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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5C1ED it is the complementary color #5A3E12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5C1ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5C1ED shade: #AAC1E8, #BBD3FB, #CCE5FF, #DDF7FF and #EEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5C1ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5C1ED shade: #A5C1ED, #94AFDA, #839DC7, #728BB4 and #6179A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5C1ED shade: #A5C1ED, #A5AEED, #B0A5ED, #C3A5ED and #D7A5ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5C1ED shade: #A5C1ED, #A5AEED and #A5A5ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5C1ED shade matches the following richer shades: #A5C1ED, #9CBFF5 and #94BDFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5C1ED shade: #A5C1ED, #AEC3E4, #B6C5DB, #BFC7D3 and #C8C9CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5C1ED shade: #A5E8ED, #A5D5ED, #A5C2ED, #A5AFED and #AFA5ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5C1ED shade: #6092DF, #83A9E6, #A5C1ED, #C8D9F4 and #EAF0FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5C1ED shade: #A5C1ED, #DEA5ED and #DEEDA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5C1ED shade: #A5C1ED, #EDA5C2 and #C2EDA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5C1ED shade: #A5C1ED, #DEA5ED, #EDD0A5 and #B3EDA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5C1ED shade: #A5C1ED, #EDA5E6, #EDD0A5 and #A5EDAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 19 / 0 / 7

HEX #A5C1ED

RGB 165 193 237

HSL 216.67, 0.67%, 0.79%

LAB 77.43, 0.56, -24.91

 

Complementary color

CMYK 0 / 31 / 80 / 65

HEX #5A3E12

RGB 90 62 18

HSL 36.67, 0.67%, 0.21%

LAB 28.54, 7.62, 30.55

 

CMYK 27 / 17 / 0 / 9

HEX #AAC1E8

RGB 170 193 232

HSL 217.74, 0.57%, 0.79%

LAB 77.59, 0.81, -21.95

 

CMYK 25 / 16 / 0 / 2

HEX #BBD3FB

RGB 187 211 251

HSL 217.5, 0.89%, 0.86%

LAB 84.03, 0.61, -22.22

 

CMYK 20 / 10 / 0 / 0

HEX #CCE5FF

RGB 204 229 255

HSL 210.59, 1%, 0.9%

LAB 89.9, -2.87, -15.35

 

CMYK 13 / 3 / 0 / 0

HEX #DDF7FF

RGB 221 247 255

HSL 194.12, 1%, 0.93%

LAB 95.63, -6.86, -6.71

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 30 / 19 / 0 / 7

HEX #A5C1ED

RGB 165 193 237

HSL 216.67, 0.67%, 0.79%

LAB 77.43, 0.56, -24.91

 

CMYK 32 / 20 / 0 / 15

HEX #94AFDA

RGB 148 175 218

HSL 216.86, 0.49%, 0.72%

LAB 70.88, 0.81, -24.7

 

CMYK 34 / 21 / 0 / 22

HEX #839DC7

RGB 131 157 199

HSL 217.06, 0.38%, 0.65%

LAB 64.21, 1.1, -24.52

 

CMYK 37 / 23 / 0 / 29

HEX #728BB4

RGB 114 139 180

HSL 217.27, 0.31%, 0.58%

LAB 57.4, 1.43, -24.36

 

CMYK 40 / 25 / 0 / 37

HEX #6179A1

RGB 97 121 161

HSL 217.5, 0.25%, 0.51%

LAB 50.44, 1.81, -24.24

 

CMYK 30 / 19 / 0 / 7

HEX #A5C1ED

RGB 165 193 237

HSL 216.67, 0.67%, 0.79%

LAB 77.43, 0.56, -24.91

 

CMYK 30 / 27 / 0 / 7

HEX #A5AEED

RGB 165 174 237

HSL 232.5, 0.67%, 0.79%

LAB 72.49, 10.99, -32.5

 

CMYK 26 / 30 / 0 / 7

HEX #B0A5ED

RGB 176 165 237

HSL 249.17, 0.67%, 0.79%

LAB 71.05, 19.19, -34.66

 

CMYK 18 / 30 / 0 / 7

HEX #C3A5ED

RGB 195 165 237

HSL 265, 0.67%, 0.79%

LAB 72.65, 24.86, -32.06

 

CMYK 9 / 30 / 0 / 7

HEX #D7A5ED

RGB 215 165 237

HSL 281.67, 0.67%, 0.79%

LAB 74.49, 31.02, -29.06

 

CMYK 30 / 19 / 0 / 7

HEX #A5C1ED

RGB 165 193 237

HSL 216.67, 0.67%, 0.79%

LAB 77.43, 0.56, -24.91

 

CMYK 30 / 27 / 0 / 7

HEX #A5AEED

RGB 165 174 237

HSL 232.5, 0.67%, 0.79%

LAB 72.49, 10.99, -32.5

 

CMYK 30 / 30 / 0 / 7

HEX #A5A5ED

RGB 165 165 237

HSL 240, 0.67%, 0.79%

LAB 70.19, 16.02, -36.06

 

CMYK 30 / 19 / 0 / 7

HEX #A5C1ED

RGB 165 193 237

HSL 216.67, 0.67%, 0.79%

LAB 77.43, 0.56, -24.91

 

CMYK 36 / 22 / 0 / 4

HEX #9CBFF5

RGB 156 191 245

HSL 216.4, 0.82%, 0.79%

LAB 76.63, 1.16, -30.49

 

CMYK 42 / 26 / 0 / 0

HEX #94BDFE

RGB 148 189 254

HSL 216.79, 0.98%, 0.79%

LAB 75.98, 2.55, -36.37

 

CMYK 30 / 19 / 0 / 7

HEX #A5C1ED

RGB 165 193 237

HSL 216.67, 0.67%, 0.79%

LAB 77.43, 0.56, -24.91

 

CMYK 24 / 14 / 0 / 11

HEX #AEC3E4

RGB 174 195 228

HSL 216.67, 0.5%, 0.79%

LAB 78.25, 0, -18.77

 

CMYK 17 / 10 / 0 / 14

HEX #B6C5DB

RGB 182 197 219

HSL 215.68, 0.34%, 0.79%

LAB 79.04, -0.59, -12.69

 

CMYK 9 / 6 / 0 / 17

HEX #BFC7D3

RGB 191 199 211

HSL 216, 0.19%, 0.79%

LAB 79.97, -0.4, -6.93

 

CMYK 1 / 0 / 0 / 21

HEX #C8C9CA

RGB 200 201 202

HSL 210, 0.02%, 0.79%

LAB 80.91, -0.16, -0.63

 

CMYK 30 / 2 / 0 / 7

HEX #A5E8ED

RGB 165 232 237

HSL 184.17, 0.67%, 0.79%

LAB 87.89, -19.68, -9.17

 

CMYK 30 / 10 / 0 / 7

HEX #A5D5ED

RGB 165 213 237

HSL 200, 0.67%, 0.79%

LAB 82.75, -10.03, -16.84

 

CMYK 30 / 18 / 0 / 7

HEX #A5C2ED

RGB 165 194 237

HSL 215.83, 0.67%, 0.79%

LAB 77.7, 0.02, -24.51

 

CMYK 30 / 26 / 0 / 7

HEX #A5AFED

RGB 165 175 237

HSL 231.67, 0.67%, 0.79%

LAB 72.74, 10.43, -32.11

 

CMYK 26 / 30 / 0 / 7

HEX #AFA5ED

RGB 175 165 237

HSL 248.33, 0.67%, 0.79%

LAB 70.97, 18.9, -34.79

 

CMYK 57 / 35 / 0 / 13

HEX #6092DF

RGB 96 146 223

HSL 216.38, 0.66%, 0.63%

LAB 60.22, 5.81, -44.26

 

CMYK 43 / 27 / 0 / 10

HEX #83A9E6

RGB 131 169 230

HSL 216.97, 0.66%, 0.71%

LAB 68.69, 2.76, -34.74

 

CMYK 30 / 19 / 0 / 7

HEX #A5C1ED

RGB 165 193 237

HSL 216.67, 0.67%, 0.79%

LAB 77.43, 0.56, -24.91

 

CMYK 18 / 11 / 0 / 4

HEX #C8D9F4

RGB 200 217 244

HSL 216.82, 0.67%, 0.87%

LAB 86.22, -0.19, -15.11

 

CMYK 6 / 4 / 0 / 2

HEX #EAF0FA

RGB 234 240 250

HSL 217.5, 0.62%, 0.95%

LAB 94.62, -0.14, -5.51

 

CMYK 30 / 19 / 0 / 7

HEX #A5C1ED

RGB 165 193 237

HSL 216.67, 0.67%, 0.79%

LAB 77.43, 0.56, -24.91

 

CMYK 6 / 30 / 0 / 7

HEX #DEA5ED

RGB 222 165 237

HSL 287.5, 0.67%, 0.79%

LAB 75.17, 33.21, -27.96

 

CMYK 6 / 0 / 30 / 7

HEX #DEEDA5

RGB 222 237 165

HSL 72.5, 0.67%, 0.79%

LAB 91.15, -16.42, 33.3

 

CMYK 30 / 19 / 0 / 7

HEX #A5C1ED

RGB 165 193 237

HSL 216.67, 0.67%, 0.79%

LAB 77.43, 0.56, -24.91

 

CMYK 0 / 30 / 18 / 7

HEX #EDA5C2

RGB 237 165 194

HSL 335.83, 0.67%, 0.79%

LAB 75.33, 30.71, -4.09

 

CMYK 18 / 0 / 30 / 7

HEX #C2EDA5

RGB 194 237 165

HSL 95.83, 0.67%, 0.79%

LAB 89.28, -26.48, 30.47

 

CMYK 30 / 19 / 0 / 7

HEX #A5C1ED

RGB 165 193 237

HSL 216.67, 0.67%, 0.79%

LAB 77.43, 0.56, -24.91

 

CMYK 6 / 30 / 0 / 7

HEX #DEA5ED

RGB 222 165 237

HSL 287.5, 0.67%, 0.79%

LAB 75.17, 33.21, -27.96

 

CMYK 0 / 12 / 30 / 7

HEX #EDD0A5

RGB 237 208 165

HSL 35.83, 0.67%, 0.79%

LAB 84.91, 3.9, 25.1

 

CMYK 24 / 0 / 30 / 7

HEX #B3EDA5

RGB 179 237 165

HSL 108.33, 0.67%, 0.79%

LAB 88.39, -31.6, 29.12

 

CMYK 30 / 19 / 0 / 7

HEX #A5C1ED

RGB 165 193 237

HSL 216.67, 0.67%, 0.79%

LAB 77.43, 0.56, -24.91

 

CMYK 0 / 30 / 3 / 7

HEX #EDA5E6

RGB 237 165 230

HSL 305.83, 0.67%, 0.79%

LAB 76.45, 36.67, -22.07

 

CMYK 0 / 12 / 30 / 7

HEX #EDD0A5

RGB 237 208 165

HSL 35.83, 0.67%, 0.79%

LAB 84.91, 3.9, 25.1

 

CMYK 30 / 0 / 27 / 7

HEX #A5EDAC

RGB 165 237 172

HSL 125.83, 0.67%, 0.79%

LAB 87.75, -35.01, 24.54

 

Description

Color code: HEX #A5C1ED | qconv.com Color code: HEX #A5C1ED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 193 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 193 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 19 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 19% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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