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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6D7C9 it is the complementary color #592836. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6D7C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6D7C9 shade: #ABD7C4, #BCE9D7, #CDFBEA, #DEFFFD and #EFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6D7C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6D7C9 shade: #A6D7C9, #95C5B6, #84B3A3, #73A190 and #628F7D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6D7C9 shade: #A7D7C9, #A7D7BC, #A7D7AF, #ABD7A7 and #B8D7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6D7C9 shade: #A7D7C9, #A7D7D6, #A7CBD7, #A7BED7 and #A7B1D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6D7C9 shade matches the following richer shades: #A7D7C9, #9CE1CE, #92ECD2 and #88F6D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6D7C9 shade: #A7D7C9, #B1CDC5, #BBC2C0, #C5B8BC and #D0AEB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6D7C9 shade: #A7D7AF, #A7D7BC, #A7D7C8, #A7D7D5 and #A7CCD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6D7C9 shade: #6EBDA7, #8ACAB8, #A7D7C9, #C3E4DA and #DFF1EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6D7C9 shade: #A6D7C9, #A7ABD7 and #D7B5A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6D7C9 shade: #A6D7C9, #C8A7D7 and #D7C8A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6D7C9 shade: #A6D7C9, #A7ABD7, #D7A7B5 and #D7D2A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6D7C9 shade: #A6D7C9, #B0A7D7, #D7A7B5 and #CDD7A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 7 / 16

HEX #A6D7C9

RGB 166 215 201

HSL 162.86, 0.38%, 0.75%

LAB 82.34, -18.72, 1.71

 

Complementary color

CMYK 0 / 55 / 39 / 65

HEX #592836

RGB 89 40 54

HSL 342.86, 0.38%, 0.25%

LAB 23.36, 24.24, 1.65

 

CMYK 20 / 0 / 9 / 16

HEX #ABD7C4

RGB 171 215 196

HSL 154.09, 0.35%, 0.76%

LAB 82.51, -18.16, 4.65

 

CMYK 19 / 0 / 8 / 9

HEX #BCE9D7

RGB 188 233 215

HSL 156, 0.51%, 0.83%

LAB 88.86, -18.03, 3.95

 

CMYK 18 / 0 / 7 / 2

HEX #CDFBEA

RGB 205 251 234

HSL 157.83, 0.85%, 0.89%

LAB 95.12, -17.92, 3.29

 

CMYK 13 / 0 / 1 / 0

HEX #DEFFFD

RGB 222 255 253

HSL 176.36, 1%, 0.94%

LAB 97.69, -10.95, -2.63

 

CMYK 6 / 0 / 0 / 0

HEX #EFFFFF

RGB 239 255 255

HSL 180, 1%, 0.97%

LAB 98.86, -5.2, -1.81

 

CMYK 23 / 0 / 7 / 16

HEX #A6D7C9

RGB 166 215 201

HSL 162.86, 0.38%, 0.75%

LAB 82.34, -18.72, 1.71

 

CMYK 24 / 0 / 8 / 23

HEX #95C5B6

RGB 149 197 182

HSL 161.25, 0.29%, 0.68%

LAB 75.88, -18.86, 2.39

 

CMYK 26 / 0 / 9 / 30

HEX #84B3A3

RGB 132 179 163

HSL 159.57, 0.24%, 0.61%

LAB 69.32, -19.03, 3.11

 

CMYK 29 / 0 / 11 / 37

HEX #73A190

RGB 115 161 144

HSL 157.83, 0.2%, 0.54%

LAB 62.63, -19.22, 3.88

 

CMYK 31 / 0 / 13 / 44

HEX #628F7D

RGB 98 143 125

HSL 156, 0.19%, 0.47%

LAB 55.81, -19.43, 4.69

 

CMYK 22 / 0 / 7 / 16

HEX #A7D7C9

RGB 167 215 201

HSL 162.5, 0.38%, 0.75%

LAB 82.4, -18.41, 1.8

 

CMYK 22 / 0 / 13 / 16

HEX #A7D7BC

RGB 167 215 188

HSL 146.25, 0.38%, 0.75%

LAB 82.08, -20.99, 8.25

 

CMYK 22 / 0 / 19 / 16

HEX #A7D7AF

RGB 167 215 175

HSL 130, 0.38%, 0.75%

LAB 81.79, -23.41, 14.72

 

CMYK 20 / 0 / 22 / 16

HEX #ABD7A7

RGB 171 215 167

HSL 115, 0.38%, 0.75%

LAB 81.86, -23.46, 19.08

 

CMYK 14 / 0 / 22 / 16

HEX #B8D7A7

RGB 184 215 167

HSL 98.75, 0.38%, 0.75%

LAB 82.69, -18.98, 20.35

 

CMYK 22 / 0 / 7 / 16

HEX #A7D7C9

RGB 167 215 201

HSL 162.5, 0.38%, 0.75%

LAB 82.4, -18.41, 1.8

 

CMYK 22 / 0 / 0 / 16

HEX #A7D7D6

RGB 167 215 214

HSL 178.75, 0.38%, 0.75%

LAB 82.74, -15.68, -4.62

 

CMYK 22 / 6 / 0 / 16

HEX #A7CBD7

RGB 167 203 215

HSL 195, 0.38%, 0.75%

LAB 79.52, -9.29, -9.92

 

CMYK 22 / 12 / 0 / 16

HEX #A7BED7

RGB 167 190 215

HSL 211.25, 0.38%, 0.75%

LAB 76.04, -2.41, -15.13

 

CMYK 22 / 18 / 0 / 16

HEX #A7B1D7

RGB 167 177 215

HSL 227.5, 0.38%, 0.75%

LAB 72.61, 4.65, -20.32

 

CMYK 22 / 0 / 7 / 16

HEX #A7D7C9

RGB 167 215 201

HSL 162.5, 0.38%, 0.75%

LAB 82.4, -18.41, 1.8

 

CMYK 31 / 0 / 8 / 12

HEX #9CE1CE

RGB 156 225 206

HSL 163.48, 0.53%, 0.75%

LAB 84.68, -25.6, 2.39

 

CMYK 38 / 0 / 11 / 7

HEX #92ECD2

RGB 146 236 210

HSL 162.67, 0.7%, 0.75%

LAB 87.37, -32.75, 4.13

 

CMYK 45 / 0 / 13 / 4

HEX #88F6D6

RGB 136 246 214

HSL 162.55, 0.86%, 0.75%

LAB 89.86, -39.01, 5.59

 

CMYK 22 / 0 / 7 / 16

HEX #A7D7C9

RGB 167 215 201

HSL 162.5, 0.38%, 0.75%

LAB 82.4, -18.41, 1.8

 

CMYK 14 / 0 / 4 / 20

HEX #B1CDC5

RGB 177 205 197

HSL 162.86, 0.22%, 0.75%

LAB 80.2, -10.93, 0.82

 

CMYK 4 / 0 / 1 / 24

HEX #BBC2C0

RGB 187 194 192

HSL 162.86, 0.05%, 0.75%

LAB 77.85, -2.78, 0.16

 

CMYK 0 / 7 / 5 / 23

HEX #C5B8BC

RGB 197 184 188

HSL 341.54, 0.1%, 0.75%

LAB 75.94, 5.31, -0.38

 

CMYK 0 / 16 / 12 / 18

HEX #D0AEB7

RGB 208 174 183

HSL 344.12, 0.27%, 0.75%

LAB 74.25, 13.78, 0.01

 

CMYK 22 / 0 / 19 / 16

HEX #A7D7AF

RGB 167 215 175

HSL 130, 0.38%, 0.75%

LAB 81.79, -23.41, 14.72

 

CMYK 22 / 0 / 13 / 16

HEX #A7D7BC

RGB 167 215 188

HSL 146.25, 0.38%, 0.75%

LAB 82.08, -20.99, 8.25

 

CMYK 22 / 0 / 7 / 16

HEX #A7D7C8

RGB 167 215 200

HSL 161.25, 0.38%, 0.75%

LAB 82.37, -18.61, 2.29

 

CMYK 22 / 0 / 1 / 16

HEX #A7D7D5

RGB 167 215 213

HSL 177.5, 0.38%, 0.75%

LAB 82.71, -15.89, -4.12

 

CMYK 22 / 5 / 0 / 16

HEX #A7CCD7

RGB 167 204 215

HSL 193.75, 0.38%, 0.75%

LAB 79.79, -9.81, -9.52

 

CMYK 42 / 0 / 12 / 26

HEX #6EBDA7

RGB 110 189 167

HSL 163.29, 0.37%, 0.59%

LAB 71.21, -29.53, 3.52

 

CMYK 32 / 0 / 9 / 21

HEX #8ACAB8

RGB 138 202 184

HSL 163.13, 0.38%, 0.67%

LAB 76.74, -24.27, 2.49

 

CMYK 22 / 0 / 7 / 16

HEX #A7D7C9

RGB 167 215 201

HSL 162.5, 0.38%, 0.75%

LAB 82.4, -18.41, 1.8

 

CMYK 14 / 0 / 4 / 11

HEX #C3E4DA

RGB 195 228 218

HSL 161.82, 0.38%, 0.83%

LAB 88.04, -12.72, 1.24

 

CMYK 7 / 0 / 2 / 5

HEX #DFF1EC

RGB 223 241 236

HSL 163.33, 0.39%, 0.91%

LAB 93.73, -6.83, 0.37

 

CMYK 23 / 0 / 7 / 16

HEX #A6D7C9

RGB 166 215 201

HSL 162.86, 0.38%, 0.75%

LAB 82.34, -18.72, 1.71

 

CMYK 22 / 20 / 0 / 16

HEX #A7ABD7

RGB 167 171 215

HSL 235, 0.38%, 0.75%

LAB 71.04, 7.96, -22.7

 

CMYK 0 / 16 / 22 / 16

HEX #D7B5A7

RGB 215 181 167

HSL 17.5, 0.38%, 0.75%

LAB 76.24, 10.08, 11.68

 

CMYK 23 / 0 / 7 / 16

HEX #A6D7C9

RGB 166 215 201

HSL 162.86, 0.38%, 0.75%

LAB 82.34, -18.72, 1.71

 

CMYK 7 / 22 / 0 / 16

HEX #C8A7D7

RGB 200 167 215

HSL 281.25, 0.38%, 0.75%

LAB 72.78, 20.72, -19.81

 

CMYK 0 / 7 / 22 / 16

HEX #D7C8A7

RGB 215 200 167

HSL 41.25, 0.38%, 0.75%

LAB 81.04, 0.02, 18.42

 

CMYK 23 / 0 / 7 / 16

HEX #A6D7C9

RGB 166 215 201

HSL 162.86, 0.38%, 0.75%

LAB 82.34, -18.72, 1.71

 

CMYK 22 / 20 / 0 / 16

HEX #A7ABD7

RGB 167 171 215

HSL 235, 0.38%, 0.75%

LAB 71.04, 7.96, -22.7

 

CMYK 0 / 22 / 16 / 16

HEX #D7A7B5

RGB 215 167 181

HSL 342.5, 0.38%, 0.75%

LAB 73.17, 19.78, -0.4

 

CMYK 0 / 2 / 22 / 16

HEX #D7D2A7

RGB 215 210 167

HSL 53.75, 0.38%, 0.75%

LAB 83.62, -5.17, 21.98

 

CMYK 23 / 0 / 7 / 16

HEX #A6D7C9

RGB 166 215 201

HSL 162.86, 0.38%, 0.75%

LAB 82.34, -18.72, 1.71

 

CMYK 18 / 22 / 0 / 16

HEX #B0A7D7

RGB 176 167 215

HSL 251.25, 0.38%, 0.75%

LAB 70.71, 12.99, -23.13

 

CMYK 0 / 22 / 16 / 16

HEX #D7A7B5

RGB 215 167 181

HSL 342.5, 0.38%, 0.75%

LAB 73.17, 19.78, -0.4

 

CMYK 5 / 0 / 22 / 16

HEX #CDD7A7

RGB 205 215 167

HSL 72.5, 0.38%, 0.75%

LAB 84.16, -11.42, 22.61

 

Description

Color code: HEX #A6D7C9 | qconv.com Color code: HEX #A6D7C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 215 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 215 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 7% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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