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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A55A11 it is the complementary color #5AA5EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A55A11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A55A11 shade: #AA5A0C, #BB6C1F, #CC7E32, #DD9045 and #EEA258

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A55A11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A55A11 shade: #A55A11, #944800, #833600, #722400 and #611200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A55A11 shade: #A65A11, #A63211 and #A61111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A55A11 shade: #A65A11, #A68211, #A1A611, #79A611 and #51A611

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A55A11 shade matches the following richer shades: #A65A11 and #B55A02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A55A11 shade: #A65A11, #975A20, #885B2F, #795B3E and #6A5B4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A55A11 shade: #A61118, #A63111, #A65911, #A68011 and #A3A611

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A55A11 shade: #5B3109, #80460D, #A65A11, #CB6F15 and #E78322

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A55A11 shade: #A55A11, #40A611 and #1D11A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A55A11 shade: #A55A11, #11A659 and #5911A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A55A11 shade: #A55A11, #40A611, #115EA6 and #7711A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A55A11 shade: #A55A11, #13A611, #115EA6 and #A311A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 90 / 35

HEX #A55A11

RGB 165 90 17

HSL 29.59, 0.81%, 0.36%

LAB 46.11, 26.03, 50.42

 

Complementary color

CMYK 62 / 31 / 0 / 7

HEX #5AA5EE

RGB 90 165 238

HSL 209.59, 0.81%, 0.64%

LAB 65.95, -1.43, -43.55

 

CMYK 0 / 47 / 93 / 33

HEX #AA5A0C

RGB 170 90 12

HSL 29.62, 0.87%, 0.36%

LAB 46.82, 28.09, 52.68

 

CMYK 0 / 42 / 83 / 27

HEX #BB6C1F

RGB 187 108 31

HSL 29.62, 0.72%, 0.43%

LAB 53.37, 25.99, 52.85

 

CMYK 0 / 38 / 75 / 20

HEX #CC7E32

RGB 204 126 50

HSL 29.61, 0.61%, 0.5%

LAB 59.88, 24.14, 51.93

 

CMYK 0 / 35 / 69 / 13

HEX #DD9045

RGB 221 144 69

HSL 29.61, 0.69%, 0.57%

LAB 66.33, 22.52, 50.59

 

CMYK 0 / 32 / 63 / 7

HEX #EEA258

RGB 238 162 88

HSL 29.6, 0.82%, 0.64%

LAB 72.71, 21.11, 49.12

 

CMYK 0 / 45 / 90 / 35

HEX #A55A11

RGB 165 90 17

HSL 29.59, 0.81%, 0.36%

LAB 46.11, 26.03, 50.42

 

CMYK 0 / 51 / 100 / 42

HEX #944800

RGB 148 72 0

HSL 29.19, 1%, 0.29%

LAB 39.46, 28.28, 49.41

 

CMYK 0 / 59 / 100 / 49

HEX #833600

RGB 131 54 0

HSL 24.73, 1%, 0.26%

LAB 32.84, 30.75, 44.07

 

CMYK 0 / 68 / 100 / 55

HEX #722400

RGB 114 36 0

HSL 18.95, 1%, 0.22%

LAB 26.27, 32.92, 37.64

 

CMYK 0 / 81 / 100 / 62

HEX #611200

RGB 97 18 0

HSL 11.13, 1%, 0.19%

LAB 19.94, 34.24, 30.05

 

CMYK 0 / 46 / 90 / 35

HEX #A65A11

RGB 166 90 17

HSL 29.4, 0.81%, 0.36%

LAB 46.26, 26.46, 50.59

 

CMYK 0 / 70 / 90 / 35

HEX #A63211

RGB 166 50 17

HSL 13.29, 0.81%, 0.36%

LAB 38.6, 46.18, 44.66

 

CMYK 0 / 90 / 90 / 35

HEX #A61111

RGB 166 17 17

HSL 0, 0.81%, 0.36%

LAB 35.1, 55.98, 41.98

 

CMYK 0 / 46 / 90 / 35

HEX #A65A11

RGB 166 90 17

HSL 29.4, 0.81%, 0.36%

LAB 46.26, 26.46, 50.59

 

CMYK 0 / 22 / 90 / 35

HEX #A68211

RGB 166 130 17

HSL 45.5, 0.81%, 0.36%

LAB 56.2, 3.98, 58.39

 

CMYK 3 / 0 / 90 / 35

HEX #A1A611

RGB 161 166 17

HSL 62.01, 0.81%, 0.36%

LAB 65.66, -17.59, 65.69

 

CMYK 27 / 0 / 90 / 35

HEX #79A611

RGB 121 166 17

HSL 78.12, 0.81%, 0.36%

LAB 62.83, -34.54, 62.21

 

CMYK 51 / 0 / 90 / 35

HEX #51A611

RGB 81 166 17

HSL 94.23, 0.81%, 0.36%

LAB 60.84, -48.76, 59.74

 

CMYK 0 / 46 / 90 / 35

HEX #A65A11

RGB 166 90 17

HSL 29.4, 0.81%, 0.36%

LAB 46.26, 26.46, 50.59

 

CMYK 0 / 50 / 99 / 29

HEX #B55A02

RGB 181 90 2

HSL 29.5, 0.98%, 0.36%

LAB 48.44, 32.58, 56.89

 

CMYK 0 / 46 / 90 / 35

HEX #A65A11

RGB 166 90 17

HSL 29.4, 0.81%, 0.36%

LAB 46.26, 26.46, 50.59

 

CMYK 0 / 40 / 79 / 41

HEX #975A20

RGB 151 90 32

HSL 29.24, 0.65%, 0.36%

LAB 44.23, 20.33, 42.19

 

CMYK 0 / 33 / 65 / 47

HEX #885B2F

RGB 136 91 47

HSL 29.66, 0.49%, 0.36%

LAB 42.64, 13.82, 32.35

 

CMYK 0 / 25 / 49 / 53

HEX #795B3E

RGB 121 91 62

HSL 29.49, 0.32%, 0.36%

LAB 41.05, 8.34, 21.44

 

CMYK 0 / 14 / 28 / 58

HEX #6A5B4C

RGB 106 91 76

HSL 30, 0.16%, 0.36%

LAB 39.7, 3.52, 10.9

 

CMYK 0 / 90 / 86 / 35

HEX #A61118

RGB 166 17 24

HSL 357.18, 0.81%, 0.36%

LAB 35.15, 56.12, 38.49

 

CMYK 0 / 70 / 90 / 35

HEX #A63111

RGB 166 49 17

HSL 12.89, 0.81%, 0.36%

LAB 38.45, 46.59, 44.54

 

CMYK 0 / 46 / 90 / 35

HEX #A65911

RGB 166 89 17

HSL 28.99, 0.81%, 0.36%

LAB 46.03, 27.01, 50.42

 

CMYK 0 / 23 / 90 / 35

HEX #A68011

RGB 166 128 17

HSL 44.7, 0.81%, 0.36%

LAB 55.67, 5.1, 57.97

 

CMYK 2 / 0 / 90 / 35

HEX #A3A611

RGB 163 166 17

HSL 61.21, 0.81%, 0.36%

LAB 65.83, -16.71, 65.89

 

CMYK 0 / 46 / 90 / 64

HEX #5B3109

RGB 91 49 9

HSL 29.27, 0.82%, 0.2%

LAB 25.08, 15.89, 31.4

 

CMYK 0 / 45 / 90 / 50

HEX #80460D

RGB 128 70 13

HSL 29.74, 0.82%, 0.28%

LAB 35.98, 20.82, 41.37

 

CMYK 0 / 46 / 90 / 35

HEX #A65A11

RGB 166 90 17

HSL 29.4, 0.81%, 0.36%

LAB 46.26, 26.46, 50.59

 

CMYK 0 / 45 / 90 / 20

HEX #CB6F15

RGB 203 111 21

HSL 29.67, 0.81%, 0.44%

LAB 56.21, 30.88, 59.37

 

CMYK 0 / 43 / 85 / 9

HEX #E78322

RGB 231 131 34

HSL 29.54, 0.8%, 0.52%

LAB 64.43, 32.2, 63.56

 

CMYK 0 / 45 / 90 / 35

HEX #A55A11

RGB 165 90 17

HSL 29.59, 0.81%, 0.36%

LAB 46.11, 26.03, 50.42

 

CMYK 61 / 0 / 90 / 35

HEX #40A611

RGB 64 166 17

HSL 101.07, 0.81%, 0.36%

LAB 60.25, -53.45, 59.01

 

CMYK 83 / 90 / 0 / 35

HEX #1D11A6

RGB 29 17 166

HSL 244.83, 0.81%, 0.36%

LAB 21.64, 53.09, -73.84

 

CMYK 0 / 45 / 90 / 35

HEX #A55A11

RGB 165 90 17

HSL 29.59, 0.81%, 0.36%

LAB 46.11, 26.03, 50.42

 

CMYK 90 / 0 / 46 / 35

HEX #11A659

RGB 17 166 89

HSL 148.99, 0.81%, 0.36%

LAB 59.99, -53.38, 29.95

 

CMYK 46 / 90 / 0 / 35

HEX #5911A6

RGB 89 17 166

HSL 268.99, 0.81%, 0.36%

LAB 27.51, 57.6, -63.92

 

CMYK 0 / 45 / 90 / 35

HEX #A55A11

RGB 165 90 17

HSL 29.59, 0.81%, 0.36%

LAB 46.11, 26.03, 50.42

 

CMYK 61 / 0 / 90 / 35

HEX #40A611

RGB 64 166 17

HSL 101.07, 0.81%, 0.36%

LAB 60.25, -53.45, 59.01

 

CMYK 90 / 43 / 0 / 35

HEX #115EA6

RGB 17 94 166

HSL 208.99, 0.81%, 0.36%

LAB 39.37, 5.84, -44.83

 

CMYK 28 / 90 / 0 / 35

HEX #7711A6

RGB 119 17 166

HSL 281.07, 0.81%, 0.36%

LAB 31.98, 61.53, -56.42

 

CMYK 0 / 45 / 90 / 35

HEX #A55A11

RGB 165 90 17

HSL 29.59, 0.81%, 0.36%

LAB 46.11, 26.03, 50.42

 

CMYK 89 / 0 / 90 / 35

HEX #13A611

RGB 19 166 17

HSL 119.19, 0.81%, 0.36%

LAB 59.39, -60.86, 57.93

 

CMYK 90 / 43 / 0 / 35

HEX #115EA6

RGB 17 94 166

HSL 208.99, 0.81%, 0.36%

LAB 39.37, 5.84, -44.83

 

CMYK 2 / 90 / 0 / 35

HEX #A311A6

RGB 163 17 166

HSL 298.79, 0.81%, 0.36%

LAB 39.48, 68.73, -43.93

 

Description

Color code: HEX #A55A11 | qconv.com Color code: HEX #A55A11 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 90 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 90 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 90 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 90% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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