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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A67501 it is the complementary color #598AFE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A67501. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A67501 shade: #AB7500, #BC870F, #CD9922, #DEAB35 and #EFBD48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A67501. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A67501 shade: #A67501, #956300, #845100, #733F00 and #622D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A67501 shade: #A77500, #A74900, #A71C00 and #A70000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A67501 shade: #A77500, #A7A200, #7FA700, #52A700 and #25A700

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A67501 shade matches the following richer shades: #A77500

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A67501 shade: #A77500, #99700E, #8C6A1C, #7E6529 and #705F37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A67501 shade: #A71C00, #A74900, #A77500, #A7A100 and #80A700

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A67501 shade: #553C00, #7E5900, #A77500, #D09201 and #F9AF01

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A67501 shade: #A67501, #11A700 and #3200A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A67501 shade: #A67501, #00A775 and #7500A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A67501 shade: #A67501, #11A700, #0032A7 and #9600A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A67501 shade: #A67501, #00A722, #0032A7 and #A70086

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 99 / 35

HEX #A67501

RGB 166 117 1

HSL 42.18, 0.99%, 0.33%

LAB 52.76, 11.03, 58.93

 

Complementary color

CMYK 65 / 46 / 0 / 0

HEX #598AFE

RGB 89 138 254

HSL 222.18, 0.99%, 0.67%

LAB 59.39, 19.56, -62.73

 

CMYK 0 / 32 / 100 / 33

HEX #AB7500

RGB 171 117 0

HSL 41.05, 1%, 0.34%

LAB 53.36, 13.3, 59.82

 

CMYK 0 / 28 / 92 / 26

HEX #BC870F

RGB 188 135 15

HSL 41.62, 0.85%, 0.4%

LAB 59.94, 11.17, 62.75

 

CMYK 0 / 25 / 83 / 20

HEX #CD9922

RGB 205 153 34

HSL 41.75, 0.72%, 0.47%

LAB 66.43, 9.33, 63.97

 

CMYK 0 / 23 / 76 / 13

HEX #DEAB35

RGB 222 171 53

HSL 41.89, 0.72%, 0.54%

LAB 72.83, 7.74, 64

 

CMYK 0 / 21 / 70 / 6

HEX #EFBD48

RGB 239 189 72

HSL 42.04, 0.84%, 0.61%

LAB 79.16, 6.37, 63.39

 

CMYK 0 / 30 / 99 / 35

HEX #A67501

RGB 166 117 1

HSL 42.18, 0.99%, 0.33%

LAB 52.76, 11.03, 58.93

 

CMYK 0 / 34 / 100 / 42

HEX #956300

RGB 149 99 0

HSL 39.87, 1%, 0.29%

LAB 46.06, 13.42, 53.64

 

CMYK 0 / 39 / 100 / 48

HEX #845100

RGB 132 81 0

HSL 36.82, 1%, 0.26%

LAB 39.23, 15.95, 48.07

 

CMYK 0 / 45 / 100 / 55

HEX #733F00

RGB 115 63 0

HSL 32.87, 1%, 0.23%

LAB 32.26, 18.6, 42.41

 

CMYK 0 / 54 / 100 / 62

HEX #622D00

RGB 98 45 0

HSL 27.55, 1%, 0.19%

LAB 25.18, 21.32, 35.57

 

CMYK 0 / 30 / 100 / 35

HEX #A77500

RGB 167 117 0

HSL 42.04, 1%, 0.33%

LAB 52.88, 11.47, 59.27

 

CMYK 0 / 56 / 100 / 35

HEX #A74900

RGB 167 73 0

HSL 26.23, 1%, 0.33%

LAB 42.73, 35.65, 52.9

 

CMYK 0 / 83 / 100 / 35

HEX #A71C00

RGB 167 28 0

HSL 10.06, 1%, 0.33%

LAB 36.07, 53.63, 49.55

 

CMYK 0 / 100 / 100 / 35

HEX #A70000

RGB 167 0 0

HSL 0, 1%, 0.33%

LAB 34.43, 58.35, 48.69

 

CMYK 0 / 30 / 100 / 35

HEX #A77500

RGB 167 117 0

HSL 42.04, 1%, 0.33%

LAB 52.88, 11.47, 59.27

 

CMYK 0 / 3 / 100 / 35

HEX #A7A200

RGB 167 162 0

HSL 58.2, 1%, 0.33%

LAB 65.01, -13.12, 67.8

 

CMYK 24 / 0 / 100 / 35

HEX #7FA700

RGB 127 167 0

HSL 74.37, 1%, 0.33%

LAB 63.47, -32.9, 65.32

 

CMYK 51 / 0 / 100 / 35

HEX #52A700

RGB 82 167 0

HSL 90.54, 1%, 0.33%

LAB 61.16, -49.24, 62.54

 

CMYK 78 / 0 / 100 / 35

HEX #25A700

RGB 37 167 0

HSL 106.71, 1%, 0.33%

LAB 59.92, -59.56, 61.02

 

CMYK 0 / 30 / 100 / 35

HEX #A77500

RGB 167 117 0

HSL 42.04, 1%, 0.33%

LAB 52.88, 11.47, 59.27

 

CMYK 0 / 30 / 100 / 35

HEX #A77500

RGB 167 117 0

HSL 42.04, 1%, 0.33%

LAB 52.88, 11.47, 59.27

 

CMYK 0 / 27 / 91 / 40

HEX #99700E

RGB 153 112 14

HSL 42.3, 0.83%, 0.33%

LAB 49.97, 8.06, 53.58

 

CMYK 0 / 24 / 80 / 45

HEX #8C6A1C

RGB 140 106 28

HSL 41.79, 0.67%, 0.33%

LAB 46.93, 5.85, 45.97

 

CMYK 0 / 20 / 67 / 51

HEX #7E6529

RGB 126 101 41

HSL 42.35, 0.51%, 0.33%

LAB 44.09, 2.87, 36.78

 

CMYK 0 / 15 / 51 / 56

HEX #705F37

RGB 112 95 55

HSL 42.11, 0.34%, 0.33%

LAB 41.06, 1.07, 25.33

 

CMYK 0 / 83 / 100 / 35

HEX #A71C00

RGB 167 28 0

HSL 10.06, 1%, 0.33%

LAB 36.07, 53.63, 49.55

 

CMYK 0 / 56 / 100 / 35

HEX #A74900

RGB 167 73 0

HSL 26.23, 1%, 0.33%

LAB 42.73, 35.65, 52.9

 

CMYK 0 / 30 / 100 / 35

HEX #A77500

RGB 167 117 0

HSL 42.04, 1%, 0.33%

LAB 52.88, 11.47, 59.27

 

CMYK 0 / 4 / 100 / 35

HEX #A7A100

RGB 167 161 0

HSL 57.84, 1%, 0.33%

LAB 64.73, -12.6, 67.59

 

CMYK 23 / 0 / 100 / 35

HEX #80A700

RGB 128 167 0

HSL 74.01, 1%, 0.33%

LAB 63.53, -32.49, 65.39

 

CMYK 0 / 29 / 100 / 67

HEX #553C00

RGB 85 60 0

HSL 42.35, 1%, 0.17%

LAB 27.19, 5.58, 36.67

 

CMYK 0 / 29 / 100 / 51

HEX #7E5900

RGB 126 89 0

HSL 42.38, 1%, 0.25%

LAB 40.54, 8.34, 48.56

 

CMYK 0 / 30 / 100 / 35

HEX #A77500

RGB 167 117 0

HSL 42.04, 1%, 0.33%

LAB 52.88, 11.47, 59.27

 

CMYK 0 / 30 / 100 / 18

HEX #D09201

RGB 208 146 1

HSL 42.03, 0.99%, 0.41%

LAB 64.94, 13.88, 69.53

 

CMYK 0 / 30 / 100 / 2

HEX #F9AF01

RGB 249 175 1

HSL 42.1, 0.99%, 0.49%

LAB 76.56, 16.18, 79.59

 

CMYK 0 / 30 / 99 / 35

HEX #A67501

RGB 166 117 1

HSL 42.18, 0.99%, 0.33%

LAB 52.76, 11.03, 58.93

 

CMYK 90 / 0 / 100 / 35

HEX #11A700

RGB 17 167 0

HSL 113.89, 1%, 0.33%

LAB 59.67, -61.78, 60.72

 

CMYK 70 / 100 / 0 / 35

HEX #3200A7

RGB 50 0 167

HSL 257.96, 1%, 0.33%

LAB 21.83, 58.69, -74.08

 

CMYK 0 / 30 / 99 / 35

HEX #A67501

RGB 166 117 1

HSL 42.18, 0.99%, 0.33%

LAB 52.76, 11.03, 58.93

 

CMYK 100 / 0 / 30 / 35

HEX #00A775

RGB 0 167 117

HSL 162.04, 1%, 0.33%

LAB 60.71, -48.78, 15.77

 

CMYK 30 / 100 / 0 / 35

HEX #7500A7

RGB 117 0 167

HSL 282.04, 1%, 0.33%

LAB 30.81, 64.23, -58.95

 

CMYK 0 / 30 / 99 / 35

HEX #A67501

RGB 166 117 1

HSL 42.18, 0.99%, 0.33%

LAB 52.76, 11.03, 58.93

 

CMYK 90 / 0 / 100 / 35

HEX #11A700

RGB 17 167 0

HSL 113.89, 1%, 0.33%

LAB 59.67, -61.78, 60.72

 

CMYK 100 / 70 / 0 / 35

HEX #0032A7

RGB 0 50 167

HSL 222.04, 1%, 0.33%

LAB 26.94, 35.1, -65.67

 

CMYK 10 / 100 / 0 / 35

HEX #9600A7

RGB 150 0 167

HSL 293.89, 1%, 0.33%

LAB 36.51, 68.84, -49.44

 

CMYK 0 / 30 / 99 / 35

HEX #A67501

RGB 166 117 1

HSL 42.18, 0.99%, 0.33%

LAB 52.76, 11.03, 58.93

 

CMYK 100 / 0 / 80 / 35

HEX #00A722

RGB 0 167 34

HSL 132.22, 1%, 0.33%

LAB 59.66, -61.41, 53.82

 

CMYK 100 / 70 / 0 / 35

HEX #0032A7

RGB 0 50 167

HSL 222.04, 1%, 0.33%

LAB 26.94, 35.1, -65.67

 

CMYK 0 / 100 / 20 / 35

HEX #A70086

RGB 167 0 134

HSL 311.86, 1%, 0.33%

LAB 37.73, 66.99, -27.17

 

Description

Color code: HEX #A67501 | qconv.com Color code: HEX #A67501 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 117 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 117 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 99 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 99% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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