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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A56259 it is the complementary color #5A9DA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A56259. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A56259 shade: #AA6254, #BB7467, #CC867A, #DD988D and #EEAAA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A56259. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A56259 shade: #A56259, #945046, #833E33, #722C20 and #611A0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A56259 shade: #A56259 and #A55959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A56259 shade: #A56259, #A57659, #A58B59, #A5A059 and #96A559

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A56259 shade matches the following richer shades: #A56259, #BA5244, #CF422F, #E3331B and #F82306

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A56259 shade: #A56259, #91726D, #7C8182, #679197 and #53A1AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A56259 shade: #A55979, #A55964, #A56259, #A57659 and #A58A59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A56259 shade: #70423C, #8A524A, #A56259, #B47B74 and #C2958E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A56259 shade: #A56259, #8DA559 and #596EA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A56259 shade: #A56259, #59A562 and #6259A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A56259 shade: #A56259, #8DA559, #599CA5 and #7159A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A56259 shade: #A56259, #76A559, #599CA5 and #8859A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 46 / 35

HEX #A56259

RGB 165 98 89

HSL 7.11, 0.3%, 0.5%

LAB 48.83, 26.1, 16.75

 

Complementary color

CMYK 46 / 5 / 0 / 35

HEX #5A9DA6

RGB 90 157 166

HSL 187.11, 0.3%, 0.5%

LAB 60.82, -18.83, -11.34

 

CMYK 0 / 42 / 51 / 33

HEX #AA6254

RGB 170 98 84

HSL 9.77, 0.34%, 0.5%

LAB 49.4, 27.61, 20.59

 

CMYK 0 / 38 / 45 / 27

HEX #BB7467

RGB 187 116 103

HSL 9.29, 0.38%, 0.57%

LAB 56.12, 26.46, 18.96

 

CMYK 0 / 34 / 40 / 20

HEX #CC867A

RGB 204 134 122

HSL 8.78, 0.45%, 0.64%

LAB 62.75, 25.43, 17.53

 

CMYK 0 / 31 / 36 / 13

HEX #DD988D

RGB 221 152 141

HSL 8.25, 0.54%, 0.71%

LAB 69.29, 24.51, 16.26

 

CMYK 0 / 29 / 33 / 7

HEX #EEAAA0

RGB 238 170 160

HSL 7.69, 0.7%, 0.78%

LAB 75.74, 23.69, 15.11

 

CMYK 0 / 41 / 46 / 35

HEX #A56259

RGB 165 98 89

HSL 7.11, 0.3%, 0.5%

LAB 48.83, 26.1, 16.75

 

CMYK 0 / 46 / 53 / 42

HEX #945046

RGB 148 80 70

HSL 7.69, 0.36%, 0.43%

LAB 41.96, 27.31, 18.5

 

CMYK 0 / 53 / 61 / 49

HEX #833E33

RGB 131 62 51

HSL 8.25, 0.44%, 0.36%

LAB 35.02, 28.66, 20.61

 

CMYK 0 / 61 / 72 / 55

HEX #722C20

RGB 114 44 32

HSL 8.78, 0.56%, 0.29%

LAB 28.07, 30.09, 23.23

 

CMYK 0 / 73 / 87 / 62

HEX #611A0D

RGB 97 26 13

HSL 9.29, 0.76%, 0.22%

LAB 21.24, 31.35, 26.09

 

CMYK 0 / 41 / 46 / 35

HEX #A56259

RGB 165 98 89

HSL 7.11, 0.3%, 0.5%

LAB 48.83, 26.1, 16.75

 

CMYK 0 / 46 / 46 / 35

HEX #A55959

RGB 165 89 89

HSL 0, 0.3%, 0.5%

LAB 46.8, 31.08, 13.97

 

CMYK 0 / 41 / 46 / 35

HEX #A56259

RGB 165 98 89

HSL 7.11, 0.3%, 0.5%

LAB 48.83, 26.1, 16.75

 

CMYK 0 / 28 / 46 / 35

HEX #A57659

RGB 165 118 89

HSL 22.89, 0.3%, 0.5%

LAB 53.68, 14.79, 23.25

 

CMYK 0 / 16 / 46 / 35

HEX #A58B59

RGB 165 139 89

HSL 39.47, 0.3%, 0.5%

LAB 59.15, 2.95, 30.33

 

CMYK 0 / 3 / 46 / 35

HEX #A5A059

RGB 165 160 89

HSL 56.05, 0.3%, 0.5%

LAB 64.85, -8.48, 37.48

 

CMYK 9 / 0 / 46 / 35

HEX #96A559

RGB 150 165 89

HSL 71.84, 0.3%, 0.5%

LAB 65.05, -17.33, 37.45

 

CMYK 0 / 41 / 46 / 35

HEX #A56259

RGB 165 98 89

HSL 7.11, 0.3%, 0.5%

LAB 48.83, 26.1, 16.75

 

CMYK 0 / 56 / 63 / 27

HEX #BA5244

RGB 186 82 68

HSL 7.12, 0.46%, 0.5%

LAB 48.12, 41, 28.76

 

CMYK 0 / 68 / 77 / 19

HEX #CF422F

RGB 207 66 47

HSL 7.13, 0.63%, 0.5%

LAB 48.72, 54.49, 42.15

 

CMYK 0 / 78 / 88 / 11

HEX #E3331B

RGB 227 51 27

HSL 7.2, 0.79%, 0.5%

LAB 50.43, 65.32, 54.67

 

CMYK 0 / 86 / 98 / 3

HEX #F82306

RGB 248 35 6

HSL 7.19, 0.95%, 0.5%

LAB 53.14, 74.64, 64.85

 

CMYK 0 / 41 / 46 / 35

HEX #A56259

RGB 165 98 89

HSL 7.11, 0.3%, 0.5%

LAB 48.83, 26.1, 16.75

 

CMYK 0 / 21 / 25 / 43

HEX #91726D

RGB 145 114 109

HSL 8.33, 0.14%, 0.5%

LAB 50.87, 11.39, 7.42

 

CMYK 5 / 1 / 0 / 49

HEX #7C8182

RGB 124 129 130

HSL 190, 0.02%, 0.5%

LAB 53.6, -1.65, -1.19

 

CMYK 32 / 4 / 0 / 41

HEX #679197

RGB 103 145 151

HSL 187.5, 0.19%, 0.5%

LAB 57.43, -12.79, -7.8

 

CMYK 51 / 6 / 0 / 33

HEX #53A1AB

RGB 83 161 171

HSL 186.82, 0.35%, 0.5%

LAB 61.89, -21.17, -12.59

 

CMYK 0 / 46 / 27 / 35

HEX #A55979

RGB 165 89 121

HSL 334.74, 0.3%, 0.5%

LAB 47.66, 35.11, -4.11

 

CMYK 0 / 46 / 39 / 35

HEX #A55964

RGB 165 89 100

HSL 351.32, 0.3%, 0.5%

LAB 47.06, 32.33, 7.7

 

CMYK 0 / 41 / 46 / 35

HEX #A56259

RGB 165 98 89

HSL 7.11, 0.3%, 0.5%

LAB 48.83, 26.1, 16.75

 

CMYK 0 / 28 / 46 / 35

HEX #A57659

RGB 165 118 89

HSL 22.89, 0.3%, 0.5%

LAB 53.68, 14.79, 23.25

 

CMYK 0 / 16 / 46 / 35

HEX #A58A59

RGB 165 138 89

HSL 38.68, 0.3%, 0.5%

LAB 58.88, 3.51, 29.99

 

CMYK 0 / 41 / 46 / 56

HEX #70423C

RGB 112 66 60

HSL 6.92, 0.3%, 0.34%

LAB 33.28, 19.18, 12.14

 

CMYK 0 / 41 / 46 / 46

HEX #8A524A

RGB 138 82 74

HSL 7.5, 0.3%, 0.42%

LAB 41.11, 22.44, 14.68

 

CMYK 0 / 41 / 46 / 35

HEX #A56259

RGB 165 98 89

HSL 7.11, 0.3%, 0.5%

LAB 48.83, 26.1, 16.75

 

CMYK 0 / 32 / 36 / 29

HEX #B47B74

RGB 180 123 116

HSL 6.56, 0.3%, 0.58%

LAB 57.2, 21.3, 12.82

 

CMYK 0 / 23 / 27 / 24

HEX #C2958E

RGB 194 149 142

HSL 8.08, 0.3%, 0.66%

LAB 65.68, 15.86, 10.21

 

CMYK 0 / 41 / 46 / 35

HEX #A56259

RGB 165 98 89

HSL 7.11, 0.3%, 0.5%

LAB 48.83, 26.1, 16.75

 

CMYK 15 / 0 / 46 / 35

HEX #8DA559

RGB 141 165 89

HSL 78.95, 0.3%, 0.5%

LAB 64.4, -20.96, 36.5

 

CMYK 46 / 33 / 0 / 35

HEX #596EA5

RGB 89 110 165

HSL 223.42, 0.3%, 0.5%

LAB 46.96, 7.45, -32.02

 

CMYK 0 / 41 / 46 / 35

HEX #A56259

RGB 165 98 89

HSL 7.11, 0.3%, 0.5%

LAB 48.83, 26.1, 16.75

 

CMYK 46 / 0 / 41 / 35

HEX #59A562

RGB 89 165 98

HSL 127.11, 0.3%, 0.5%

LAB 61.58, -38.11, 27.59

 

CMYK 41 / 46 / 0 / 35

HEX #6259A5

RGB 98 89 165

HSL 247.11, 0.3%, 0.5%

LAB 41.94, 22.87, -39.92

 

CMYK 0 / 41 / 46 / 35

HEX #A56259

RGB 165 98 89

HSL 7.11, 0.3%, 0.5%

LAB 48.83, 26.1, 16.75

 

CMYK 15 / 0 / 46 / 35

HEX #8DA559

RGB 141 165 89

HSL 78.95, 0.3%, 0.5%

LAB 64.4, -20.96, 36.5

 

CMYK 46 / 5 / 0 / 35

HEX #599CA5

RGB 89 156 165

HSL 187.11, 0.3%, 0.5%

LAB 60.44, -18.82, -11.35

 

CMYK 32 / 46 / 0 / 35

HEX #7159A5

RGB 113 89 165

HSL 258.95, 0.3%, 0.5%

LAB 43.32, 26.99, -37.63

 

CMYK 0 / 41 / 46 / 35

HEX #A56259

RGB 165 98 89

HSL 7.11, 0.3%, 0.5%

LAB 48.83, 26.1, 16.75

 

CMYK 28 / 0 / 46 / 35

HEX #76A559

RGB 118 165 89

HSL 97.11, 0.3%, 0.5%

LAB 62.91, -29.79, 34.33

 

CMYK 46 / 5 / 0 / 35

HEX #599CA5

RGB 89 156 165

HSL 187.11, 0.3%, 0.5%

LAB 60.44, -18.82, -11.35

 

CMYK 18 / 46 / 0 / 35

HEX #8859A5

RGB 136 89 165

HSL 277.11, 0.3%, 0.5%

LAB 45.76, 33.71, -33.61

 

Description

Color code: HEX #A56259 | qconv.com Color code: HEX #A56259 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 98 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 98 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 46 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 46% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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