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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5DAF3 it is the complementary color #5A250C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5DAF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5DAF3 shade: #AADAEE, #BBECFF, #CCFEFF, #DDFFFF and #EEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5DAF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5DAF3 shade: #A5DAF3, #94C8E0, #83B6CD, #72A4BA and #6192A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5DAF3 shade: #A5D9F2, #A5C5F2, #A5B0F2, #AFA5F2 and #C4A5F2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5DAF3 shade: #A5D9F2, #A5C5F2, #A5B0F2 and #A5A5F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5DAF3 shade matches the following richer shades: #A5D9F2 and #9CDCFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5DAF3 shade: #A5D9F2, #ADD6EA, #B5D3E2, #BDD1DA and #C6CED1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5DAF3 shade: #A5F2E1, #A5EEF2, #A5DAF2, #A5C5F2 and #A5B0F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5DAF3 shade: #5CBBE8, #80CAED, #A5D9F2, #C9E8F7 and #EDF7FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5DAF3 shade: #A5DAF3, #CDA5F2 and #F2ECA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5DAF3 shade: #A5DAF3, #F2A5DA and #DAF2A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5DAF3 shade: #A5DAF3, #CDA5F2, #F2BDA5 and #CAF2A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5DAF3 shade: #A5DAF3, #E4A5F2, #F2BDA5 and #B3F2A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 10 / 0 / 5

HEX #A5DAF3

RGB 165 218 243

HSL 199.23, 0.76%, 0.8%

LAB 84.28, -11.19, -17.72

 

Complementary color

CMYK 0 / 59 / 87 / 65

HEX #5A250C

RGB 90 37 12

HSL 19.23, 0.76%, 0.2%

LAB 22.03, 22.73, 27.01

 

CMYK 29 / 8 / 0 / 7

HEX #AADAEE

RGB 170 218 238

HSL 197.65, 0.67%, 0.8%

LAB 84.41, -10.96, -14.85

 

CMYK 27 / 7 / 0 / 0

HEX #BBECFF

RGB 187 236 255

HSL 196.76, 1%, 0.87%

LAB 90.68, -11.45, -14.3

 

CMYK 20 / 0 / 0 / 0

HEX #CCFEFF

RGB 204 254 255

HSL 181.18, 1%, 0.9%

LAB 96.39, -15.52, -5.71

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 32 / 10 / 0 / 5

HEX #A5DAF3

RGB 165 218 243

HSL 199.23, 0.76%, 0.8%

LAB 84.28, -11.19, -17.72

 

CMYK 34 / 11 / 0 / 12

HEX #94C8E0

RGB 148 200 224

HSL 198.95, 0.55%, 0.73%

LAB 77.87, -11.12, -17.35

 

CMYK 36 / 11 / 0 / 20

HEX #83B6CD

RGB 131 182 205

HSL 198.65, 0.43%, 0.66%

LAB 71.34, -11.04, -16.98

 

CMYK 39 / 12 / 0 / 27

HEX #72A4BA

RGB 114 164 186

HSL 198.33, 0.34%, 0.59%

LAB 64.7, -10.95, -16.61

 

CMYK 42 / 13 / 0 / 35

HEX #6192A7

RGB 97 146 167

HSL 198, 0.28%, 0.52%

LAB 57.93, -10.82, -16.23

 

CMYK 32 / 10 / 0 / 5

HEX #A5D9F2

RGB 165 217 242

HSL 199.48, 0.75%, 0.8%

LAB 83.98, -10.91, -17.64

 

CMYK 32 / 19 / 0 / 5

HEX #A5C5F2

RGB 165 197 242

HSL 215.06, 0.75%, 0.8%

LAB 78.66, -0.37, -25.72

 

CMYK 32 / 27 / 0 / 5

HEX #A5B0F2

RGB 165 176 242

HSL 231.43, 0.75%, 0.8%

LAB 73.19, 11.12, -34.12

 

CMYK 28 / 32 / 0 / 5

HEX #AFA5F2

RGB 175 165 242

HSL 247.79, 0.75%, 0.8%

LAB 71.17, 20.11, -37.2

 

CMYK 19 / 32 / 0 / 5

HEX #C4A5F2

RGB 196 165 242

HSL 264.16, 0.75%, 0.8%

LAB 72.93, 26.27, -34.33

 

CMYK 32 / 10 / 0 / 5

HEX #A5D9F2

RGB 165 217 242

HSL 199.48, 0.75%, 0.8%

LAB 83.98, -10.91, -17.64

 

CMYK 32 / 19 / 0 / 5

HEX #A5C5F2

RGB 165 197 242

HSL 215.06, 0.75%, 0.8%

LAB 78.66, -0.37, -25.72

 

CMYK 32 / 27 / 0 / 5

HEX #A5B0F2

RGB 165 176 242

HSL 231.43, 0.75%, 0.8%

LAB 73.19, 11.12, -34.12

 

CMYK 32 / 32 / 0 / 5

HEX #A5A5F2

RGB 165 165 242

HSL 240, 0.75%, 0.8%

LAB 70.4, 17.28, -38.46

 

CMYK 32 / 10 / 0 / 5

HEX #A5D9F2

RGB 165 217 242

HSL 199.48, 0.75%, 0.8%

LAB 83.98, -10.91, -17.64

 

CMYK 38 / 12 / 0 / 2

HEX #9CDCFB

RGB 156 220 251

HSL 199.58, 0.92%, 0.8%

LAB 84.6, -12.66, -21.52

 

CMYK 32 / 10 / 0 / 5

HEX #A5D9F2

RGB 165 217 242

HSL 199.48, 0.75%, 0.8%

LAB 83.98, -10.91, -17.64

 

CMYK 26 / 9 / 0 / 8

HEX #ADD6EA

RGB 173 214 234

HSL 199.67, 0.59%, 0.8%

LAB 83.4, -8.95, -14.23

 

CMYK 20 / 7 / 0 / 11

HEX #B5D3E2

RGB 181 211 226

HSL 200, 0.44%, 0.8%

LAB 82.86, -6.77, -10.73

 

CMYK 13 / 4 / 0 / 15

HEX #BDD1DA

RGB 189 209 218

HSL 198.62, 0.28%, 0.8%

LAB 82.64, -4.89, -6.74

 

CMYK 5 / 1 / 0 / 18

HEX #C6CED1

RGB 198 206 209

HSL 196.36, 0.11%, 0.8%

LAB 82.25, -2.15, -2.44

 

CMYK 32 / 0 / 7 / 5

HEX #A5F2E1

RGB 165 242 225

HSL 166.75, 0.75%, 0.8%

LAB 90.29, -27.21, 0.66

 

CMYK 32 / 2 / 0 / 5

HEX #A5EEF2

RGB 165 238 242

HSL 183.12, 0.75%, 0.8%

LAB 89.65, -21.5, -9.16

 

CMYK 32 / 10 / 0 / 5

HEX #A5DAF2

RGB 165 218 242

HSL 198.7, 0.75%, 0.8%

LAB 84.25, -11.43, -17.24

 

CMYK 32 / 19 / 0 / 5

HEX #A5C5F2

RGB 165 197 242

HSL 215.06, 0.75%, 0.8%

LAB 78.66, -0.37, -25.72

 

CMYK 32 / 27 / 0 / 5

HEX #A5B0F2

RGB 165 176 242

HSL 231.43, 0.75%, 0.8%

LAB 73.19, 11.12, -34.12

 

CMYK 60 / 19 / 0 / 9

HEX #5CBBE8

RGB 92 187 232

HSL 199.29, 0.75%, 0.64%

LAB 71.99, -15, -30.87

 

CMYK 46 / 15 / 0 / 7

HEX #80CAED

RGB 128 202 237

HSL 199.27, 0.75%, 0.72%

LAB 77.84, -13.91, -24.47

 

CMYK 32 / 10 / 0 / 5

HEX #A5D9F2

RGB 165 217 242

HSL 199.48, 0.75%, 0.8%

LAB 83.98, -10.91, -17.64

 

CMYK 19 / 6 / 0 / 3

HEX #C9E8F7

RGB 201 232 247

HSL 199.57, 0.74%, 0.88%

LAB 90.25, -7.02, -10.66

 

CMYK 6 / 2 / 0 / 1

HEX #EDF7FC

RGB 237 247 252

HSL 200, 0.71%, 0.96%

LAB 96.64, -2.36, -3.55

 

CMYK 32 / 10 / 0 / 5

HEX #A5DAF3

RGB 165 218 243

HSL 199.23, 0.76%, 0.8%

LAB 84.28, -11.19, -17.72

 

CMYK 15 / 32 / 0 / 5

HEX #CDA5F2

RGB 205 165 242

HSL 271.17, 0.75%, 0.8%

LAB 73.74, 28.98, -33.02

 

CMYK 0 / 2 / 32 / 5

HEX #F2ECA5

RGB 242 236 165

HSL 55.32, 0.75%, 0.8%

LAB 92.39, -8.46, 35.22

 

CMYK 32 / 10 / 0 / 5

HEX #A5DAF3

RGB 165 218 243

HSL 199.23, 0.76%, 0.8%

LAB 84.28, -11.19, -17.72

 

CMYK 0 / 32 / 10 / 5

HEX #F2A5DA

RGB 242 165 218

HSL 318.7, 0.75%, 0.8%

LAB 76.59, 36.24, -15.28

 

CMYK 10 / 0 / 32 / 5

HEX #DAF2A5

RGB 218 242 165

HSL 78.7, 0.75%, 0.8%

LAB 92.19, -20.33, 34.63

 

CMYK 32 / 10 / 0 / 5

HEX #A5DAF3

RGB 165 218 243

HSL 199.23, 0.76%, 0.8%

LAB 84.28, -11.19, -17.72

 

CMYK 15 / 32 / 0 / 5

HEX #CDA5F2

RGB 205 165 242

HSL 271.17, 0.75%, 0.8%

LAB 73.74, 28.98, -33.02

 

CMYK 0 / 22 / 32 / 5

HEX #F2BDA5

RGB 242 189 165

HSL 18.7, 0.75%, 0.8%

LAB 80.73, 15.76, 19.43

 

CMYK 17 / 0 / 32 / 5

HEX #CAF2A5

RGB 202 242 165

HSL 91.17, 0.75%, 0.8%

LAB 91.13, -26.06, 33.04

 

CMYK 32 / 10 / 0 / 5

HEX #A5DAF3

RGB 165 218 243

HSL 199.23, 0.76%, 0.8%

LAB 84.28, -11.19, -17.72

 

CMYK 6 / 32 / 0 / 5

HEX #E4A5F2

RGB 228 165 242

HSL 289.09, 0.75%, 0.8%

LAB 75.96, 36.05, -29.42

 

CMYK 0 / 22 / 32 / 5

HEX #F2BDA5

RGB 242 189 165

HSL 18.7, 0.75%, 0.8%

LAB 80.73, 15.76, 19.43

 

CMYK 26 / 0 / 32 / 5

HEX #B3F2A5

RGB 179 242 165

HSL 109.09, 0.75%, 0.8%

LAB 89.77, -33.92, 30.98

 

Description

Color code: HEX #A5DAF3 | qconv.com Color code: HEX #A5DAF3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 218 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 218 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 10 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 10% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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