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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A56478 it is the complementary color #5A9B87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A56478. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A56478 shade: #AA6473, #BB7686, #CC8899, #DD9AAC and #EEACBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A56478. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A56478 shade: #A56478, #945265, #834052, #722E3F and #611C2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A56478 shade: #A56377, #A56366 and #A56363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A56478 shade: #A56377, #A56389, #A5639B, #9D63A5 and #8C63A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A56478 shade matches the following richer shades: #A56377, #B94F70, #CD3B68, #E12861 and #F41459

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A56478 shade: #A56377, #91777F, #7E8B87, #6A9E8E and #56B296

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A56478 shade: #A5639B, #A5638A, #A56378, #A56366 and #A57163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A56478 shade: #744251, #8E5164, #A56377, #B47D8E and #C397A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A56478 shade: #A56478, #A59D63 and #6392A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A56478 shade: #A56478, #78A563 and #6378A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A56478 shade: #A56478, #A59D63, #63A590 and #636BA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A56478 shade: #A56478, #99A563, #63A590 and #6F63A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 27 / 35

HEX #A56478

RGB 165 100 120

HSL 341.54, 0.27%, 0.52%

LAB 50.06, 28.92, 0.02

 

Complementary color

CMYK 42 / 0 / 13 / 39

HEX #5A9B87

RGB 90 155 135

HSL 161.54, 0.27%, 0.48%

LAB 59.31, -25.69, 3.99

 

CMYK 0 / 41 / 32 / 33

HEX #AA6473

RGB 170 100 115

HSL 347.14, 0.29%, 0.53%

LAB 50.57, 30.1, 3.82

 

CMYK 0 / 37 / 28 / 27

HEX #BB7686

RGB 187 118 134

HSL 346.09, 0.34%, 0.6%

LAB 57.31, 29.19, 2.67

 

CMYK 0 / 33 / 25 / 20

HEX #CC8899

RGB 204 136 153

HSL 345, 0.4%, 0.67%

LAB 63.95, 28.36, 1.67

 

CMYK 0 / 30 / 22 / 13

HEX #DD9AAC

RGB 221 154 172

HSL 343.88, 0.5%, 0.74%

LAB 70.5, 27.59, 0.76

 

CMYK 0 / 28 / 20 / 7

HEX #EEACBF

RGB 238 172 191

HSL 342.73, 0.66%, 0.8%

LAB 76.95, 26.89, -0.07

 

CMYK 0 / 39 / 27 / 35

HEX #A56478

RGB 165 100 120

HSL 341.54, 0.27%, 0.52%

LAB 50.06, 28.92, 0.02

 

CMYK 0 / 45 / 32 / 42

HEX #945265

RGB 148 82 101

HSL 342.73, 0.29%, 0.45%

LAB 43.17, 29.84, 1.2

 

CMYK 0 / 51 / 37 / 49

HEX #834052

RGB 131 64 82

HSL 343.88, 0.34%, 0.38%

LAB 36.18, 30.82, 2.62

 

CMYK 0 / 60 / 45 / 55

HEX #722E3F

RGB 114 46 63

HSL 345, 0.43%, 0.31%

LAB 29.13, 31.77, 4.45

 

CMYK 0 / 71 / 55 / 62

HEX #611C2C

RGB 97 28 44

HSL 346.09, 0.55%, 0.25%

LAB 22.14, 32.46, 6.98

 

CMYK 0 / 40 / 28 / 35

HEX #A56377

RGB 165 99 119

HSL 341.82, 0.27%, 0.52%

LAB 49.8, 29.33, 0.25

 

CMYK 0 / 40 / 38 / 35

HEX #A56366

RGB 165 99 102

HSL 357.27, 0.27%, 0.52%

LAB 49.35, 27.05, 9.75

 

CMYK 0 / 40 / 40 / 35

HEX #A56363

RGB 165 99 99

HSL 0, 0.27%, 0.52%

LAB 49.28, 26.68, 11.43

 

CMYK 0 / 40 / 28 / 35

HEX #A56377

RGB 165 99 119

HSL 341.82, 0.27%, 0.52%

LAB 49.8, 29.33, 0.25

 

CMYK 0 / 40 / 17 / 35

HEX #A56389

RGB 165 99 137

HSL 325.45, 0.27%, 0.52%

LAB 50.37, 32.11, -9.64

 

CMYK 0 / 40 / 6 / 35

HEX #A5639B

RGB 165 99 155

HSL 309.09, 0.27%, 0.52%

LAB 51.02, 35.24, -19.28

 

CMYK 5 / 40 / 0 / 35

HEX #9D63A5

RGB 157 99 165

HSL 292.73, 0.27%, 0.52%

LAB 50.46, 34.56, -26.1

 

CMYK 15 / 40 / 0 / 35

HEX #8C63A5

RGB 140 99 165

HSL 277.27, 0.27%, 0.52%

LAB 48.53, 29.16, -29.25

 

CMYK 0 / 40 / 28 / 35

HEX #A56377

RGB 165 99 119

HSL 341.82, 0.27%, 0.52%

LAB 49.8, 29.33, 0.25

 

CMYK 0 / 57 / 39 / 27

HEX #B94F70

RGB 185 79 112

HSL 341.32, 0.43%, 0.52%

LAB 48.36, 46.04, 2.7

 

CMYK 0 / 71 / 49 / 20

HEX #CD3B68

RGB 205 59 104

HSL 341.51, 0.59%, 0.52%

LAB 48.39, 59.97, 8.06

 

CMYK 0 / 82 / 57 / 12

HEX #E12861

RGB 225 40 97

HSL 341.51, 0.76%, 0.52%

LAB 49.96, 70.5, 15.08

 

CMYK 0 / 92 / 64 / 4

HEX #F41459

RGB 244 20 89

HSL 341.52, 0.91%, 0.52%

LAB 52.35, 78.09, 23.78

 

CMYK 0 / 40 / 28 / 35

HEX #A56377

RGB 165 99 119

HSL 341.82, 0.27%, 0.52%

LAB 49.8, 29.33, 0.25

 

CMYK 0 / 18 / 12 / 43

HEX #91777F

RGB 145 119 127

HSL 341.54, 0.11%, 0.52%

LAB 52.67, 11.49, -0.57

 

CMYK 9 / 0 / 3 / 45

HEX #7E8B87

RGB 126 139 135

HSL 161.54, 0.05%, 0.52%

LAB 56.73, -5.54, 0.52

 

CMYK 33 / 0 / 10 / 38

HEX #6A9E8E

RGB 106 158 142

HSL 161.54, 0.21%, 0.52%

LAB 61.19, -20.92, 2.86

 

CMYK 52 / 0 / 16 / 30

HEX #56B296

RGB 86 178 150

HSL 161.74, 0.37%, 0.52%

LAB 66.54, -34.28, 5.99

 

CMYK 0 / 40 / 6 / 35

HEX #A5639B

RGB 165 99 155

HSL 309.09, 0.27%, 0.52%

LAB 51.02, 35.24, -19.28

 

CMYK 0 / 40 / 16 / 35

HEX #A5638A

RGB 165 99 138

HSL 324.55, 0.27%, 0.52%

LAB 50.4, 32.28, -10.18

 

CMYK 0 / 40 / 27 / 35

HEX #A56378

RGB 165 99 120

HSL 340.91, 0.27%, 0.52%

LAB 49.83, 29.47, -0.31

 

CMYK 0 / 40 / 38 / 35

HEX #A56366

RGB 165 99 102

HSL 357.27, 0.27%, 0.52%

LAB 49.35, 27.05, 9.75

 

CMYK 0 / 32 / 40 / 35

HEX #A57163

RGB 165 113 99

HSL 12.73, 0.27%, 0.52%

LAB 52.63, 18.77, 16.07

 

CMYK 0 / 43 / 30 / 55

HEX #744251

RGB 116 66 81

HSL 342, 0.27%, 0.36%

LAB 34.4, 23.69, 0.41

 

CMYK 0 / 43 / 30 / 44

HEX #8E5164

RGB 142 81 100

HSL 341.31, 0.27%, 0.44%

LAB 42.09, 27.98, 0.14

 

CMYK 0 / 40 / 28 / 35

HEX #A56377

RGB 165 99 119

HSL 341.82, 0.27%, 0.52%

LAB 49.8, 29.33, 0.25

 

CMYK 0 / 31 / 21 / 29

HEX #B47D8E

RGB 180 125 142

HSL 341.45, 0.27%, 0.6%

LAB 58.34, 23.87, -0.56

 

CMYK 0 / 23 / 15 / 24

HEX #C397A5

RGB 195 151 165

HSL 340.91, 0.27%, 0.68%

LAB 66.86, 18.66, -0.97

 

CMYK 0 / 39 / 27 / 35

HEX #A56478

RGB 165 100 120

HSL 341.54, 0.27%, 0.52%

LAB 50.06, 28.92, 0.02

 

CMYK 0 / 5 / 40 / 35

HEX #A59D63

RGB 165 157 99

HSL 52.73, 0.27%, 0.52%

LAB 64.17, -5.8, 31.38

 

CMYK 40 / 12 / 0 / 35

HEX #6392A5

RGB 99 146 165

HSL 197.27, 0.27%, 0.52%

LAB 57.97, -10.83, -15.03

 

CMYK 0 / 39 / 27 / 35

HEX #A56478

RGB 165 100 120

HSL 341.54, 0.27%, 0.52%

LAB 50.06, 28.92, 0.02

 

CMYK 27 / 0 / 40 / 35

HEX #78A563

RGB 120 165 99

HSL 100.91, 0.27%, 0.52%

LAB 63.18, -27.69, 29.45

 

CMYK 40 / 27 / 0 / 35

HEX #6378A5

RGB 99 120 165

HSL 220.91, 0.27%, 0.52%

LAB 50.45, 4.12, -26.53

 

CMYK 0 / 39 / 27 / 35

HEX #A56478

RGB 165 100 120

HSL 341.54, 0.27%, 0.52%

LAB 50.06, 28.92, 0.02

 

CMYK 0 / 5 / 40 / 35

HEX #A59D63

RGB 165 157 99

HSL 52.73, 0.27%, 0.52%

LAB 64.17, -5.8, 31.38

 

CMYK 40 / 0 / 13 / 35

HEX #63A590

RGB 99 165 144

HSL 160.91, 0.27%, 0.52%

LAB 62.99, -26.06, 4.29

 

CMYK 40 / 35 / 0 / 35

HEX #636BA5

RGB 99 107 165

HSL 232.73, 0.27%, 0.52%

LAB 46.82, 12, -32.2

 

CMYK 0 / 39 / 27 / 35

HEX #A56478

RGB 165 100 120

HSL 341.54, 0.27%, 0.52%

LAB 50.06, 28.92, 0.02

 

CMYK 7 / 0 / 40 / 35

HEX #99A563

RGB 153 165 99

HSL 70.91, 0.27%, 0.52%

LAB 65.42, -14.96, 32.78

 

CMYK 40 / 0 / 13 / 35

HEX #63A590

RGB 99 165 144

HSL 160.91, 0.27%, 0.52%

LAB 62.99, -26.06, 4.29

 

CMYK 33 / 40 / 0 / 35

HEX #6F63A5

RGB 111 99 165

HSL 250.91, 0.27%, 0.52%

LAB 45.66, 20.33, -33.95

 

Description

Color code: HEX #A56478 | qconv.com Color code: HEX #A56478 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 100 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 100 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 27 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 27% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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