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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A629E0 it is the complementary color #59D61F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A629E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A629E0 shade: #AB29DB, #BC3BEE, #CD4DFF, #DE5FFF and #EF71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A629E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A629E0 shade: #A629E0, #9517CD, #8405BA, #7300A7 and #620094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A629E0 shade: #A628E0, #D728E0, #E028B7, #E02886 and #E02854

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A629E0 shade: #A628E0, #7428E0, #4328E0 and #2828E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A629E0 shade matches the following richer shades: #A628E0 and #AD14F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A629E0 shade: #A628E0, #9E3CCC, #9750B8, #9064A4 and #897891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A629E0 shade: #4128E0, #7228E0, #A328E0, #D428E0 and #E028BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A629E0 shade: #74169F, #8E1BC3, #A628E0, #B54CE5 and #C471EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A629E0 shade: #A629E0, #E02841 and #28E059

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A629E0 shade: #A629E0, #E0A328 and #28E0A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A629E0 shade: #A629E0, #E02841, #65E028 and #28E0C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A629E0 shade: #A629E0, #E04728, #65E028 and #28C1E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 82 / 0 / 12

HEX #A629E0

RGB 166 41 224

HSL 280.98, 0.75%, 0.52%

LAB 45.74, 74.23, -67.68

 

Complementary color

CMYK 58 / 0 / 86 / 16

HEX #59D61F

RGB 89 214 31

HSL 100.98, 0.75%, 0.48%

LAB 76.26, -63.36, 70.33

 

CMYK 22 / 81 / 0 / 14

HEX #AB29DB

RGB 171 41 219

HSL 283.82, 0.71%, 0.51%

LAB 46.12, 74.08, -64.17

 

CMYK 21 / 75 / 0 / 7

HEX #BC3BEE

RGB 188 59 238

HSL 283.24, 0.84%, 0.58%

LAB 51.83, 75.12, -65.58

 

CMYK 20 / 70 / 0 / 0

HEX #CD4DFF

RGB 205 77 255

HSL 283.15, 1%, 0.65%

LAB 57.57, 75.13, -65.68

 

CMYK 13 / 63 / 0 / 0

HEX #DE5FFF

RGB 222 95 255

HSL 287.63, 1%, 0.69%

LAB 62.45, 71.48, -57.72

 

CMYK 6 / 56 / 0 / 0

HEX #EF71FF

RGB 239 113 255

HSL 293.24, 1%, 0.72%

LAB 67.56, 67.67, -49.48

 

CMYK 26 / 82 / 0 / 12

HEX #A629E0

RGB 166 41 224

HSL 280.98, 0.75%, 0.52%

LAB 45.74, 74.23, -67.68

 

CMYK 27 / 89 / 0 / 20

HEX #9517CD

RGB 149 23 205

HSL 281.54, 0.8%, 0.45%

LAB 40.26, 72.28, -65.78

 

CMYK 29 / 97 / 0 / 27

HEX #8405BA

RGB 132 5 186

HSL 282.1, 0.95%, 0.37%

LAB 35.12, 69.06, -63.15

 

CMYK 31 / 100 / 0 / 35

HEX #7300A7

RGB 115 0 167

HSL 281.32, 1%, 0.33%

LAB 30.48, 63.98, -59.5

 

CMYK 34 / 100 / 0 / 42

HEX #620094

RGB 98 0 148

HSL 279.73, 1%, 0.29%

LAB 25.97, 58.13, -55.41

 

CMYK 26 / 82 / 0 / 12

HEX #A628E0

RGB 166 40 224

HSL 281.09, 0.75%, 0.52%

LAB 45.64, 74.5, -67.83

 

CMYK 4 / 82 / 0 / 12

HEX #D728E0

RGB 215 40 224

HSL 297.07, 0.75%, 0.52%

LAB 53.33, 82.73, -55.05

 

CMYK 0 / 82 / 18 / 12

HEX #E028B7

RGB 224 40 183

HSL 313.37, 0.75%, 0.52%

LAB 52.71, 78.67, -32.36

 

CMYK 0 / 82 / 40 / 12

HEX #E02886

RGB 224 40 134

HSL 329.35, 0.75%, 0.52%

LAB 50.79, 73.22, -6.25

 

CMYK 0 / 82 / 63 / 12

HEX #E02854

RGB 224 40 84

HSL 345.65, 0.75%, 0.52%

LAB 49.5, 69.44, 22.35

 

CMYK 26 / 82 / 0 / 12

HEX #A628E0

RGB 166 40 224

HSL 281.09, 0.75%, 0.52%

LAB 45.64, 74.5, -67.83

 

CMYK 48 / 82 / 0 / 12

HEX #7428E0

RGB 116 40 224

HSL 264.78, 0.75%, 0.52%

LAB 38.92, 67.53, -79.1

 

CMYK 70 / 82 / 0 / 12

HEX #4328E0

RGB 67 40 224

HSL 248.8, 0.75%, 0.52%

LAB 34.18, 62.81, -87.1

 

CMYK 82 / 82 / 0 / 12

HEX #2828E0

RGB 40 40 224

HSL 240, 0.75%, 0.52%

LAB 32.59, 61.28, -89.77

 

CMYK 26 / 82 / 0 / 12

HEX #A628E0

RGB 166 40 224

HSL 281.09, 0.75%, 0.52%

LAB 45.64, 74.5, -67.83

 

CMYK 29 / 92 / 0 / 4

HEX #AD14F4

RGB 173 20 244

HSL 280.98, 0.91%, 0.52%

LAB 46.86, 83.32, -77.11

 

CMYK 26 / 82 / 0 / 12

HEX #A628E0

RGB 166 40 224

HSL 281.09, 0.75%, 0.52%

LAB 45.64, 74.5, -67.83

 

CMYK 23 / 71 / 0 / 20

HEX #9E3CCC

RGB 158 60 204

HSL 280.83, 0.59%, 0.52%

LAB 45.44, 62.28, -56.74

 

CMYK 18 / 57 / 0 / 28

HEX #9750B8

RGB 151 80 184

HSL 280.96, 0.42%, 0.52%

LAB 46.68, 47.09, -43.2

 

CMYK 12 / 39 / 0 / 36

HEX #9064A4

RGB 144 100 164

HSL 281.25, 0.26%, 0.52%

LAB 49.16, 29.63, -27.65

 

CMYK 6 / 17 / 0 / 43

HEX #897891

RGB 137 120 145

HSL 280.8, 0.1%, 0.52%

LAB 52.73, 11.43, -11.12

 

CMYK 71 / 82 / 0 / 12

HEX #4128E0

RGB 65 40 224

HSL 248.15, 0.75%, 0.52%

LAB 34.03, 62.67, -87.34

 

CMYK 49 / 82 / 0 / 12

HEX #7228E0

RGB 114 40 224

HSL 264.13, 0.75%, 0.52%

LAB 38.68, 67.29, -79.5

 

CMYK 27 / 82 / 0 / 12

HEX #A328E0

RGB 163 40 224

HSL 280.11, 0.75%, 0.52%

LAB 45.2, 74.03, -68.57

 

CMYK 5 / 82 / 0 / 12

HEX #D428E0

RGB 212 40 224

HSL 296.09, 0.75%, 0.52%

LAB 52.84, 82.2, -55.86

 

CMYK 0 / 82 / 17 / 12

HEX #E028BB

RGB 224 40 187

HSL 312.07, 0.75%, 0.52%

LAB 52.9, 79.18, -34.4

 

CMYK 27 / 86 / 0 / 38

HEX #74169F

RGB 116 22 159

HSL 281.17, 0.76%, 0.35%

LAB 31.32, 58.48, -53.27

 

CMYK 27 / 86 / 0 / 24

HEX #8E1BC3

RGB 142 27 195

HSL 281.07, 0.76%, 0.44%

LAB 38.68, 68.47, -62.58

 

CMYK 26 / 82 / 0 / 12

HEX #A628E0

RGB 166 40 224

HSL 281.09, 0.75%, 0.52%

LAB 45.64, 74.5, -67.83

 

CMYK 21 / 67 / 0 / 10

HEX #B54CE5

RGB 181 76 229

HSL 281.18, 0.75%, 0.6%

LAB 52.56, 65.5, -59.38

 

CMYK 16 / 52 / 0 / 8

HEX #C471EA

RGB 196 113 234

HSL 281.16, 0.74%, 0.68%

LAB 61.21, 52.59, -48.28

 

CMYK 26 / 82 / 0 / 12

HEX #A629E0

RGB 166 41 224

HSL 280.98, 0.75%, 0.52%

LAB 45.74, 74.23, -67.68

 

CMYK 0 / 82 / 71 / 12

HEX #E02841

RGB 224 40 65

HSL 351.85, 0.75%, 0.52%

LAB 49.19, 68.49, 33.37

 

CMYK 82 / 0 / 60 / 12

HEX #28E059

RGB 40 224 89

HSL 135.98, 0.75%, 0.52%

LAB 78.74, -70.48, 52.73

 

CMYK 26 / 82 / 0 / 12

HEX #A629E0

RGB 166 41 224

HSL 280.98, 0.75%, 0.52%

LAB 45.74, 74.23, -67.68

 

CMYK 0 / 27 / 82 / 12

HEX #E0A328

RGB 224 163 40

HSL 40.11, 0.75%, 0.52%

LAB 71.01, 12.41, 66.87

 

CMYK 82 / 0 / 27 / 12

HEX #28E0A3

RGB 40 224 163

HSL 160.11, 0.75%, 0.52%

LAB 79.84, -57.7, 17.68

 

CMYK 26 / 82 / 0 / 12

HEX #A629E0

RGB 166 41 224

HSL 280.98, 0.75%, 0.52%

LAB 45.74, 74.23, -67.68

 

CMYK 0 / 82 / 71 / 12

HEX #E02841

RGB 224 40 65

HSL 351.85, 0.75%, 0.52%

LAB 49.19, 68.49, 33.37

 

CMYK 55 / 0 / 82 / 12

HEX #65E028

RGB 101 224 40

HSL 100.11, 0.75%, 0.52%

LAB 79.75, -63.4, 71.5

 

CMYK 82 / 0 / 11 / 12

HEX #28E0C7

RGB 40 224 199

HSL 171.85, 0.75%, 0.52%

LAB 80.68, -48.88, -0.16

 

CMYK 26 / 82 / 0 / 12

HEX #A629E0

RGB 166 41 224

HSL 280.98, 0.75%, 0.52%

LAB 45.74, 74.23, -67.68

 

CMYK 0 / 68 / 82 / 12

HEX #E04728

RGB 224 71 40

HSL 10.11, 0.75%, 0.52%

LAB 52.41, 57.9, 50.33

 

CMYK 55 / 0 / 82 / 12

HEX #65E028

RGB 101 224 40

HSL 100.11, 0.75%, 0.52%

LAB 79.75, -63.4, 71.5

 

CMYK 82 / 14 / 0 / 12

HEX #28C1E0

RGB 40 193 224

HSL 190.11, 0.75%, 0.52%

LAB 72.21, -27.38, -26.29

 

Description

Color code: HEX #A629E0 | qconv.com Color code: HEX #A629E0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 41 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 41 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 82 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 82% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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