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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A57550 it is the complementary color #5A8AAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A57550. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A57550 shade: #AA754B, #BB875E, #CC9971, #DDAB84 and #EEBD97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A57550. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A57550 shade: #A57550, #94633D, #83512A, #723F17 and #612D04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A57550 shade: #A5744F, #A55D4F and #A54F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A57550 shade: #A5744F, #A58B4F, #A5A34F, #90A54F and #79A54F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A57550 shade matches the following richer shades: #A5744F, #B9723B, #CC6F27, #E06D14 and #F46A00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A57550 shade: #A5744F, #917763, #7D7977, #697C8A and #567F9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A57550 shade: #A54F58, #A55D4F, #A5744F, #A58B4F and #A5A24F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A57550 shade: #6D4D34, #896142, #A5744F, #B68967 and #C39F83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A57550 shade: #A57550, #6EA54F and #524FA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A57550 shade: #A57550, #4FA574 and #744FA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A57550 shade: #A57550, #6EA54F, #4F80A5 and #854FA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A57550 shade: #A57550, #55A54F, #4F80A5 and #9F4FA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 52 / 35

HEX #A57550

RGB 165 117 80

HSL 26.12, 0.35%, 0.48%

LAB 53.28, 14.43, 27.81

 

Complementary color

CMYK 49 / 21 / 0 / 31

HEX #5A8AAF

RGB 90 138 175

HSL 206.12, 0.35%, 0.52%

LAB 55.53, -5.84, -24.51

 

CMYK 0 / 31 / 56 / 33

HEX #AA754B

RGB 170 117 75

HSL 26.53, 0.39%, 0.48%

LAB 53.79, 16.13, 31.36

 

CMYK 0 / 28 / 50 / 27

HEX #BB875E

RGB 187 135 94

HSL 26.45, 0.41%, 0.55%

LAB 60.52, 15.02, 29.82

 

CMYK 0 / 25 / 45 / 20

HEX #CC9971

RGB 204 153 113

HSL 26.37, 0.47%, 0.62%

LAB 67.14, 14.07, 28.41

 

CMYK 0 / 23 / 40 / 13

HEX #DDAB84

RGB 221 171 132

HSL 26.29, 0.57%, 0.69%

LAB 73.65, 13.25, 27.11

 

CMYK 0 / 21 / 37 / 7

HEX #EEBD97

RGB 238 189 151

HSL 26.21, 0.72%, 0.76%

LAB 80.07, 12.53, 25.91

 

CMYK 0 / 29 / 52 / 35

HEX #A57550

RGB 165 117 80

HSL 26.12, 0.35%, 0.48%

LAB 53.28, 14.43, 27.81

 

CMYK 0 / 33 / 59 / 42

HEX #94633D

RGB 148 99 61

HSL 26.21, 0.42%, 0.41%

LAB 46.39, 15.63, 29.42

 

CMYK 0 / 38 / 68 / 49

HEX #83512A

RGB 131 81 42

HSL 26.29, 0.51%, 0.34%

LAB 39.37, 17.08, 31.16

 

CMYK 0 / 45 / 80 / 55

HEX #723F17

RGB 114 63 23

HSL 26.37, 0.66%, 0.27%

LAB 32.25, 18.85, 32.89

 

CMYK 0 / 54 / 96 / 62

HEX #612D04

RGB 97 45 4

HSL 26.45, 0.92%, 0.2%

LAB 25.04, 20.99, 33.74

 

CMYK 0 / 30 / 52 / 35

HEX #A5744F

RGB 165 116 79

HSL 25.81, 0.35%, 0.48%

LAB 53.01, 14.91, 28.03

 

CMYK 0 / 44 / 52 / 35

HEX #A55D4F

RGB 165 93 79

HSL 9.77, 0.35%, 0.48%

LAB 47.49, 27.87, 20.87

 

CMYK 0 / 52 / 52 / 35

HEX #A54F4F

RGB 165 79 79

HSL 0, 0.35%, 0.48%

LAB 44.46, 35.44, 16.82

 

CMYK 0 / 30 / 52 / 35

HEX #A5744F

RGB 165 116 79

HSL 25.81, 0.35%, 0.48%

LAB 53.01, 14.91, 28.03

 

CMYK 0 / 16 / 52 / 35

HEX #A58B4F

RGB 165 139 79

HSL 41.86, 0.35%, 0.48%

LAB 59, 1.96, 35.5

 

CMYK 0 / 1 / 52 / 35

HEX #A5A34F

RGB 165 163 79

HSL 58.6, 0.35%, 0.48%

LAB 65.56, -11.02, 43.36

 

CMYK 13 / 0 / 52 / 35

HEX #90A54F

RGB 144 165 79

HSL 74.65, 0.35%, 0.48%

LAB 64.49, -20.83, 41.68

 

CMYK 27 / 0 / 52 / 35

HEX #79A54F

RGB 121 165 79

HSL 90.7, 0.35%, 0.48%

LAB 62.96, -29.9, 39.49

 

CMYK 0 / 30 / 52 / 35

HEX #A5744F

RGB 165 116 79

HSL 25.81, 0.35%, 0.48%

LAB 53.01, 14.91, 28.03

 

CMYK 0 / 38 / 68 / 27

HEX #B9723B

RGB 185 114 59

HSL 26.19, 0.52%, 0.48%

LAB 54.73, 23.08, 41.44

 

CMYK 0 / 46 / 81 / 20

HEX #CC6F27

RGB 204 111 39

HSL 26.18, 0.68%, 0.48%

LAB 56.44, 31.76, 53.33

 

CMYK 0 / 51 / 91 / 12

HEX #E06D14

RGB 224 109 20

HSL 26.18, 0.84%, 0.48%

LAB 58.82, 40.38, 62.93

 

CMYK 0 / 57 / 100 / 4

HEX #F46A00

RGB 244 106 0

HSL 26.07, 1%, 0.48%

LAB 61.26, 49.23, 69.83

 

CMYK 0 / 30 / 52 / 35

HEX #A5744F

RGB 165 116 79

HSL 25.81, 0.35%, 0.48%

LAB 53.01, 14.91, 28.03

 

CMYK 0 / 18 / 32 / 43

HEX #917763

RGB 145 119 99

HSL 26.09, 0.19%, 0.48%

LAB 51.97, 7.02, 14.8

 

CMYK 0 / 3 / 5 / 51

HEX #7D7977

RGB 125 121 119

HSL 20, 0.02%, 0.48%

LAB 51.11, 1.13, 1.63

 

CMYK 24 / 10 / 0 / 46

HEX #697C8A

RGB 105 124 138

HSL 205.45, 0.14%, 0.48%

LAB 50.98, -3.62, -9.9

 

CMYK 46 / 20 / 0 / 38

HEX #567F9E

RGB 86 127 158

HSL 205.83, 0.3%, 0.48%

LAB 51.41, -5.58, -21.05

 

CMYK 0 / 52 / 47 / 35

HEX #A54F58

RGB 165 79 88

HSL 353.72, 0.35%, 0.48%

LAB 44.65, 36.32, 11.62

 

CMYK 0 / 44 / 52 / 35

HEX #A55D4F

RGB 165 93 79

HSL 9.77, 0.35%, 0.48%

LAB 47.49, 27.87, 20.87

 

CMYK 0 / 30 / 52 / 35

HEX #A5744F

RGB 165 116 79

HSL 25.81, 0.35%, 0.48%

LAB 53.01, 14.91, 28.03

 

CMYK 0 / 16 / 52 / 35

HEX #A58B4F

RGB 165 139 79

HSL 41.86, 0.35%, 0.48%

LAB 59, 1.96, 35.5

 

CMYK 0 / 2 / 52 / 35

HEX #A5A24F

RGB 165 162 79

HSL 57.91, 0.35%, 0.48%

LAB 65.28, -10.5, 43.03

 

CMYK 0 / 29 / 52 / 57

HEX #6D4D34

RGB 109 77 52

HSL 26.32, 0.35%, 0.32%

LAB 35.61, 10.24, 20.12

 

CMYK 0 / 29 / 52 / 46

HEX #896142

RGB 137 97 66

HSL 26.2, 0.35%, 0.4%

LAB 44.61, 12.38, 24.04

 

CMYK 0 / 30 / 52 / 35

HEX #A5744F

RGB 165 116 79

HSL 25.81, 0.35%, 0.48%

LAB 53.01, 14.91, 28.03

 

CMYK 0 / 25 / 43 / 29

HEX #B68967

RGB 182 137 103

HSL 25.82, 0.35%, 0.56%

LAB 60.62, 12.75, 24.88

 

CMYK 0 / 18 / 33 / 24

HEX #C39F83

RGB 195 159 131

HSL 26.25, 0.35%, 0.64%

LAB 68.05, 9.27, 19.63

 

CMYK 0 / 29 / 52 / 35

HEX #A57550

RGB 165 117 80

HSL 26.12, 0.35%, 0.48%

LAB 53.28, 14.43, 27.81

 

CMYK 33 / 0 / 52 / 35

HEX #6EA54F

RGB 110 165 79

HSL 98.37, 0.35%, 0.48%

LAB 62.33, -33.94, 38.59

 

CMYK 50 / 52 / 0 / 35

HEX #524FA5

RGB 82 79 165

HSL 242.09, 0.35%, 0.48%

LAB 38.03, 25.19, -46.24

 

CMYK 0 / 29 / 52 / 35

HEX #A57550

RGB 165 117 80

HSL 26.12, 0.35%, 0.48%

LAB 53.28, 14.43, 27.81

 

CMYK 52 / 0 / 30 / 35

HEX #4FA574

RGB 79 165 116

HSL 145.81, 0.35%, 0.48%

LAB 61.51, -37.54, 17.65

 

CMYK 30 / 52 / 0 / 35

HEX #744FA5

RGB 116 79 165

HSL 265.81, 0.35%, 0.48%

LAB 41.25, 33.78, -40.9

 

CMYK 0 / 29 / 52 / 35

HEX #A57550

RGB 165 117 80

HSL 26.12, 0.35%, 0.48%

LAB 53.28, 14.43, 27.81

 

CMYK 33 / 0 / 52 / 35

HEX #6EA54F

RGB 110 165 79

HSL 98.37, 0.35%, 0.48%

LAB 62.33, -33.94, 38.59

 

CMYK 52 / 22 / 0 / 35

HEX #4F80A5

RGB 79 128 165

HSL 205.81, 0.35%, 0.48%

LAB 51.63, -5.79, -24.81

 

CMYK 19 / 52 / 0 / 35

HEX #854FA5

RGB 133 79 165

HSL 277.67, 0.35%, 0.48%

LAB 43.2, 38.49, -37.67

 

CMYK 0 / 29 / 52 / 35

HEX #A57550

RGB 165 117 80

HSL 26.12, 0.35%, 0.48%

LAB 53.28, 14.43, 27.81

 

CMYK 48 / 0 / 52 / 35

HEX #55A54F

RGB 85 165 79

HSL 115.81, 0.35%, 0.48%

LAB 61.14, -42.14, 36.86

 

CMYK 52 / 22 / 0 / 35

HEX #4F80A5

RGB 79 128 165

HSL 205.81, 0.35%, 0.48%

LAB 51.63, -5.79, -24.81

 

CMYK 4 / 52 / 0 / 35

HEX #9F4FA5

RGB 159 79 165

HSL 295.81, 0.35%, 0.48%

LAB 46.55, 45.91, -32.18

 

Description

Color code: HEX #A57550 | qconv.com Color code: HEX #A57550 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 117 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 117 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 52 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 52% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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