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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5A3BB it is the complementary color #5A5C44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5A3BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5A3BB shade: #AAA3B6, #BBB5C9, #CCC7DC, #DDD9EF and #EEEBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5A3BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5A3BB shade: #A5A3BB, #9491A8, #837F95, #726D82 and #615B6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5A3BB shade: #A6A4BB, #ACA4BB, #B2A4BB, #B9A4BB and #BBA4B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5A3BB shade: #A6A4BB and #A4A4BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5A3BB shade matches the following richer shades: #A6A4BB, #9B97C8, #908AD5, #867DE2 and #7B70EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5A3BB shade: #A6A4BB, #B0B0AF, #BBBDA2, #C6CA95 and #D0D788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5A3BB shade: #A4AEBB, #A4A8BB, #A6A4BB, #ACA4BB and #B2A4BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5A3BB shade: #777498, #8E8CAA, #A6A4BB, #BDBBCD and #D4D3DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5A3BB shade: #A5A3BB, #BBA4B5 and #ABBBA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5A3BB shade: #A5A3BB, #BBA6A4 and #A4BBA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5A3BB shade: #A5A3BB, #BBA4B5, #B9BBA4 and #A4BBAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5A3BB shade: #A5A3BB, #BBA4AD, #B9BBA4 and #A4BBB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 13 / 0 / 27

HEX #A5A3BB

RGB 165 163 187

HSL 245, 0.15%, 0.69%

LAB 67.86, 5.53, -12.07

 

Complementary color

CMYK 2 / 0 / 26 / 64

HEX #5A5C44

RGB 90 92 68

HSL 65, 0.15%, 0.31%

LAB 38.28, -5.33, 13.59

 

CMYK 7 / 10 / 0 / 29

HEX #AAA3B6

RGB 170 163 182

HSL 262.11, 0.12%, 0.68%

LAB 68.11, 6.19, -8.88

 

CMYK 7 / 10 / 0 / 21

HEX #BBB5C9

RGB 187 181 201

HSL 258, 0.16%, 0.75%

LAB 74.72, 5.93, -9.35

 

CMYK 7 / 10 / 0 / 14

HEX #CCC7DC

RGB 204 199 220

HSL 254.29, 0.23%, 0.82%

LAB 81.21, 5.68, -9.81

 

CMYK 8 / 9 / 0 / 6

HEX #DDD9EF

RGB 221 217 239

HSL 250.91, 0.41%, 0.89%

LAB 87.6, 5.45, -10.26

 

CMYK 7 / 8 / 0 / 0

HEX #EEEBFF

RGB 238 235 255

HSL 249, 1%, 0.96%

LAB 93.8, 4.66, -9.28

 

CMYK 12 / 13 / 0 / 27

HEX #A5A3BB

RGB 165 163 187

HSL 245, 0.15%, 0.69%

LAB 67.86, 5.53, -12.07

 

CMYK 12 / 14 / 0 / 34

HEX #9491A8

RGB 148 145 168

HSL 247.83, 0.12%, 0.61%

LAB 61.11, 5.8, -11.67

 

CMYK 12 / 15 / 0 / 42

HEX #837F95

RGB 131 127 149

HSL 250.91, 0.09%, 0.54%

LAB 54.21, 6.09, -11.27

 

CMYK 12 / 16 / 0 / 49

HEX #726D82

RGB 114 109 130

HSL 254.29, 0.09%, 0.47%

LAB 47.14, 6.42, -10.88

 

CMYK 13 / 18 / 0 / 56

HEX #615B6F

RGB 97 91 111

HSL 258, 0.1%, 0.4%

LAB 39.87, 6.78, -10.49

 

CMYK 11 / 12 / 0 / 27

HEX #A6A4BB

RGB 166 164 187

HSL 245.22, 0.14%, 0.69%

LAB 68.2, 5.31, -11.55

 

CMYK 8 / 12 / 0 / 27

HEX #ACA4BB

RGB 172 164 187

HSL 260.87, 0.14%, 0.69%

LAB 68.69, 7.34, -10.78

 

CMYK 5 / 12 / 0 / 27

HEX #B2A4BB

RGB 178 164 187

HSL 276.52, 0.14%, 0.69%

LAB 69.19, 9.39, -9.97

 

CMYK 1 / 12 / 0 / 27

HEX #B9A4BB

RGB 185 164 187

HSL 294.78, 0.14%, 0.69%

LAB 69.79, 11.81, -9.01

 

CMYK 0 / 12 / 2 / 27

HEX #BBA4B7

RGB 187 164 183

HSL 310.43, 0.14%, 0.69%

LAB 69.85, 11.75, -6.69

 

CMYK 11 / 12 / 0 / 27

HEX #A6A4BB

RGB 166 164 187

HSL 245.22, 0.14%, 0.69%

LAB 68.2, 5.31, -11.55

 

CMYK 12 / 12 / 0 / 27

HEX #A4A4BB

RGB 164 164 187

HSL 240, 0.14%, 0.69%

LAB 68.04, 4.64, -11.8

 

CMYK 11 / 12 / 0 / 27

HEX #A6A4BB

RGB 166 164 187

HSL 245.22, 0.14%, 0.69%

LAB 68.2, 5.31, -11.55

 

CMYK 23 / 25 / 0 / 22

HEX #9B97C8

RGB 155 151 200

HSL 244.9, 0.31%, 0.69%

LAB 64.38, 11.95, -24.67

 

CMYK 32 / 35 / 0 / 16

HEX #908AD5

RGB 144 138 213

HSL 244.8, 0.47%, 0.69%

LAB 60.7, 19.38, -37.71

 

CMYK 41 / 45 / 0 / 11

HEX #867DE2

RGB 134 125 226

HSL 245.35, 0.64%, 0.69%

LAB 57.3, 27.85, -50.41

 

CMYK 48 / 53 / 0 / 7

HEX #7B70EE

RGB 123 112 238

HSL 245.24, 0.79%, 0.69%

LAB 54, 36.42, -62.44

 

CMYK 11 / 12 / 0 / 27

HEX #A6A4BB

RGB 166 164 187

HSL 245.22, 0.14%, 0.69%

LAB 68.2, 5.31, -11.55

 

CMYK 0 / 0 / 1 / 31

HEX #B0B0AF

RGB 176 176 175

HSL 60, 0.01%, 0.69%

LAB 71.81, -0.18, 0.5

 

CMYK 1 / 0 / 14 / 26

HEX #BBBDA2

RGB 187 189 162

HSL 64.44, 0.17%, 0.69%

LAB 75.8, -5.39, 13.43

 

CMYK 2 / 0 / 26 / 21

HEX #C6CA95

RGB 198 202 149

HSL 64.53, 0.33%, 0.69%

LAB 79.85, -9.97, 26.08

 

CMYK 3 / 0 / 37 / 16

HEX #D0D788

RGB 208 215 136

HSL 65.32, 0.5%, 0.69%

LAB 83.86, -14.37, 38.2

 

CMYK 12 / 7 / 0 / 27

HEX #A4AEBB

RGB 164 174 187

HSL 213.91, 0.14%, 0.69%

LAB 70.7, -0.85, -7.84

 

CMYK 12 / 10 / 0 / 27

HEX #A4A8BB

RGB 164 168 187

HSL 229.57, 0.14%, 0.69%

LAB 69.1, 2.43, -10.22

 

CMYK 11 / 12 / 0 / 27

HEX #A6A4BB

RGB 166 164 187

HSL 245.22, 0.14%, 0.69%

LAB 68.2, 5.31, -11.55

 

CMYK 8 / 12 / 0 / 27

HEX #ACA4BB

RGB 172 164 187

HSL 260.87, 0.14%, 0.69%

LAB 68.69, 7.34, -10.78

 

CMYK 5 / 12 / 0 / 27

HEX #B2A4BB

RGB 178 164 187

HSL 276.52, 0.14%, 0.69%

LAB 69.19, 9.39, -9.97

 

CMYK 22 / 24 / 0 / 40

HEX #777498

RGB 119 116 152

HSL 245, 0.15%, 0.53%

LAB 50.31, 9.18, -19.03

 

CMYK 16 / 18 / 0 / 33

HEX #8E8CAA

RGB 142 140 170

HSL 244, 0.15%, 0.61%

LAB 59.35, 7.07, -15.51

 

CMYK 11 / 12 / 0 / 27

HEX #A6A4BB

RGB 166 164 187

HSL 245.22, 0.14%, 0.69%

LAB 68.2, 5.31, -11.55

 

CMYK 8 / 9 / 0 / 20

HEX #BDBBCD

RGB 189 187 205

HSL 246.67, 0.15%, 0.77%

LAB 76.54, 4.15, -8.8

 

CMYK 5 / 5 / 0 / 13

HEX #D4D3DE

RGB 212 211 222

HSL 245.45, 0.14%, 0.85%

LAB 84.92, 2.38, -5.3

 

CMYK 12 / 13 / 0 / 27

HEX #A5A3BB

RGB 165 163 187

HSL 245, 0.15%, 0.69%

LAB 67.86, 5.53, -12.07

 

CMYK 0 / 12 / 3 / 27

HEX #BBA4B5

RGB 187 164 181

HSL 315.65, 0.14%, 0.69%

LAB 69.79, 11.38, -5.67

 

CMYK 9 / 0 / 12 / 27

HEX #ABBBA4

RGB 171 187 164

HSL 101.74, 0.14%, 0.69%

LAB 74.11, -9.81, 9.78

 

CMYK 12 / 13 / 0 / 27

HEX #A5A3BB

RGB 165 163 187

HSL 245, 0.15%, 0.69%

LAB 67.86, 5.53, -12.07

 

CMYK 0 / 11 / 12 / 27

HEX #BBA6A4

RGB 187 166 164

HSL 5.22, 0.14%, 0.69%

LAB 69.84, 7.28, 3.82

 

CMYK 12 / 0 / 11 / 27

HEX #A4BBA6

RGB 164 187 166

HSL 125.22, 0.14%, 0.69%

LAB 73.67, -11.91, 7.99

 

CMYK 12 / 13 / 0 / 27

HEX #A5A3BB

RGB 165 163 187

HSL 245, 0.15%, 0.69%

LAB 67.86, 5.53, -12.07

 

CMYK 0 / 12 / 3 / 27

HEX #BBA4B5

RGB 187 164 181

HSL 315.65, 0.14%, 0.69%

LAB 69.79, 11.38, -5.67

 

CMYK 1 / 0 / 12 / 27

HEX #B9BBA4

RGB 185 187 164

HSL 65.22, 0.14%, 0.69%

LAB 75.16, -4.75, 11.42

 

CMYK 12 / 0 / 9 / 27

HEX #A4BBAA

RGB 164 187 170

HSL 135.65, 0.14%, 0.69%

LAB 73.76, -11.17, 5.96

 

CMYK 12 / 13 / 0 / 27

HEX #A5A3BB

RGB 165 163 187

HSL 245, 0.15%, 0.69%

LAB 67.86, 5.53, -12.07

 

CMYK 0 / 12 / 7 / 27

HEX #BBA4AD

RGB 187 164 173

HSL 336.52, 0.14%, 0.69%

LAB 69.56, 9.94, -1.57

 

CMYK 1 / 0 / 12 / 27

HEX #B9BBA4

RGB 185 187 164

HSL 65.22, 0.14%, 0.69%

LAB 75.16, -4.75, 11.42

 

CMYK 12 / 0 / 5 / 27

HEX #A4BBB1

RGB 164 187 177

HSL 153.91, 0.14%, 0.69%

LAB 73.94, -9.82, 2.4

 

Description

Color code: HEX #A5A3BB | qconv.com Color code: HEX #A5A3BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 163 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 163 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 13 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 13% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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