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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5BD64 it is the complementary color #5A429B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5BD64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5BD64 shade: #AABD5F, #BBCF72, #CCE185, #DDF398 and #EEFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5BD64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5BD64 shade: #A5BD64, #94AB51, #83993E, #72872B and #617518

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5BD64 shade: #A5BD65, #BDBD65, #BDA565, #BD8D65 and #BD7665

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5BD64 shade: #A5BD65, #8DBD65, #76BD65, #65BD6C and #65BD84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5BD64 shade matches the following richer shades: #A5BD65, #ADCE53, #B5E042 and #BEF230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5BD64 shade: #A5BD65, #9DAB77, #959988, #8D879A and #8476AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5BD64 shade: #BDA565, #BDBD65, #A5BD65, #8EBD65 and #77BD65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5BD64 shade: #7B913E, #93AE4A, #A5BD65, #B6C982 and #C7D59F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5BD64 shade: #A5BD64, #65BD8E and #B165BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5BD64 shade: #A5BD64, #65A5BD and #BD65A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5BD64 shade: #A5BD64, #65BD8E, #7C65BD and #BD6594

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5BD64 shade: #A5BD64, #65BDA8, #7C65BD and #BD6579

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 47 / 26

HEX #A5BD64

RGB 165 189 100

HSL 76.18, 0.4%, 0.57%

LAB 73.1, -22.23, 42.04

 

Complementary color

CMYK 42 / 57 / 0 / 39

HEX #5A429B

RGB 90 66 155

HSL 256.18, 0.4%, 0.43%

LAB 34.88, 32.1, -45.26

 

CMYK 10 / 0 / 50 / 26

HEX #AABD5F

RGB 170 189 95

HSL 72.13, 0.42%, 0.56%

LAB 73.39, -20.76, 44.94

 

CMYK 10 / 0 / 45 / 19

HEX #BBCF72

RGB 187 207 114

HSL 72.9, 0.49%, 0.63%

LAB 79.84, -21, 43.78

 

CMYK 9 / 0 / 41 / 12

HEX #CCE185

RGB 204 225 133

HSL 73.7, 0.61%, 0.7%

LAB 86.2, -21.19, 42.63

 

CMYK 9 / 0 / 37 / 5

HEX #DDF398

RGB 221 243 152

HSL 74.51, 0.79%, 0.77%

LAB 92.46, -21.33, 41.5

 

CMYK 7 / 0 / 33 / 0

HEX #EEFFAB

RGB 238 255 171

HSL 72.14, 1%, 0.84%

LAB 97.08, -18.56, 38.36

 

CMYK 13 / 0 / 47 / 26

HEX #A5BD64

RGB 165 189 100

HSL 76.18, 0.4%, 0.57%

LAB 73.1, -22.23, 42.04

 

CMYK 13 / 0 / 53 / 33

HEX #94AB51

RGB 148 171 81

HSL 75.33, 0.36%, 0.49%

LAB 66.53, -22.02, 43.19

 

CMYK 14 / 0 / 59 / 40

HEX #83993E

RGB 131 153 62

HSL 74.51, 0.42%, 0.42%

LAB 59.85, -21.71, 44.26

 

CMYK 16 / 0 / 68 / 47

HEX #72872B

RGB 114 135 43

HSL 73.7, 0.52%, 0.35%

LAB 53.04, -21.27, 45.06

 

CMYK 17 / 0 / 79 / 54

HEX #617518

RGB 97 117 24

HSL 72.9, 0.66%, 0.28%

LAB 46.08, -20.62, 45.2

 

CMYK 13 / 0 / 47 / 26

HEX #A5BD65

RGB 165 189 101

HSL 76.36, 0.4%, 0.57%

LAB 73.11, -22.12, 41.56

 

CMYK 0 / 0 / 47 / 26

HEX #BDBD65

RGB 189 189 101

HSL 60, 0.4%, 0.57%

LAB 74.92, -12.48, 44.19

 

CMYK 0 / 13 / 47 / 26

HEX #BDA565

RGB 189 165 101

HSL 43.64, 0.4%, 0.57%

LAB 68.51, 0.12, 36.28

 

CMYK 0 / 25 / 47 / 26

HEX #BD8D65

RGB 189 141 101

HSL 27.27, 0.4%, 0.57%

LAB 62.35, 13.23, 28.39

 

CMYK 0 / 38 / 47 / 26

HEX #BD7665

RGB 189 118 101

HSL 11.59, 0.4%, 0.57%

LAB 56.8, 25.95, 21.06

 

CMYK 13 / 0 / 47 / 26

HEX #A5BD65

RGB 165 189 101

HSL 76.36, 0.4%, 0.57%

LAB 73.11, -22.12, 41.56

 

CMYK 25 / 0 / 47 / 26

HEX #8DBD65

RGB 141 189 101

HSL 92.73, 0.4%, 0.57%

LAB 71.55, -31.26, 39.29

 

CMYK 38 / 0 / 47 / 26

HEX #76BD65

RGB 118 189 101

HSL 108.41, 0.4%, 0.57%

LAB 70.31, -39.25, 37.47

 

CMYK 47 / 0 / 43 / 26

HEX #65BD6C

RGB 101 189 108

HSL 124.77, 0.4%, 0.57%

LAB 69.64, -43.45, 32.9

 

CMYK 47 / 0 / 30 / 26

HEX #65BD84

RGB 101 189 132

HSL 141.14, 0.4%, 0.57%

LAB 70.06, -39.31, 20.81

 

CMYK 13 / 0 / 47 / 26

HEX #A5BD65

RGB 165 189 101

HSL 76.36, 0.4%, 0.57%

LAB 73.11, -22.12, 41.56

 

CMYK 16 / 0 / 60 / 19

HEX #ADCE53

RGB 173 206 83

HSL 76.1, 0.56%, 0.57%

LAB 78.26, -28.9, 56.13

 

CMYK 19 / 0 / 71 / 12

HEX #B5E042

RGB 181 224 66

HSL 76.33, 0.72%, 0.57%

LAB 83.72, -35.3, 68.74

 

CMYK 21 / 0 / 80 / 5

HEX #BEF230

RGB 190 242 48

HSL 76.08, 0.88%, 0.57%

LAB 89.24, -40.72, 79.57

 

CMYK 13 / 0 / 47 / 26

HEX #A5BD65

RGB 165 189 101

HSL 76.36, 0.4%, 0.57%

LAB 73.11, -22.12, 41.56

 

CMYK 8 / 0 / 30 / 33

HEX #9DAB77

RGB 157 171 119

HSL 76.15, 0.24%, 0.57%

LAB 67.74, -13.87, 25.21

 

CMYK 3 / 0 / 11 / 40

HEX #959988

RGB 149 153 136

HSL 74.12, 0.08%, 0.57%

LAB 62.47, -4.61, 8.44

 

CMYK 8 / 12 / 0 / 40

HEX #8D879A

RGB 141 135 154

HSL 258.95, 0.09%, 0.57%

LAB 57.39, 6.07, -9.31

 

CMYK 23 / 31 / 0 / 33

HEX #8476AC

RGB 132 118 172

HSL 255.56, 0.25%, 0.57%

LAB 52.77, 17.11, -26.8

 

CMYK 0 / 13 / 47 / 26

HEX #BDA565

RGB 189 165 101

HSL 43.64, 0.4%, 0.57%

LAB 68.51, 0.12, 36.28

 

CMYK 0 / 0 / 47 / 26

HEX #BDBD65

RGB 189 189 101

HSL 60, 0.4%, 0.57%

LAB 74.92, -12.48, 44.19

 

CMYK 13 / 0 / 47 / 26

HEX #A5BD65

RGB 165 189 101

HSL 76.36, 0.4%, 0.57%

LAB 73.11, -22.12, 41.56

 

CMYK 25 / 0 / 47 / 26

HEX #8EBD65

RGB 142 189 101

HSL 92.05, 0.4%, 0.57%

LAB 71.61, -30.89, 39.38

 

CMYK 37 / 0 / 47 / 26

HEX #77BD65

RGB 119 189 101

HSL 107.73, 0.4%, 0.57%

LAB 70.36, -38.92, 37.54

 

CMYK 15 / 0 / 57 / 43

HEX #7B913E

RGB 123 145 62

HSL 75.9, 0.4%, 0.41%

LAB 56.89, -20.99, 40.75

 

CMYK 16 / 0 / 57 / 32

HEX #93AE4A

RGB 147 174 74

HSL 76.2, 0.4%, 0.49%

LAB 67.25, -24.57, 47.34

 

CMYK 13 / 0 / 47 / 26

HEX #A5BD65

RGB 165 189 101

HSL 76.36, 0.4%, 0.57%

LAB 73.11, -22.12, 41.56

 

CMYK 9 / 0 / 35 / 21

HEX #B6C982

RGB 182 201 130

HSL 76.06, 0.4%, 0.65%

LAB 78.07, -18.08, 33.39

 

CMYK 7 / 0 / 25 / 16

HEX #C7D59F

RGB 199 213 159

HSL 75.56, 0.39%, 0.73%

LAB 83.04, -13.78, 25.18

 

CMYK 13 / 0 / 47 / 26

HEX #A5BD64

RGB 165 189 100

HSL 76.18, 0.4%, 0.57%

LAB 73.1, -22.23, 42.04

 

CMYK 47 / 0 / 25 / 26

HEX #65BD8E

RGB 101 189 142

HSL 147.95, 0.4%, 0.57%

LAB 70.26, -37.34, 15.71

 

CMYK 6 / 47 / 0 / 26

HEX #B165BD

RGB 177 101 189

HSL 291.82, 0.4%, 0.57%

LAB 54.37, 44.39, -33.75

 

CMYK 13 / 0 / 47 / 26

HEX #A5BD64

RGB 165 189 100

HSL 76.18, 0.4%, 0.57%

LAB 73.1, -22.23, 42.04

 

CMYK 47 / 13 / 0 / 26

HEX #65A5BD

RGB 101 165 189

HSL 196.36, 0.4%, 0.57%

LAB 64.44, -14.02, -18.73

 

CMYK 0 / 47 / 13 / 26

HEX #BD65A5

RGB 189 101 165

HSL 316.36, 0.4%, 0.57%

LAB 54.91, 43.75, -18.92

 

CMYK 13 / 0 / 47 / 26

HEX #A5BD64

RGB 165 189 100

HSL 76.18, 0.4%, 0.57%

LAB 73.1, -22.23, 42.04

 

CMYK 47 / 0 / 25 / 26

HEX #65BD8E

RGB 101 189 142

HSL 147.95, 0.4%, 0.57%

LAB 70.26, -37.34, 15.71

 

CMYK 34 / 47 / 0 / 26

HEX #7C65BD

RGB 124 101 189

HSL 255.68, 0.4%, 0.57%

LAB 48.59, 29.27, -43.25

 

CMYK 0 / 47 / 22 / 26

HEX #BD6594

RGB 189 101 148

HSL 327.95, 0.4%, 0.57%

LAB 54.31, 41.07, -9.9

 

CMYK 13 / 0 / 47 / 26

HEX #A5BD64

RGB 165 189 100

HSL 76.18, 0.4%, 0.57%

LAB 73.1, -22.23, 42.04

 

CMYK 47 / 0 / 11 / 26

HEX #65BDA8

RGB 101 189 168

HSL 165.68, 0.4%, 0.57%

LAB 70.86, -31.6, 2.42

 

CMYK 34 / 47 / 0 / 26

HEX #7C65BD

RGB 124 101 189

HSL 255.68, 0.4%, 0.57%

LAB 48.59, 29.27, -43.25

 

CMYK 0 / 47 / 36 / 26

HEX #BD6579

RGB 189 101 121

HSL 346.36, 0.4%, 0.57%

LAB 53.5, 37.39, 4.81

 

Description

Color code: HEX #A5BD64 | qconv.com Color code: HEX #A5BD64 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 189 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 189 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 47 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 47% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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