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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A67D51 it is the complementary color #5982AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A67D51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A67D51 shade: #AB7D4C, #BC8F5F, #CDA172, #DEB385 and #EFC598

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A67D51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A67D51 shade: #A67D51, #956B3E, #84592B, #734718 and #623505

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A67D51 shade: #A47B50, #A46550 and #A45050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A67D51 shade: #A47B50, #A49250, #9FA450, #88A450 and #72A450

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A67D51 shade matches the following richer shades: #A47B50, #B77C3C, #CB7D29, #DF7D15 and #F37E01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A67D51 shade: #A47B50, #907B64, #7C7A78, #68798C and #5479A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A67D51 shade: #A45052, #A46550, #A47B50, #A49150 and #9FA450

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A67D51 shade: #6C5235, #886643, #A47B50, #B59068 and #C2A484

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A67D51 shade: #A67D51, #68A450 and #5A50A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A67D51 shade: #A67D51, #50A47B and #7B50A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A67D51 shade: #A67D51, #68A450, #5079A4 and #8C50A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A67D51 shade: #A67D51, #50A452, #5079A4 and #A450A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 51 / 35

HEX #A67D51

RGB 166 125 81

HSL 31.06, 0.34%, 0.48%

LAB 55.45, 10.43, 30.04

 

Complementary color

CMYK 49 / 25 / 0 / 32

HEX #5982AE

RGB 89 130 174

HSL 211.06, 0.34%, 0.52%

LAB 53.11, -1.77, -27.68

 

CMYK 0 / 27 / 56 / 33

HEX #AB7D4C

RGB 171 125 76

HSL 30.95, 0.38%, 0.48%

LAB 55.93, 12.14, 33.49

 

CMYK 0 / 24 / 49 / 26

HEX #BC8F5F

RGB 188 143 95

HSL 30.97, 0.41%, 0.55%

LAB 62.64, 11.11, 32.02

 

CMYK 0 / 21 / 44 / 20

HEX #CDA172

RGB 205 161 114

HSL 30.99, 0.48%, 0.63%

LAB 69.24, 10.24, 30.65

 

CMYK 0 / 19 / 40 / 13

HEX #DEB385

RGB 222 179 133

HSL 31.01, 0.57%, 0.7%

LAB 75.74, 9.48, 29.38

 

CMYK 0 / 18 / 36 / 6

HEX #EFC598

RGB 239 197 152

HSL 31.03, 0.73%, 0.77%

LAB 82.14, 8.83, 28.18

 

CMYK 0 / 25 / 51 / 35

HEX #A67D51

RGB 166 125 81

HSL 31.06, 0.34%, 0.48%

LAB 55.45, 10.43, 30.04

 

CMYK 0 / 28 / 58 / 42

HEX #956B3E

RGB 149 107 62

HSL 31.03, 0.41%, 0.41%

LAB 48.58, 11.53, 31.56

 

CMYK 0 / 33 / 67 / 48

HEX #84592B

RGB 132 89 43

HSL 31.01, 0.51%, 0.34%

LAB 41.57, 12.88, 33.15

 

CMYK 0 / 38 / 79 / 55

HEX #734718

RGB 115 71 24

HSL 30.99, 0.65%, 0.27%

LAB 34.43, 14.57, 34.62

 

CMYK 0 / 46 / 95 / 62

HEX #623505

RGB 98 53 5

HSL 30.97, 0.9%, 0.2%

LAB 27.17, 16.68, 35.34

 

CMYK 0 / 25 / 51 / 36

HEX #A47B50

RGB 164 123 80

HSL 30.71, 0.34%, 0.48%

LAB 54.7, 10.6, 29.59

 

CMYK 0 / 38 / 51 / 36

HEX #A46550

RGB 164 101 80

HSL 15, 0.34%, 0.48%

LAB 49.23, 23.08, 22.55

 

CMYK 0 / 51 / 51 / 36

HEX #A45050

RGB 164 80 80

HSL 0, 0.34%, 0.48%

LAB 44.53, 34.62, 16.29

 

CMYK 0 / 25 / 51 / 36

HEX #A47B50

RGB 164 123 80

HSL 30.71, 0.34%, 0.48%

LAB 54.7, 10.6, 29.59

 

CMYK 0 / 11 / 51 / 36

HEX #A49250

RGB 164 146 80

HSL 47.14, 0.34%, 0.48%

LAB 60.81, -2.23, 37.16

 

CMYK 3 / 0 / 51 / 36

HEX #9FA450

RGB 159 164 80

HSL 63.57, 0.34%, 0.48%

LAB 65.36, -13.99, 42.51

 

CMYK 17 / 0 / 51 / 36

HEX #88A450

RGB 136 164 80

HSL 80, 0.34%, 0.48%

LAB 63.64, -23.46, 40.05

 

CMYK 30 / 0 / 51 / 36

HEX #72A450

RGB 114 164 80

HSL 95.71, 0.34%, 0.48%

LAB 62.26, -31.91, 38.05

 

CMYK 0 / 25 / 51 / 36

HEX #A47B50

RGB 164 123 80

HSL 30.71, 0.34%, 0.48%

LAB 54.7, 10.6, 29.59

 

CMYK 0 / 32 / 67 / 28

HEX #B77C3C

RGB 183 124 60

HSL 31.22, 0.51%, 0.48%

LAB 56.89, 16.73, 43.28

 

CMYK 0 / 38 / 80 / 20

HEX #CB7D29

RGB 203 125 41

HSL 31.11, 0.66%, 0.48%

LAB 59.46, 23.9, 55.26

 

CMYK 0 / 44 / 91 / 13

HEX #DF7D15

RGB 223 125 21

HSL 30.89, 0.83%, 0.48%

LAB 62.01, 31.79, 64.93

 

CMYK 0 / 48 / 100 / 5

HEX #F37E01

RGB 243 126 1

HSL 30.99, 0.99%, 0.48%

LAB 64.95, 39.14, 71.74

 

CMYK 0 / 25 / 51 / 36

HEX #A47B50

RGB 164 123 80

HSL 30.71, 0.34%, 0.48%

LAB 54.7, 10.6, 29.59

 

CMYK 0 / 15 / 31 / 44

HEX #907B64

RGB 144 123 100

HSL 31.36, 0.18%, 0.48%

LAB 52.97, 4.45, 15.59

 

CMYK 0 / 2 / 3 / 51

HEX #7C7A78

RGB 124 122 120

HSL 30, 0.02%, 0.48%

LAB 51.34, 0.37, 1.35

 

CMYK 26 / 14 / 0 / 45

HEX #68798C

RGB 104 121 140

HSL 211.67, 0.15%, 0.48%

LAB 50.11, -1.71, -12.4

 

CMYK 48 / 24 / 0 / 37

HEX #5479A0

RGB 84 121 160

HSL 210.79, 0.31%, 0.48%

LAB 49.61, -2, -24.99

 

CMYK 0 / 51 / 50 / 36

HEX #A45052

RGB 164 80 82

HSL 358.57, 0.34%, 0.48%

LAB 44.57, 34.81, 15.14

 

CMYK 0 / 38 / 51 / 36

HEX #A46550

RGB 164 101 80

HSL 15, 0.34%, 0.48%

LAB 49.23, 23.08, 22.55

 

CMYK 0 / 25 / 51 / 36

HEX #A47B50

RGB 164 123 80

HSL 30.71, 0.34%, 0.48%

LAB 54.7, 10.6, 29.59

 

CMYK 0 / 12 / 51 / 36

HEX #A49150

RGB 164 145 80

HSL 46.43, 0.34%, 0.48%

LAB 60.54, -1.69, 36.83

 

CMYK 3 / 0 / 51 / 36

HEX #9FA450

RGB 159 164 80

HSL 63.57, 0.34%, 0.48%

LAB 65.36, -13.99, 42.51

 

CMYK 0 / 24 / 51 / 58

HEX #6C5235

RGB 108 82 53

HSL 31.64, 0.34%, 0.32%

LAB 36.89, 6.83, 21.14

 

CMYK 0 / 25 / 51 / 47

HEX #886643

RGB 136 102 67

HSL 30.43, 0.34%, 0.4%

LAB 45.83, 9.1, 25

 

CMYK 0 / 25 / 51 / 36

HEX #A47B50

RGB 164 123 80

HSL 30.71, 0.34%, 0.48%

LAB 54.7, 10.6, 29.59

 

CMYK 0 / 20 / 43 / 29

HEX #B59068

RGB 181 144 104

HSL 31.17, 0.34%, 0.56%

LAB 62.31, 8.56, 26.54

 

CMYK 0 / 15 / 32 / 24

HEX #C2A484

RGB 194 164 132

HSL 30.97, 0.34%, 0.64%

LAB 69.25, 6.28, 20.71

 

CMYK 0 / 25 / 51 / 35

HEX #A67D51

RGB 166 125 81

HSL 31.06, 0.34%, 0.48%

LAB 55.45, 10.43, 30.04

 

CMYK 37 / 0 / 51 / 36

HEX #68A450

RGB 104 164 80

HSL 102.86, 0.34%, 0.48%

LAB 61.72, -35.47, 37.27

 

CMYK 45 / 51 / 0 / 36

HEX #5A50A4

RGB 90 80 164

HSL 247.14, 0.34%, 0.48%

LAB 38.88, 26.14, -44.23

 

CMYK 0 / 25 / 51 / 35

HEX #A67D51

RGB 166 125 81

HSL 31.06, 0.34%, 0.48%

LAB 55.45, 10.43, 30.04

 

CMYK 51 / 0 / 25 / 36

HEX #50A47B

RGB 80 164 123

HSL 150.71, 0.34%, 0.48%

LAB 61.38, -35.37, 13.61

 

CMYK 25 / 51 / 0 / 36

HEX #7B50A4

RGB 123 80 164

HSL 270.71, 0.34%, 0.48%

LAB 42.2, 34.88, -38.75

 

CMYK 0 / 25 / 51 / 35

HEX #A67D51

RGB 166 125 81

HSL 31.06, 0.34%, 0.48%

LAB 55.45, 10.43, 30.04

 

CMYK 37 / 0 / 51 / 36

HEX #68A450

RGB 104 164 80

HSL 102.86, 0.34%, 0.48%

LAB 61.72, -35.47, 37.27

 

CMYK 51 / 26 / 0 / 36

HEX #5079A4

RGB 80 121 164

HSL 210.71, 0.34%, 0.48%

LAB 49.57, -1.76, -27.41

 

CMYK 15 / 51 / 0 / 36

HEX #8C50A4

RGB 140 80 164

HSL 282.86, 0.34%, 0.48%

LAB 44.22, 39.71, -35.42

 

CMYK 0 / 25 / 51 / 35

HEX #A67D51

RGB 166 125 81

HSL 31.06, 0.34%, 0.48%

LAB 55.45, 10.43, 30.04

 

CMYK 51 / 0 / 50 / 36

HEX #50A452

RGB 80 164 82

HSL 121.43, 0.34%, 0.48%

LAB 60.66, -42.75, 34.72

 

CMYK 51 / 26 / 0 / 36

HEX #5079A4

RGB 80 121 164

HSL 210.71, 0.34%, 0.48%

LAB 49.57, -1.76, -27.41

 

CMYK 0 / 51 / 1 / 36

HEX #A450A2

RGB 164 80 162

HSL 301.43, 0.34%, 0.48%

LAB 47.29, 46.29, -29.2

 

Description

Color code: HEX #A67D51 | qconv.com Color code: HEX #A67D51 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 125 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 125 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 51 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 51% 35% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

38% - BEST5
Link: http://008.planner-laboa.info

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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