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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A620FD it is the complementary color #59DF02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A620FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A620FD shade: #AB20F8, #BC32FF, #CD44FF, #DE56FF and #EF68FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A620FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A620FD shade: #A620FD, #950EEA, #8400D7, #7300C4 and #6200B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A620FD shade: #A620FC, #E120FC, #FC20DC, #FC20A1 and #FC2066

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A620FD shade: #A620FC, #6A20FC, #2F20FC and #2020FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A620FD shade matches the following richer shades: #A620FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A620FD shade: #A620FC, #A232EA, #9E45D8, #9A57C6 and #9669B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A620FD shade: #2F20FC, #6A20FC, #A420FC, #DF20FC and #FC20DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A620FD shade: #7A02C9, #9302F1, #A620FC, #B649FD and #C672FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A620FD shade: #A620FD, #FC204C and #20FC4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A620FD shade: #A620FD, #FCA420 and #20FCA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A620FD shade: #A620FD, #FC204C, #78FC20 and #20FCD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A620FD shade: #A620FD, #FC3620, #78FC20 and #20E6FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 87 / 0 / 1

HEX #A620FD

RGB 166 32 253

HSL 276.38, 0.98%, 0.56%

LAB 47.28, 82.09, -81.52

 

Complementary color

CMYK 60 / 0 / 99 / 13

HEX #59DF02

RGB 89 223 2

HSL 96.38, 0.98%, 0.44%

LAB 78.99, -67.04, 76.5

 

CMYK 31 / 87 / 0 / 3

HEX #AB20F8

RGB 171 32 248

HSL 278.61, 0.94%, 0.55%

LAB 47.58, 81.75, -78.2

 

CMYK 26 / 80 / 0 / 0

HEX #BC32FF

RGB 188 50 255

HSL 280.39, 1%, 0.6%

LAB 52.05, 81.14, -74.71

 

CMYK 20 / 73 / 0 / 0

HEX #CD44FF

RGB 205 68 255

HSL 283.96, 1%, 0.63%

LAB 56.42, 78.39, -67.53

 

CMYK 13 / 66 / 0 / 0

HEX #DE56FF

RGB 222 86 255

HSL 288.28, 1%, 0.67%

LAB 61.14, 75.14, -59.82

 

CMYK 6 / 59 / 0 / 0

HEX #EF68FF

RGB 239 104 255

HSL 293.64, 1%, 0.7%

LAB 66.11, 71.61, -51.77

 

CMYK 34 / 87 / 0 / 1

HEX #A620FD

RGB 166 32 253

HSL 276.38, 0.98%, 0.56%

LAB 47.28, 82.09, -81.52

 

CMYK 36 / 94 / 0 / 8

HEX #950EEA

RGB 149 14 234

HSL 276.82, 0.89%, 0.49%

LAB 42.22, 79.35, -79.21

 

CMYK 39 / 100 / 0 / 16

HEX #8400D7

RGB 132 0 215

HSL 276.84, 1%, 0.42%

LAB 37.5, 75.36, -76.19

 

CMYK 41 / 100 / 0 / 23

HEX #7300C4

RGB 115 0 196

HSL 275.2, 1%, 0.38%

LAB 33.2, 69.83, -72.3

 

CMYK 45 / 100 / 0 / 31

HEX #6200B1

RGB 98 0 177

HSL 273.22, 1%, 0.35%

LAB 28.83, 64.21, -68.33

 

CMYK 34 / 87 / 0 / 1

HEX #A620FC

RGB 166 32 252

HSL 276.55, 0.97%, 0.56%

LAB 47.19, 81.89, -81.1

 

CMYK 11 / 87 / 0 / 1

HEX #E120FC

RGB 225 32 252

HSL 292.64, 0.97%, 0.56%

LAB 56.16, 90.28, -66.13

 

CMYK 0 / 87 / 13 / 1

HEX #FC20DC

RGB 252 32 220

HSL 308.73, 0.97%, 0.56%

LAB 58.88, 90.29, -43.58

 

CMYK 0 / 87 / 36 / 1

HEX #FC20A1

RGB 252 32 161

HSL 324.82, 0.97%, 0.56%

LAB 56.39, 83.63, -13.39

 

CMYK 0 / 87 / 60 / 1

HEX #FC2066

RGB 252 32 102

HSL 340.91, 0.97%, 0.56%

LAB 54.75, 79.06, 19.43

 

CMYK 34 / 87 / 0 / 1

HEX #A620FC

RGB 166 32 252

HSL 276.55, 0.97%, 0.56%

LAB 47.19, 81.89, -81.1

 

CMYK 58 / 87 / 0 / 1

HEX #6A20FC

RGB 106 32 252

HSL 260.18, 0.97%, 0.56%

LAB 39.79, 75.69, -93.55

 

CMYK 81 / 87 / 0 / 1

HEX #2F20FC

RGB 47 32 252

HSL 244.09, 0.97%, 0.56%

LAB 35.33, 72.42, -101.09

 

CMYK 87 / 87 / 0 / 1

HEX #2020FC

RGB 32 32 252

HSL 240, 0.97%, 0.56%

LAB 34.74, 72.02, -102.09

 

CMYK 34 / 87 / 0 / 1

HEX #A620FC

RGB 166 32 252

HSL 276.55, 0.97%, 0.56%

LAB 47.19, 81.89, -81.1

 

CMYK 34 / 87 / 0 / 1

HEX #A620FC

RGB 166 32 252

HSL 276.55, 0.97%, 0.56%

LAB 47.19, 81.89, -81.1

 

CMYK 31 / 79 / 0 / 8

HEX #A232EA

RGB 162 50 234

HSL 276.52, 0.81%, 0.56%

LAB 46.85, 72.88, -71.57

 

CMYK 27 / 68 / 0 / 15

HEX #9E45D8

RGB 158 69 216

HSL 276.33, 0.65%, 0.56%

LAB 47.6, 61, -60.15

 

CMYK 22 / 56 / 0 / 22

HEX #9A57C6

RGB 154 87 198

HSL 276.22, 0.49%, 0.56%

LAB 49.21, 47.32, -47.27

 

CMYK 17 / 42 / 0 / 29

HEX #9669B4

RGB 150 105 180

HSL 276, 0.33%, 0.56%

LAB 51.7, 32.19, -32.96

 

CMYK 81 / 87 / 0 / 1

HEX #2F20FC

RGB 47 32 252

HSL 244.09, 0.97%, 0.56%

LAB 35.33, 72.42, -101.09

 

CMYK 58 / 87 / 0 / 1

HEX #6A20FC

RGB 106 32 252

HSL 260.18, 0.97%, 0.56%

LAB 39.79, 75.69, -93.55

 

CMYK 35 / 87 / 0 / 1

HEX #A420FC

RGB 164 32 252

HSL 276, 0.97%, 0.56%

LAB 46.91, 81.65, -81.57

 

CMYK 12 / 87 / 0 / 1

HEX #DF20FC

RGB 223 32 252

HSL 292.09, 0.97%, 0.56%

LAB 55.84, 89.96, -66.67

 

CMYK 0 / 87 / 12 / 1

HEX #FC20DF

RGB 252 32 223

HSL 307.91, 0.97%, 0.56%

LAB 59.03, 90.68, -45.04

 

CMYK 39 / 99 / 0 / 21

HEX #7A02C9

RGB 122 2 201

HSL 276.18, 0.98%, 0.4%

LAB 34.8, 71.28, -72.56

 

CMYK 39 / 99 / 0 / 5

HEX #9302F1

RGB 147 2 241

HSL 276.4, 0.98%, 0.48%

LAB 42.15, 81.77, -83.3

 

CMYK 34 / 87 / 0 / 1

HEX #A620FC

RGB 166 32 252

HSL 276.55, 0.97%, 0.56%

LAB 47.19, 81.89, -81.1

 

CMYK 28 / 71 / 0 / 1

HEX #B649FD

RGB 182 73 253

HSL 276.33, 0.98%, 0.64%

LAB 53.82, 71.89, -70.78

 

CMYK 22 / 55 / 0 / 1

HEX #C672FD

RGB 198 114 253

HSL 276.26, 0.97%, 0.72%

LAB 62.62, 56.61, -56.53

 

CMYK 34 / 87 / 0 / 1

HEX #A620FD

RGB 166 32 253

HSL 276.38, 0.98%, 0.56%

LAB 47.28, 82.09, -81.52

 

CMYK 0 / 87 / 70 / 1

HEX #FC204C

RGB 252 32 76

HSL 348, 0.97%, 0.56%

LAB 54.29, 77.75, 34.33

 

CMYK 87 / 0 / 70 / 1

HEX #20FC4C

RGB 32 252 76

HSL 132, 0.97%, 0.56%

LAB 87.22, -80.77, 67.19

 

CMYK 34 / 87 / 0 / 1

HEX #A620FD

RGB 166 32 253

HSL 276.38, 0.98%, 0.56%

LAB 47.28, 82.09, -81.52

 

CMYK 0 / 35 / 87 / 1

HEX #FCA420

RGB 252 164 32

HSL 36, 0.97%, 0.56%

LAB 74.41, 23.59, 73.26

 

CMYK 87 / 0 / 35 / 1

HEX #20FCA4

RGB 32 252 164

HSL 156, 0.97%, 0.56%

LAB 88.26, -68.24, 28.7

 

CMYK 34 / 87 / 0 / 1

HEX #A620FD

RGB 166 32 253

HSL 276.38, 0.98%, 0.56%

LAB 47.28, 82.09, -81.52

 

CMYK 0 / 87 / 70 / 1

HEX #FC204C

RGB 252 32 76

HSL 348, 0.97%, 0.56%

LAB 54.29, 77.75, 34.33

 

CMYK 52 / 0 / 87 / 1

HEX #78FC20

RGB 120 252 32

HSL 96, 0.97%, 0.56%

LAB 88.79, -68.39, 81.34

 

CMYK 87 / 0 / 17 / 1

HEX #20FCD0

RGB 32 252 208

HSL 168, 0.97%, 0.56%

LAB 89.15, -58.43, 7.39

 

CMYK 34 / 87 / 0 / 1

HEX #A620FD

RGB 166 32 253

HSL 276.38, 0.98%, 0.56%

LAB 47.28, 82.09, -81.52

 

CMYK 0 / 79 / 87 / 1

HEX #FC3620

RGB 252 54 32

HSL 6, 0.97%, 0.56%

LAB 55.52, 71.73, 58.58

 

CMYK 52 / 0 / 87 / 1

HEX #78FC20

RGB 120 252 32

HSL 96, 0.97%, 0.56%

LAB 88.79, -68.39, 81.34

 

CMYK 87 / 9 / 0 / 1

HEX #20E6FC

RGB 32 230 252

HSL 186, 0.97%, 0.56%

LAB 83.93, -36.85, -23.39

 

Description

Color code: HEX #A620FD | qconv.com Color code: HEX #A620FD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 32 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 32 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 87 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 87% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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