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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A63A0A it is the complementary color #59C5F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A63A0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A63A0A shade: #AB3A05, #BC4C18, #CD5E2B, #DE703E and #EF8251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A63A0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A63A0A shade: #A63A0A, #952800, #841600, #730400 and #620000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A63A0A shade: #A83A09, #A80F09 and #A80909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A63A0A shade: #A83A09, #A86509, #A89009, #96A809 and #6BA809

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A63A0A shade matches the following richer shades: #A83A09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A63A0A shade: #A83A09, #9A4018, #8B4526, #7D4B35 and #6E5043

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A63A0A shade: #A8092E, #A80F09, #A83909, #A86309 and #A88E09

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A63A0A shade: #5A1F05, #812D07, #A83A09, #CF480C and #F15713

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A63A0A shade: #A63A0A, #59A809 and #0919A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A63A0A shade: #A63A0A, #09A839 and #3909A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A63A0A shade: #A63A0A, #59A809, #0979A8 and #5909A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A63A0A shade: #A63A0A, #29A809, #0979A8 and #8809A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 94 / 35

HEX #A63A0A

RGB 166 58 10

HSL 18.46, 0.89%, 0.35%

LAB 39.84, 42.64, 48.03

 

Complementary color

CMYK 64 / 20 / 0 / 4

HEX #59C5F5

RGB 89 197 245

HSL 198.46, 0.89%, 0.65%

LAB 75.23, -16.78, -32.9

 

CMYK 0 / 66 / 97 / 33

HEX #AB3A05

RGB 171 58 5

HSL 19.16, 0.94%, 0.35%

LAB 40.73, 44.39, 50.57

 

CMYK 0 / 60 / 87 / 26

HEX #BC4C18

RGB 188 76 24

HSL 19.02, 0.77%, 0.42%

LAB 46.88, 42.74, 50.09

 

CMYK 0 / 54 / 79 / 20

HEX #CD5E2B

RGB 205 94 43

HSL 18.89, 0.65%, 0.49%

LAB 53.12, 41.03, 48.48

 

CMYK 0 / 50 / 72 / 13

HEX #DE703E

RGB 222 112 62

HSL 18.75, 0.71%, 0.56%

LAB 59.4, 39.37, 46.52

 

CMYK 0 / 46 / 66 / 6

HEX #EF8251

RGB 239 130 81

HSL 18.61, 0.83%, 0.63%

LAB 65.68, 37.82, 44.54

 

CMYK 0 / 65 / 94 / 35

HEX #A63A0A

RGB 166 58 10

HSL 18.46, 0.89%, 0.35%

LAB 39.84, 42.64, 48.03

 

CMYK 0 / 73 / 100 / 42

HEX #952800

RGB 149 40 0

HSL 16.11, 1%, 0.29%

LAB 33.79, 44.02, 46.34

 

CMYK 0 / 83 / 100 / 48

HEX #841600

RGB 132 22 0

HSL 10, 1%, 0.26%

LAB 28.06, 44.57, 40.64

 

CMYK 0 / 97 / 100 / 55

HEX #730400

RGB 115 4 0

HSL 2.09, 1%, 0.23%

LAB 22.76, 43.63, 34.31

 

CMYK 0 / 100 / 100 / 62

HEX #620000

RGB 98 0 0

HSL 0, 1%, 0.19%

LAB 18.35, 39.75, 28.27

 

CMYK 0 / 65 / 95 / 34

HEX #A83A09

RGB 168 58 9

HSL 18.49, 0.9%, 0.35%

LAB 40.2, 43.35, 48.74

 

CMYK 0 / 91 / 95 / 34

HEX #A80F09

RGB 168 15 9

HSL 2.26, 0.9%, 0.35%

LAB 35.37, 56.75, 45.7

 

CMYK 0 / 95 / 95 / 34

HEX #A80909

RGB 168 9 9

HSL 0, 0.9%, 0.35%

LAB 35.08, 57.58, 45.53

 

CMYK 0 / 65 / 95 / 34

HEX #A83A09

RGB 168 58 9

HSL 18.49, 0.9%, 0.35%

LAB 40.2, 43.35, 48.74

 

CMYK 0 / 40 / 95 / 34

HEX #A86509

RGB 168 101 9

HSL 34.72, 0.9%, 0.35%

LAB 49.07, 21.08, 54.85

 

CMYK 0 / 14 / 95 / 34

HEX #A89009

RGB 168 144 9

HSL 50.94, 0.9%, 0.35%

LAB 60.15, -2.95, 62.98

 

CMYK 11 / 0 / 95 / 34

HEX #96A809

RGB 150 168 9

HSL 66.79, 0.9%, 0.35%

LAB 65.36, -23.54, 66.28

 

CMYK 36 / 0 / 95 / 34

HEX #6BA809

RGB 107 168 9

HSL 83.02, 0.9%, 0.35%

LAB 62.63, -40.98, 62.96

 

CMYK 0 / 65 / 95 / 34

HEX #A83A09

RGB 168 58 9

HSL 18.49, 0.9%, 0.35%

LAB 40.2, 43.35, 48.74

 

CMYK 0 / 65 / 95 / 34

HEX #A83A09

RGB 168 58 9

HSL 18.49, 0.9%, 0.35%

LAB 40.2, 43.35, 48.74

 

CMYK 0 / 58 / 84 / 40

HEX #9A4018

RGB 154 64 24

HSL 18.46, 0.73%, 0.35%

LAB 38.9, 35.49, 41

 

CMYK 0 / 50 / 73 / 45

HEX #8B4526

RGB 139 69 38

HSL 18.42, 0.57%, 0.35%

LAB 37.64, 27.25, 31.74

 

CMYK 0 / 40 / 58 / 51

HEX #7D4B35

RGB 125 75 53

HSL 18.33, 0.4%, 0.35%

LAB 37.21, 18.8, 21.98

 

CMYK 0 / 27 / 39 / 57

HEX #6E5043

RGB 110 80 67

HSL 18.14, 0.24%, 0.35%

LAB 36.85, 10.67, 12.59

 

CMYK 0 / 95 / 73 / 34

HEX #A8092E

RGB 168 9 46

HSL 346.04, 0.9%, 0.35%

LAB 35.43, 58.56, 25.79

 

CMYK 0 / 91 / 95 / 34

HEX #A80F09

RGB 168 15 9

HSL 2.26, 0.9%, 0.35%

LAB 35.37, 56.75, 45.7

 

CMYK 0 / 66 / 95 / 34

HEX #A83909

RGB 168 57 9

HSL 18.11, 0.9%, 0.35%

LAB 40.03, 43.8, 48.63

 

CMYK 0 / 41 / 95 / 34

HEX #A86309

RGB 168 99 9

HSL 33.96, 0.9%, 0.35%

LAB 48.6, 22.2, 54.51

 

CMYK 0 / 15 / 95 / 34

HEX #A88E09

RGB 168 142 9

HSL 50.19, 0.9%, 0.35%

LAB 59.61, -1.86, 62.57

 

CMYK 0 / 66 / 94 / 65

HEX #5A1F05

RGB 90 31 5

HSL 18.35, 0.89%, 0.19%

LAB 20.69, 25.81, 28.45

 

CMYK 0 / 65 / 95 / 49

HEX #812D07

RGB 129 45 7

HSL 18.69, 0.9%, 0.27%

LAB 30.78, 34.63, 39.65

 

CMYK 0 / 65 / 95 / 34

HEX #A83A09

RGB 168 58 9

HSL 18.49, 0.9%, 0.35%

LAB 40.2, 43.35, 48.74

 

CMYK 0 / 65 / 94 / 19

HEX #CF480C

RGB 207 72 12

HSL 18.46, 0.89%, 0.43%

LAB 49.41, 51.22, 57.28

 

CMYK 0 / 64 / 92 / 5

HEX #F15713

RGB 241 87 19

HSL 18.38, 0.89%, 0.51%

LAB 57.62, 56.74, 63.63

 

CMYK 0 / 65 / 94 / 35

HEX #A63A0A

RGB 166 58 10

HSL 18.46, 0.89%, 0.35%

LAB 39.84, 42.64, 48.03

 

CMYK 47 / 0 / 95 / 34

HEX #59A809

RGB 89 168 9

HSL 89.81, 0.9%, 0.35%

LAB 61.78, -47.23, 61.92

 

CMYK 95 / 85 / 0 / 34

HEX #0919A8

RGB 9 25 168

HSL 233.96, 0.9%, 0.35%

LAB 22.23, 49.93, -74.07

 

CMYK 0 / 65 / 94 / 35

HEX #A63A0A

RGB 166 58 10

HSL 18.46, 0.89%, 0.35%

LAB 39.84, 42.64, 48.03

 

CMYK 95 / 0 / 66 / 34

HEX #09A839

RGB 9 168 57

HSL 138.11, 0.9%, 0.35%

LAB 60.21, -59.18, 45.72

 

CMYK 66 / 95 / 0 / 34

HEX #3909A8

RGB 57 9 168

HSL 258.11, 0.9%, 0.35%

LAB 23.31, 57.2, -72.2

 

CMYK 0 / 65 / 94 / 35

HEX #A63A0A

RGB 166 58 10

HSL 18.46, 0.89%, 0.35%

LAB 39.84, 42.64, 48.03

 

CMYK 47 / 0 / 95 / 34

HEX #59A809

RGB 89 168 9

HSL 89.81, 0.9%, 0.35%

LAB 61.78, -47.23, 61.92

 

CMYK 95 / 28 / 0 / 34

HEX #0979A8

RGB 9 121 168

HSL 197.74, 0.9%, 0.35%

LAB 47.7, -10.4, -32.82

 

CMYK 47 / 95 / 0 / 34

HEX #5909A8

RGB 89 9 168

HSL 270.19, 0.9%, 0.35%

LAB 27.15, 59.77, -65.73

 

CMYK 0 / 65 / 94 / 35

HEX #A63A0A

RGB 166 58 10

HSL 18.46, 0.89%, 0.35%

LAB 39.84, 42.64, 48.03

 

CMYK 76 / 0 / 95 / 34

HEX #29A809

RGB 41 168 9

HSL 107.92, 0.9%, 0.35%

LAB 60.33, -59.03, 60.14

 

CMYK 95 / 28 / 0 / 34

HEX #0979A8

RGB 9 121 168

HSL 197.74, 0.9%, 0.35%

LAB 47.7, -10.4, -32.82

 

CMYK 19 / 95 / 0 / 34

HEX #8809A8

RGB 136 9 168

HSL 287.92, 0.9%, 0.35%

LAB 34.51, 65.74, -53.38

 

Description

Color code: HEX #A63A0A | qconv.com Color code: HEX #A63A0A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 58 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 58 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 94 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 94% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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