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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A62A3D it is the complementary color #59D5C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A62A3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A62A3D shade: #AB2A38, #BC3C4B, #CD4E5E, #DE6071 and #EF7284

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A62A3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A62A3D shade: #A62A3D, #95182A, #840617, #730004 and #620000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A62A3D shade: #A7293D and #A72929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A62A3D shade: #A7293D, #A7295E, #A72980, #A729A2 and #8A29A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A62A3D shade matches the following richer shades: #A7293D, #B81831 and #C90725

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A62A3D shade: #A7293D, #963A48, #854B54, #745C60 and #636D6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A62A3D shade: #A72981, #A72960, #A7293E, #A73629 and #A75729

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A62A3D shade: #651924, #862130, #A7293D, #C83249 and #D35064

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A62A3D shade: #A62A3D, #A3A729 and #2970A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A62A3D shade: #A62A3D, #3EA729 and #293EA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A62A3D shade: #A62A3D, #A3A729, #29A792 and #2E29A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A62A3D shade: #A62A3D, #7DA729, #29A792 and #5329A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 63 / 35

HEX #A62A3D

RGB 166 42 61

HSL 350.81, 0.6%, 0.41%

LAB 38.02, 51.04, 19.44

 

Complementary color

CMYK 58 / 0 / 9 / 16

HEX #59D5C2

RGB 89 213 194

HSL 170.81, 0.6%, 0.59%

LAB 78.23, -38.96, -0.95

 

CMYK 0 / 75 / 67 / 33

HEX #AB2A38

RGB 171 42 56

HSL 353.49, 0.61%, 0.42%

LAB 38.9, 52.28, 23.9

 

CMYK 0 / 68 / 60 / 26

HEX #BC3C4B

RGB 188 60 75

HSL 352.97, 0.52%, 0.49%

LAB 44.84, 52.11, 20.46

 

CMYK 0 / 62 / 54 / 20

HEX #CD4E5E

RGB 205 78 94

HSL 352.44, 0.56%, 0.55%

LAB 50.96, 51.51, 17.67

 

CMYK 0 / 57 / 49 / 13

HEX #DE6071

RGB 222 96 113

HSL 351.9, 0.66%, 0.62%

LAB 57.16, 50.68, 15.37

 

CMYK 0 / 52 / 45 / 6

HEX #EF7284

RGB 239 114 132

HSL 351.36, 0.8%, 0.69%

LAB 63.39, 49.76, 13.43

 

CMYK 0 / 75 / 63 / 35

HEX #A62A3D

RGB 166 42 61

HSL 350.81, 0.6%, 0.41%

LAB 38.02, 51.04, 19.44

 

CMYK 0 / 84 / 72 / 42

HEX #95182A

RGB 149 24 42

HSL 351.36, 0.72%, 0.34%

LAB 32.28, 50.43, 23.59

 

CMYK 0 / 95 / 83 / 48

HEX #840617

RGB 132 6 23

HSL 351.9, 0.91%, 0.27%

LAB 27.01, 48.55, 28.66

 

CMYK 0 / 100 / 97 / 55

HEX #730004

RGB 115 0 4

HSL 357.91, 1%, 0.23%

LAB 22.49, 44.59, 32.4

 

CMYK 0 / 100 / 100 / 62

HEX #620000

RGB 98 0 0

HSL 0, 1%, 0.19%

LAB 18.35, 39.75, 28.27

 

CMYK 0 / 75 / 63 / 35

HEX #A7293D

RGB 167 41 61

HSL 350.48, 0.61%, 0.41%

LAB 38.09, 51.69, 19.57

 

CMYK 0 / 75 / 75 / 35

HEX #A72929

RGB 167 41 41

HSL 0, 0.61%, 0.41%

LAB 37.77, 50.65, 31.53

 

CMYK 0 / 75 / 63 / 35

HEX #A7293D

RGB 167 41 61

HSL 350.48, 0.61%, 0.41%

LAB 38.09, 51.69, 19.57

 

CMYK 0 / 75 / 44 / 35

HEX #A7295E

RGB 167 41 94

HSL 334.76, 0.61%, 0.41%

LAB 38.91, 54.36, -0.27

 

CMYK 0 / 75 / 23 / 35

HEX #A72980

RGB 167 41 128

HSL 318.57, 0.61%, 0.41%

LAB 40.18, 58.31, -19.65

 

CMYK 0 / 75 / 3 / 35

HEX #A729A2

RGB 167 41 162

HSL 302.38, 0.61%, 0.41%

LAB 41.86, 63.31, -37.7

 

CMYK 17 / 75 / 0 / 35

HEX #8A29A7

RGB 138 41 167

HSL 286.19, 0.61%, 0.41%

LAB 37.44, 58.09, -48.03

 

CMYK 0 / 75 / 63 / 35

HEX #A7293D

RGB 167 41 61

HSL 350.48, 0.61%, 0.41%

LAB 38.09, 51.69, 19.57

 

CMYK 0 / 87 / 73 / 28

HEX #B81831

RGB 184 24 49

HSL 350.63, 0.77%, 0.41%

LAB 39.69, 60.53, 29.79

 

CMYK 0 / 97 / 82 / 21

HEX #C90725

RGB 201 7 37

HSL 350.72, 0.93%, 0.41%

LAB 42.31, 66.85, 40.74

 

CMYK 0 / 75 / 63 / 35

HEX #A7293D

RGB 167 41 61

HSL 350.48, 0.61%, 0.41%

LAB 38.09, 51.69, 19.57

 

CMYK 0 / 61 / 52 / 41

HEX #963A48

RGB 150 58 72

HSL 350.87, 0.44%, 0.41%

LAB 37.8, 39.85, 11.69

 

CMYK 0 / 44 / 37 / 48

HEX #854B54

RGB 133 75 84

HSL 350.69, 0.28%, 0.41%

LAB 39, 25.66, 5.45

 

CMYK 0 / 21 / 17 / 55

HEX #745C60

RGB 116 92 96

HSL 350, 0.12%, 0.41%

LAB 41.55, 10.48, 1.43

 

CMYK 9 / 0 / 2 / 57

HEX #636D6B

RGB 99 109 107

HSL 168, 0.05%, 0.41%

LAB 45.15, -4.22, -0.19

 

CMYK 0 / 75 / 23 / 35

HEX #A72981

RGB 167 41 129

HSL 318.1, 0.61%, 0.41%

LAB 40.22, 58.44, -20.2

 

CMYK 0 / 75 / 43 / 35

HEX #A72960

RGB 167 41 96

HSL 333.81, 0.61%, 0.41%

LAB 38.98, 54.56, -1.44

 

CMYK 0 / 75 / 63 / 35

HEX #A7293E

RGB 167 41 62

HSL 350, 0.61%, 0.41%

LAB 38.11, 51.75, 18.96

 

CMYK 0 / 68 / 75 / 35

HEX #A73629

RGB 167 54 41

HSL 6.19, 0.61%, 0.41%

LAB 39.6, 45.62, 33.56

 

CMYK 0 / 48 / 75 / 35

HEX #A75729

RGB 167 87 41

HSL 21.9, 0.61%, 0.41%

LAB 45.9, 29.33, 40.29

 

CMYK 0 / 75 / 64 / 60

HEX #651924

RGB 101 25 36

HSL 351.32, 0.6%, 0.25%

LAB 22.26, 34.52, 12.82

 

CMYK 0 / 75 / 64 / 47

HEX #862130

RGB 134 33 48

HSL 351.09, 0.6%, 0.33%

LAB 30.33, 43.31, 16.58

 

CMYK 0 / 75 / 63 / 35

HEX #A7293D

RGB 167 41 61

HSL 350.48, 0.61%, 0.41%

LAB 38.09, 51.69, 19.57

 

CMYK 0 / 75 / 64 / 22

HEX #C83249

RGB 200 50 73

HSL 350.8, 0.6%, 0.49%

LAB 45.69, 59.34, 23.2

 

CMYK 0 / 62 / 53 / 17

HEX #D35064

RGB 211 80 100

HSL 350.84, 0.6%, 0.57%

LAB 52.4, 53.11, 16.22

 

CMYK 0 / 75 / 63 / 35

HEX #A62A3D

RGB 166 42 61

HSL 350.81, 0.6%, 0.41%

LAB 38.02, 51.04, 19.44

 

CMYK 2 / 0 / 75 / 35

HEX #A3A729

RGB 163 167 41

HSL 61.9, 0.61%, 0.41%

LAB 66.2, -16.46, 60.03

 

CMYK 75 / 33 / 0 / 35

HEX #2970A7

RGB 41 112 167

HSL 206.19, 0.61%, 0.41%

LAB 45.43, -2.72, -35.77

 

CMYK 0 / 75 / 63 / 35

HEX #A62A3D

RGB 166 42 61

HSL 350.81, 0.6%, 0.41%

LAB 38.02, 51.04, 19.44

 

CMYK 63 / 0 / 75 / 35

HEX #3EA729

RGB 62 167 41

HSL 110, 0.61%, 0.41%

LAB 60.62, -53.02, 52.73

 

CMYK 75 / 63 / 0 / 35

HEX #293EA7

RGB 41 62 167

HSL 230, 0.61%, 0.41%

LAB 31.13, 29.81, -58.74

 

CMYK 0 / 75 / 63 / 35

HEX #A62A3D

RGB 166 42 61

HSL 350.81, 0.6%, 0.41%

LAB 38.02, 51.04, 19.44

 

CMYK 2 / 0 / 75 / 35

HEX #A3A729

RGB 163 167 41

HSL 61.9, 0.61%, 0.41%

LAB 66.2, -16.46, 60.03

 

CMYK 75 / 0 / 13 / 35

HEX #29A792

RGB 41 167 146

HSL 170, 0.61%, 0.41%

LAB 61.81, -38.39, 1.23

 

CMYK 72 / 75 / 0 / 35

HEX #2E29A7

RGB 46 41 167

HSL 242.38, 0.61%, 0.41%

LAB 26.61, 43.34, -66.16

 

CMYK 0 / 75 / 63 / 35

HEX #A62A3D

RGB 166 42 61

HSL 350.81, 0.6%, 0.41%

LAB 38.02, 51.04, 19.44

 

CMYK 25 / 0 / 75 / 35

HEX #7DA729

RGB 125 167 41

HSL 80, 0.61%, 0.41%

LAB 63.47, -32.45, 56.49

 

CMYK 75 / 0 / 13 / 35

HEX #29A792

RGB 41 167 146

HSL 170, 0.61%, 0.41%

LAB 61.81, -38.39, 1.23

 

CMYK 50 / 75 / 0 / 35

HEX #5329A7

RGB 83 41 167

HSL 260, 0.61%, 0.41%

LAB 29.95, 48.06, -60.55

 

Description

Color code: HEX #A62A3D | qconv.com Color code: HEX #A62A3D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 42 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 42 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 63 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 63% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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