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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A66501 it is the complementary color #599AFE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A66501. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A66501 shade: #AB6500, #BC770F, #CD8922, #DE9B35 and #EFAD48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A66501. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A66501 shade: #A66501, #955300, #844100, #732F00 and #621D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A66501 shade: #A76500, #A73800, #A70B00 and #A70000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A66501 shade: #A76500, #A79200, #8FA700, #62A700 and #35A700

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A66501 shade matches the following richer shades: #A76500

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A66501 shade: #A76500, #99620E, #8C601C, #7E5D29 and #705A37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A66501 shade: #A70B00, #A73800, #A76400, #A79100 and #91A700

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A66501 shade: #553300, #7E4C00, #A76500, #D07E01 and #F99701

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A66501 shade: #A66501, #22A700 and #2200A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A66501 shade: #A66501, #00A764 and #6400A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A66501 shade: #A66501, #22A700, #0043A7 and #8600A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A66501 shade: #A66501, #00A711, #0043A7 and #A70096

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 99 / 35

HEX #A66501

RGB 166 101 1

HSL 36.36, 0.99%, 0.33%

LAB 48.78, 20.06, 56.28

 

Complementary color

CMYK 65 / 39 / 0 / 0

HEX #599AFE

RGB 89 154 254

HSL 216.36, 0.99%, 0.67%

LAB 63.66, 10.03, -55.91

 

CMYK 0 / 41 / 100 / 33

HEX #AB6500

RGB 171 101 0

HSL 35.44, 1%, 0.34%

LAB 49.45, 22.28, 57.27

 

CMYK 0 / 37 / 92 / 26

HEX #BC770F

RGB 188 119 15

HSL 36.07, 0.85%, 0.4%

LAB 56.01, 20.01, 59.82

 

CMYK 0 / 33 / 83 / 20

HEX #CD8922

RGB 205 137 34

HSL 36.14, 0.72%, 0.47%

LAB 62.5, 18.02, 60.61

 

CMYK 0 / 30 / 76 / 13

HEX #DE9B35

RGB 222 155 53

HSL 36.21, 0.72%, 0.54%

LAB 68.92, 16.29, 60.26

 

CMYK 0 / 28 / 70 / 6

HEX #EFAD48

RGB 239 173 72

HSL 36.29, 0.84%, 0.61%

LAB 75.27, 14.78, 59.37

 

CMYK 0 / 39 / 99 / 35

HEX #A66501

RGB 166 101 1

HSL 36.36, 0.99%, 0.33%

LAB 48.78, 20.06, 56.28

 

CMYK 0 / 44 / 100 / 42

HEX #955300

RGB 149 83 0

HSL 33.42, 1%, 0.29%

LAB 42.12, 22.59, 51.1

 

CMYK 0 / 51 / 100 / 48

HEX #844100

RGB 132 65 0

HSL 29.55, 1%, 0.26%

LAB 35.37, 25.19, 45.66

 

CMYK 0 / 59 / 100 / 55

HEX #732F00

RGB 115 47 0

HSL 24.52, 1%, 0.23%

LAB 28.58, 27.74, 39.7

 

CMYK 0 / 70 / 100 / 62

HEX #621D00

RGB 98 29 0

HSL 17.76, 1%, 0.19%

LAB 21.86, 29.95, 32.21

 

CMYK 0 / 40 / 100 / 35

HEX #A76500

RGB 167 101 0

HSL 36.29, 1%, 0.33%

LAB 48.91, 20.5, 56.65

 

CMYK 0 / 66 / 100 / 35

HEX #A73800

RGB 167 56 0

HSL 20.12, 1%, 0.33%

LAB 39.65, 43.75, 51.24

 

CMYK 0 / 93 / 100 / 35

HEX #A70B00

RGB 167 11 0

HSL 3.95, 1%, 0.33%

LAB 34.91, 56.95, 48.96

 

CMYK 0 / 100 / 100 / 35

HEX #A70000

RGB 167 0 0

HSL 0, 1%, 0.33%

LAB 34.43, 58.35, 48.69

 

CMYK 0 / 40 / 100 / 35

HEX #A76500

RGB 167 101 0

HSL 36.29, 1%, 0.33%

LAB 48.91, 20.5, 56.65

 

CMYK 0 / 13 / 100 / 35

HEX #A79200

RGB 167 146 0

HSL 52.46, 1%, 0.33%

LAB 60.58, -4.62, 64.61

 

CMYK 14 / 0 / 100 / 35

HEX #8FA700

RGB 143 167 0

HSL 68.62, 1%, 0.33%

LAB 64.55, -26.19, 66.61

 

CMYK 41 / 0 / 100 / 35

HEX #62A700

RGB 98 167 0

HSL 84.79, 1%, 0.33%

LAB 61.86, -43.97, 63.38

 

CMYK 68 / 0 / 100 / 35

HEX #35A700

RGB 53 167 0

HSL 100.96, 1%, 0.33%

LAB 60.24, -56.72, 61.42

 

CMYK 0 / 40 / 100 / 35

HEX #A76500

RGB 167 101 0

HSL 36.29, 1%, 0.33%

LAB 48.91, 20.5, 56.65

 

CMYK 0 / 40 / 100 / 35

HEX #A76500

RGB 167 101 0

HSL 36.29, 1%, 0.33%

LAB 48.91, 20.5, 56.65

 

CMYK 0 / 36 / 91 / 40

HEX #99620E

RGB 153 98 14

HSL 36.26, 0.83%, 0.33%

LAB 46.36, 16.09, 50.77

 

CMYK 0 / 31 / 80 / 45

HEX #8C601C

RGB 140 96 28

HSL 36.43, 0.67%, 0.33%

LAB 44.27, 11.66, 43.48

 

CMYK 0 / 26 / 67 / 51

HEX #7E5D29

RGB 126 93 41

HSL 36.71, 0.51%, 0.33%

LAB 41.88, 7.58, 34.35

 

CMYK 0 / 20 / 51 / 56

HEX #705A37

RGB 112 90 55

HSL 36.84, 0.34%, 0.33%

LAB 39.64, 4.06, 23.54

 

CMYK 0 / 93 / 100 / 35

HEX #A70B00

RGB 167 11 0

HSL 3.95, 1%, 0.33%

LAB 34.91, 56.95, 48.96

 

CMYK 0 / 66 / 100 / 35

HEX #A73800

RGB 167 56 0

HSL 20.12, 1%, 0.33%

LAB 39.65, 43.75, 51.24

 

CMYK 0 / 40 / 100 / 35

HEX #A76400

RGB 167 100 0

HSL 35.93, 1%, 0.33%

LAB 48.67, 21.06, 56.5

 

CMYK 0 / 13 / 100 / 35

HEX #A79100

RGB 167 145 0

HSL 52.1, 1%, 0.33%

LAB 60.31, -4.08, 64.42

 

CMYK 13 / 0 / 100 / 35

HEX #91A700

RGB 145 167 0

HSL 67.9, 1%, 0.33%

LAB 64.69, -25.34, 66.78

 

CMYK 0 / 40 / 100 / 67

HEX #553300

RGB 85 51 0

HSL 36, 1%, 0.17%

LAB 24.64, 11.31, 34.32

 

CMYK 0 / 40 / 100 / 51

HEX #7E4C00

RGB 126 76 0

HSL 36.19, 1%, 0.25%

LAB 37.12, 16.07, 46.3

 

CMYK 0 / 40 / 100 / 35

HEX #A76500

RGB 167 101 0

HSL 36.29, 1%, 0.33%

LAB 48.91, 20.5, 56.65

 

CMYK 0 / 39 / 100 / 18

HEX #D07E01

RGB 208 126 1

HSL 36.23, 0.99%, 0.41%

LAB 60.19, 24.71, 66.39

 

CMYK 0 / 39 / 100 / 2

HEX #F99701

RGB 249 151 1

HSL 36.29, 0.99%, 0.49%

LAB 71.06, 28.74, 75.97

 

CMYK 0 / 39 / 99 / 35

HEX #A66501

RGB 166 101 1

HSL 36.36, 0.99%, 0.33%

LAB 48.78, 20.06, 56.28

 

CMYK 80 / 0 / 100 / 35

HEX #22A700

RGB 34 167 0

HSL 107.78, 1%, 0.33%

LAB 59.87, -59.99, 60.96

 

CMYK 80 / 100 / 0 / 35

HEX #2200A7

RGB 34 0 167

HSL 252.22, 1%, 0.33%

LAB 20.56, 58.16, -76.23

 

CMYK 0 / 39 / 99 / 35

HEX #A66501

RGB 166 101 1

HSL 36.36, 0.99%, 0.33%

LAB 48.78, 20.06, 56.28

 

CMYK 100 / 0 / 40 / 35

HEX #00A764

RGB 0 167 100

HSL 155.93, 1%, 0.33%

LAB 60.39, -52.5, 24.61

 

CMYK 40 / 100 / 0 / 35

HEX #6400A7

RGB 100 0 167

HSL 275.93, 1%, 0.33%

LAB 28.11, 62.29, -63.48

 

CMYK 0 / 39 / 99 / 35

HEX #A66501

RGB 166 101 1

HSL 36.36, 0.99%, 0.33%

LAB 48.78, 20.06, 56.28

 

CMYK 80 / 0 / 100 / 35

HEX #22A700

RGB 34 167 0

HSL 107.78, 1%, 0.33%

LAB 59.87, -59.99, 60.96

 

CMYK 100 / 60 / 0 / 35

HEX #0043A7

RGB 0 67 167

HSL 215.93, 1%, 0.33%

LAB 31.36, 23.62, -58.41

 

CMYK 20 / 100 / 0 / 35

HEX #8600A7

RGB 134 0 167

HSL 288.14, 1%, 0.33%

LAB 33.69, 66.48, -54.14

 

CMYK 0 / 39 / 99 / 35

HEX #A66501

RGB 166 101 1

HSL 36.36, 0.99%, 0.33%

LAB 48.78, 20.06, 56.28

 

CMYK 100 / 0 / 90 / 35

HEX #00A711

RGB 0 167 17

HSL 126.11, 1%, 0.33%

LAB 59.6, -62.29, 58.06

 

CMYK 100 / 60 / 0 / 35

HEX #0043A7

RGB 0 67 167

HSL 215.93, 1%, 0.33%

LAB 31.36, 23.62, -58.41

 

CMYK 0 / 100 / 10 / 35

HEX #A70096

RGB 167 0 150

HSL 306.11, 1%, 0.33%

LAB 38.58, 69.11, -35.65

 

Description

Color code: HEX #A66501 | qconv.com Color code: HEX #A66501 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 101 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 101 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 99 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 99% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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