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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A684AF it is the complementary color #597B50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A684AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A684AF shade: #AB84AA, #BC96BD, #CDA8D0, #DEBAE3 and #EFCCF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A684AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A684AF shade: #A684AF, #95729C, #846089, #734E76 and #623C63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A684AF shade: #A583AE, #AE83AB, #AE83A0, #AE8394 and #AE8389

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A684AF shade: #A583AE, #9983AE, #8E83AE and #8383AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A684AF shade matches the following richer shades: #A583AE, #AF73BE, #B862CF, #C252DF and #CB41F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A684AF shade: #A583AE, #9B949D, #92A48D, #88B57C and #7FC56C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A684AF shade: #8E83AE, #9983AE, #A583AE, #AE83AC and #AE83A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A684AF shade: #7D5887, #936A9E, #A583AE, #B79CBE and #C9B5CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A684AF shade: #A684AF, #AE8384 and #83AE94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A684AF shade: #A684AF, #AEA583 and #83AEA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A684AF shade: #A684AF, #AE8384, #8CAE83 and #83AEAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A684AF shade: #A684AF, #AE8F83, #8CAE83 and #83A2AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 25 / 0 / 31

HEX #A684AF

RGB 166 132 175

HSL 287.44, 0.21%, 0.6%

LAB 59.62, 20.85, -17.74

 

Complementary color

CMYK 28 / 0 / 35 / 52

HEX #597B50

RGB 89 123 80

HSL 107.44, 0.21%, 0.4%

LAB 48.09, -20.98, 19.74

 

CMYK 0 / 23 / 1 / 33

HEX #AB84AA

RGB 171 132 170

HSL 301.54, 0.19%, 0.59%

LAB 59.95, 21.57, -14.35

 

CMYK 1 / 21 / 0 / 26

HEX #BC96BD

RGB 188 150 189

HSL 298.46, 0.23%, 0.66%

LAB 66.66, 21, -14.79

 

CMYK 1 / 19 / 0 / 18

HEX #CDA8D0

RGB 205 168 208

HSL 295.5, 0.3%, 0.74%

LAB 73.25, 20.46, -15.22

 

CMYK 2 / 18 / 0 / 11

HEX #DEBAE3

RGB 222 186 227

HSL 292.68, 0.42%, 0.81%

LAB 79.72, 19.97, -15.64

 

CMYK 3 / 17 / 0 / 4

HEX #EFCCF6

RGB 239 204 246

HSL 290, 0.7%, 0.88%

LAB 86.1, 19.52, -16.05

 

CMYK 5 / 25 / 0 / 31

HEX #A684AF

RGB 166 132 175

HSL 287.44, 0.21%, 0.6%

LAB 59.62, 20.85, -17.74

 

CMYK 4 / 27 / 0 / 39

HEX #95729C

RGB 149 114 156

HSL 290, 0.18%, 0.53%

LAB 52.76, 21.46, -17.39

 

CMYK 4 / 30 / 0 / 46

HEX #846089

RGB 132 96 137

HSL 292.68, 0.18%, 0.46%

LAB 45.74, 22.14, -17.02

 

CMYK 3 / 34 / 0 / 54

HEX #734E76

RGB 115 78 118

HSL 295.5, 0.2%, 0.38%

LAB 38.55, 22.9, -16.63

 

CMYK 1 / 39 / 0 / 61

HEX #623C63

RGB 98 60 99

HSL 298.46, 0.25%, 0.31%

LAB 31.18, 23.72, -16.2

 

CMYK 5 / 25 / 0 / 32

HEX #A583AE

RGB 165 131 174

HSL 287.44, 0.21%, 0.6%

LAB 59.24, 20.87, -17.76

 

CMYK 0 / 25 / 2 / 32

HEX #AE83AB

RGB 174 131 171

HSL 304.19, 0.21%, 0.6%

LAB 60.04, 23.37, -14.74

 

CMYK 0 / 25 / 8 / 32

HEX #AE83A0

RGB 174 131 160

HSL 319.53, 0.21%, 0.6%

LAB 59.68, 21.33, -9

 

CMYK 0 / 25 / 15 / 32

HEX #AE8394

RGB 174 131 148

HSL 336.28, 0.21%, 0.6%

LAB 59.31, 19.23, -2.66

 

CMYK 0 / 25 / 21 / 32

HEX #AE8389

RGB 174 131 137

HSL 351.63, 0.21%, 0.6%

LAB 59.01, 17.45, 3.21

 

CMYK 5 / 25 / 0 / 32

HEX #A583AE

RGB 165 131 174

HSL 287.44, 0.21%, 0.6%

LAB 59.24, 20.87, -17.76

 

CMYK 12 / 25 / 0 / 32

HEX #9983AE

RGB 153 131 174

HSL 270.7, 0.21%, 0.6%

LAB 58.09, 16.82, -19.61

 

CMYK 18 / 25 / 0 / 32

HEX #8E83AE

RGB 142 131 174

HSL 255.35, 0.21%, 0.6%

LAB 57.11, 13.18, -21.2

 

CMYK 25 / 25 / 0 / 32

HEX #8383AE

RGB 131 131 174

HSL 240, 0.21%, 0.6%

LAB 56.2, 9.64, -22.67

 

CMYK 5 / 25 / 0 / 32

HEX #A583AE

RGB 165 131 174

HSL 287.44, 0.21%, 0.6%

LAB 59.24, 20.87, -17.76

 

CMYK 8 / 39 / 0 / 25

HEX #AF73BE

RGB 175 115 190

HSL 288, 0.37%, 0.6%

LAB 57.17, 36.42, -30

 

CMYK 11 / 53 / 0 / 19

HEX #B862CF

RGB 184 98 207

HSL 287.34, 0.53%, 0.6%

LAB 55.51, 51.49, -42.19

 

CMYK 13 / 63 / 0 / 13

HEX #C252DF

RGB 194 82 223

HSL 287.66, 0.69%, 0.6%

LAB 54.9, 64.63, -52.15

 

CMYK 15 / 73 / 0 / 6

HEX #CB41F0

RGB 203 65 240

HSL 287.31, 0.85%, 0.6%

LAB 54.83, 76.27, -61.74

 

CMYK 5 / 25 / 0 / 32

HEX #A583AE

RGB 165 131 174

HSL 287.44, 0.21%, 0.6%

LAB 59.24, 20.87, -17.76

 

CMYK 1 / 6 / 0 / 38

HEX #9B949D

RGB 155 148 157

HSL 286.67, 0.04%, 0.6%

LAB 62.15, 4.29, -3.82

 

CMYK 11 / 0 / 14 / 36

HEX #92A48D

RGB 146 164 141

HSL 106.96, 0.11%, 0.6%

LAB 65.42, -10.77, 9.82

 

CMYK 25 / 0 / 31 / 29

HEX #88B57C

RGB 136 181 124

HSL 107.37, 0.28%, 0.6%

LAB 69.28, -25.97, 24.34

 

CMYK 36 / 0 / 45 / 23

HEX #7FC56C

RGB 127 197 108

HSL 107.19, 0.43%, 0.6%

LAB 73.24, -38.9, 37.72

 

CMYK 18 / 25 / 0 / 32

HEX #8E83AE

RGB 142 131 174

HSL 255.35, 0.21%, 0.6%

LAB 57.11, 13.18, -21.2

 

CMYK 12 / 25 / 0 / 32

HEX #9983AE

RGB 153 131 174

HSL 270.7, 0.21%, 0.6%

LAB 58.09, 16.82, -19.61

 

CMYK 5 / 25 / 0 / 32

HEX #A583AE

RGB 165 131 174

HSL 287.44, 0.21%, 0.6%

LAB 59.24, 20.87, -17.76

 

CMYK 0 / 25 / 1 / 32

HEX #AE83AC

RGB 174 131 172

HSL 302.79, 0.21%, 0.6%

LAB 60.08, 23.56, -15.26

 

CMYK 0 / 25 / 8 / 32

HEX #AE83A0

RGB 174 131 160

HSL 319.53, 0.21%, 0.6%

LAB 59.68, 21.33, -9

 

CMYK 7 / 35 / 0 / 47

HEX #7D5887

RGB 125 88 135

HSL 287.23, 0.21%, 0.44%

LAB 42.9, 24.04, -20.25

 

CMYK 7 / 33 / 0 / 38

HEX #936A9E

RGB 147 106 158

HSL 287.31, 0.21%, 0.52%

LAB 50.66, 25.84, -21.78

 

CMYK 5 / 25 / 0 / 32

HEX #A583AE

RGB 165 131 174

HSL 287.44, 0.21%, 0.6%

LAB 59.24, 20.87, -17.76

 

CMYK 4 / 18 / 0 / 25

HEX #B79CBE

RGB 183 156 190

HSL 287.65, 0.21%, 0.68%

LAB 67.7, 16.14, -13.83

 

CMYK 3 / 13 / 0 / 19

HEX #C9B5CF

RGB 201 181 207

HSL 286.15, 0.21%, 0.76%

LAB 76.05, 11.84, -10.5

 

CMYK 5 / 25 / 0 / 31

HEX #A684AF

RGB 166 132 175

HSL 287.44, 0.21%, 0.6%

LAB 59.62, 20.85, -17.74

 

CMYK 0 / 25 / 24 / 32

HEX #AE8384

RGB 174 131 132

HSL 358.6, 0.21%, 0.6%

LAB 58.88, 16.68, 5.9

 

CMYK 25 / 0 / 15 / 32

HEX #83AE94

RGB 131 174 148

HSL 143.72, 0.21%, 0.6%

LAB 67.45, -19.88, 8.69

 

CMYK 5 / 25 / 0 / 31

HEX #A684AF

RGB 166 132 175

HSL 287.44, 0.21%, 0.6%

LAB 59.62, 20.85, -17.74

 

CMYK 0 / 5 / 25 / 32

HEX #AEA583

RGB 174 165 131

HSL 47.44, 0.21%, 0.6%

LAB 67.69, -2.31, 18.83

 

CMYK 25 / 0 / 5 / 32

HEX #83AEA5

RGB 131 174 165

HSL 167.44, 0.21%, 0.6%

LAB 67.88, -16.33, -0.09

 

CMYK 5 / 25 / 0 / 31

HEX #A684AF

RGB 166 132 175

HSL 287.44, 0.21%, 0.6%

LAB 59.62, 20.85, -17.74

 

CMYK 0 / 25 / 24 / 32

HEX #AE8384

RGB 174 131 132

HSL 358.6, 0.21%, 0.6%

LAB 58.88, 16.68, 5.9

 

CMYK 20 / 0 / 25 / 32

HEX #8CAE83

RGB 140 174 131

HSL 107.44, 0.21%, 0.6%

LAB 67.64, -19.9, 18.36

 

CMYK 25 / 0 / 1 / 32

HEX #83AEAD

RGB 131 174 173

HSL 178.6, 0.21%, 0.6%

LAB 68.1, -14.54, -4.19

 

CMYK 5 / 25 / 0 / 31

HEX #A684AF

RGB 166 132 175

HSL 287.44, 0.21%, 0.6%

LAB 59.62, 20.85, -17.74

 

CMYK 0 / 18 / 25 / 32

HEX #AE8F83

RGB 174 143 131

HSL 16.74, 0.21%, 0.6%

LAB 61.9, 9.79, 10.76

 

CMYK 20 / 0 / 25 / 32

HEX #8CAE83

RGB 140 174 131

HSL 107.44, 0.21%, 0.6%

LAB 67.64, -19.9, 18.36

 

CMYK 25 / 7 / 0 / 32

HEX #83A2AE

RGB 131 162 174

HSL 196.74, 0.21%, 0.6%

LAB 64.74, -7.89, -9.74

 

Description

Color code: HEX #A684AF | qconv.com Color code: HEX #A684AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 132 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 132 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 25 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 25% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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