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Color name
HEX #A58226

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A58226 it is the complementary color #5A7DD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A58226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A58226 shade: #AA8221, #BB9434, #CCA647, #DDB85A and #EECA6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A58226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A58226 shade: #A58226, #947013, #835E00, #724C00 and #613A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A58226 shade: #A68225, #A66025, #A63D25 and #A62525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A58226 shade: #A68225, #A6A525, #84A625, #61A625 and #3FA625

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A58226 shade matches the following richer shades: #A68225, #B68A15 and #C79104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A58226 shade: #A68225, #957B36, #857446, #746C57 and #646567

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A58226 shade: #A63D25, #A65F25, #A68125, #A6A425 and #86A625

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A58226 shade: #634D16, #84681E, #A68225, #C79D2D and #D5AE48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A58226 shade: #A58226, #30A625 and #4E25A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A58226 shade: #A58226, #25A681 and #8125A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A58226 shade: #A58226, #30A625, #254AA6 and #9B25A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A58226 shade: #A58226, #25A641, #254AA6 and #A6258A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 77 / 35

HEX #A58226

RGB 165 130 38

HSL 43.46, 0.63%, 0.4%

LAB 56.19, 4.19, 51.77

 

Complementary color

CMYK 59 / 42 / 0 / 15

HEX #5A7DD9

RGB 90 125 217

HSL 223.46, 0.63%, 0.6%

LAB 53.87, 15.2, -50.99

 

CMYK 0 / 24 / 81 / 33

HEX #AA8221

RGB 170 130 33

HSL 42.48, 0.67%, 0.4%

LAB 56.7, 6.27, 54.3

 

CMYK 0 / 21 / 72 / 27

HEX #BB9434

RGB 187 148 52

HSL 42.67, 0.56%, 0.47%

LAB 63.34, 4.79, 53.89

 

CMYK 0 / 19 / 65 / 20

HEX #CCA647

RGB 204 166 71

HSL 42.86, 0.57%, 0.54%

LAB 69.87, 3.55, 52.97

 

CMYK 0 / 17 / 59 / 13

HEX #DDB85A

RGB 221 184 90

HSL 43.05, 0.66%, 0.61%

LAB 76.31, 2.5, 51.83

 

CMYK 0 / 15 / 54 / 7

HEX #EECA6D

RGB 238 202 109

HSL 43.26, 0.79%, 0.68%

LAB 82.66, 1.61, 50.6

 

CMYK 0 / 21 / 77 / 35

HEX #A58226

RGB 165 130 38

HSL 43.46, 0.63%, 0.4%

LAB 56.19, 4.19, 51.77

 

CMYK 0 / 24 / 87 / 42

HEX #947013

RGB 148 112 19

HSL 43.26, 0.77%, 0.33%

LAB 49.41, 5.84, 51.57

 

CMYK 0 / 28 / 100 / 49

HEX #835E00

RGB 131 94 0

HSL 43.05, 1%, 0.26%

LAB 42.51, 7.8, 50.19

 

CMYK 0 / 33 / 100 / 55

HEX #724C00

RGB 114 76 0

HSL 40, 1%, 0.22%

LAB 35.49, 10.29, 44.44

 

CMYK 0 / 40 / 100 / 62

HEX #613A00

RGB 97 58 0

HSL 35.88, 1%, 0.19%

LAB 28.29, 12.95, 38.27

 

CMYK 0 / 22 / 78 / 35

HEX #A68225

RGB 166 130 37

HSL 43.26, 0.64%, 0.4%

LAB 56.29, 4.61, 52.29

 

CMYK 0 / 42 / 78 / 35

HEX #A66025

RGB 166 96 37

HSL 27.44, 0.64%, 0.4%

LAB 47.76, 23.77, 44.07

 

CMYK 0 / 63 / 78 / 35

HEX #A63D25

RGB 166 61 37

HSL 11.16, 0.64%, 0.4%

LAB 40.54, 41.99, 36.73

 

CMYK 0 / 78 / 78 / 35

HEX #A62525

RGB 166 37 37

HSL 0, 0.64%, 0.4%

LAB 37.05, 51.51, 33.03

 

CMYK 0 / 22 / 78 / 35

HEX #A68225

RGB 166 130 37

HSL 43.26, 0.64%, 0.4%

LAB 56.29, 4.61, 52.29

 

CMYK 0 / 1 / 78 / 35

HEX #A6A525

RGB 166 165 37

HSL 59.53, 0.64%, 0.4%

LAB 65.87, -14.28, 61.11

 

CMYK 20 / 0 / 78 / 35

HEX #84A625

RGB 132 166 37

HSL 75.81, 0.64%, 0.4%

LAB 63.6, -29.34, 58.09

 

CMYK 42 / 0 / 78 / 35

HEX #61A625

RGB 97 166 37

HSL 92.09, 0.64%, 0.4%

LAB 61.61, -42.68, 55.5

 

CMYK 62 / 0 / 78 / 35

HEX #3FA625

RGB 63 166 37

HSL 107.91, 0.64%, 0.4%

LAB 60.3, -52.71, 53.8

 

CMYK 0 / 22 / 78 / 35

HEX #A68225

RGB 166 130 37

HSL 43.26, 0.64%, 0.4%

LAB 56.29, 4.61, 52.29

 

CMYK 0 / 24 / 88 / 29

HEX #B68A15

RGB 182 138 21

HSL 43.6, 0.79%, 0.4%

LAB 60.05, 6.93, 61.23

 

CMYK 0 / 27 / 98 / 22

HEX #C79104

RGB 199 145 4

HSL 43.38, 0.96%, 0.4%

LAB 63.67, 10.47, 67.75

 

CMYK 0 / 22 / 78 / 35

HEX #A68225

RGB 166 130 37

HSL 43.26, 0.64%, 0.4%

LAB 56.29, 4.61, 52.29

 

CMYK 0 / 17 / 64 / 42

HEX #957B36

RGB 149 123 54

HSL 43.58, 0.47%, 0.4%

LAB 52.75, 1.75, 40.59

 

CMYK 0 / 13 / 47 / 48

HEX #857446

RGB 133 116 70

HSL 43.81, 0.31%, 0.4%

LAB 49.4, -0.05, 27.76

 

CMYK 0 / 7 / 25 / 55

HEX #746C57

RGB 116 108 87

HSL 43.45, 0.14%, 0.4%

LAB 45.81, -0.57, 12.9

 

CMYK 3 / 2 / 0 / 60

HEX #646567

RGB 100 101 103

HSL 220, 0.01%, 0.4%

LAB 42.76, 0.04, -1.27

 

CMYK 0 / 63 / 78 / 35

HEX #A63D25

RGB 166 61 37

HSL 11.16, 0.64%, 0.4%

LAB 40.54, 41.99, 36.73

 

CMYK 0 / 43 / 78 / 35

HEX #A65F25

RGB 166 95 37

HSL 26.98, 0.64%, 0.4%

LAB 47.53, 24.32, 43.84

 

CMYK 0 / 22 / 78 / 35

HEX #A68125

RGB 166 129 37

HSL 42.79, 0.64%, 0.4%

LAB 56.03, 5.17, 52.04

 

CMYK 0 / 1 / 78 / 35

HEX #A6A425

RGB 166 164 37

HSL 59.07, 0.64%, 0.4%

LAB 65.59, -13.76, 60.85

 

CMYK 19 / 0 / 78 / 35

HEX #86A625

RGB 134 166 37

HSL 74.88, 0.64%, 0.4%

LAB 63.73, -28.52, 58.26

 

CMYK 0 / 22 / 78 / 61

HEX #634D16

RGB 99 77 22

HSL 42.86, 0.64%, 0.24%

LAB 34.02, 3, 34.48

 

CMYK 0 / 21 / 77 / 48

HEX #84681E

RGB 132 104 30

HSL 43.53, 0.63%, 0.32%

LAB 45.5, 3.32, 43.49

 

CMYK 0 / 22 / 78 / 35

HEX #A68225

RGB 166 130 37

HSL 43.26, 0.64%, 0.4%

LAB 56.29, 4.61, 52.29

 

CMYK 0 / 21 / 77 / 22

HEX #C79D2D

RGB 199 157 45

HSL 43.64, 0.63%, 0.48%

LAB 66.86, 4.89, 60.46

 

CMYK 0 / 18 / 66 / 16

HEX #D5AE48

RGB 213 174 72

HSL 43.4, 0.63%, 0.56%

LAB 72.82, 3.21, 55.96

 

CMYK 0 / 21 / 77 / 35

HEX #A58226

RGB 165 130 38

HSL 43.46, 0.63%, 0.4%

LAB 56.19, 4.19, 51.77

 

CMYK 71 / 0 / 78 / 35

HEX #30A625

RGB 48 166 37

HSL 114.88, 0.64%, 0.4%

LAB 59.92, -55.91, 53.29

 

CMYK 53 / 78 / 0 / 35

HEX #4E25A6

RGB 78 37 166

HSL 259.07, 0.64%, 0.4%

LAB 28.63, 48.94, -62.12

 

CMYK 0 / 21 / 77 / 35

HEX #A58226

RGB 165 130 38

HSL 43.46, 0.63%, 0.4%

LAB 56.19, 4.19, 51.77

 

CMYK 78 / 0 / 22 / 35

HEX #25A681

RGB 37 166 129

HSL 162.79, 0.64%, 0.4%

LAB 61, -42.86, 9.57

 

CMYK 22 / 78 / 0 / 35

HEX #8125A6

RGB 129 37 166

HSL 282.79, 0.64%, 0.4%

LAB 35.49, 57.55, -50.66

 

CMYK 0 / 21 / 77 / 35

HEX #A58226

RGB 165 130 38

HSL 43.46, 0.63%, 0.4%

LAB 56.19, 4.19, 51.77

 

CMYK 71 / 0 / 78 / 35

HEX #30A625

RGB 48 166 37

HSL 114.88, 0.64%, 0.4%

LAB 59.92, -55.91, 53.29

 

CMYK 78 / 55 / 0 / 35

HEX #254AA6

RGB 37 74 166

HSL 222.79, 0.64%, 0.4%

LAB 34.07, 20.95, -53.35

 

CMYK 7 / 78 / 0 / 35

HEX #9B25A6

RGB 155 37 166

HSL 294.88, 0.64%, 0.4%

LAB 39.66, 62.67, -43.73

 

CMYK 0 / 21 / 77 / 35

HEX #A58226

RGB 165 130 38

HSL 43.46, 0.63%, 0.4%

LAB 56.19, 4.19, 51.77

 

CMYK 78 / 0 / 61 / 35

HEX #25A641

RGB 37 166 65

HSL 133.02, 0.64%, 0.4%

LAB 59.93, -54.98, 41.88

 

CMYK 78 / 55 / 0 / 35

HEX #254AA6

RGB 37 74 166

HSL 222.79, 0.64%, 0.4%

LAB 34.07, 20.95, -53.35

 

CMYK 0 / 78 / 17 / 35

HEX #A6258A

RGB 166 37 138

HSL 313.02, 0.64%, 0.4%

LAB 40.02, 60.67, -26.06

 

Description

Color code: HEX #A58226 | qconv.com Color code: HEX #A58226 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 130 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 130 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 77 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 77% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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