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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A68A06 it is the complementary color #5975F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A68A06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A68A06 shade: #AB8A01, #BC9C14, #CDAE27, #DEC03A and #EFD24D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A68A06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A68A06 shade: #A68A06, #957800, #846600, #735400 and #624200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A68A06 shade: #A78B06, #A75F06, #A73406, #A70806 and #A70606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A68A06 shade: #A78B06, #98A706, #6CA706, #41A706 and #15A706

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A68A06 shade matches the following richer shades: #A78B06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A68A06 shade: #A78B06, #998114, #8B7822, #7D6F30 and #6F663E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A68A06 shade: #A73306, #A75E06, #A78906, #99A706 and #6EA706

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A68A06 shade: #574803, #7F6A04, #A78B06, #CFAC07 and #F6CC09

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A68A06 shade: #A68A06, #06A708 and #4906A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A68A06 shade: #A68A06, #06A789 and #8906A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A68A06 shade: #A68A06, #06A708, #0623A7 and #A706A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A68A06 shade: #A68A06, #06A739, #0623A7 and #A70674

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 96 / 35

HEX #A68A06

RGB 166 138 6

HSL 49.5, 0.93%, 0.34%

LAB 58.32, -0.63, 61.99

 

Complementary color

CMYK 64 / 53 / 0 / 2

HEX #5975F9

RGB 89 117 249

HSL 229.5, 0.93%, 0.66%

LAB 53.69, 30.62, -69.16

 

CMYK 0 / 19 / 99 / 33

HEX #AB8A01

RGB 171 138 1

HSL 48.35, 0.99%, 0.34%

LAB 58.82, 1.6, 63.39

 

CMYK 0 / 17 / 89 / 26

HEX #BC9C14

RGB 188 156 20

HSL 48.57, 0.81%, 0.41%

LAB 65.37, -0.2, 65.93

 

CMYK 0 / 15 / 81 / 20

HEX #CDAE27

RGB 205 174 39

HSL 48.8, 0.68%, 0.48%

LAB 71.82, -1.75, 67.13

 

CMYK 0 / 14 / 74 / 13

HEX #DEC03A

RGB 222 192 58

HSL 49.02, 0.71%, 0.55%

LAB 78.19, -3.07, 67.27

 

CMYK 0 / 12 / 68 / 6

HEX #EFD24D

RGB 239 210 77

HSL 49.26, 0.84%, 0.62%

LAB 84.47, -4.2, 66.81

 

CMYK 0 / 17 / 96 / 35

HEX #A68A06

RGB 166 138 6

HSL 49.5, 0.93%, 0.34%

LAB 58.32, -0.63, 61.99

 

CMYK 0 / 19 / 100 / 42

HEX #957800

RGB 149 120 0

HSL 48.32, 1%, 0.29%

LAB 51.64, 1.39, 57.45

 

CMYK 0 / 23 / 100 / 48

HEX #846600

RGB 132 102 0

HSL 46.36, 1%, 0.26%

LAB 44.81, 3.6, 51.82

 

CMYK 0 / 27 / 100 / 55

HEX #735400

RGB 115 84 0

HSL 43.83, 1%, 0.23%

LAB 37.82, 5.95, 46.07

 

CMYK 0 / 33 / 100 / 62

HEX #624200

RGB 98 66 0

HSL 40.41, 1%, 0.19%

LAB 30.62, 8.47, 40.14

 

CMYK 0 / 17 / 96 / 35

HEX #A78B06

RGB 167 139 6

HSL 49.57, 0.93%, 0.34%

LAB 58.69, -0.72, 62.31

 

CMYK 0 / 43 / 96 / 35

HEX #A75F06

RGB 167 95 6

HSL 33.17, 0.93%, 0.34%

LAB 47.51, 23.94, 54.35

 

CMYK 0 / 69 / 96 / 35

HEX #A73406

RGB 167 52 6

HSL 17.14, 0.93%, 0.34%

LAB 39.04, 45.54, 48.86

 

CMYK 0 / 95 / 96 / 35

HEX #A70806

RGB 167 8 6

HSL 0.75, 0.93%, 0.34%

LAB 34.81, 57.4, 46.45

 

CMYK 0 / 96 / 96 / 35

HEX #A70606

RGB 167 6 6

HSL 0, 0.93%, 0.34%

LAB 34.72, 57.66, 46.41

 

CMYK 0 / 17 / 96 / 35

HEX #A78B06

RGB 167 139 6

HSL 49.57, 0.93%, 0.34%

LAB 58.69, -0.72, 62.31

 

CMYK 9 / 0 / 96 / 35

HEX #98A706

RGB 152 167 6

HSL 65.59, 0.93%, 0.34%

LAB 65.22, -22.22, 66.62

 

CMYK 35 / 0 / 96 / 35

HEX #6CA706

RGB 108 167 6

HSL 81.99, 0.93%, 0.34%

LAB 62.37, -40.23, 63.18

 

CMYK 61 / 0 / 96 / 35

HEX #41A706

RGB 65 167 6

HSL 98.01, 0.93%, 0.34%

LAB 60.58, -53.84, 60.99

 

CMYK 87 / 0 / 96 / 35

HEX #15A706

RGB 21 167 6

HSL 114.41, 0.93%, 0.34%

LAB 59.72, -61.3, 59.92

 

CMYK 0 / 17 / 96 / 35

HEX #A78B06

RGB 167 139 6

HSL 49.57, 0.93%, 0.34%

LAB 58.69, -0.72, 62.31

 

CMYK 0 / 17 / 96 / 35

HEX #A78B06

RGB 167 139 6

HSL 49.57, 0.93%, 0.34%

LAB 58.69, -0.72, 62.31

 

CMYK 0 / 16 / 87 / 40

HEX #998114

RGB 153 129 20

HSL 49.17, 0.77%, 0.34%

LAB 54.58, -1.4, 55.78

 

CMYK 0 / 14 / 76 / 45

HEX #8B7822

RGB 139 120 34

HSL 49.14, 0.61%, 0.34%

LAB 50.73, -2.36, 47.17

 

CMYK 0 / 11 / 62 / 51

HEX #7D6F30

RGB 125 111 48

HSL 49.09, 0.45%, 0.34%

LAB 46.9, -2.88, 36.35

 

CMYK 0 / 8 / 44 / 56

HEX #6F663E

RGB 111 102 62

HSL 48.98, 0.28%, 0.34%

LAB 43.11, -2.72, 23.87

 

CMYK 0 / 69 / 96 / 35

HEX #A73306

RGB 167 51 6

HSL 16.77, 0.93%, 0.34%

LAB 38.89, 45.95, 48.77

 

CMYK 0 / 44 / 96 / 35

HEX #A75E06

RGB 167 94 6

HSL 32.8, 0.93%, 0.34%

LAB 47.28, 24.5, 54.2

 

CMYK 0 / 18 / 96 / 35

HEX #A78906

RGB 167 137 6

HSL 48.82, 0.93%, 0.34%

LAB 58.15, 0.38, 61.91

 

CMYK 8 / 0 / 96 / 35

HEX #99A706

RGB 153 167 6

HSL 65.22, 0.93%, 0.34%

LAB 65.3, -21.78, 66.71

 

CMYK 34 / 0 / 96 / 35

HEX #6EA706

RGB 110 167 6

HSL 81.24, 0.93%, 0.34%

LAB 62.48, -39.48, 63.31

 

CMYK 0 / 17 / 97 / 66

HEX #574803

RGB 87 72 3

HSL 49.29, 0.93%, 0.18%

LAB 31.04, -0.78, 38.62

 

CMYK 0 / 17 / 97 / 50

HEX #7F6A04

RGB 127 106 4

HSL 49.76, 0.94%, 0.26%

LAB 45.4, -1.04, 51.03

 

CMYK 0 / 17 / 96 / 35

HEX #A78B06

RGB 167 139 6

HSL 49.57, 0.93%, 0.34%

LAB 58.69, -0.72, 62.31

 

CMYK 0 / 17 / 97 / 19

HEX #CFAC07

RGB 207 172 7

HSL 49.5, 0.93%, 0.42%

LAB 71.41, -0.44, 73.25

 

CMYK 0 / 17 / 96 / 4

HEX #F6CC09

RGB 246 204 9

HSL 49.37, 0.93%, 0.5%

LAB 83.34, -0.09, 83.39

 

CMYK 0 / 17 / 96 / 35

HEX #A68A06

RGB 166 138 6

HSL 49.5, 0.93%, 0.34%

LAB 58.32, -0.63, 61.99

 

CMYK 96 / 0 / 95 / 35

HEX #06A708

RGB 6 167 8

HSL 120.75, 0.93%, 0.34%

LAB 59.61, -62.24, 59.51

 

CMYK 56 / 96 / 0 / 35

HEX #4906A7

RGB 73 6 167

HSL 264.97, 0.93%, 0.34%

LAB 24.75, 58.69, -69.15

 

CMYK 0 / 17 / 96 / 35

HEX #A68A06

RGB 166 138 6

HSL 49.5, 0.93%, 0.34%

LAB 58.32, -0.63, 61.99

 

CMYK 96 / 0 / 18 / 35

HEX #06A789

RGB 6 167 137

HSL 168.82, 0.93%, 0.34%

LAB 61.2, -43.49, 5.35

 

CMYK 18 / 96 / 0 / 35

HEX #8906A7

RGB 137 6 167

HSL 288.82, 0.93%, 0.34%

LAB 34.48, 66.11, -52.83

 

CMYK 0 / 17 / 96 / 35

HEX #A68A06

RGB 166 138 6

HSL 49.5, 0.93%, 0.34%

LAB 58.32, -0.63, 61.99

 

CMYK 96 / 0 / 95 / 35

HEX #06A708

RGB 6 167 8

HSL 120.75, 0.93%, 0.34%

LAB 59.61, -62.24, 59.51

 

CMYK 96 / 79 / 0 / 35

HEX #0623A7

RGB 6 35 167

HSL 229.19, 0.93%, 0.34%

LAB 23.77, 44.46, -70.91

 

CMYK 0 / 96 / 2 / 35

HEX #A706A4

RGB 167 6 164

HSL 301.12, 0.93%, 0.34%

LAB 39.62, 70.47, -42.46

 

CMYK 0 / 17 / 96 / 35

HEX #A68A06

RGB 166 138 6

HSL 49.5, 0.93%, 0.34%

LAB 58.32, -0.63, 61.99

 

CMYK 96 / 0 / 66 / 35

HEX #06A739

RGB 6 167 57

HSL 139.01, 0.93%, 0.34%

LAB 59.86, -59.02, 45.33

 

CMYK 96 / 79 / 0 / 35

HEX #0623A7

RGB 6 35 167

HSL 229.19, 0.93%, 0.34%

LAB 23.77, 44.46, -70.91

 

CMYK 0 / 96 / 31 / 35

HEX #A70674

RGB 167 6 116

HSL 319.01, 0.93%, 0.34%

LAB 37.13, 64.14, -16.87

 

Description

Color code: HEX #A68A06 | qconv.com Color code: HEX #A68A06 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 138 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 138 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 96 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 96% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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