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Color name
HEX #A56A37

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A56A37 it is the complementary color #5A95C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A56A37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A56A37 shade: #AA6A32, #BB7C45, #CC8E58, #DDA06B and #EEB27E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A56A37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A56A37 shade: #A56A37, #945824, #834611, #723400 and #612200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A56A37 shade: #A46936, #A44C36 and #A43636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A56A37 shade: #A46936, #A48736, #A4A436, #86A436 and #69A436

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A56A37 shade matches the following richer shades: #A46936, #B66825, #C76713 and #D96501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A56A37 shade: #A46936, #926A48, #806C5A, #6F6D6C and #5D6E7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A56A37 shade: #A4363F, #A44A36, #A46836, #A48536 and #A4A236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A56A37 shade: #664122, #85552C, #A46936, #C07D43 and #CA9362

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A56A37 shade: #A56A37, #5DA436 and #3C36A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A56A37 shade: #A56A37, #36A468 and #6836A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A56A37 shade: #A56A37, #5DA436, #3673A4 and #7E36A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A56A37 shade: #A56A37, #3CA436, #3673A4 and #9E36A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 67 / 35

HEX #A56A37

RGB 165 106 55

HSL 27.82, 0.5%, 0.43%

LAB 50.2, 18.66, 37.71

 

Complementary color

CMYK 55 / 26 / 0 / 22

HEX #5A95C8

RGB 90 149 200

HSL 207.82, 0.5%, 0.57%

LAB 59.74, -4.46, -32.17

 

CMYK 0 / 38 / 71 / 33

HEX #AA6A32

RGB 170 106 50

HSL 28, 0.55%, 0.43%

LAB 50.79, 20.55, 41.1

 

CMYK 0 / 34 / 63 / 27

HEX #BB7C45

RGB 187 124 69

HSL 27.97, 0.46%, 0.5%

LAB 57.47, 19.04, 39.5

 

CMYK 0 / 30 / 57 / 20

HEX #CC8E58

RGB 204 142 88

HSL 27.93, 0.53%, 0.57%

LAB 64.07, 17.76, 37.92

 

CMYK 0 / 28 / 52 / 13

HEX #DDA06B

RGB 221 160 107

HSL 27.89, 0.63%, 0.64%

LAB 70.58, 16.65, 36.42

 

CMYK 0 / 25 / 47 / 7

HEX #EEB27E

RGB 238 178 126

HSL 27.86, 0.77%, 0.71%

LAB 77, 15.68, 35.02

 

CMYK 0 / 36 / 67 / 35

HEX #A56A37

RGB 165 106 55

HSL 27.82, 0.5%, 0.43%

LAB 50.2, 18.66, 37.71

 

CMYK 0 / 41 / 76 / 42

HEX #945824

RGB 148 88 36

HSL 27.86, 0.61%, 0.36%

LAB 43.36, 20.32, 39.3

 

CMYK 0 / 47 / 87 / 49

HEX #834611

RGB 131 70 17

HSL 27.89, 0.77%, 0.29%

LAB 36.45, 22.29, 40.44

 

CMYK 0 / 54 / 100 / 55

HEX #723400

RGB 114 52 0

HSL 27.37, 1%, 0.22%

LAB 29.5, 24.53, 40.36

 

CMYK 0 / 65 / 100 / 62

HEX #612200

RGB 97 34 0

HSL 21.03, 1%, 0.19%

LAB 22.6, 27.02, 32.94

 

CMYK 0 / 36 / 67 / 36

HEX #A46936

RGB 164 105 54

HSL 27.82, 0.5%, 0.43%

LAB 49.81, 18.73, 37.76

 

CMYK 0 / 54 / 67 / 36

HEX #A44C36

RGB 164 76 54

HSL 12, 0.5%, 0.43%

LAB 43.25, 34.68, 30.14

 

CMYK 0 / 67 / 67 / 36

HEX #A43636

RGB 164 54 54

HSL 0, 0.5%, 0.43%

LAB 39.24, 45.24, 25.26

 

CMYK 0 / 36 / 67 / 36

HEX #A46936

RGB 164 105 54

HSL 27.82, 0.5%, 0.43%

LAB 49.81, 18.73, 37.76

 

CMYK 0 / 18 / 67 / 36

HEX #A48736

RGB 164 135 54

HSL 44.18, 0.5%, 0.43%

LAB 57.55, 1.8, 46.26

 

CMYK 0 / 0 / 67 / 36

HEX #A4A436

RGB 164 164 54

HSL 60, 0.5%, 0.43%

LAB 65.52, -13.81, 54.59

 

CMYK 18 / 0 / 67 / 36

HEX #86A436

RGB 134 164 54

HSL 76.36, 0.5%, 0.43%

LAB 63.25, -26.56, 51.52

 

CMYK 36 / 0 / 67 / 36

HEX #69A436

RGB 105 164 54

HSL 92.18, 0.5%, 0.43%

LAB 61.5, -37.81, 49.15

 

CMYK 0 / 36 / 67 / 36

HEX #A46936

RGB 164 105 54

HSL 27.82, 0.5%, 0.43%

LAB 49.81, 18.73, 37.76

 

CMYK 0 / 43 / 80 / 29

HEX #B66825

RGB 182 104 37

HSL 27.72, 0.66%, 0.43%

LAB 51.81, 26.24, 48.75

 

CMYK 0 / 48 / 90 / 22

HEX #C76713

RGB 199 103 19

HSL 28, 0.83%, 0.43%

LAB 53.91, 33.41, 57.94

 

CMYK 0 / 53 / 100 / 15

HEX #D96501

RGB 217 101 1

HSL 27.78, 0.99%, 0.43%

LAB 56.15, 41.41, 64.54

 

CMYK 0 / 36 / 67 / 36

HEX #A46936

RGB 164 105 54

HSL 27.82, 0.5%, 0.43%

LAB 49.81, 18.73, 37.76

 

CMYK 0 / 27 / 51 / 43

HEX #926A48

RGB 146 106 72

HSL 27.57, 0.34%, 0.43%

LAB 48.12, 11.71, 25.3

 

CMYK 0 / 16 / 30 / 50

HEX #806C5A

RGB 128 108 90

HSL 28.42, 0.17%, 0.43%

LAB 47.04, 4.97, 13.01

 

CMYK 0 / 2 / 3 / 56

HEX #6F6D6C

RGB 111 109 108

HSL 20, 0.01%, 0.43%

LAB 46.18, 0.57, 0.82

 

CMYK 26 / 12 / 0 / 51

HEX #5D6E7D

RGB 93 110 125

HSL 208.13, 0.15%, 0.43%

LAB 45.58, -2.68, -10.41

 

CMYK 0 / 67 / 62 / 36

HEX #A4363F

RGB 164 54 63

HSL 355.09, 0.5%, 0.43%

LAB 39.39, 45.82, 19.91

 

CMYK 0 / 55 / 67 / 36

HEX #A44A36

RGB 164 74 54

HSL 10.91, 0.5%, 0.43%

LAB 42.85, 35.72, 29.66

 

CMYK 0 / 37 / 67 / 36

HEX #A46836

RGB 164 104 54

HSL 27.27, 0.5%, 0.43%

LAB 49.57, 19.29, 37.48

 

CMYK 0 / 19 / 67 / 36

HEX #A48536

RGB 164 133 54

HSL 43.09, 0.5%, 0.43%

LAB 57.01, 2.91, 45.69

 

CMYK 0 / 1 / 67 / 36

HEX #A4A236

RGB 164 162 54

HSL 58.91, 0.5%, 0.43%

LAB 64.96, -12.77, 54.01

 

CMYK 0 / 36 / 67 / 60

HEX #664122

RGB 102 65 34

HSL 27.35, 0.5%, 0.27%

LAB 31.16, 12.67, 25.18

 

CMYK 0 / 36 / 67 / 48

HEX #85552C

RGB 133 85 44

HSL 27.64, 0.5%, 0.35%

LAB 40.68, 15.77, 31.63

 

CMYK 0 / 36 / 67 / 36

HEX #A46936

RGB 164 105 54

HSL 27.82, 0.5%, 0.43%

LAB 49.81, 18.73, 37.76

 

CMYK 0 / 35 / 65 / 25

HEX #C07D43

RGB 192 125 67

HSL 27.84, 0.5%, 0.51%

LAB 58.3, 20.49, 41.64

 

CMYK 0 / 27 / 51 / 21

HEX #CA9362

RGB 202 147 98

HSL 28.27, 0.5%, 0.59%

LAB 65.2, 15.05, 33.97

 

CMYK 0 / 36 / 67 / 35

HEX #A56A37

RGB 165 106 55

HSL 27.82, 0.5%, 0.43%

LAB 50.2, 18.66, 37.71

 

CMYK 43 / 0 / 67 / 36

HEX #5DA436

RGB 93 164 54

HSL 98.73, 0.5%, 0.43%

LAB 60.91, -41.97, 48.34

 

CMYK 63 / 67 / 0 / 36

HEX #3C36A4

RGB 60 54 164

HSL 243.27, 0.5%, 0.43%

LAB 30.11, 36.39, -58.56

 

CMYK 0 / 36 / 67 / 35

HEX #A56A37

RGB 165 106 55

HSL 27.82, 0.5%, 0.43%

LAB 50.2, 18.66, 37.71

 

CMYK 67 / 0 / 37 / 36

HEX #36A468

RGB 54 164 104

HSL 147.27, 0.5%, 0.43%

LAB 60.19, -45.07, 22.3

 

CMYK 37 / 67 / 0 / 36

HEX #6836A4

RGB 104 54 164

HSL 267.27, 0.5%, 0.43%

LAB 34.52, 44.58, -51.18

 

CMYK 0 / 36 / 67 / 35

HEX #A56A37

RGB 165 106 55

HSL 27.82, 0.5%, 0.43%

LAB 50.2, 18.66, 37.71

 

CMYK 43 / 0 / 67 / 36

HEX #5DA436

RGB 93 164 54

HSL 98.73, 0.5%, 0.43%

LAB 60.91, -41.97, 48.34

 

CMYK 67 / 30 / 0 / 36

HEX #3673A4

RGB 54 115 164

HSL 206.73, 0.5%, 0.43%

LAB 46.61, -3.63, -32.11

 

CMYK 23 / 67 / 0 / 36

HEX #7E36A4

RGB 126 54 164

HSL 279.27, 0.5%, 0.43%

LAB 37.4, 49.46, -46.4

 

CMYK 0 / 36 / 67 / 35

HEX #A56A37

RGB 165 106 55

HSL 27.82, 0.5%, 0.43%

LAB 50.2, 18.66, 37.71

 

CMYK 63 / 0 / 67 / 36

HEX #3CA436

RGB 60 164 54

HSL 116.73, 0.5%, 0.43%

LAB 59.69, -51.29, 46.66

 

CMYK 67 / 30 / 0 / 36

HEX #3673A4

RGB 54 115 164

HSL 206.73, 0.5%, 0.43%

LAB 46.61, -3.63, -32.11

 

CMYK 4 / 67 / 0 / 36

HEX #9E36A4

RGB 158 54 164

HSL 296.73, 0.5%, 0.43%

LAB 42.14, 56.97, -38.56

 

Description

Color code: HEX #A56A37 | qconv.com Color code: HEX #A56A37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 106 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 106 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 67 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 67% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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