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Color name
HEX #A683DC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A683DC it is the complementary color #597C23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A683DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A683DC shade: #AB83D7, #BC95EA, #CDA7FD, #DEB9FF and #EFCBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A683DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A683DC shade: #A683DC, #9571C9, #845FB6, #734DA3 and #623B90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A683DC shade: #A683DC, #BE83DC, #D683DC, #DC83CA and #DC83B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A683DC shade: #A683DC, #8E83DC and #8383DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A683DC shade matches the following richer shades: #A683DC, #A376E9 and #A16AF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A683DC shade: #A683DC, #A990CF, #AB9DC2, #AEAAB5 and #B1B6A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A683DC shade: #8390DC, #8E83DC, #A583DC, #BD83DC and #D483DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A683DC shade: #7843CA, #8F63D3, #A683DC, #BDA3E5 and #D4C4EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A683DC shade: #A683DC, #DC83A8 and #85DC83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A683DC shade: #A683DC, #DCA583 and #83DCA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A683DC shade: #A683DC, #DC83A8, #BADC83 and #83DCB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A683DC shade: #A683DC, #DC838E, #BADC83 and #83DCD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 40 / 0 / 14

HEX #A683DC

RGB 166 131 220

HSL 263.6, 0.56%, 0.69%

LAB 61.23, 31.42, -40.66

 

Complementary color

CMYK 28 / 0 / 72 / 51

HEX #597C23

RGB 89 124 35

HSL 83.6, 0.56%, 0.31%

LAB 47.83, -26.89, 42.51

 

CMYK 20 / 39 / 0 / 16

HEX #AB83D7

RGB 171 131 215

HSL 268.57, 0.51%, 0.68%

LAB 61.48, 31.7, -37.44

 

CMYK 20 / 36 / 0 / 8

HEX #BC95EA

RGB 188 149 234

HSL 267.53, 0.67%, 0.75%

LAB 68.11, 30.96, -37.5

 

CMYK 19 / 34 / 0 / 1

HEX #CDA7FD

RGB 205 167 253

HSL 266.51, 0.96%, 0.82%

LAB 74.64, 30.28, -37.58

 

CMYK 13 / 27 / 0 / 0

HEX #DEB9FF

RGB 222 185 255

HSL 271.71, 1%, 0.86%

LAB 80.43, 26.05, -29.59

 

CMYK 6 / 20 / 0 / 0

HEX #EFCBFF

RGB 239 203 255

HSL 281.54, 1%, 0.9%

LAB 86.15, 21.75, -20.74

 

CMYK 25 / 40 / 0 / 14

HEX #A683DC

RGB 166 131 220

HSL 263.6, 0.56%, 0.69%

LAB 61.23, 31.42, -40.66

 

CMYK 26 / 44 / 0 / 21

HEX #9571C9

RGB 149 113 201

HSL 264.55, 0.45%, 0.62%

LAB 54.47, 32.26, -40.69

 

CMYK 27 / 48 / 0 / 29

HEX #845FB6

RGB 132 95 182

HSL 265.52, 0.37%, 0.54%

LAB 47.58, 33.17, -40.74

 

CMYK 29 / 53 / 0 / 36

HEX #734DA3

RGB 115 77 163

HSL 266.51, 0.36%, 0.47%

LAB 40.57, 34.16, -40.8

 

CMYK 32 / 59 / 0 / 44

HEX #623B90

RGB 98 59 144

HSL 267.53, 0.42%, 0.4%

LAB 33.43, 35.2, -40.83

 

CMYK 25 / 40 / 0 / 14

HEX #A683DC

RGB 166 131 220

HSL 263.6, 0.56%, 0.69%

LAB 61.23, 31.42, -40.66

 

CMYK 14 / 40 / 0 / 14

HEX #BE83DC

RGB 190 131 220

HSL 279.78, 0.56%, 0.69%

LAB 63.63, 38.42, -36.73

 

CMYK 3 / 40 / 0 / 14

HEX #D683DC

RGB 214 131 220

HSL 295.96, 0.56%, 0.69%

LAB 66.29, 45.59, -32.39

 

CMYK 0 / 40 / 8 / 14

HEX #DC83CA

RGB 220 131 202

HSL 312.13, 0.56%, 0.69%

LAB 66.3, 44.24, -22.28

 

CMYK 0 / 40 / 19 / 14

HEX #DC83B2

RGB 220 131 178

HSL 328.31, 0.56%, 0.69%

LAB 65.49, 40.39, -10.02

 

CMYK 25 / 40 / 0 / 14

HEX #A683DC

RGB 166 131 220

HSL 263.6, 0.56%, 0.69%

LAB 61.23, 31.42, -40.66

 

CMYK 35 / 40 / 0 / 14

HEX #8E83DC

RGB 142 131 220

HSL 247.42, 0.56%, 0.69%

LAB 59.11, 24.76, -44.13

 

CMYK 40 / 40 / 0 / 14

HEX #8383DC

RGB 131 131 220

HSL 240, 0.56%, 0.69%

LAB 58.25, 21.87, -45.55

 

CMYK 25 / 40 / 0 / 14

HEX #A683DC

RGB 166 131 220

HSL 263.6, 0.56%, 0.69%

LAB 61.23, 31.42, -40.66

 

CMYK 30 / 49 / 0 / 9

HEX #A376E9

RGB 163 118 233

HSL 263.48, 0.72%, 0.69%

LAB 58.63, 41.07, -52.04

 

CMYK 34 / 57 / 0 / 4

HEX #A16AF5

RGB 161 106 245

HSL 263.74, 0.87%, 0.69%

LAB 56.56, 50.11, -62.03

 

CMYK 25 / 40 / 0 / 14

HEX #A683DC

RGB 166 131 220

HSL 263.6, 0.56%, 0.69%

LAB 61.23, 31.42, -40.66

 

CMYK 18 / 30 / 0 / 19

HEX #A990CF

RGB 169 144 207

HSL 263.81, 0.4%, 0.69%

LAB 64.07, 21.91, -28.96

 

CMYK 12 / 19 / 0 / 24

HEX #AB9DC2

RGB 171 157 194

HSL 262.7, 0.23%, 0.69%

LAB 67.03, 12.36, -17.17

 

CMYK 4 / 6 / 0 / 29

HEX #AEAAB5

RGB 174 170 181

HSL 261.82, 0.07%, 0.69%

LAB 70.23, 3.52, -5.13

 

CMYK 3 / 0 / 7 / 29

HEX #B1B6A9

RGB 177 182 169

HSL 83.08, 0.08%, 0.69%

LAB 73.33, -4.14, 6

 

CMYK 40 / 35 / 0 / 14

HEX #8390DC

RGB 131 144 220

HSL 231.24, 0.56%, 0.69%

LAB 61.6, 14.25, -40.28

 

CMYK 35 / 40 / 0 / 14

HEX #8E83DC

RGB 142 131 220

HSL 247.42, 0.56%, 0.69%

LAB 59.11, 24.76, -44.13

 

CMYK 25 / 40 / 0 / 14

HEX #A583DC

RGB 165 131 220

HSL 262.92, 0.56%, 0.69%

LAB 61.13, 31.13, -40.82

 

CMYK 14 / 40 / 0 / 14

HEX #BD83DC

RGB 189 131 220

HSL 279.1, 0.56%, 0.69%

LAB 63.52, 38.13, -36.9

 

CMYK 4 / 40 / 0 / 14

HEX #D483DC

RGB 212 131 220

HSL 294.61, 0.56%, 0.69%

LAB 66.06, 44.99, -32.77

 

CMYK 41 / 67 / 0 / 21

HEX #7843CA

RGB 120 67 202

HSL 263.56, 0.56%, 0.53%

LAB 41.64, 50.96, -61.96

 

CMYK 32 / 53 / 0 / 17

HEX #8F63D3

RGB 143 99 211

HSL 263.57, 0.56%, 0.61%

LAB 51.23, 41.11, -51.56

 

CMYK 25 / 40 / 0 / 14

HEX #A683DC

RGB 166 131 220

HSL 263.6, 0.56%, 0.69%

LAB 61.23, 31.42, -40.66

 

CMYK 17 / 29 / 0 / 10

HEX #BDA3E5

RGB 189 163 229

HSL 263.64, 0.56%, 0.77%

LAB 71.33, 22.37, -29.77

 

CMYK 11 / 18 / 0 / 7

HEX #D4C4EE

RGB 212 196 238

HSL 262.86, 0.55%, 0.85%

LAB 81.65, 13.49, -18.72

 

CMYK 25 / 40 / 0 / 14

HEX #A683DC

RGB 166 131 220

HSL 263.6, 0.56%, 0.69%

LAB 61.23, 31.42, -40.66

 

CMYK 0 / 40 / 24 / 14

HEX #DC83A8

RGB 220 131 168

HSL 335.06, 0.56%, 0.69%

LAB 65.18, 38.91, -4.82

 

CMYK 40 / 0 / 40 / 14

HEX #85DC83

RGB 133 220 131

HSL 118.65, 0.56%, 0.69%

LAB 80.63, -43.83, 35.67

 

CMYK 25 / 40 / 0 / 14

HEX #A683DC

RGB 166 131 220

HSL 263.6, 0.56%, 0.69%

LAB 61.23, 31.42, -40.66

 

CMYK 0 / 25 / 40 / 14

HEX #DCA583

RGB 220 165 131

HSL 22.92, 0.56%, 0.69%

LAB 72.07, 15.96, 25.52

 

CMYK 40 / 0 / 25 / 14

HEX #83DCA5

RGB 131 220 165

HSL 142.92, 0.56%, 0.69%

LAB 81.14, -38.65, 18.81

 

CMYK 25 / 40 / 0 / 14

HEX #A683DC

RGB 166 131 220

HSL 263.6, 0.56%, 0.69%

LAB 61.23, 31.42, -40.66

 

CMYK 0 / 40 / 24 / 14

HEX #DC83A8

RGB 220 131 168

HSL 335.06, 0.56%, 0.69%

LAB 65.18, 38.91, -4.82

 

CMYK 15 / 0 / 40 / 14

HEX #BADC83

RGB 186 220 131

HSL 82.92, 0.56%, 0.69%

LAB 83.58, -25.76, 40.05

 

CMYK 40 / 0 / 17 / 14

HEX #83DCB7

RGB 131 220 183

HSL 155.06, 0.56%, 0.69%

LAB 81.53, -35.06, 9.86

 

CMYK 25 / 40 / 0 / 14

HEX #A683DC

RGB 166 131 220

HSL 263.6, 0.56%, 0.69%

LAB 61.23, 31.42, -40.66

 

CMYK 0 / 40 / 35 / 14

HEX #DC838E

RGB 220 131 142

HSL 352.58, 0.56%, 0.69%

LAB 64.48, 35.47, 8.92

 

CMYK 15 / 0 / 40 / 14

HEX #BADC83

RGB 186 220 131

HSL 82.92, 0.56%, 0.69%

LAB 83.58, -25.76, 40.05

 

CMYK 40 / 0 / 5 / 14

HEX #83DCD1

RGB 131 220 209

HSL 172.58, 0.56%, 0.69%

LAB 82.17, -29.28, -3

 

Description

Color code: HEX #A683DC | qconv.com Color code: HEX #A683DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 131 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 131 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 40 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 40% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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