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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5CC1E it is the complementary color #5A33E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5CC1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5CC1E shade: #AACC19, #BBDE2C, #CCF03F, #DDFF52 and #EEFF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5CC1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5CC1E shade: #A5CC1E, #94BA0B, #83A800, #729600 and #618400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5CC1E shade: #A5CC1E, #CCC41E, #CC951E, #CC661E and #CC371E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5CC1E shade: #A5CC1E, #76CC1E, #47CC1E, #1ECC24 and #1ECC53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5CC1E shade matches the following richer shades: #A5CC1E and #AFDF0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5CC1E shade: #A5CC1E, #9AB931, #90A644, #859357 and #7B806A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5CC1E shade: #CC951E, #CCC31E, #A6CC1E, #78CC1E and #49CC1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5CC1E shade: #6B8413, #88A819, #A5CC1E, #B9E033 and #C5E557

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5CC1E shade: #A5CC1E, #1ECC66 and #AC1ECC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5CC1E shade: #A5CC1E, #1EA6CC and #CC1EA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5CC1E shade: #A5CC1E, #1ECC66, #441ECC and #CC1E83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5CC1E shade: #A5CC1E, #1ECC9A, #441ECC and #CC1E4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 85 / 20

HEX #A5CC1E

RGB 165 204 30

HSL 73.45, 0.74%, 0.46%

LAB 76.85, -33.99, 72.45

 

Complementary color

CMYK 60 / 77 / 0 / 12

HEX #5A33E1

RGB 90 51 225

HSL 253.45, 0.74%, 0.54%

LAB 37.8, 60.4, -81.61

 

CMYK 17 / 0 / 88 / 20

HEX #AACC19

RGB 170 204 25

HSL 71.4, 0.78%, 0.45%

LAB 77.16, -32.1, 73.84

 

CMYK 16 / 0 / 80 / 13

HEX #BBDE2C

RGB 187 222 44

HSL 71.8, 0.73%, 0.52%

LAB 83.44, -33.02, 75.39

 

CMYK 15 / 0 / 74 / 6

HEX #CCF03F

RGB 204 240 63

HSL 72.2, 0.86%, 0.59%

LAB 89.63, -33.77, 75.98

 

CMYK 13 / 0 / 68 / 0

HEX #DDFF52

RGB 221 255 82

HSL 71.79, 1%, 0.66%

LAB 94.95, -33.02, 75.13

 

CMYK 7 / 0 / 60 / 0

HEX #EEFF65

RGB 238 255 101

HSL 66.62, 1%, 0.7%

LAB 96.26, -25.22, 69.57

 

CMYK 19 / 0 / 85 / 20

HEX #A5CC1E

RGB 165 204 30

HSL 73.45, 0.74%, 0.46%

LAB 76.85, -33.99, 72.45

 

CMYK 20 / 0 / 94 / 27

HEX #94BA0B

RGB 148 186 11

HSL 73.03, 0.89%, 0.39%

LAB 70.48, -32.97, 69.98

 

CMYK 22 / 0 / 100 / 34

HEX #83A800

RGB 131 168 0

HSL 73.21, 1%, 0.33%

LAB 64.02, -31.72, 65.85

 

CMYK 24 / 0 / 100 / 41

HEX #729600

RGB 114 150 0

HSL 74.4, 1%, 0.29%

LAB 57.45, -30.3, 60.38

 

CMYK 27 / 0 / 100 / 48

HEX #618400

RGB 97 132 0

HSL 75.91, 1%, 0.26%

LAB 50.74, -28.86, 54.79

 

CMYK 19 / 0 / 85 / 20

HEX #A5CC1E

RGB 165 204 30

HSL 73.45, 0.74%, 0.46%

LAB 76.85, -33.99, 72.45

 

CMYK 0 / 4 / 85 / 20

HEX #CCC41E

RGB 204 196 30

HSL 57.24, 0.74%, 0.46%

LAB 77.53, -13.79, 74.2

 

CMYK 0 / 27 / 85 / 20

HEX #CC951E

RGB 204 149 30

HSL 41.03, 0.74%, 0.46%

LAB 65.3, 10.95, 64.14

 

CMYK 0 / 50 / 85 / 20

HEX #CC661E

RGB 204 102 30

HSL 24.83, 0.74%, 0.46%

LAB 54.48, 36.19, 55.13

 

CMYK 0 / 73 / 85 / 20

HEX #CC371E

RGB 204 55 30

HSL 8.62, 0.74%, 0.46%

LAB 46.53, 57.13, 48.39

 

CMYK 19 / 0 / 85 / 20

HEX #A5CC1E

RGB 165 204 30

HSL 73.45, 0.74%, 0.46%

LAB 76.85, -33.99, 72.45

 

CMYK 42 / 0 / 85 / 20

HEX #76CC1E

RGB 118 204 30

HSL 89.66, 0.74%, 0.46%

LAB 74.27, -51.35, 69.23

 

CMYK 65 / 0 / 85 / 20

HEX #47CC1E

RGB 71 204 30

HSL 105.86, 0.74%, 0.46%

LAB 72.64, -64.18, 67.17

 

CMYK 85 / 0 / 82 / 20

HEX #1ECC24

RGB 30 204 36

HSL 122.07, 0.74%, 0.46%

LAB 71.95, -70.05, 64.85

 

CMYK 85 / 0 / 59 / 20

HEX #1ECC53

RGB 30 204 83

HSL 138.28, 0.74%, 0.46%

LAB 72.29, -65.88, 47.91

 

CMYK 19 / 0 / 85 / 20

HEX #A5CC1E

RGB 165 204 30

HSL 73.45, 0.74%, 0.46%

LAB 76.85, -33.99, 72.45

 

CMYK 22 / 0 / 95 / 13

HEX #AFDF0B

RGB 175 223 11

HSL 73.58, 0.91%, 0.46%

LAB 82.87, -38.99, 80.4

 

CMYK 19 / 0 / 85 / 20

HEX #A5CC1E

RGB 165 204 30

HSL 73.45, 0.74%, 0.46%

LAB 76.85, -33.99, 72.45

 

CMYK 17 / 0 / 74 / 27

HEX #9AB931

RGB 154 185 49

HSL 73.68, 0.58%, 0.46%

LAB 70.73, -28.8, 61.37

 

CMYK 13 / 0 / 59 / 35

HEX #90A644

RGB 144 166 68

HSL 73.47, 0.42%, 0.46%

LAB 64.66, -22.34, 47.13

 

CMYK 10 / 0 / 41 / 42

HEX #859357

RGB 133 147 87

HSL 74, 0.26%, 0.46%

LAB 58.55, -15.14, 30.08

 

CMYK 4 / 0 / 17 / 50

HEX #7B806A

RGB 123 128 106

HSL 73.64, 0.09%, 0.46%

LAB 52.61, -6.02, 11.33

 

CMYK 0 / 27 / 85 / 20

HEX #CC951E

RGB 204 149 30

HSL 41.03, 0.74%, 0.46%

LAB 65.3, 10.95, 64.14

 

CMYK 0 / 4 / 85 / 20

HEX #CCC31E

RGB 204 195 30

HSL 56.9, 0.74%, 0.46%

LAB 77.26, -13.28, 73.98

 

CMYK 19 / 0 / 85 / 20

HEX #A6CC1E

RGB 166 204 30

HSL 73.1, 0.74%, 0.46%

LAB 76.91, -33.59, 72.54

 

CMYK 41 / 0 / 85 / 20

HEX #78CC1E

RGB 120 204 30

HSL 88.97, 0.74%, 0.46%

LAB 74.36, -50.69, 69.35

 

CMYK 64 / 0 / 85 / 20

HEX #49CC1E

RGB 73 204 30

HSL 105.17, 0.74%, 0.46%

LAB 72.69, -63.76, 67.24

 

CMYK 19 / 0 / 86 / 48

HEX #6B8413

RGB 107 132 19

HSL 73.27, 0.75%, 0.3%

LAB 51.47, -24.06, 51.82

 

CMYK 19 / 0 / 85 / 34

HEX #88A819

RGB 136 168 25

HSL 73.43, 0.74%, 0.38%

LAB 64.41, -29.12, 62.25

 

CMYK 19 / 0 / 85 / 20

HEX #A5CC1E

RGB 165 204 30

HSL 73.45, 0.74%, 0.46%

LAB 76.85, -33.99, 72.45

 

CMYK 17 / 0 / 77 / 12

HEX #B9E033

RGB 185 224 51

HSL 73.53, 0.74%, 0.54%

LAB 83.9, -34.47, 73.83

 

CMYK 14 / 0 / 62 / 10

HEX #C5E557

RGB 197 229 87

HSL 73.52, 0.73%, 0.62%

LAB 86.3, -30.03, 63.7

 

CMYK 19 / 0 / 85 / 20

HEX #A5CC1E

RGB 165 204 30

HSL 73.45, 0.74%, 0.46%

LAB 76.85, -33.99, 72.45

 

CMYK 85 / 0 / 50 / 20

HEX #1ECC66

RGB 30 204 102

HSL 144.83, 0.74%, 0.46%

LAB 72.51, -63.18, 39.19

 

CMYK 16 / 85 / 0 / 20

HEX #AC1ECC

RGB 172 30 204

HSL 288.97, 0.74%, 0.46%

LAB 44.32, 74.19, -58.45

 

CMYK 19 / 0 / 85 / 20

HEX #A5CC1E

RGB 165 204 30

HSL 73.45, 0.74%, 0.46%

LAB 76.85, -33.99, 72.45

 

CMYK 85 / 19 / 0 / 20

HEX #1EA6CC

RGB 30 166 204

HSL 193.1, 0.74%, 0.46%

LAB 63.27, -21.01, -29.07

 

CMYK 0 / 85 / 19 / 20

HEX #CC1EA6

RGB 204 30 166

HSL 313.1, 0.74%, 0.46%

LAB 47.65, 74.39, -30.53

 

CMYK 19 / 0 / 85 / 20

HEX #A5CC1E

RGB 165 204 30

HSL 73.45, 0.74%, 0.46%

LAB 76.85, -33.99, 72.45

 

CMYK 85 / 0 / 50 / 20

HEX #1ECC66

RGB 30 204 102

HSL 144.83, 0.74%, 0.46%

LAB 72.51, -63.18, 39.19

 

CMYK 67 / 85 / 0 / 20

HEX #441ECC

RGB 68 30 204

HSL 253.1, 0.74%, 0.46%

LAB 30.68, 61.25, -81.32

 

CMYK 0 / 85 / 36 / 20

HEX #CC1E83

RGB 204 30 131

HSL 325.17, 0.74%, 0.46%

LAB 46.18, 70.36, -11.71

 

CMYK 19 / 0 / 85 / 20

HEX #A5CC1E

RGB 165 204 30

HSL 73.45, 0.74%, 0.46%

LAB 76.85, -33.99, 72.45

 

CMYK 85 / 0 / 25 / 20

HEX #1ECC9A

RGB 30 204 154

HSL 162.76, 0.74%, 0.46%

LAB 73.41, -52.86, 13.42

 

CMYK 67 / 85 / 0 / 20

HEX #441ECC

RGB 68 30 204

HSL 253.1, 0.74%, 0.46%

LAB 30.68, 61.25, -81.32

 

CMYK 0 / 85 / 61 / 20

HEX #CC1E4F

RGB 204 30 79

HSL 343.1, 0.74%, 0.46%

LAB 44.7, 66.13, 18.35

 

Description

Color code: HEX #A5CC1E | qconv.com Color code: HEX #A5CC1E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 204 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 204 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 85 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 85% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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