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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5AE19 it is the complementary color #5A51E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5AE19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5AE19 shade: #AAAE14, #BBC027, #CCD23A, #DDE44D and #EEF660

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5AE19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5AE19 shade: #A5AE19, #949C06, #838A00, #727800 and #616600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5AE19 shade: #A5AE18, #AE8E18, #AE6618, #AE3E18 and #AE1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5AE19 shade: #A5AE18, #7CAE18, #54AE18, #2CAE18 and #18AE2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5AE19 shade matches the following richer shades: #A5AE18 and #B3BE08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5AE19 shade: #A5AE18, #969D28, #888D39, #7A7D49 and #6C6D59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5AE19 shade: #AE6518, #AE8D18, #A6AE18, #7EAE18 and #57AE18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5AE19 shade: #60650E, #828913, #A5AE18, #C7D21E and #D8E236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5AE19 shade: #A5AE19, #18AE3E and #7918AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5AE19 shade: #A5AE19, #18A6AE and #AE18A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5AE19 shade: #A5AE19, #18AE3E, #2018AE and #AE1888

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5AE19 shade: #A5AE19, #18AE6A, #2018AE and #AE185B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 86 / 32

HEX #A5AE19

RGB 165 174 25

HSL 63.62, 0.75%, 0.39%

LAB 68.27, -19.7, 66.35

 

Complementary color

CMYK 61 / 65 / 0 / 10

HEX #5A51E6

RGB 90 81 230

HSL 243.62, 0.75%, 0.61%

LAB 43.9, 46.17, -74.43

 

CMYK 2 / 0 / 89 / 32

HEX #AAAE14

RGB 170 174 20

HSL 61.56, 0.79%, 0.38%

LAB 68.66, -17.64, 67.85

 

CMYK 3 / 0 / 80 / 25

HEX #BBC027

RGB 187 192 39

HSL 61.96, 0.66%, 0.45%

LAB 75.08, -18.82, 69.37

 

CMYK 3 / 0 / 72 / 18

HEX #CCD23A

RGB 204 210 58

HSL 62.37, 0.63%, 0.53%

LAB 81.42, -19.79, 69.82

 

CMYK 3 / 0 / 66 / 11

HEX #DDE44D

RGB 221 228 77

HSL 62.78, 0.74%, 0.6%

LAB 87.68, -20.6, 69.61

 

CMYK 3 / 0 / 61 / 4

HEX #EEF660

RGB 238 246 96

HSL 63.2, 0.89%, 0.67%

LAB 93.85, -21.27, 69.01

 

CMYK 5 / 0 / 86 / 32

HEX #A5AE19

RGB 165 174 25

HSL 63.62, 0.75%, 0.39%

LAB 68.27, -19.7, 66.35

 

CMYK 5 / 0 / 96 / 39

HEX #949C06

RGB 148 156 6

HSL 63.2, 0.93%, 0.32%

LAB 61.73, -18.42, 63.82

 

CMYK 5 / 0 / 100 / 46

HEX #838A00

RGB 131 138 0

HSL 63.04, 1%, 0.27%

LAB 55.07, -16.86, 59.15

 

CMYK 5 / 0 / 100 / 53

HEX #727800

RGB 114 120 0

HSL 63, 1%, 0.24%

LAB 48.27, -15.16, 53.49

 

CMYK 5 / 0 / 100 / 60

HEX #616600

RGB 97 102 0

HSL 62.94, 1%, 0.2%

LAB 41.29, -13.42, 47.68

 

CMYK 5 / 0 / 86 / 32

HEX #A5AE18

RGB 165 174 24

HSL 63.6, 0.76%, 0.39%

LAB 68.27, -19.73, 66.57

 

CMYK 0 / 18 / 86 / 32

HEX #AE8E18

RGB 174 142 24

HSL 47.2, 0.76%, 0.39%

LAB 60.26, 1.17, 60.29

 

CMYK 0 / 41 / 86 / 32

HEX #AE6618

RGB 174 102 24

HSL 31.2, 0.76%, 0.39%

LAB 50.18, 23.47, 51.94

 

CMYK 0 / 64 / 86 / 32

HEX #AE3E18

RGB 174 62 24

HSL 15.2, 0.76%, 0.39%

LAB 42.02, 44.04, 45.07

 

CMYK 0 / 86 / 86 / 32

HEX #AE1818

RGB 174 24 24

HSL 0, 0.76%, 0.39%

LAB 37.33, 56.97, 41.06

 

CMYK 5 / 0 / 86 / 32

HEX #A5AE18

RGB 165 174 24

HSL 63.6, 0.76%, 0.39%

LAB 68.27, -19.73, 66.57

 

CMYK 29 / 0 / 86 / 32

HEX #7CAE18

RGB 124 174 24

HSL 80, 0.76%, 0.39%

LAB 65.45, -36.77, 63.07

 

CMYK 52 / 0 / 86 / 32

HEX #54AE18

RGB 84 174 24

HSL 96, 0.76%, 0.39%

LAB 63.53, -50.65, 60.65

 

CMYK 75 / 0 / 86 / 32

HEX #2CAE18

RGB 44 174 24

HSL 112, 0.76%, 0.39%

LAB 62.4, -59.92, 59.23

 

CMYK 86 / 0 / 74 / 32

HEX #18AE2D

RGB 24 174 45

HSL 128.4, 0.76%, 0.39%

LAB 62.22, -61.14, 52.66

 

CMYK 5 / 0 / 86 / 32

HEX #A5AE18

RGB 165 174 24

HSL 63.6, 0.76%, 0.39%

LAB 68.27, -19.73, 66.57

 

CMYK 6 / 0 / 96 / 25

HEX #B3BE08

RGB 179 190 8

HSL 63.63, 0.92%, 0.39%

LAB 73.82, -21.93, 73.85

 

CMYK 5 / 0 / 86 / 32

HEX #A5AE18

RGB 165 174 24

HSL 63.6, 0.76%, 0.39%

LAB 68.27, -19.73, 66.57

 

CMYK 4 / 0 / 75 / 38

HEX #969D28

RGB 150 157 40

HSL 63.59, 0.59%, 0.39%

LAB 62.3, -17.05, 56.33

 

CMYK 4 / 0 / 60 / 45

HEX #888D39

RGB 136 141 57

HSL 63.57, 0.42%, 0.39%

LAB 56.66, -13.76, 43.16

 

CMYK 2 / 0 / 42 / 51

HEX #7A7D49

RGB 122 125 73

HSL 63.46, 0.26%, 0.39%

LAB 51.02, -9.61, 27.94

 

CMYK 1 / 0 / 18 / 57

HEX #6C6D59

RGB 108 109 89

HSL 63, 0.1%, 0.39%

LAB 45.42, -4.16, 11.07

 

CMYK 0 / 42 / 86 / 32

HEX #AE6518

RGB 174 101 24

HSL 30.8, 0.76%, 0.39%

LAB 49.94, 24.02, 51.74

 

CMYK 0 / 19 / 86 / 32

HEX #AE8D18

RGB 174 141 24

HSL 46.8, 0.76%, 0.39%

LAB 59.99, 1.72, 60.08

 

CMYK 5 / 0 / 86 / 32

HEX #A6AE18

RGB 166 174 24

HSL 63.2, 0.76%, 0.39%

LAB 68.35, -19.29, 66.67

 

CMYK 28 / 0 / 86 / 32

HEX #7EAE18

RGB 126 174 24

HSL 79.2, 0.76%, 0.39%

LAB 65.57, -35.99, 63.22

 

CMYK 50 / 0 / 86 / 32

HEX #57AE18

RGB 87 174 24

HSL 94.8, 0.76%, 0.39%

LAB 63.64, -49.75, 60.8

 

CMYK 5 / 0 / 86 / 60

HEX #60650E

RGB 96 101 14

HSL 63.45, 0.76%, 0.23%

LAB 40.94, -12.92, 43.74

 

CMYK 5 / 0 / 86 / 46

HEX #828913

RGB 130 137 19

HSL 63.56, 0.76%, 0.31%

LAB 54.75, -16.38, 55.31

 

CMYK 5 / 0 / 86 / 32

HEX #A5AE18

RGB 165 174 24

HSL 63.6, 0.76%, 0.39%

LAB 68.27, -19.73, 66.57

 

CMYK 5 / 0 / 86 / 18

HEX #C7D21E

RGB 199 210 30

HSL 63.67, 0.75%, 0.47%

LAB 80.92, -22.84, 76.81

 

CMYK 4 / 0 / 76 / 11

HEX #D8E236

RGB 216 226 54

HSL 63.49, 0.75%, 0.55%

LAB 86.63, -22.76, 76.25

 

CMYK 5 / 0 / 86 / 32

HEX #A5AE19

RGB 165 174 25

HSL 63.62, 0.75%, 0.39%

LAB 68.27, -19.7, 66.35

 

CMYK 86 / 0 / 64 / 32

HEX #18AE3E

RGB 24 174 62

HSL 135.2, 0.76%, 0.39%

LAB 62.35, -59.46, 45.94

 

CMYK 30 / 86 / 0 / 32

HEX #7918AE

RGB 121 24 174

HSL 278.8, 0.76%, 0.39%

LAB 33.51, 61.82, -58.72

 

CMYK 5 / 0 / 86 / 32

HEX #A5AE19

RGB 165 174 25

HSL 63.62, 0.75%, 0.39%

LAB 68.27, -19.7, 66.35

 

CMYK 86 / 5 / 0 / 32

HEX #18A6AE

RGB 24 166 174

HSL 183.2, 0.76%, 0.39%

LAB 62.1, -31.28, -14.09

 

CMYK 0 / 86 / 5 / 32

HEX #AE18A6

RGB 174 24 166

HSL 303.2, 0.76%, 0.39%

LAB 41.85, 69.56, -40.03

 

CMYK 5 / 0 / 86 / 32

HEX #A5AE19

RGB 165 174 25

HSL 63.62, 0.75%, 0.39%

LAB 68.27, -19.7, 66.35

 

CMYK 86 / 0 / 64 / 32

HEX #18AE3E

RGB 24 174 62

HSL 135.2, 0.76%, 0.39%

LAB 62.35, -59.46, 45.94

 

CMYK 82 / 86 / 0 / 32

HEX #2018AE

RGB 32 24 174

HSL 243.2, 0.76%, 0.39%

LAB 23.73, 52.91, -75.19

 

CMYK 0 / 86 / 22 / 32

HEX #AE1888

RGB 174 24 136

HSL 315.2, 0.76%, 0.39%

LAB 40.29, 65.39, -24.3

 

CMYK 5 / 0 / 86 / 32

HEX #A5AE19

RGB 165 174 25

HSL 63.62, 0.75%, 0.39%

LAB 68.27, -19.7, 66.35

 

CMYK 86 / 0 / 39 / 32

HEX #18AE6A

RGB 24 174 106

HSL 152.8, 0.76%, 0.39%

LAB 62.93, -52.49, 24.8

 

CMYK 82 / 86 / 0 / 32

HEX #2018AE

RGB 32 24 174

HSL 243.2, 0.76%, 0.39%

LAB 23.73, 52.91, -75.19

 

CMYK 0 / 86 / 48 / 32

HEX #AE185B

RGB 174 24 91

HSL 333.2, 0.76%, 0.39%

LAB 38.56, 60.56, 1.3

 

Description

Color code: HEX #A5AE19 | qconv.com Color code: HEX #A5AE19 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 174 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 174 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 86 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 86% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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