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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6BE54 it is the complementary color #5941AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6BE54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6BE54 shade: #ABBE4F, #BCD062, #CDE275, #DEF488 and #EFFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6BE54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6BE54 shade: #A6BE54, #95AC41, #849A2E, #73881B and #627608

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6BE54 shade: #A6BE54, #BEB954, #BE9D54, #BE8054 and #BE6454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6BE54 shade: #A6BE54, #8ABE54, #6DBE54, #54BE58 and #54BE75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6BE54 shade matches the following richer shades: #A6BE54, #B0D141, #BBE42E and #C5F71B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6BE54 shade: #A6BE54, #9CAB67, #91987A, #87858D and #7D72A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6BE54 shade: #BE9D54, #BEB954, #A7BE54, #8BBE54 and #6FBE54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6BE54 shade: #788B35, #91A940, #A6BE54, #B6C972 and #C5D590

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6BE54 shade: #A6BE54, #54BE80 and #AB54BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6BE54 shade: #A6BE54, #54A7BE and #BE54A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6BE54 shade: #A6BE54, #54BE80, #6B54BE and #BE5492

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6BE54 shade: #A6BE54, #54BEA0, #6B54BE and #BE5472

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 56 / 25

HEX #A6BE54

RGB 166 190 84

HSL 73.58, 0.45%, 0.54%

LAB 73.27, -23.89, 49.93

 

Complementary color

CMYK 48 / 62 / 0 / 33

HEX #5941AB

RGB 89 65 171

HSL 253.58, 0.45%, 0.46%

LAB 35.68, 37.2, -53.57

 

CMYK 10 / 0 / 58 / 25

HEX #ABBE4F

RGB 171 190 79

HSL 70.27, 0.46%, 0.53%

LAB 73.58, -22.28, 52.65

 

CMYK 10 / 0 / 53 / 18

HEX #BCD062

RGB 188 208 98

HSL 70.91, 0.54%, 0.6%

LAB 80, -22.67, 51.65

 

CMYK 9 / 0 / 48 / 11

HEX #CDE275

RGB 205 226 117

HSL 71.56, 0.65%, 0.67%

LAB 86.33, -22.97, 50.55

 

CMYK 9 / 0 / 44 / 4

HEX #DEF488

RGB 222 244 136

HSL 72.22, 0.83%, 0.75%

LAB 92.58, -23.2, 49.43

 

CMYK 6 / 0 / 39 / 0

HEX #EFFF9B

RGB 239 255 155

HSL 69.6, 1%, 0.8%

LAB 96.92, -20.05, 46

 

CMYK 13 / 0 / 56 / 25

HEX #A6BE54

RGB 166 190 84

HSL 73.58, 0.45%, 0.54%

LAB 73.27, -23.89, 49.93

 

CMYK 13 / 0 / 62 / 33

HEX #95AC41

RGB 149 172 65

HSL 72.9, 0.45%, 0.46%

LAB 66.73, -23.5, 50.86

 

CMYK 14 / 0 / 70 / 40

HEX #849A2E

RGB 132 154 46

HSL 72.22, 0.54%, 0.39%

LAB 60.08, -22.98, 51.46

 

CMYK 15 / 0 / 80 / 47

HEX #73881B

RGB 115 136 27

HSL 71.56, 0.67%, 0.32%

LAB 53.31, -22.26, 51.36

 

CMYK 17 / 0 / 93 / 54

HEX #627608

RGB 98 118 8

HSL 70.91, 0.87%, 0.25%

LAB 46.41, -21.27, 49.81

 

CMYK 13 / 0 / 56 / 25

HEX #A6BE54

RGB 166 190 84

HSL 73.58, 0.45%, 0.54%

LAB 73.27, -23.89, 49.93

 

CMYK 0 / 3 / 56 / 25

HEX #BEB954

RGB 190 185 84

HSL 57.17, 0.45%, 0.54%

LAB 73.73, -11.5, 50.95

 

CMYK 0 / 17 / 56 / 25

HEX #BE9D54

RGB 190 157 84

HSL 41.32, 0.45%, 0.54%

LAB 66.29, 3.31, 42.3

 

CMYK 0 / 33 / 56 / 25

HEX #BE8054

RGB 190 128 84

HSL 24.91, 0.45%, 0.54%

LAB 59, 19.25, 33.43

 

CMYK 0 / 47 / 56 / 25

HEX #BE6454

RGB 190 100 84

HSL 9.06, 0.45%, 0.54%

LAB 52.62, 34.49, 25.34

 

CMYK 13 / 0 / 56 / 25

HEX #A6BE54

RGB 166 190 84

HSL 73.58, 0.45%, 0.54%

LAB 73.27, -23.89, 49.93

 

CMYK 27 / 0 / 56 / 25

HEX #8ABE54

RGB 138 190 84

HSL 89.43, 0.45%, 0.54%

LAB 71.47, -34.72, 47.39

 

CMYK 43 / 0 / 56 / 25

HEX #6DBE54

RGB 109 190 84

HSL 105.85, 0.45%, 0.54%

LAB 69.98, -44.69, 45.27

 

CMYK 56 / 0 / 54 / 25

HEX #54BE58

RGB 84 190 88

HSL 122.26, 0.45%, 0.54%

LAB 69.05, -51.32, 42.02

 

CMYK 56 / 0 / 38 / 25

HEX #54BE75

RGB 84 190 117

HSL 138.68, 0.45%, 0.54%

LAB 69.47, -46.84, 27.87

 

CMYK 13 / 0 / 56 / 25

HEX #A6BE54

RGB 166 190 84

HSL 73.58, 0.45%, 0.54%

LAB 73.27, -23.89, 49.93

 

CMYK 16 / 0 / 69 / 18

HEX #B0D141

RGB 176 209 65

HSL 73.75, 0.61%, 0.54%

LAB 79.16, -30.38, 64.44

 

CMYK 18 / 0 / 80 / 11

HEX #BBE42E

RGB 187 228 46

HSL 73.52, 0.77%, 0.54%

LAB 85.12, -35.7, 76.37

 

CMYK 20 / 0 / 89 / 3

HEX #C5F71B

RGB 197 247 27

HSL 73.64, 0.93%, 0.54%

LAB 90.99, -40.81, 85.47

 

CMYK 13 / 0 / 56 / 25

HEX #A6BE54

RGB 166 190 84

HSL 73.58, 0.45%, 0.54%

LAB 73.27, -23.89, 49.93

 

CMYK 9 / 0 / 40 / 33

HEX #9CAB67

RGB 156 171 103

HSL 73.24, 0.29%, 0.54%

LAB 67.41, -16.37, 33.26

 

CMYK 5 / 0 / 20 / 40

HEX #91987A

RGB 145 152 122

HSL 74, 0.13%, 0.54%

LAB 61.55, -7.97, 14.97

 

CMYK 4 / 6 / 0 / 45

HEX #87858D

RGB 135 133 141

HSL 255, 0.03%, 0.54%

LAB 55.94, 2.35, -4.03

 

CMYK 22 / 29 / 0 / 37

HEX #7D72A0

RGB 125 114 160

HSL 254.35, 0.19%, 0.54%

LAB 50.61, 14.3, -23.22

 

CMYK 0 / 17 / 56 / 25

HEX #BE9D54

RGB 190 157 84

HSL 41.32, 0.45%, 0.54%

LAB 66.29, 3.31, 42.3

 

CMYK 0 / 3 / 56 / 25

HEX #BEB954

RGB 190 185 84

HSL 57.17, 0.45%, 0.54%

LAB 73.73, -11.5, 50.95

 

CMYK 12 / 0 / 56 / 25

HEX #A7BE54

RGB 167 190 84

HSL 73.02, 0.45%, 0.54%

LAB 73.34, -23.49, 50.03

 

CMYK 27 / 0 / 56 / 25

HEX #8BBE54

RGB 139 190 84

HSL 88.87, 0.45%, 0.54%

LAB 71.53, -34.35, 47.47

 

CMYK 42 / 0 / 56 / 25

HEX #6FBE54

RGB 111 190 84

HSL 104.72, 0.45%, 0.54%

LAB 70.07, -44.06, 45.4

 

CMYK 14 / 0 / 62 / 45

HEX #788B35

RGB 120 139 53

HSL 73.26, 0.45%, 0.38%

LAB 54.78, -19.98, 42.59

 

CMYK 14 / 0 / 62 / 34

HEX #91A940

RGB 145 169 64

HSL 73.71, 0.45%, 0.46%

LAB 65.57, -23.75, 49.95

 

CMYK 13 / 0 / 56 / 25

HEX #A6BE54

RGB 166 190 84

HSL 73.58, 0.45%, 0.54%

LAB 73.27, -23.89, 49.93

 

CMYK 9 / 0 / 43 / 21

HEX #B6C972

RGB 182 201 114

HSL 73.1, 0.45%, 0.62%

LAB 77.84, -19.99, 41.21

 

CMYK 8 / 0 / 32 / 16

HEX #C5D590

RGB 197 213 144

HSL 73.91, 0.45%, 0.7%

LAB 82.63, -16.58, 32.38

 

CMYK 13 / 0 / 56 / 25

HEX #A6BE54

RGB 166 190 84

HSL 73.58, 0.45%, 0.54%

LAB 73.27, -23.89, 49.93

 

CMYK 56 / 0 / 33 / 25

HEX #54BE80

RGB 84 190 128

HSL 144.91, 0.45%, 0.54%

LAB 69.66, -44.8, 22.31

 

CMYK 10 / 56 / 0 / 25

HEX #AB54BE

RGB 171 84 190

HSL 289.25, 0.45%, 0.54%

LAB 50.35, 51.6, -40.7

 

CMYK 13 / 0 / 56 / 25

HEX #A6BE54

RGB 166 190 84

HSL 73.58, 0.45%, 0.54%

LAB 73.27, -23.89, 49.93

 

CMYK 56 / 12 / 0 / 25

HEX #54A7BE

RGB 84 167 190

HSL 193.02, 0.45%, 0.54%

LAB 64.35, -18.61, -19.49

 

CMYK 0 / 56 / 12 / 25

HEX #BE54A7

RGB 190 84 167

HSL 313.02, 0.45%, 0.54%

LAB 51.93, 52.8, -24.66

 

CMYK 13 / 0 / 56 / 25

HEX #A6BE54

RGB 166 190 84

HSL 73.58, 0.45%, 0.54%

LAB 73.27, -23.89, 49.93

 

CMYK 56 / 0 / 33 / 25

HEX #54BE80

RGB 84 190 128

HSL 144.91, 0.45%, 0.54%

LAB 69.66, -44.8, 22.31

 

CMYK 44 / 56 / 0 / 25

HEX #6B54BE

RGB 107 84 190

HSL 253.02, 0.45%, 0.54%

LAB 43.04, 35.43, -52.8

 

CMYK 0 / 56 / 23 / 25

HEX #BE5492

RGB 190 84 146

HSL 324.91, 0.45%, 0.54%

LAB 51.11, 49.62, -13.52

 

CMYK 13 / 0 / 56 / 25

HEX #A6BE54

RGB 166 190 84

HSL 73.58, 0.45%, 0.54%

LAB 73.27, -23.89, 49.93

 

CMYK 56 / 0 / 16 / 25

HEX #54BEA0

RGB 84 190 160

HSL 163.02, 0.45%, 0.54%

LAB 70.35, -37.87, 5.97

 

CMYK 44 / 56 / 0 / 25

HEX #6B54BE

RGB 107 84 190

HSL 253.02, 0.45%, 0.54%

LAB 43.04, 35.43, -52.8

 

CMYK 0 / 56 / 40 / 25

HEX #BE5472

RGB 190 84 114

HSL 343.02, 0.45%, 0.54%

LAB 50.1, 45.56, 4.11

 

Description

Color code: HEX #A6BE54 | qconv.com Color code: HEX #A6BE54 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 190 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 190 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 56 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 56% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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