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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A66543 it is the complementary color #599ABC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A66543. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A66543 shade: #AB653E, #BC7751, #CD8964, #DE9B77 and #EFAD8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A66543. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A66543 shade: #A66543, #955330, #84411D, #732F0A and #621D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A66543 shade: #A66544, #A64B44 and #A64444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A66543 shade: #A66544, #A68044, #A69B44, #97A644 and #7CA644

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A66543 shade matches the following richer shades: #A66544, #B95F31, #CC591E and #DF540B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A66543 shade: #A66544, #936B57, #807169, #6D777C and #5A7D8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A66543 shade: #A64457, #A64A44, #A66444, #A67F44 and #A69944

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A66543 shade: #6B422C, #895338, #A66544, #BB7A58 and #C79176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A66543 shade: #A66543, #72A644 and #444AA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A66543 shade: #A66543, #44A664 and #6444A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A66543 shade: #A66543, #72A644, #4485A6 and #7844A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A66543 shade: #A66543, #54A644, #4485A6 and #9644A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 60 / 35

HEX #A66543

RGB 166 101 67

HSL 20.61, 0.42%, 0.46%

LAB 49.28, 22.78, 30.12

 

Complementary color

CMYK 53 / 18 / 0 / 26

HEX #599ABC

RGB 89 154 188

HSL 200.61, 0.42%, 0.54%

LAB 60.66, -11.15, -24

 

CMYK 0 / 41 / 64 / 33

HEX #AB653E

RGB 171 101 62

HSL 21.47, 0.47%, 0.46%

LAB 49.87, 24.53, 33.78

 

CMYK 0 / 37 / 57 / 26

HEX #BC7751

RGB 188 119 81

HSL 21.31, 0.44%, 0.53%

LAB 56.56, 23.14, 31.99

 

CMYK 0 / 33 / 51 / 20

HEX #CD8964

RGB 205 137 100

HSL 21.14, 0.51%, 0.6%

LAB 63.17, 21.93, 30.36

 

CMYK 0 / 30 / 46 / 13

HEX #DE9B77

RGB 222 155 119

HSL 20.97, 0.61%, 0.67%

LAB 69.69, 20.87, 28.88

 

CMYK 0 / 28 / 42 / 6

HEX #EFAD8A

RGB 239 173 138

HSL 20.79, 0.76%, 0.74%

LAB 76.11, 19.94, 27.52

 

CMYK 0 / 39 / 60 / 35

HEX #A66543

RGB 166 101 67

HSL 20.61, 0.42%, 0.46%

LAB 49.28, 22.78, 30.12

 

CMYK 0 / 44 / 68 / 42

HEX #955330

RGB 149 83 48

HSL 20.79, 0.51%, 0.39%

LAB 42.44, 24.28, 32.03

 

CMYK 0 / 51 / 78 / 48

HEX #84411D

RGB 132 65 29

HSL 20.97, 0.64%, 0.32%

LAB 35.55, 26.03, 34.05

 

CMYK 0 / 59 / 91 / 55

HEX #732F0A

RGB 115 47 10

HSL 21.14, 0.84%, 0.25%

LAB 28.64, 27.98, 35.68

 

CMYK 0 / 70 / 100 / 62

HEX #621D00

RGB 98 29 0

HSL 17.76, 1%, 0.19%

LAB 21.86, 29.95, 32.21

 

CMYK 0 / 39 / 59 / 35

HEX #A66544

RGB 166 101 68

HSL 20.2, 0.42%, 0.46%

LAB 49.29, 22.86, 29.57

 

CMYK 0 / 55 / 59 / 35

HEX #A64B44

RGB 166 75 68

HSL 4.29, 0.42%, 0.46%

LAB 43.59, 36.96, 22.36

 

CMYK 0 / 59 / 59 / 35

HEX #A64444

RGB 166 68 68

HSL 0, 0.42%, 0.46%

LAB 42.24, 40.46, 20.61

 

CMYK 0 / 39 / 59 / 35

HEX #A66544

RGB 166 101 68

HSL 20.2, 0.42%, 0.46%

LAB 49.29, 22.86, 29.57

 

CMYK 0 / 23 / 59 / 35

HEX #A68044

RGB 166 128 68

HSL 36.73, 0.42%, 0.46%

LAB 56.05, 7.6, 37.74

 

CMYK 0 / 7 / 59 / 35

HEX #A69B44

RGB 166 155 68

HSL 53.27, 0.42%, 0.46%

LAB 63.32, -7.25, 46.1

 

CMYK 9 / 0 / 59 / 35

HEX #97A644

RGB 151 166 68

HSL 69.18, 0.42%, 0.46%

LAB 65.18, -19.43, 47.85

 

CMYK 25 / 0 / 59 / 35

HEX #7CA644

RGB 124 166 68

HSL 85.71, 0.42%, 0.46%

LAB 63.32, -30.36, 45.26

 

CMYK 0 / 39 / 59 / 35

HEX #A66544

RGB 166 101 68

HSL 20.2, 0.42%, 0.46%

LAB 49.29, 22.86, 29.57

 

CMYK 0 / 49 / 74 / 27

HEX #B95F31

RGB 185 95 49

HSL 20.29, 0.58%, 0.46%

LAB 50.36, 32.85, 41.76

 

CMYK 0 / 56 / 85 / 20

HEX #CC591E

RGB 204 89 30

HSL 20.34, 0.74%, 0.46%

LAB 51.92, 42.7, 52.98

 

CMYK 0 / 62 / 95 / 13

HEX #DF540B

RGB 223 84 11

HSL 20.66, 0.91%, 0.46%

LAB 54.08, 51.67, 61.81

 

CMYK 0 / 39 / 59 / 35

HEX #A66544

RGB 166 101 68

HSL 20.2, 0.42%, 0.46%

LAB 49.29, 22.86, 29.57

 

CMYK 0 / 27 / 41 / 42

HEX #936B57

RGB 147 107 87

HSL 20, 0.26%, 0.46%

LAB 48.77, 13.23, 17.48

 

CMYK 0 / 12 / 18 / 50

HEX #807169

RGB 128 113 105

HSL 20.87, 0.1%, 0.46%

LAB 48.78, 4.43, 6.57

 

CMYK 12 / 4 / 0 / 51

HEX #6D777C

RGB 109 119 124

HSL 200, 0.06%, 0.46%

LAB 49.37, -2.63, -4.02

 

CMYK 37 / 13 / 0 / 44

HEX #5A7D8F

RGB 90 125 143

HSL 200.38, 0.23%, 0.46%

LAB 50.48, -7.59, -13.69

 

CMYK 0 / 59 / 48 / 35

HEX #A64457

RGB 166 68 87

HSL 348.37, 0.42%, 0.46%

LAB 42.66, 42.13, 9.46

 

CMYK 0 / 55 / 59 / 35

HEX #A64A44

RGB 166 74 68

HSL 3.67, 0.42%, 0.46%

LAB 43.39, 37.47, 22.1

 

CMYK 0 / 40 / 59 / 35

HEX #A66444

RGB 166 100 68

HSL 19.59, 0.42%, 0.46%

LAB 49.05, 23.42, 29.28

 

CMYK 0 / 23 / 59 / 35

HEX #A67F44

RGB 166 127 68

HSL 36.12, 0.42%, 0.46%

LAB 55.79, 8.16, 37.43

 

CMYK 0 / 8 / 59 / 35

HEX #A69944

RGB 166 153 68

HSL 52.04, 0.42%, 0.46%

LAB 62.77, -6.18, 45.49

 

CMYK 0 / 38 / 59 / 58

HEX #6B422C

RGB 107 66 44

HSL 20.95, 0.42%, 0.3%

LAB 32.27, 15.25, 20.69

 

CMYK 0 / 39 / 59 / 46

HEX #895338

RGB 137 83 56

HSL 20, 0.42%, 0.38%

LAB 40.88, 19.66, 25.17

 

CMYK 0 / 39 / 59 / 35

HEX #A66544

RGB 166 101 68

HSL 20.2, 0.42%, 0.46%

LAB 49.29, 22.86, 29.57

 

CMYK 0 / 35 / 53 / 27

HEX #BB7A58

RGB 187 122 88

HSL 20.61, 0.42%, 0.54%

LAB 57.26, 21.67, 28.96

 

CMYK 0 / 27 / 41 / 22

HEX #C79176

RGB 199 145 118

HSL 20, 0.42%, 0.62%

LAB 64.72, 16.96, 22.36

 

CMYK 0 / 39 / 60 / 35

HEX #A66543

RGB 166 101 67

HSL 20.61, 0.42%, 0.46%

LAB 49.28, 22.78, 30.12

 

CMYK 31 / 0 / 59 / 35

HEX #72A644

RGB 114 166 68

HSL 91.84, 0.42%, 0.46%

LAB 62.73, -34.15, 44.43

 

CMYK 59 / 55 / 0 / 35

HEX #444AA6

RGB 68 74 166

HSL 236.33, 0.42%, 0.46%

LAB 35.75, 25.77, -50.56

 

CMYK 0 / 39 / 60 / 35

HEX #A66543

RGB 166 101 67

HSL 20.61, 0.42%, 0.46%

LAB 49.28, 22.78, 30.12

 

CMYK 59 / 0 / 40 / 35

HEX #44A664

RGB 68 166 100

HSL 139.59, 0.42%, 0.46%

LAB 61.15, -43.73, 25.81

 

CMYK 40 / 59 / 0 / 35

HEX #6444A6

RGB 100 68 166

HSL 259.59, 0.42%, 0.46%

LAB 37.11, 36.43, -48.22

 

CMYK 0 / 39 / 60 / 35

HEX #A66543

RGB 166 101 67

HSL 20.61, 0.42%, 0.46%

LAB 49.28, 22.78, 30.12

 

CMYK 31 / 0 / 59 / 35

HEX #72A644

RGB 114 166 68

HSL 91.84, 0.42%, 0.46%

LAB 62.73, -34.15, 44.43

 

CMYK 59 / 20 / 0 / 35

HEX #4485A6

RGB 68 133 166

HSL 200.2, 0.42%, 0.46%

LAB 52.68, -10.76, -23.8

 

CMYK 28 / 59 / 0 / 35

HEX #7844A6

RGB 120 68 166

HSL 271.84, 0.42%, 0.46%

LAB 39.38, 41.32, -44.46

 

CMYK 0 / 39 / 60 / 35

HEX #A66543

RGB 166 101 67

HSL 20.61, 0.42%, 0.46%

LAB 49.28, 22.78, 30.12

 

CMYK 49 / 0 / 59 / 35

HEX #54A644

RGB 84 166 68

HSL 110.2, 0.42%, 0.46%

LAB 61.29, -44.22, 42.39

 

CMYK 59 / 20 / 0 / 35

HEX #4485A6

RGB 68 133 166

HSL 200.2, 0.42%, 0.46%

LAB 52.68, -10.76, -23.8

 

CMYK 10 / 59 / 0 / 35

HEX #9644A6

RGB 150 68 166

HSL 290.2, 0.42%, 0.46%

LAB 43.32, 49.1, -37.95

 

Description

Color code: HEX #A66543 | qconv.com Color code: HEX #A66543 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 101 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 101 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 60 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 60% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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