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Color name
HEX #A5F820

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5F820 it is the complementary color #5A07DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5F820. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5F820 shade: #AAF81B, #BBFF2E, #CCFF41, #DDFF54 and #EEFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5F820. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5F820 shade: #A5F820, #94E60D, #83D400, #72C200 and #61B000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5F820 shade: #A5F820, #DFF820, #F8D620, #F89C20 and #F86220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5F820 shade: #A5F820, #6BF820, #30F820, #20F84A and #20F884

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5F820 shade matches the following richer shades: #A5F820

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5F820 shade: #A5F820, #A0E532, #9CD245, #98C058 and #94AD6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5F820 shade: #F8D720, #DEF820, #A5F820, #6BF820 and #32F820

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5F820 shade: #78C005, #91E807, #A5F820, #B5F948 and #C5FA70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5F820 shade: #A5F820, #20F89E and #F420F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5F820 shade: #A5F820, #20A5F8 and #F820A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5F820 shade: #A5F820, #20F89E, #7320F8 and #F8207A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5F820 shade: #A5F820, #20F8DE, #7320F8 and #F82039

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 87 / 3

HEX #A5F820

RGB 165 248 32

HSL 83.06, 0.94%, 0.55%

LAB 89.5, -52.9, 82.7

 

Complementary color

CMYK 60 / 97 / 0 / 13

HEX #5A07DF

RGB 90 7 223

HSL 263.06, 0.94%, 0.45%

LAB 33.25, 72.77, -88

 

CMYK 31 / 0 / 89 / 3

HEX #AAF81B

RGB 170 248 27

HSL 81.18, 0.94%, 0.54%

LAB 89.75, -51.26, 83.82

 

CMYK 27 / 0 / 82 / 0

HEX #BBFF2E

RGB 187 255 46

HSL 79.52, 1%, 0.59%

LAB 92.7, -47.51, 83.04

 

CMYK 20 / 0 / 75 / 0

HEX #CCFF41

RGB 204 255 65

HSL 76.11, 1%, 0.63%

LAB 93.77, -40.41, 79.27

 

CMYK 13 / 0 / 67 / 0

HEX #DDFF54

RGB 221 255 84

HSL 71.93, 1%, 0.66%

LAB 94.96, -32.91, 74.42

 

CMYK 7 / 0 / 60 / 0

HEX #EEFF67

RGB 238 255 103

HSL 66.71, 1%, 0.7%

LAB 96.28, -25.08, 68.77

 

CMYK 33 / 0 / 87 / 3

HEX #A5F820

RGB 165 248 32

HSL 83.06, 0.94%, 0.55%

LAB 89.5, -52.9, 82.7

 

CMYK 36 / 0 / 94 / 10

HEX #94E60D

RGB 148 230 13

HSL 82.67, 0.89%, 0.48%

LAB 83.4, -51.94, 80

 

CMYK 38 / 0 / 100 / 17

HEX #83D400

RGB 131 212 0

HSL 82.92, 1%, 0.42%

LAB 77.23, -50.77, 75.99

 

CMYK 41 / 0 / 100 / 24

HEX #72C200

RGB 114 194 0

HSL 84.74, 1%, 0.38%

LAB 70.98, -49.39, 70.79

 

CMYK 45 / 0 / 100 / 31

HEX #61B000

RGB 97 176 0

HSL 86.93, 1%, 0.35%

LAB 64.64, -47.94, 65.52

 

CMYK 33 / 0 / 87 / 3

HEX #A5F820

RGB 165 248 32

HSL 83.06, 0.94%, 0.55%

LAB 89.5, -52.9, 82.7

 

CMYK 10 / 0 / 87 / 3

HEX #DFF820

RGB 223 248 32

HSL 66.94, 0.94%, 0.55%

LAB 92.98, -30.92, 86.99

 

CMYK 0 / 14 / 87 / 3

HEX #F8D620

RGB 248 214 32

HSL 50.56, 0.94%, 0.55%

LAB 86.08, -4.02, 82.3

 

CMYK 0 / 37 / 87 / 3

HEX #F89C20

RGB 248 156 32

HSL 34.44, 0.94%, 0.55%

LAB 72.12, 26.1, 71.25

 

CMYK 0 / 60 / 87 / 3

HEX #F86220

RGB 248 98 32

HSL 18.33, 0.94%, 0.55%

LAB 60.6, 54.67, 62.21

 

CMYK 33 / 0 / 87 / 3

HEX #A5F820

RGB 165 248 32

HSL 83.06, 0.94%, 0.55%

LAB 89.5, -52.9, 82.7

 

CMYK 57 / 0 / 87 / 3

HEX #6BF820

RGB 107 248 32

HSL 99.17, 0.94%, 0.55%

LAB 87.18, -70.37, 79.8

 

CMYK 81 / 0 / 87 / 3

HEX #30F820

RGB 48 248 32

HSL 115.56, 0.94%, 0.55%

LAB 85.94, -80.85, 78.25

 

CMYK 87 / 0 / 70 / 3

HEX #20F84A

RGB 32 248 74

HSL 131.67, 0.94%, 0.55%

LAB 85.97, -79.81, 66.61

 

CMYK 87 / 0 / 47 / 3

HEX #20F884

RGB 32 248 132

HSL 147.78, 0.94%, 0.55%

LAB 86.56, -72.66, 42.28

 

CMYK 33 / 0 / 87 / 3

HEX #A5F820

RGB 165 248 32

HSL 83.06, 0.94%, 0.55%

LAB 89.5, -52.9, 82.7

 

CMYK 33 / 0 / 87 / 3

HEX #A5F820

RGB 165 248 32

HSL 83.06, 0.94%, 0.55%

LAB 89.5, -52.9, 82.7

 

CMYK 30 / 0 / 78 / 10

HEX #A0E532

RGB 160 229 50

HSL 83.13, 0.77%, 0.55%

LAB 83.83, -46.2, 73.52

 

CMYK 26 / 0 / 67 / 18

HEX #9CD245

RGB 156 210 69

HSL 82.98, 0.61%, 0.55%

LAB 78.22, -38.34, 61.55

 

CMYK 21 / 0 / 54 / 25

HEX #98C058

RGB 152 192 88

HSL 83.08, 0.45%, 0.55%

LAB 72.94, -29.98, 47.45

 

CMYK 14 / 0 / 39 / 32

HEX #94AD6A

RGB 148 173 106

HSL 82.39, 0.29%, 0.55%

LAB 67.44, -20.16, 31.62

 

CMYK 0 / 13 / 87 / 3

HEX #F8D720

RGB 248 215 32

HSL 50.83, 0.94%, 0.55%

LAB 86.34, -4.53, 82.5

 

CMYK 10 / 0 / 87 / 3

HEX #DEF820

RGB 222 248 32

HSL 67.22, 0.94%, 0.55%

LAB 92.91, -31.32, 86.9

 

CMYK 33 / 0 / 87 / 3

HEX #A5F820

RGB 165 248 32

HSL 83.06, 0.94%, 0.55%

LAB 89.5, -52.9, 82.7

 

CMYK 57 / 0 / 87 / 3

HEX #6BF820

RGB 107 248 32

HSL 99.17, 0.94%, 0.55%

LAB 87.18, -70.37, 79.8

 

CMYK 80 / 0 / 87 / 3

HEX #32F820

RGB 50 248 32

HSL 115, 0.94%, 0.55%

LAB 85.97, -80.63, 78.28

 

CMYK 38 / 0 / 97 / 25

HEX #78C005

RGB 120 192 5

HSL 83.1, 0.95%, 0.39%

LAB 70.67, -46.41, 70.11

 

CMYK 38 / 0 / 97 / 9

HEX #91E807

RGB 145 232 7

HSL 83.2, 0.94%, 0.47%

LAB 83.83, -53.85, 80.8

 

CMYK 33 / 0 / 87 / 3

HEX #A5F820

RGB 165 248 32

HSL 83.06, 0.94%, 0.55%

LAB 89.5, -52.9, 82.7

 

CMYK 27 / 0 / 71 / 2

HEX #B5F948

RGB 181 249 72

HSL 83.05, 0.94%, 0.63%

LAB 90.8, -45.97, 73.68

 

CMYK 21 / 0 / 55 / 2

HEX #C5FA70

RGB 197 250 112

HSL 83.04, 0.93%, 0.71%

LAB 92.31, -37.63, 59.76

 

CMYK 33 / 0 / 87 / 3

HEX #A5F820

RGB 165 248 32

HSL 83.06, 0.94%, 0.55%

LAB 89.5, -52.9, 82.7

 

CMYK 87 / 0 / 36 / 3

HEX #20F89E

RGB 32 248 158

HSL 155, 0.94%, 0.55%

LAB 86.95, -68.03, 29.96

 

CMYK 2 / 87 / 0 / 3

HEX #F420F8

RGB 244 32 248

HSL 298.89, 0.94%, 0.55%

LAB 59.01, 92.73, -59.15

 

CMYK 33 / 0 / 87 / 3

HEX #A5F820

RGB 165 248 32

HSL 83.06, 0.94%, 0.55%

LAB 89.5, -52.9, 82.7

 

CMYK 87 / 33 / 0 / 3

HEX #20A5F8

RGB 32 165 248

HSL 203.06, 0.94%, 0.55%

LAB 64.96, -4.81, -50.68

 

CMYK 0 / 87 / 33 / 3

HEX #F820A5

RGB 248 32 165

HSL 323.06, 0.94%, 0.55%

LAB 55.79, 83.17, -16.72

 

CMYK 33 / 0 / 87 / 3

HEX #A5F820

RGB 165 248 32

HSL 83.06, 0.94%, 0.55%

LAB 89.5, -52.9, 82.7

 

CMYK 87 / 0 / 36 / 3

HEX #20F89E

RGB 32 248 158

HSL 155, 0.94%, 0.55%

LAB 86.95, -68.03, 29.96

 

CMYK 54 / 87 / 0 / 3

HEX #7320F8

RGB 115 32 248

HSL 263.06, 0.94%, 0.55%

LAB 40.34, 75.51, -90.37

 

CMYK 0 / 87 / 51 / 3

HEX #F8207A

RGB 248 32 122

HSL 335, 0.94%, 0.55%

LAB 54.44, 79.43, 6.86

 

CMYK 33 / 0 / 87 / 3

HEX #A5F820

RGB 165 248 32

HSL 83.06, 0.94%, 0.55%

LAB 89.5, -52.9, 82.7

 

CMYK 87 / 0 / 10 / 3

HEX #20F8DE

RGB 32 248 222

HSL 172.78, 0.94%, 0.55%

LAB 88.31, -53.26, -1.11

 

CMYK 54 / 87 / 0 / 3

HEX #7320F8

RGB 115 32 248

HSL 263.06, 0.94%, 0.55%

LAB 40.34, 75.51, -90.37

 

CMYK 0 / 87 / 77 / 3

HEX #F82039

RGB 248 32 57

HSL 353.06, 0.94%, 0.55%

LAB 53.26, 76.06, 43.85

 

Description

Color code: HEX #A5F820 | qconv.com Color code: HEX #A5F820 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 248 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 248 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 87 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 87% 3% C M Y K

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Provide designers and agencies with accurate color values.

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