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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A654B6 it is the complementary color #59AB49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A654B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A654B6 shade: #AB54B1, #BC66C4, #CD78D7, #DE8AEA and #EF9CFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A654B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A654B6 shade: #A654B6, #9542A3, #843090, #731E7D and #620C6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A654B6 shade: #A553B5, #B553AB, #B55390, #B55376 and #B5535B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A654B6 shade: #A553B5, #8B53B5, #7053B5, #5653B5 and #5353B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A654B6 shade matches the following richer shades: #A553B5, #B23FC9, #C02CDD and #CD18F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A654B6 shade: #A553B5, #9867A1, #8A7B8D, #7D8F7A and #70A266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A654B6 shade: #7153B5, #8B53B5, #A553B5, #B553AB and #B55391

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A654B6 shade: #73367F, #8E439C, #A553B5, #B470C1 and #C38DCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A654B6 shade: #A654B6, #B55653 and #53B57E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A654B6 shade: #A654B6, #B5A553 and #53B5A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A654B6 shade: #A654B6, #B55653, #63B553 and #53B2B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A654B6 shade: #A654B6, #B57453, #63B553 and #5394B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 54 / 0 / 29

HEX #A654B6

RGB 166 84 182

HSL 290.2, 0.4%, 0.52%

LAB 49.28, 48.66, -37.79

 

Complementary color

CMYK 48 / 0 / 57 / 33

HEX #59AB49

RGB 89 171 73

HSL 110.2, 0.4%, 0.48%

LAB 63.12, -44.21, 42.2

 

CMYK 3 / 53 / 0 / 31

HEX #AB54B1

RGB 171 84 177

HSL 296.13, 0.37%, 0.51%

LAB 49.71, 49.09, -34.17

 

CMYK 4 / 48 / 0 / 23

HEX #BC66C4

RGB 188 102 196

HSL 294.89, 0.44%, 0.58%

LAB 56.27, 48.43, -34.7

 

CMYK 5 / 44 / 0 / 16

HEX #CD78D7

RGB 205 120 215

HSL 293.68, 0.54%, 0.66%

LAB 62.78, 47.71, -35.14

 

CMYK 5 / 41 / 0 / 8

HEX #DE8AEA

RGB 222 138 234

HSL 292.5, 0.7%, 0.73%

LAB 69.22, 46.96, -35.51

 

CMYK 6 / 38 / 0 / 1

HEX #EF9CFD

RGB 239 156 253

HSL 291.34, 0.96%, 0.8%

LAB 75.59, 46.23, -35.84

 

CMYK 9 / 54 / 0 / 29

HEX #A654B6

RGB 166 84 182

HSL 290.2, 0.4%, 0.52%

LAB 49.28, 48.66, -37.79

 

CMYK 9 / 60 / 0 / 36

HEX #9542A3

RGB 149 66 163

HSL 291.34, 0.42%, 0.45%

LAB 42.66, 49.21, -37.22

 

CMYK 8 / 67 / 0 / 44

HEX #843090

RGB 132 48 144

HSL 292.5, 0.5%, 0.38%

LAB 36.05, 49.45, -36.39

 

CMYK 8 / 76 / 0 / 51

HEX #731E7D

RGB 115 30 125

HSL 293.68, 0.61%, 0.3%

LAB 29.55, 49.06, -35.12

 

CMYK 8 / 89 / 0 / 58

HEX #620C6A

RGB 98 12 106

HSL 294.89, 0.8%, 0.23%

LAB 23.34, 47.44, -33.07

 

CMYK 9 / 54 / 0 / 29

HEX #A553B5

RGB 165 83 181

HSL 290.2, 0.4%, 0.52%

LAB 48.91, 48.69, -37.8

 

CMYK 0 / 54 / 6 / 29

HEX #B553AB

RGB 181 83 171

HSL 306.12, 0.4%, 0.52%

LAB 50.63, 51.34, -29.11

 

CMYK 0 / 54 / 20 / 29

HEX #B55390

RGB 181 83 144

HSL 322.65, 0.4%, 0.52%

LAB 49.53, 46.99, -14.86

 

CMYK 0 / 54 / 35 / 29

HEX #B55376

RGB 181 83 118

HSL 338.57, 0.4%, 0.52%

LAB 48.66, 43.44, -0.56

 

CMYK 0 / 54 / 50 / 29

HEX #B5535B

RGB 181 83 91

HSL 355.1, 0.4%, 0.52%

LAB 47.96, 40.49, 14.75

 

CMYK 9 / 54 / 0 / 29

HEX #A553B5

RGB 165 83 181

HSL 290.2, 0.4%, 0.52%

LAB 48.91, 48.69, -37.8

 

CMYK 23 / 54 / 0 / 29

HEX #8B53B5

RGB 139 83 181

HSL 274.29, 0.4%, 0.52%

LAB 45.65, 41.64, -43.18

 

CMYK 38 / 54 / 0 / 29

HEX #7053B5

RGB 112 83 181

HSL 257.76, 0.4%, 0.52%

LAB 42.71, 34.67, -48.03

 

CMYK 52 / 54 / 0 / 29

HEX #5653B5

RGB 86 83 181

HSL 241.84, 0.4%, 0.52%

LAB 40.41, 28.67, -51.86

 

CMYK 54 / 54 / 0 / 29

HEX #5353B5

RGB 83 83 181

HSL 240, 0.4%, 0.52%

LAB 40.18, 28.04, -52.24

 

CMYK 9 / 54 / 0 / 29

HEX #A553B5

RGB 165 83 181

HSL 290.2, 0.4%, 0.52%

LAB 48.91, 48.69, -37.8

 

CMYK 11 / 69 / 0 / 21

HEX #B23FC9

RGB 178 63 201

HSL 290, 0.56%, 0.52%

LAB 48.56, 64.72, -49.85

 

CMYK 13 / 80 / 0 / 13

HEX #C02CDD

RGB 192 44 221

HSL 290.17, 0.72%, 0.52%

LAB 49.77, 77.22, -59.25

 

CMYK 15 / 90 / 0 / 6

HEX #CD18F0

RGB 205 24 240

HSL 290.28, 0.88%, 0.52%

LAB 51.75, 86.47, -66.7

 

CMYK 9 / 54 / 0 / 29

HEX #A553B5

RGB 165 83 181

HSL 290.2, 0.4%, 0.52%

LAB 48.91, 48.69, -37.8

 

CMYK 6 / 36 / 0 / 37

HEX #9867A1

RGB 152 103 161

HSL 290.69, 0.24%, 0.52%

LAB 50.63, 29.86, -23.55

 

CMYK 2 / 13 / 0 / 45

HEX #8A7B8D

RGB 138 123 141

HSL 290, 0.07%, 0.52%

LAB 53.48, 9.21, -7.64

 

CMYK 13 / 0 / 15 / 44

HEX #7D8F7A

RGB 125 143 122

HSL 111.43, 0.09%, 0.52%

LAB 57.47, -10.66, 9.02

 

CMYK 31 / 0 / 37 / 36

HEX #70A266

RGB 112 162 102

HSL 110, 0.24%, 0.52%

LAB 61.86, -28.63, 26.03

 

CMYK 38 / 54 / 0 / 29

HEX #7153B5

RGB 113 83 181

HSL 258.37, 0.4%, 0.52%

LAB 42.81, 34.92, -47.87

 

CMYK 23 / 54 / 0 / 29

HEX #8B53B5

RGB 139 83 181

HSL 274.29, 0.4%, 0.52%

LAB 45.65, 41.64, -43.18

 

CMYK 9 / 54 / 0 / 29

HEX #A553B5

RGB 165 83 181

HSL 290.2, 0.4%, 0.52%

LAB 48.91, 48.69, -37.8

 

CMYK 0 / 54 / 6 / 29

HEX #B553AB

RGB 181 83 171

HSL 306.12, 0.4%, 0.52%

LAB 50.63, 51.34, -29.11

 

CMYK 0 / 54 / 20 / 29

HEX #B55391

RGB 181 83 145

HSL 322.04, 0.4%, 0.52%

LAB 49.56, 47.14, -15.4

 

CMYK 9 / 57 / 0 / 50

HEX #73367F

RGB 115 54 127

HSL 290.14, 0.4%, 0.35%

LAB 33.6, 38.58, -29.94

 

CMYK 9 / 57 / 0 / 39

HEX #8E439C

RGB 142 67 156

HSL 290.56, 0.4%, 0.44%

LAB 41.48, 45.44, -34.96

 

CMYK 9 / 54 / 0 / 29

HEX #A553B5

RGB 165 83 181

HSL 290.2, 0.4%, 0.52%

LAB 48.91, 48.69, -37.8

 

CMYK 7 / 42 / 0 / 24

HEX #B470C1

RGB 180 112 193

HSL 290.37, 0.4%, 0.6%

LAB 57.21, 40.2, -31.59

 

CMYK 5 / 32 / 0 / 19

HEX #C38DCE

RGB 195 141 206

HSL 289.85, 0.4%, 0.68%

LAB 65.83, 31.62, -25.47

 

CMYK 9 / 54 / 0 / 29

HEX #A654B6

RGB 166 84 182

HSL 290.2, 0.4%, 0.52%

LAB 49.28, 48.66, -37.79

 

CMYK 0 / 52 / 54 / 29

HEX #B55653

RGB 181 86 83

HSL 1.84, 0.4%, 0.52%

LAB 48.39, 38.24, 20.12

 

CMYK 54 / 0 / 30 / 29

HEX #53B57E

RGB 83 181 126

HSL 146.33, 0.4%, 0.52%

LAB 66.82, -41.58, 19.5

 

CMYK 9 / 54 / 0 / 29

HEX #A654B6

RGB 166 84 182

HSL 290.2, 0.4%, 0.52%

LAB 49.28, 48.66, -37.79

 

CMYK 0 / 9 / 54 / 29

HEX #B5A553

RGB 181 165 83

HSL 50.2, 0.4%, 0.52%

LAB 67.55, -4.92, 44.07

 

CMYK 54 / 0 / 9 / 29

HEX #53B5A5

RGB 83 181 165

HSL 170.2, 0.4%, 0.52%

LAB 67.73, -32.69, -0.58

 

CMYK 9 / 54 / 0 / 29

HEX #A654B6

RGB 166 84 182

HSL 290.2, 0.4%, 0.52%

LAB 49.28, 48.66, -37.79

 

CMYK 0 / 52 / 54 / 29

HEX #B55653

RGB 181 86 83

HSL 1.84, 0.4%, 0.52%

LAB 48.39, 38.24, 20.12

 

CMYK 45 / 0 / 54 / 29

HEX #63B553

RGB 99 181 83

HSL 110.2, 0.4%, 0.52%

LAB 66.77, -44.14, 41.83

 

CMYK 54 / 2 / 0 / 29

HEX #53B2B5

RGB 83 178 181

HSL 181.84, 0.4%, 0.52%

LAB 67.29, -26.99, -10.07

 

CMYK 9 / 54 / 0 / 29

HEX #A654B6

RGB 166 84 182

HSL 290.2, 0.4%, 0.52%

LAB 49.28, 48.66, -37.79

 

CMYK 0 / 36 / 54 / 29

HEX #B57453

RGB 181 116 83

HSL 20.2, 0.4%, 0.52%

LAB 55.01, 22.05, 28.73

 

CMYK 45 / 0 / 54 / 29

HEX #63B553

RGB 99 181 83

HSL 110.2, 0.4%, 0.52%

LAB 66.77, -44.14, 41.83

 

CMYK 54 / 18 / 0 / 29

HEX #5394B5

RGB 83 148 181

HSL 200.2, 0.4%, 0.52%

LAB 58.37, -11.28, -23.58

 

Description

Color code: HEX #A654B6 | qconv.com Color code: HEX #A654B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 84 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 84 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 54 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 54% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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