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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6E804 it is the complementary color #5917FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6E804. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6E804 shade: #ABE800, #BCFA12, #CDFF25, #DEFF38 and #EFFF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6E804. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6E804 shade: #A6E804, #95D600, #84C400, #73B200 and #62A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6E804 shade: #A5E703, #E2E703, #E7AE03, #E77003 and #E73303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6E804 shade: #A5E703, #67E703, #2AE703, #03E719 and #03E757

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6E804 shade matches the following richer shades: #A5E703

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6E804 shade: #A5E703, #9DD416, #95C129, #8DAE3C and #859B4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6E804 shade: #E7AE03, #E3E703, #A6E703, #69E703 and #2DE703

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6E804 shade: #6B9502, #88BE02, #A5E703, #B9FB18 and #C5FC41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6E804 shade: #A6E804, #03E771 and #CC03E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6E804 shade: #A6E804, #03A6E7 and #E703A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6E804 shade: #A6E804, #03E771, #4303E7 and #E70379

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6E804 shade: #A6E804, #03E7B5, #4303E7 and #E70334

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 98 / 9

HEX #A6E804

RGB 166 232 4

HSL 77.37, 0.97%, 0.46%

LAB 84.91, -46.4, 82.35

 

Complementary color

CMYK 65 / 91 / 0 / 2

HEX #5917FB

RGB 89 23 251

HSL 257.37, 0.97%, 0.54%

LAB 37.3, 76.5, -97.17

 

CMYK 26 / 0 / 100 / 9

HEX #ABE800

RGB 171 232 0

HSL 75.78, 1%, 0.45%

LAB 85.19, -44.58, 83.02

 

CMYK 25 / 0 / 93 / 2

HEX #BCFA12

RGB 188 250 18

HSL 76.03, 0.96%, 0.53%

LAB 91.28, -45.68, 86.64

 

CMYK 20 / 0 / 85 / 0

HEX #CDFF25

RGB 205 255 37

HSL 73.76, 1%, 0.57%

LAB 93.72, -41.03, 86.22

 

CMYK 13 / 0 / 78 / 0

HEX #DEFF38

RGB 222 255 56

HSL 69.95, 1%, 0.61%

LAB 94.88, -33.84, 83.29

 

CMYK 6 / 0 / 71 / 0

HEX #EFFF4B

RGB 239 255 75

HSL 65.33, 1%, 0.65%

LAB 96.15, -26.31, 79.16

 

CMYK 28 / 0 / 98 / 9

HEX #A6E804

RGB 166 232 4

HSL 77.37, 0.97%, 0.46%

LAB 84.91, -46.4, 82.35

 

CMYK 30 / 0 / 100 / 16

HEX #95D600

RGB 149 214 0

HSL 78.22, 1%, 0.42%

LAB 78.74, -45.14, 77.55

 

CMYK 33 / 0 / 100 / 23

HEX #84C400

RGB 132 196 0

HSL 79.59, 1%, 0.38%

LAB 72.49, -43.81, 72.34

 

CMYK 35 / 0 / 100 / 30

HEX #73B200

RGB 115 178 0

HSL 81.24, 1%, 0.35%

LAB 66.13, -42.45, 67.05

 

CMYK 39 / 0 / 100 / 37

HEX #62A000

RGB 98 160 0

HSL 83.25, 1%, 0.31%

LAB 59.65, -41.05, 61.67

 

CMYK 29 / 0 / 99 / 9

HEX #A5E703

RGB 165 231 3

HSL 77.37, 0.97%, 0.46%

LAB 84.56, -46.36, 82.15

 

CMYK 2 / 0 / 99 / 9

HEX #E2E703

RGB 226 231 3

HSL 61.32, 0.97%, 0.46%

LAB 88.6, -22.06, 86.98

 

CMYK 0 / 25 / 99 / 9

HEX #E7AE03

RGB 231 174 3

HSL 45, 0.97%, 0.46%

LAB 74.36, 8.98, 76.94

 

CMYK 0 / 52 / 99 / 9

HEX #E77003

RGB 231 112 3

HSL 28.68, 0.97%, 0.46%

LAB 60.41, 41.44, 67.79

 

CMYK 0 / 78 / 99 / 9

HEX #E73303

RGB 231 51 3

HSL 12.63, 0.97%, 0.46%

LAB 51.11, 66.21, 62.73

 

CMYK 29 / 0 / 99 / 9

HEX #A5E703

RGB 165 231 3

HSL 77.37, 0.97%, 0.46%

LAB 84.56, -46.36, 82.15

 

CMYK 55 / 0 / 99 / 9

HEX #67E703

RGB 103 231 3

HSL 93.68, 0.97%, 0.46%

LAB 81.86, -66.23, 78.87

 

CMYK 82 / 0 / 99 / 9

HEX #2AE703

RGB 42 231 3

HSL 109.74, 0.97%, 0.46%

LAB 80.54, -77.43, 77.27

 

CMYK 99 / 0 / 89 / 9

HEX #03E719

RGB 3 231 25

HSL 125.79, 0.97%, 0.46%

LAB 80.32, -79.36, 74.49

 

CMYK 99 / 0 / 62 / 9

HEX #03E757

RGB 3 231 87

HSL 142.11, 0.97%, 0.46%

LAB 80.66, -74.95, 55.71

 

CMYK 29 / 0 / 99 / 9

HEX #A5E703

RGB 165 231 3

HSL 77.37, 0.97%, 0.46%

LAB 84.56, -46.36, 82.15

 

CMYK 29 / 0 / 99 / 9

HEX #A5E703

RGB 165 231 3

HSL 77.37, 0.97%, 0.46%

LAB 84.56, -46.36, 82.15

 

CMYK 26 / 0 / 90 / 17

HEX #9DD416

RGB 157 212 22

HSL 77.37, 0.81%, 0.46%

LAB 78.64, -40.93, 75.22

 

CMYK 23 / 0 / 79 / 24

HEX #95C129

RGB 149 193 41

HSL 77.37, 0.65%, 0.46%

LAB 72.69, -34.93, 65.64

 

CMYK 19 / 0 / 66 / 32

HEX #8DAE3C

RGB 141 174 60

HSL 77.37, 0.49%, 0.46%

LAB 66.72, -28.12, 52.82

 

CMYK 14 / 0 / 49 / 39

HEX #859B4F

RGB 133 155 79

HSL 77.37, 0.32%, 0.46%

LAB 60.78, -20.23, 37.04

 

CMYK 0 / 25 / 99 / 9

HEX #E7AE03

RGB 231 174 3

HSL 45, 0.97%, 0.46%

LAB 74.36, 8.98, 76.94

 

CMYK 2 / 0 / 99 / 9

HEX #E3E703

RGB 227 231 3

HSL 61.05, 0.97%, 0.46%

LAB 88.68, -21.65, 87.07

 

CMYK 28 / 0 / 99 / 9

HEX #A6E703

RGB 166 231 3

HSL 77.11, 0.97%, 0.46%

LAB 84.62, -45.99, 82.21

 

CMYK 55 / 0 / 99 / 9

HEX #69E703

RGB 105 231 3

HSL 93.16, 0.97%, 0.46%

LAB 81.93, -65.71, 78.95

 

CMYK 81 / 0 / 99 / 9

HEX #2DE703

RGB 45 231 3

HSL 108.95, 0.97%, 0.46%

LAB 80.58, -77.1, 77.31

 

CMYK 28 / 0 / 99 / 42

HEX #6B9502

RGB 107 149 2

HSL 77.14, 0.97%, 0.3%

LAB 56.71, -32.67, 59.3

 

CMYK 28 / 0 / 99 / 25

HEX #88BE02

RGB 136 190 2

HSL 77.23, 0.98%, 0.38%

LAB 70.92, -39.67, 71.01

 

CMYK 29 / 0 / 99 / 9

HEX #A5E703

RGB 165 231 3

HSL 77.37, 0.97%, 0.46%

LAB 84.56, -46.36, 82.15

 

CMYK 26 / 0 / 90 / 2

HEX #B9FB18

RGB 185 251 24

HSL 77.44, 0.97%, 0.54%

LAB 91.4, -47.13, 85.94

 

CMYK 22 / 0 / 74 / 1

HEX #C5FC41

RGB 197 252 65

HSL 77.65, 0.97%, 0.62%

LAB 92.52, -41.74, 77.94

 

CMYK 28 / 0 / 98 / 9

HEX #A6E804

RGB 166 232 4

HSL 77.37, 0.97%, 0.46%

LAB 84.91, -46.4, 82.35

 

CMYK 99 / 0 / 51 / 9

HEX #03E771

RGB 3 231 113

HSL 148.95, 0.97%, 0.46%

LAB 80.94, -71.49, 44.31

 

CMYK 12 / 99 / 0 / 9

HEX #CC03E7

RGB 204 3 231

HSL 292.89, 0.97%, 0.46%

LAB 50.3, 86.9, -63.97

 

CMYK 28 / 0 / 98 / 9

HEX #A6E804

RGB 166 232 4

HSL 77.37, 0.97%, 0.46%

LAB 84.91, -46.4, 82.35

 

CMYK 99 / 28 / 0 / 9

HEX #03A6E7

RGB 3 166 231

HSL 197.11, 0.97%, 0.46%

LAB 64.21, -12.66, -42.55

 

CMYK 0 / 99 / 28 / 9

HEX #E703A6

RGB 231 3 166

HSL 317.11, 0.97%, 0.46%

LAB 51.62, 82.83, -23.98

 

CMYK 28 / 0 / 98 / 9

HEX #A6E804

RGB 166 232 4

HSL 77.37, 0.97%, 0.46%

LAB 84.91, -46.4, 82.35

 

CMYK 99 / 0 / 51 / 9

HEX #03E771

RGB 3 231 113

HSL 148.95, 0.97%, 0.46%

LAB 80.94, -71.49, 44.31

 

CMYK 71 / 99 / 0 / 9

HEX #4303E7

RGB 67 3 231

HSL 256.84, 0.97%, 0.46%

LAB 31.87, 74.1, -94.93

 

CMYK 0 / 99 / 48 / 9

HEX #E70379

RGB 231 3 121

HSL 328.95, 0.97%, 0.46%

LAB 50.02, 78.66, 0.66

 

CMYK 28 / 0 / 98 / 9

HEX #A6E804

RGB 166 232 4

HSL 77.37, 0.97%, 0.46%

LAB 84.91, -46.4, 82.35

 

CMYK 99 / 0 / 22 / 9

HEX #03E7B5

RGB 3 231 181

HSL 166.84, 0.97%, 0.46%

LAB 82.11, -57.97, 11.39

 

CMYK 71 / 99 / 0 / 9

HEX #4303E7

RGB 67 3 231

HSL 256.84, 0.97%, 0.46%

LAB 31.87, 74.1, -94.93

 

CMYK 0 / 99 / 77 / 9

HEX #E70334

RGB 231 3 52

HSL 347.11, 0.97%, 0.46%

LAB 48.64, 74.95, 40.71

 

Description

Color code: HEX #A6E804 | qconv.com Color code: HEX #A6E804 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 232 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 232 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 98 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 98% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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