA5A

RGB 115 170 90

HSL 101.25, 0.32%, 0.51%

LAB 64.27, -33.1, 35.47

 

CMYK 36 / 0 / 53 / 40

HEX #629847

RGB 98 152 71

HSL 100, 0.36%, 0.44%

LAB 57.57, -33.18, 36.7

 

CMYK 26 / 0 / 34 / 12

HEX #A6E094

RGB 166 224 148

HSL 105.79, 0.55%, 0.73%

LAB 83.73, -32.47, 31.43

 

CMYK 17 / 0 / 34 / 12

HEX #BBE094

RGB 187 224 148

HSL 89.21, 0.55%, 0.73%

LAB 85, -25.13, 33.34

 

CMYK 8 / 0 / 34 / 12

HEX #CFE094

RGB 207 224 148

HSL 73.42, 0.55%, 0.73%

LAB 86.36, -17.77, 35.38

 

CMYK 0 / 2 / 34 / 12

HEX #E0DB94

RGB 224 219 148

HSL 56.05, 0.55%, 0.73%

LAB 86.33, -8.81, 35.58

 

CMYK 0 / 11 / 34 / 12

HEX #E0C794

RGB 224 199 148

HSL 40.26, 0.55%, 0.73%

LAB 81.2, 1.47, 28.79

 

CMYK 26 / 0 / 34 / 12

HEX #A6E094

RGB 166 224 148

HSL 105.79, 0.55%, 0.73%

LAB 83.73, -32.47, 31.43

 

CMYK 34 / 0 / 33 / 12

HEX #94E096

RGB 148 224 150

HSL 121.58, 0.55%, 0.73%

LAB 82.81, -38.03, 29.01

 

CMYK 34 / 0 / 24 / 12

HEX #94E0AA

RGB 148 224 170

HSL 137.37, 0.55%, 0.73%

LAB 83.18, -34.6, 19.15

 

CMYK 34 / 0 / 15 / 12

HEX #94E0BE

RGB 148 224 190

HSL 153.16, 0.55%, 0.73%

LAB 83.61, -30.75, 9.25

 

CMYK 34 / 0 / 6 / 12

HEX #94E0D3

RGB 148 224 211

HSL 169.74, 0.55%, 0.73%

LAB 84.13, -26.28, -1.1

 

CMYK 26 / 0 / 34 / 12

HEX #A6E094

RGB 166 224 148

HSL 105.79, 0.55%, 0.73%

LAB 83.73, -32.47, 31.43

 

CMYK 31 / 0 / 42 / 8

HEX #A1EB89

RGB 161 235 137

HSL 105.31, 0.71%, 0.73%

LAB 86.4, -40.7, 40.39

 

CMYK 37 / 0 / 49 / 4

HEX #9BF67E

RGB 155 246 126

HSL 105.5, 0.87%, 0.73%

LAB 89.1, -48.77, 49.01

 

CMYK 26 / 0 / 34 / 12

HEX #A6E094

RGB 166 224 148

HSL 105.79, 0.55%, 0.73%

LAB 83.73, -32.47, 31.43

 

CMYK 19 / 0 / 25 / 17

HEX #ACD49F

RGB 172 212 159

HSL 105.28, 0.38%, 0.73%

LAB 80.94, -22.97, 22.01

 

CMYK 11 / 0 / 15 / 21

HEX #B2C9AA

RGB 178 201 170

HSL 104.52, 0.22%, 0.73%

LAB 78.54, -13.53, 12.9

 

CMYK 4 / 0 / 5 / 25

HEX #B7BEB5

RGB 183 190 181

HSL 106.67, 0.06%, 0.73%

LAB 76.21, -4.09, 3.69

 

CMYK 2 / 7 / 0 / 25

HEX #BDB3C0

RGB 189 179 192

HSL 286.15, 0.09%, 0.73%

LAB 74.1, 5.95, -5.33

 

CMYK 8 / 0 / 34 / 12

HEX #CFE094

RGB 207 224 148

HSL 73.42, 0.55%, 0.73%

LAB 86.36, -17.77, 35.38

 

CMYK 17 / 0 / 34 / 12

HEX #BBE094

RGB 187 224 148

HSL 89.21, 0.55%, 0.73%

LAB 85, -25.13, 33.34

 

CMYK 25 / 0 / 34 / 12

HEX #A7E094

RGB 167 224 148

HSL 105, 0.55%, 0.73%

LAB 83.79, -32.13, 31.52

 

CMYK 34 / 0 / 33 / 12

HEX #94E095

RGB 148 224 149

HSL 120.79, 0.55%, 0.73%

LAB 82.79, -38.19, 29.5

 

CMYK 34 / 0 / 25 / 12

HEX #94E0A9

RGB 148 224 169

HSL 136.58, 0.55%, 0.73%

LAB 83.16, -34.78, 19.64

 

CMYK 44 / 0 / 59 / 20

HEX #72CD54

RGB 114 205 84

HSL 105.12, 0.55%, 0.57%

LAB 74.75, -49.33, 50.86

 

CMYK 35 / 0 / 46 / 16

HEX #8CD674

RGB 140 214 116

HSL 105.31, 0.54%, 0.65%

LAB 79, -41.1, 41.13

 

CMYK 26 / 0 / 34 / 12

HEX #A6E094

RGB 166 224 148

HSL 105.79, 0.55%, 0.73%

LAB 83.73, -32.47, 31.43

 

CMYK 17 / 0 / 23 / 9

HEX #C1E9B4

RGB 193 233 180

HSL 105.28, 0.55%, 0.81%

LAB 88.41, -22.61, 21.58

 

CMYK 10 / 0 / 12 / 5

HEX #DBF2D4

RGB 219 242 212

HSL 106, 0.54%, 0.89%

LAB 93.15, -12.91, 11.94

 

CMYK 26 / 0 / 34 / 12

HEX #A6E093

RGB 166 224 147

HSL 105.19, 0.55%, 0.73%

LAB 83.72, -32.62, 31.92

 

CMYK 34 / 0 / 2 / 12

HEX #94E0DC

RGB 148 224 220

HSL 176.84, 0.55%, 0.73%

LAB 84.37, -24.24, -5.51

 

CMYK 0 / 34 / 12 / 12

HEX #E094C5

RGB 224 148 197

HSL 321.32, 0.55%, 0.73%

LAB 70.22, 35.76, -13.51

 

CMYK 26 / 0 / 34 / 12

HEX #A6E093

RGB 166 224 147

HSL 105.19, 0.55%, 0.73%

LAB 83.72, -32.62, 31.92

 

CMYK 34 / 25 / 0 / 12

HEX #94A7E0

RGB 148 167 224

HSL 225, 0.55%, 0.73%

LAB 68.98, 6.79, -30.92

 

CMYK 0 / 34 / 25 / 12

HEX #E094A7

RGB 224 148 167

HSL 345, 0.55%, 0.73%

LAB 69.34, 31.17, 1.9

 

CMYK 26 / 0 / 34 / 12

HEX #A6E093

RGB 166 224 147

HSL 105.19, 0.55%, 0.73%

LAB 83.72, -32.62, 31.92

 

CMYK 34 / 0 / 2 / 12

HEX #94E0DC

RGB 148 224 220

HSL 176.84, 0.55%, 0.73%

LAB 84.37, -24.24, -5.51

 

CMYK 8 / 34 / 0 / 12

HEX #CD94E0

RGB 205 148 224

HSL 285, 0.55%, 0.73%

LAB 69.14, 34.53, -30.27

 

CMYK 0 / 34 / 32 / 12

HEX #E09498

RGB 224 148 152

HSL 356.84, 0.55%, 0.73%

LAB 68.96, 29.16, 9.73

 

CMYK 26 / 0 / 34 / 12

HEX #A6E093

RGB 166 224 147

HSL 105.19, 0.55%, 0.73%

LAB 83.72, -32.62, 31.92

 

CMYK 34 / 8 / 0 / 12

HEX #94CDE0

RGB 148 205 224

HSL 195, 0.55%, 0.73%

LAB 79.24, -13.72, -15.29

 

CMYK 8 / 34 / 0 / 12

HEX #CD94E0

RGB 205 148 224

HSL 285, 0.55%, 0.73%

LAB 69.14, 34.53, -30.27

 

CMYK 0 / 25 / 34 / 12

HEX #E0A794

RGB 224 167 148

HSL 15, 0.55%, 0.73%

LAB 73.3, 18.46, 18.02

 

Description

Color code: HEX #A6E093 | qconv.com Color code: HEX #A6E093 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 224 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 224 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 34 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 34% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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