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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A56397 it is the complementary color #5A9C68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A56397. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A56397 shade: #AA6392, #BB75A5, #CC87B8, #DD99CB and #EEABDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A56397. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A56397 shade: #A56397, #945184, #833F71, #722D5E and #611B4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A56397 shade: #A56397, #A56385, #A56373 and #A56363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A56397 shade: #A56397, #A163A5, #9063A5, #7E63A5 and #6C63A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A56397 shade matches the following richer shades: #A56397, #B94FA3, #CD3BAE, #E128B9 and #F414C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A56397 shade: #A56397, #91778C, #7E8B80, #6A9E75 and #56B26A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A56397 shade: #8F63A5, #A163A5, #A56398, #A56386 and #A56375

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A56397 shade: #744269, #8E5181, #A56397, #B47DA9 and #C397BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A56397 shade: #A56397, #A57D63 and #63A598

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A56397 shade: #A56397, #98A563 and #6398A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A56397 shade: #A56397, #A57D63, #63A570 and #638BA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A56397 shade: #A56397, #A59163, #63A570 and #6377A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 8 / 35

HEX #A56397

RGB 165 99 151

HSL 312.73, 0.27%, 0.52%

LAB 50.87, 34.52, -17.16

 

Complementary color

CMYK 42 / 0 / 33 / 39

HEX #5A9C68

RGB 90 156 104

HSL 132.73, 0.27%, 0.48%

LAB 58.93, -32.66, 20.82

 

CMYK 0 / 42 / 14 / 33

HEX #AA6392

RGB 170 99 146

HSL 320.28, 0.29%, 0.53%

LAB 51.32, 35.35, -13.47

 

CMYK 0 / 37 / 12 / 27

HEX #BB75A5

RGB 187 117 165

HSL 318.86, 0.34%, 0.6%

LAB 58.04, 34.56, -14.19

 

CMYK 0 / 34 / 10 / 20

HEX #CC87B8

RGB 204 135 184

HSL 317.39, 0.4%, 0.66%

LAB 64.66, 33.8, -14.82

 

CMYK 0 / 31 / 8 / 13

HEX #DD99CB

RGB 221 153 203

HSL 315.88, 0.5%, 0.73%

LAB 71.19, 33.09, -15.4

 

CMYK 0 / 28 / 7 / 7

HEX #EEABDE

RGB 238 171 222

HSL 314.33, 0.66%, 0.8%

LAB 77.62, 32.41, -15.94

 

CMYK 0 / 40 / 8 / 35

HEX #A56397

RGB 165 99 151

HSL 312.73, 0.27%, 0.52%

LAB 50.87, 34.52, -17.16

 

CMYK 0 / 45 / 11 / 42

HEX #945184

RGB 148 81 132

HSL 314.33, 0.29%, 0.45%

LAB 44.01, 35.31, -16.47

 

CMYK 0 / 52 / 14 / 49

HEX #833F71

RGB 131 63 113

HSL 315.88, 0.35%, 0.38%

LAB 37.06, 36.07, -15.62

 

CMYK 0 / 61 / 18 / 55

HEX #722D5E

RGB 114 45 94

HSL 317.39, 0.43%, 0.31%

LAB 30.06, 36.68, -14.5

 

CMYK 0 / 72 / 23 / 62

HEX #611B4B

RGB 97 27 75

HSL 318.86, 0.56%, 0.24%

LAB 23.11, 36.84, -12.87

 

CMYK 0 / 40 / 8 / 35

HEX #A56397

RGB 165 99 151

HSL 312.73, 0.27%, 0.52%

LAB 50.87, 34.52, -17.16

 

CMYK 0 / 40 / 19 / 35

HEX #A56385

RGB 165 99 133

HSL 329.09, 0.27%, 0.52%

LAB 50.24, 31.46, -7.46

 

CMYK 0 / 40 / 30 / 35

HEX #A56373

RGB 165 99 115

HSL 345.45, 0.27%, 0.52%

LAB 49.69, 28.76, 2.47

 

CMYK 0 / 40 / 40 / 35

HEX #A56363

RGB 165 99 99

HSL 0, 0.27%, 0.52%

LAB 49.28, 26.68, 11.43

 

CMYK 0 / 40 / 8 / 35

HEX #A56397

RGB 165 99 151

HSL 312.73, 0.27%, 0.52%

LAB 50.87, 34.52, -17.16

 

CMYK 2 / 40 / 0 / 35

HEX #A163A5

RGB 161 99 165

HSL 296.36, 0.27%, 0.52%

LAB 50.94, 35.84, -25.32

 

CMYK 13 / 40 / 0 / 35

HEX #9063A5

RGB 144 99 165

HSL 280.91, 0.27%, 0.52%

LAB 48.97, 30.42, -28.53

 

CMYK 24 / 40 / 0 / 35

HEX #7E63A5

RGB 126 99 165

HSL 264.55, 0.27%, 0.52%

LAB 47.07, 24.82, -31.63

 

CMYK 35 / 40 / 0 / 35

HEX #6C63A5

RGB 108 99 165

HSL 248.18, 0.27%, 0.52%

LAB 45.4, 19.46, -34.38

 

CMYK 0 / 40 / 8 / 35

HEX #A56397

RGB 165 99 151

HSL 312.73, 0.27%, 0.52%

LAB 50.87, 34.52, -17.16

 

CMYK 0 / 57 / 12 / 27

HEX #B94FA3

RGB 185 79 163

HSL 312.45, 0.43%, 0.52%

LAB 50.16, 53.04, -25.1

 

CMYK 0 / 71 / 15 / 20

HEX #CD3BAE

RGB 205 59 174

HSL 312.74, 0.59%, 0.52%

LAB 50.88, 67.99, -30.2

 

CMYK 0 / 82 / 18 / 12

HEX #E128B9

RGB 225 40 185

HSL 312.97, 0.76%, 0.52%

LAB 52.98, 79.13, -33.09

 

CMYK 0 / 92 / 19 / 4

HEX #F414C5

RGB 244 20 197

HSL 312.59, 0.91%, 0.52%

LAB 55.85, 87.46, -35.3

 

CMYK 0 / 40 / 8 / 35

HEX #A56397

RGB 165 99 151

HSL 312.73, 0.27%, 0.52%

LAB 50.87, 34.52, -17.16

 

CMYK 0 / 18 / 3 / 43

HEX #91778C

RGB 145 119 140

HSL 311.54, 0.11%, 0.52%

LAB 53.07, 13.91, -7.61

 

CMYK 9 / 0 / 8 / 45

HEX #7E8B80

RGB 126 139 128

HSL 129.23, 0.05%, 0.52%

LAB 56.54, -6.94, 4.27

 

CMYK 33 / 0 / 26 / 38

HEX #6A9E75

RGB 106 158 117

HSL 132.69, 0.21%, 0.52%

LAB 60.61, -26.11, 16.05

 

CMYK 52 / 0 / 40 / 30

HEX #56B26A

RGB 86 178 106

HSL 133.04, 0.37%, 0.52%

LAB 65.64, -43.23, 28.63

 

CMYK 13 / 40 / 0 / 35

HEX #8F63A5

RGB 143 99 165

HSL 280, 0.27%, 0.52%

LAB 48.86, 30.11, -28.71

 

CMYK 2 / 40 / 0 / 35

HEX #A163A5

RGB 161 99 165

HSL 296.36, 0.27%, 0.52%

LAB 50.94, 35.84, -25.32

 

CMYK 0 / 40 / 8 / 35

HEX #A56398

RGB 165 99 152

HSL 311.82, 0.27%, 0.52%

LAB 50.91, 34.7, -17.69

 

CMYK 0 / 40 / 19 / 35

HEX #A56386

RGB 165 99 134

HSL 328.18, 0.27%, 0.52%

LAB 50.27, 31.62, -8

 

CMYK 0 / 40 / 29 / 35

HEX #A56375

RGB 165 99 117

HSL 343.64, 0.27%, 0.52%

LAB 49.75, 29.04, 1.36

 

CMYK 0 / 43 / 9 / 55

HEX #744269

RGB 116 66 105

HSL 313.2, 0.27%, 0.36%

LAB 35.26, 27.78, -13.55

 

CMYK 0 / 43 / 9 / 44

HEX #8E5181

RGB 142 81 129

HSL 312.79, 0.27%, 0.44%

LAB 43.09, 32.74, -16.13

 

CMYK 0 / 40 / 8 / 35

HEX #A56397

RGB 165 99 151

HSL 312.73, 0.27%, 0.52%

LAB 50.87, 34.52, -17.16

 

CMYK 0 / 31 / 6 / 29

HEX #B47DA9

RGB 180 125 169

HSL 312, 0.27%, 0.6%

LAB 59.19, 28.44, -14.83

 

CMYK 0 / 23 / 5 / 24

HEX #C397BA

RGB 195 151 186

HSL 312.27, 0.27%, 0.68%

LAB 67.49, 22.29, -11.8

 

CMYK 0 / 40 / 8 / 35

HEX #A56397

RGB 165 99 151

HSL 312.73, 0.27%, 0.52%

LAB 50.87, 34.52, -17.16

 

CMYK 0 / 24 / 40 / 35

HEX #A57D63

RGB 165 125 99

HSL 23.64, 0.27%, 0.52%

LAB 55.65, 11.95, 20.17

 

CMYK 40 / 0 / 8 / 35

HEX #63A598

RGB 99 165 152

HSL 168.18, 0.27%, 0.52%

LAB 63.2, -24.19, 0.11

 

CMYK 0 / 40 / 8 / 35

HEX #A56397

RGB 165 99 151

HSL 312.73, 0.27%, 0.52%

LAB 50.87, 34.52, -17.16

 

CMYK 8 / 0 / 40 / 35

HEX #98A563

RGB 152 165 99

HSL 71.82, 0.27%, 0.52%

LAB 65.35, -15.36, 32.66

 

CMYK 40 / 8 / 0 / 35

HEX #6398A5

RGB 99 152 165

HSL 191.82, 0.27%, 0.52%

LAB 59.73, -14.1, -12.37

 

CMYK 0 / 40 / 8 / 35

HEX #A56397

RGB 165 99 151

HSL 312.73, 0.27%, 0.52%

LAB 50.87, 34.52, -17.16

 

CMYK 0 / 24 / 40 / 35

HEX #A57D63

RGB 165 125 99

HSL 23.64, 0.27%, 0.52%

LAB 55.65, 11.95, 20.17

 

CMYK 40 / 0 / 32 / 35

HEX #63A570

RGB 99 165 112

HSL 131.82, 0.27%, 0.52%

LAB 62.28, -32.65, 21.04

 

CMYK 40 / 16 / 0 / 35

HEX #638BA5

RGB 99 139 165

HSL 203.64, 0.27%, 0.52%

LAB 55.92, -6.92, -18.13

 

CMYK 0 / 40 / 8 / 35

HEX #A56397

RGB 165 99 151

HSL 312.73, 0.27%, 0.52%

LAB 50.87, 34.52, -17.16

 

CMYK 0 / 12 / 40 / 35

HEX #A59163

RGB 165 145 99

HSL 41.82, 0.27%, 0.52%

LAB 60.91, 0.75, 27.16

 

CMYK 40 / 0 / 32 / 35

HEX #63A570

RGB 99 165 112

HSL 131.82, 0.27%, 0.52%

LAB 62.28, -32.65, 21.04

 

CMYK 40 / 28 / 0 / 35

HEX #6377A5

RGB 99 119 165

HSL 221.82, 0.27%, 0.52%

LAB 50.17, 4.72, -26.97

 

Description

Color code: HEX #A56397 | qconv.com Color code: HEX #A56397 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 99 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 99 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 8 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 8% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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