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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A663FE it is the complementary color #599C01. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A663FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A663FE shade: #AB63F9, #BC75FF, #CD87FF, #DE99FF and #EFABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A663FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A663FE shade: #A663FE, #9551EB, #843FD8, #732DC5 and #621BB2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A663FE shade: #A561FE, #CF61FE, #F961FE, #FE61D8 and #FE61AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A663FE shade: #A561FE, #7B61FE and #6161FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A663FE shade matches the following richer shades: #A561FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A663FE shade: #A561FE, #A76EF1, #A87BE4, #AA88D7 and #AC94CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A663FE shade: #6173FE, #7961FE, #A261FE, #CC61FE and #F661FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A663FE shade: #760FFD, #8D38FE, #A561FE, #BC8AFE and #D4B3FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A663FE shade: #A663FE, #FE619D and #61FE64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A663FE shade: #A663FE, #FEA261 and #61FEA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A663FE shade: #A663FE, #FE619D, #BCFE61 and #61FEC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A663FE shade: #A663FE, #FE616E, #BCFE61 and #61FEF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 61 / 0 / 0

HEX #A663FE

RGB 166 99 254

HSL 265.94, 0.99%, 0.69%

LAB 56.27, 57.07, -67.45

 

Complementary color

CMYK 43 / 0 / 99 / 39

HEX #599C01

RGB 89 156 1

HSL 85.94, 0.99%, 0.31%

LAB 57.94, -42.57, 60

 

CMYK 31 / 60 / 0 / 2

HEX #AB63F9

RGB 171 99 249

HSL 268.8, 0.93%, 0.68%

LAB 56.51, 56.96, -64.28

 

CMYK 26 / 54 / 0 / 0

HEX #BC75FF

RGB 188 117 255

HSL 270.87, 1%, 0.73%

LAB 62.2, 53.07, -58.37

 

CMYK 20 / 47 / 0 / 0

HEX #CD87FF

RGB 205 135 255

HSL 275, 1%, 0.76%

LAB 67.67, 48, -49.57

 

CMYK 13 / 40 / 0 / 0

HEX #DE99FF

RGB 222 153 255

HSL 280.59, 1%, 0.8%

LAB 73.24, 43.22, -40.71

 

CMYK 6 / 33 / 0 / 0

HEX #EFABFF

RGB 239 171 255

HSL 288.57, 1%, 0.84%

LAB 78.87, 38.74, -31.86

 

CMYK 35 / 61 / 0 / 0

HEX #A663FE

RGB 166 99 254

HSL 265.94, 0.99%, 0.69%

LAB 56.27, 57.07, -67.45

 

CMYK 37 / 66 / 0 / 8

HEX #9551EB

RGB 149 81 235

HSL 266.49, 0.79%, 0.62%

LAB 49.83, 57.96, -67.37

 

CMYK 39 / 71 / 0 / 15

HEX #843FD8

RGB 132 63 216

HSL 267.06, 0.66%, 0.55%

LAB 43.39, 58.67, -67.13

 

CMYK 42 / 77 / 0 / 23

HEX #732DC5

RGB 115 45 197

HSL 267.63, 0.63%, 0.47%

LAB 37.03, 59.02, -66.6

 

CMYK 45 / 85 / 0 / 30

HEX #621BB2

RGB 98 27 178

HSL 268.21, 0.74%, 0.4%

LAB 30.87, 58.64, -65.57

 

CMYK 35 / 62 / 0 / 0

HEX #A561FE

RGB 165 97 254

HSL 265.99, 0.99%, 0.69%

LAB 55.79, 57.87, -68.24

 

CMYK 19 / 62 / 0 / 0

HEX #CF61FE

RGB 207 97 254

HSL 282.04, 0.99%, 0.69%

LAB 60.76, 67.04, -59.99

 

CMYK 2 / 62 / 0 / 0

HEX #F961FE

RGB 249 97 254

HSL 298.09, 0.99%, 0.69%

LAB 66.4, 76.65, -50.67

 

CMYK 0 / 62 / 15 / 0

HEX #FE61D8

RGB 254 97 216

HSL 314.52, 0.99%, 0.69%

LAB 65.42, 72.04, -31.08

 

CMYK 0 / 62 / 31 / 0

HEX #FE61AE

RGB 254 97 174

HSL 330.57, 0.99%, 0.69%

LAB 63.9, 66.61, -9.62

 

CMYK 35 / 62 / 0 / 0

HEX #A561FE

RGB 165 97 254

HSL 265.99, 0.99%, 0.69%

LAB 55.79, 57.87, -68.24

 

CMYK 52 / 62 / 0 / 0

HEX #7B61FE

RGB 123 97 254

HSL 249.94, 0.99%, 0.69%

LAB 51.74, 49.69, -74.99

 

CMYK 62 / 62 / 0 / 0

HEX #6161FE

RGB 97 97 254

HSL 240, 0.99%, 0.69%

LAB 49.79, 45.47, -78.25

 

CMYK 35 / 62 / 0 / 0

HEX #A561FE

RGB 165 97 254

HSL 265.99, 0.99%, 0.69%

LAB 55.79, 57.87, -68.24

 

CMYK 35 / 62 / 0 / 0

HEX #A561FE

RGB 165 97 254

HSL 265.99, 0.99%, 0.69%

LAB 55.79, 57.87, -68.24

 

CMYK 31 / 54 / 0 / 5

HEX #A76EF1

RGB 167 110 241

HSL 266.11, 0.82%, 0.69%

LAB 57.77, 48.39, -57.84

 

CMYK 26 / 46 / 0 / 11

HEX #A87BE4

RGB 168 123 228

HSL 265.71, 0.66%, 0.69%

LAB 59.97, 38.39, -47.09

 

CMYK 21 / 37 / 0 / 16

HEX #AA88D7

RGB 170 136 215

HSL 265.82, 0.5%, 0.69%

LAB 62.56, 28.58, -35.76

 

CMYK 15 / 27 / 0 / 20

HEX #AC94CB

RGB 172 148 203

HSL 266.18, 0.35%, 0.69%

LAB 65.17, 19.7, -25.01

 

CMYK 62 / 55 / 0 / 0

HEX #6173FE

RGB 97 115 254

HSL 233.12, 0.99%, 0.69%

LAB 53.98, 34.76, -71.44

 

CMYK 52 / 62 / 0 / 0

HEX #7961FE

RGB 121 97 254

HSL 249.17, 0.99%, 0.69%

LAB 51.58, 49.34, -75.27

 

CMYK 36 / 62 / 0 / 0

HEX #A261FE

RGB 162 97 254

HSL 264.84, 0.99%, 0.69%

LAB 55.47, 57.24, -68.77

 

CMYK 20 / 62 / 0 / 0

HEX #CC61FE

RGB 204 97 254

HSL 280.89, 0.99%, 0.69%

LAB 60.38, 66.37, -60.62

 

CMYK 3 / 62 / 0 / 0

HEX #F661FE

RGB 246 97 254

HSL 296.94, 0.99%, 0.69%

LAB 65.98, 75.96, -51.37

 

CMYK 53 / 94 / 0 / 1

HEX #760FFD

RGB 118 15 253

HSL 265.97, 0.98%, 0.53%

LAB 40.06, 80.32, -93.63

 

CMYK 44 / 78 / 0 / 0

HEX #8D38FE

RGB 141 56 254

HSL 265.76, 0.99%, 0.61%

LAB 46.51, 72.09, -83.47

 

CMYK 35 / 62 / 0 / 0

HEX #A561FE

RGB 165 97 254

HSL 265.99, 0.99%, 0.69%

LAB 55.79, 57.87, -68.24

 

CMYK 26 / 46 / 0 / 0

HEX #BC8AFE

RGB 188 138 254

HSL 265.86, 0.98%, 0.77%

LAB 66.54, 41.62, -50.93

 

CMYK 17 / 30 / 0 / 0

HEX #D4B3FE

RGB 212 179 254

HSL 266.4, 0.97%, 0.85%

LAB 78.11, 26.04, -32.7

 

CMYK 35 / 61 / 0 / 0

HEX #A663FE

RGB 166 99 254

HSL 265.94, 0.99%, 0.69%

LAB 56.27, 57.07, -67.45

 

CMYK 0 / 62 / 38 / 0

HEX #FE619D

RGB 254 97 157

HSL 337.07, 0.99%, 0.69%

LAB 63.39, 64.73, -0.63

 

CMYK 62 / 0 / 61 / 0

HEX #61FE64

RGB 97 254 100

HSL 121.15, 0.99%, 0.69%

LAB 89.09, -70.1, 60.1

 

CMYK 35 / 61 / 0 / 0

HEX #A663FE

RGB 166 99 254

HSL 265.94, 0.99%, 0.69%

LAB 56.27, 57.07, -67.45

 

CMYK 0 / 36 / 62 / 0

HEX #FEA261

RGB 254 162 97

HSL 24.84, 0.99%, 0.69%

LAB 74.68, 28.17, 47.44

 

CMYK 62 / 0 / 36 / 0

HEX #61FEA2

RGB 97 254 162

HSL 144.84, 0.99%, 0.69%

LAB 89.87, -61.27, 32.05

 

CMYK 35 / 61 / 0 / 0

HEX #A663FE

RGB 166 99 254

HSL 265.94, 0.99%, 0.69%

LAB 56.27, 57.07, -67.45

 

CMYK 0 / 62 / 38 / 0

HEX #FE619D

RGB 254 97 157

HSL 337.07, 0.99%, 0.69%

LAB 63.39, 64.73, -0.63

 

CMYK 26 / 0 / 62 / 0

HEX #BCFE61

RGB 188 254 97

HSL 85.22, 0.99%, 0.69%

LAB 92.77, -43.91, 66.47

 

CMYK 62 / 0 / 24 / 0

HEX #61FEC2

RGB 97 254 194

HSL 157.07, 0.99%, 0.69%

LAB 90.47, -55, 16.63

 

CMYK 35 / 61 / 0 / 0

HEX #A663FE

RGB 166 99 254

HSL 265.94, 0.99%, 0.69%

LAB 56.27, 57.07, -67.45

 

CMYK 0 / 62 / 57 / 0

HEX #FE616E

RGB 254 97 110

HSL 355.03, 0.99%, 0.69%

LAB 62.29, 60.6, 24.9

 

CMYK 26 / 0 / 62 / 0

HEX #BCFE61

RGB 188 254 97

HSL 85.22, 0.99%, 0.69%

LAB 92.77, -43.91, 66.47

 

CMYK 62 / 0 / 5 / 0

HEX #61FEF1

RGB 97 254 241

HSL 175.03, 0.99%, 0.69%

LAB 91.58, -43.94, -6.06

 

Description

Color code: HEX #A663FE | qconv.com Color code: HEX #A663FE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 99 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 99 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 61 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 61% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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