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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6C8CE it is the complementary color #593731. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6C8CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6C8CE shade: #ABC8C9, #BCDADC, #CDECEF, #DEFEFF and #EFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6C8CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6C8CE shade: #A6C8CE, #95B6BB, #84A4A8, #739295 and #628082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6C8CE shade: #A6C8CE, #A6BDCE, #A6B2CE, #A6A7CE and #AFA6CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6C8CE shade: #A6C8CE, #A6BDCE, #A6B2CE, #A6A7CE and #A6A6CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6C8CE shade matches the following richer shades: #A6C8CE, #9BCFD9, #8FD7E4, #84DFEF and #79E7FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6C8CE shade: #A6C8CE, #B1C0C2, #BCB8B7, #C7B0AC and #D2A8A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6C8CE shade: #A6CEBE, #A6CEC9, #A6C8CE, #A6BDCE and #A6B2CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6C8CE shade: #70A7B0, #8BB7BF, #A6C8CE, #C0D8DC and #DBE9EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6C8CE shade: #A6C8CE, #B4A6CE and #CEC4A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6C8CE shade: #A6C8CE, #CEA6C8 and #C8CEA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6C8CE shade: #A6C8CE, #B4A6CE, #CEACA6 and #C0CEA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6C8CE shade: #A6C8CE, #C0A6CE, #CEACA6 and #B4CEA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 3 / 0 / 19

HEX #A6C8CE

RGB 166 200 206

HSL 189, 0.29%, 0.73%

LAB 78.39, -10, -6.77

 

Complementary color

CMYK 0 / 38 / 45 / 65

HEX #593731

RGB 89 55 49

HSL 9, 0.29%, 0.27%

LAB 26.96, 14.38, 10.06

 

CMYK 15 / 0 / 0 / 21

HEX #ABC8C9

RGB 171 200 201

HSL 182, 0.22%, 0.73%

LAB 78.57, -9.47, -3.77

 

CMYK 15 / 1 / 0 / 14

HEX #BCDADC

RGB 188 218 220

HSL 183.75, 0.31%, 0.8%

LAB 85, -9.47, -4.33

 

CMYK 14 / 1 / 0 / 6

HEX #CDECEF

RGB 205 236 239

HSL 185.29, 0.52%, 0.87%

LAB 91.33, -9.47, -4.87

 

CMYK 13 / 0 / 0 / 0

HEX #DEFEFF

RGB 222 254 255

HSL 181.82, 1%, 0.94%

LAB 97.48, -10.06, -3.96

 

CMYK 6 / 0 / 0 / 0

HEX #EFFFFF

RGB 239 255 255

HSL 180, 1%, 0.97%

LAB 98.86, -5.2, -1.81

 

CMYK 19 / 3 / 0 / 19

HEX #A6C8CE

RGB 166 200 206

HSL 189, 0.29%, 0.73%

LAB 78.39, -10, -6.77

 

CMYK 20 / 3 / 0 / 27

HEX #95B6BB

RGB 149 182 187

HSL 187.89, 0.22%, 0.66%

LAB 71.85, -10.02, -6.25

 

CMYK 21 / 2 / 0 / 34

HEX #84A4A8

RGB 132 164 168

HSL 186.67, 0.17%, 0.59%

LAB 65.19, -10.05, -5.71

 

CMYK 23 / 2 / 0 / 42

HEX #739295

RGB 115 146 149

HSL 185.29, 0.14%, 0.52%

LAB 58.39, -10.09, -5.16

 

CMYK 25 / 2 / 0 / 49

HEX #628082

RGB 98 128 130

HSL 183.75, 0.14%, 0.45%

LAB 51.44, -10.15, -4.59

 

CMYK 19 / 3 / 0 / 19

HEX #A6C8CE

RGB 166 200 206

HSL 189, 0.29%, 0.73%

LAB 78.39, -10, -6.77

 

CMYK 19 / 8 / 0 / 19

HEX #A6BDCE

RGB 166 189 206

HSL 205.5, 0.29%, 0.73%

LAB 75.43, -4.19, -11.17

 

CMYK 19 / 14 / 0 / 19

HEX #A6B2CE

RGB 166 178 206

HSL 222, 0.29%, 0.73%

LAB 72.5, 1.75, -15.57

 

CMYK 19 / 19 / 0 / 19

HEX #A6A7CE

RGB 166 167 206

HSL 238.5, 0.29%, 0.73%

LAB 69.61, 7.8, -19.93

 

CMYK 15 / 19 / 0 / 19

HEX #AFA6CE

RGB 175 166 206

HSL 253.5, 0.29%, 0.73%

LAB 70.07, 11.24, -19.18

 

CMYK 19 / 3 / 0 / 19

HEX #A6C8CE

RGB 166 200 206

HSL 189, 0.29%, 0.73%

LAB 78.39, -10, -6.77

 

CMYK 19 / 8 / 0 / 19

HEX #A6BDCE

RGB 166 189 206

HSL 205.5, 0.29%, 0.73%

LAB 75.43, -4.19, -11.17

 

CMYK 19 / 14 / 0 / 19

HEX #A6B2CE

RGB 166 178 206

HSL 222, 0.29%, 0.73%

LAB 72.5, 1.75, -15.57

 

CMYK 19 / 19 / 0 / 19

HEX #A6A7CE

RGB 166 167 206

HSL 238.5, 0.29%, 0.73%

LAB 69.61, 7.8, -19.93

 

CMYK 19 / 19 / 0 / 19

HEX #A6A6CE

RGB 166 166 206

HSL 240, 0.29%, 0.73%

LAB 69.35, 8.36, -20.33

 

CMYK 19 / 3 / 0 / 19

HEX #A6C8CE

RGB 166 200 206

HSL 189, 0.29%, 0.73%

LAB 78.39, -10, -6.77

 

CMYK 29 / 5 / 0 / 15

HEX #9BCFD9

RGB 155 207 217

HSL 189.68, 0.45%, 0.73%

LAB 79.96, -14.45, -10.42

 

CMYK 37 / 6 / 0 / 11

HEX #8FD7E4

RGB 143 215 228

HSL 189.18, 0.61%, 0.73%

LAB 81.86, -19.18, -13.51

 

CMYK 45 / 7 / 0 / 6

HEX #84DFEF

RGB 132 223 239

HSL 188.97, 0.77%, 0.73%

LAB 83.92, -23.11, -16.31

 

CMYK 52 / 8 / 0 / 2

HEX #79E7FA

RGB 121 231 250

HSL 188.84, 0.93%, 0.73%

LAB 86.07, -26.55, -18.92

 

CMYK 19 / 3 / 0 / 19

HEX #A6C8CE

RGB 166 200 206

HSL 189, 0.29%, 0.73%

LAB 78.39, -10, -6.77

 

CMYK 9 / 1 / 0 / 24

HEX #B1C0C2

RGB 177 192 194

HSL 187.06, 0.12%, 0.73%

LAB 76.64, -4.73, -2.78

 

CMYK 0 / 2 / 3 / 26

HEX #BCB8B7

RGB 188 184 183

HSL 12, 0.04%, 0.73%

LAB 75.07, 1.23, 1

 

CMYK 0 / 12 / 14 / 22

HEX #C7B0AC

RGB 199 176 172

HSL 8.89, 0.19%, 0.73%

LAB 73.66, 7.6, 5.07

 

CMYK 0 / 20 / 23 / 18

HEX #D2A8A1

RGB 210 168 161

HSL 8.57, 0.35%, 0.73%

LAB 72.42, 14.33, 9.45

 

CMYK 19 / 0 / 8 / 19

HEX #A6CEBE

RGB 166 206 190

HSL 156, 0.29%, 0.73%

LAB 79.6, -16.4, 3.6

 

CMYK 19 / 0 / 2 / 19

HEX #A6CEC9

RGB 166 206 201

HSL 172.5, 0.29%, 0.73%

LAB 79.88, -14.16, -1.88

 

CMYK 19 / 3 / 0 / 19

HEX #A6C8CE

RGB 166 200 206

HSL 189, 0.29%, 0.73%

LAB 78.39, -10, -6.77

 

CMYK 19 / 8 / 0 / 19

HEX #A6BDCE

RGB 166 189 206

HSL 205.5, 0.29%, 0.73%

LAB 75.43, -4.19, -11.17

 

CMYK 19 / 14 / 0 / 19

HEX #A6B2CE

RGB 166 178 206

HSL 222, 0.29%, 0.73%

LAB 72.5, 1.75, -15.57

 

CMYK 36 / 5 / 0 / 31

HEX #70A7B0

RGB 112 167 176

HSL 188.44, 0.29%, 0.56%

LAB 65.13, -15.69, -10.39

 

CMYK 27 / 4 / 0 / 25

HEX #8BB7BF

RGB 139 183 191

HSL 189.23, 0.29%, 0.65%

LAB 71.63, -12.7, -8.82

 

CMYK 19 / 3 / 0 / 19

HEX #A6C8CE

RGB 166 200 206

HSL 189, 0.29%, 0.73%

LAB 78.39, -10, -6.77

 

CMYK 13 / 2 / 0 / 14

HEX #C0D8DC

RGB 192 216 220

HSL 188.57, 0.29%, 0.81%

LAB 84.73, -7.16, -4.68

 

CMYK 7 / 1 / 0 / 8

HEX #DBE9EB

RGB 219 233 235

HSL 187.5, 0.29%, 0.89%

LAB 91.39, -4.25, -2.58

 

CMYK 19 / 3 / 0 / 19

HEX #A6C8CE

RGB 166 200 206

HSL 189, 0.29%, 0.73%

LAB 78.39, -10, -6.77

 

CMYK 13 / 19 / 0 / 19

HEX #B4A6CE

RGB 180 166 206

HSL 261, 0.29%, 0.73%

LAB 70.48, 12.86, -18.52

 

CMYK 0 / 5 / 19 / 19

HEX #CEC4A6

RGB 206 196 166

HSL 45, 0.29%, 0.73%

LAB 79.25, -1.4, 16.33

 

CMYK 19 / 3 / 0 / 19

HEX #A6C8CE

RGB 166 200 206

HSL 189, 0.29%, 0.73%

LAB 78.39, -10, -6.77

 

CMYK 0 / 19 / 3 / 19

HEX #CEA6C8

RGB 206 166 200

HSL 309, 0.29%, 0.73%

LAB 72.6, 20.4, -11.78

 

CMYK 3 / 0 / 19 / 19

HEX #C8CEA6

RGB 200 206 166

HSL 69, 0.29%, 0.73%

LAB 81.39, -8.82, 19.25

 

CMYK 19 / 3 / 0 / 19

HEX #A6C8CE

RGB 166 200 206

HSL 189, 0.29%, 0.73%

LAB 78.39, -10, -6.77

 

CMYK 13 / 19 / 0 / 19

HEX #B4A6CE

RGB 180 166 206

HSL 261, 0.29%, 0.73%

LAB 70.48, 12.86, -18.52

 

CMYK 0 / 17 / 19 / 19

HEX #CEACA6

RGB 206 172 166

HSL 9, 0.29%, 0.73%

LAB 73.14, 11.41, 7.7

 

CMYK 7 / 0 / 19 / 19

HEX #C0CEA6

RGB 192 206 166

HSL 81, 0.29%, 0.73%

LAB 80.8, -11.74, 18.33

 

CMYK 19 / 3 / 0 / 19

HEX #A6C8CE

RGB 166 200 206

HSL 189, 0.29%, 0.73%

LAB 78.39, -10, -6.77

 

CMYK 7 / 19 / 0 / 19

HEX #C0A6CE

RGB 192 166 206

HSL 279, 0.29%, 0.73%

LAB 71.51, 16.82, -16.85

 

CMYK 0 / 17 / 19 / 19

HEX #CEACA6

RGB 206 172 166

HSL 9, 0.29%, 0.73%

LAB 73.14, 11.41, 7.7

 

CMYK 13 / 0 / 19 / 19

HEX #B4CEA6

RGB 180 206 166

HSL 99, 0.29%, 0.73%

LAB 79.95, -16.04, 17.03

 

Description

Color code: HEX #A6C8CE | qconv.com Color code: HEX #A6C8CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 200 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 200 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 3 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 3% 0% 19% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

30% - Global Sentiment Usi...
Link: https://www.tradepop.com

45% - ETECTURE GmbH | Digi...
Link: http://www.etecture.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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