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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A55378 it is the complementary color #5AAC87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A55378. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A55378 shade: #AA5373, #BB6586, #CC7799, #DD89AC and #EE9BBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A55378. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A55378 shade: #A55378, #944165, #832F52, #721D3F and #610B2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A55378 shade: #A65378, #A65362 and #A65353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A55378 shade: #A65378, #A6538F, #A653A5, #9053A6 and #7A53A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A55378 shade matches the following richer shades: #A65378, #BA3F76, #CE2B74, #E21772 and #F70271

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A55378 shade: #A65378, #91677A, #7D7C7C, #69907E and #55A480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A55378 shade: #A653A6, #A65390, #A6537A, #A65364 and #A65953

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A55378 shade: #6F3850, #8A4564, #A65378, #B56D8E and #C388A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A55378 shade: #A55378, #A69053 and #539BA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A55378 shade: #A55378, #7AA653 and #537AA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A55378 shade: #A55378, #A69053, #53A67F and #5369A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A55378 shade: #A55378, #A3A653, #53A67F and #5653A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 27 / 35

HEX #A55378

RGB 165 83 120

HSL 332.93, 0.33%, 0.49%

LAB 46.37, 38.17, -5.41

 

Complementary color

CMYK 48 / 0 / 22 / 33

HEX #5AAC87

RGB 90 172 135

HSL 152.93, 0.33%, 0.51%

LAB 64.51, -33.89, 11.4

 

CMYK 0 / 51 / 32 / 33

HEX #AA5373

RGB 170 83 115

HSL 337.93, 0.34%, 0.5%

LAB 46.94, 39.24, -1.46

 

CMYK 0 / 46 / 28 / 27

HEX #BB6586

RGB 187 101 134

HSL 336.98, 0.39%, 0.56%

LAB 53.59, 38.37, -2.76

 

CMYK 0 / 42 / 25 / 20

HEX #CC7799

RGB 204 119 153

HSL 336, 0.45%, 0.63%

LAB 60.19, 37.51, -3.85

 

CMYK 0 / 38 / 22 / 13

HEX #DD89AC

RGB 221 137 172

HSL 335, 0.55%, 0.7%

LAB 66.7, 36.68, -4.81

 

CMYK 0 / 35 / 20 / 7

HEX #EE9BBF

RGB 238 155 191

HSL 333.98, 0.71%, 0.77%

LAB 73.14, 35.89, -5.66

 

CMYK 0 / 50 / 27 / 35

HEX #A55378

RGB 165 83 120

HSL 332.93, 0.33%, 0.49%

LAB 46.37, 38.17, -5.41

 

CMYK 0 / 56 / 32 / 42

HEX #944165

RGB 148 65 101

HSL 333.98, 0.39%, 0.42%

LAB 39.61, 38.97, -4.03

 

CMYK 0 / 64 / 37 / 49

HEX #832F52

RGB 131 47 82

HSL 335, 0.47%, 0.35%

LAB 32.85, 39.58, -2.24

 

CMYK 0 / 75 / 45 / 55

HEX #721D3F

RGB 114 29 63

HSL 336, 0.59%, 0.28%

LAB 26.2, 39.71, 0.22

 

CMYK 0 / 89 / 55 / 62

HEX #610B2C

RGB 97 11 44

HSL 336.98, 0.8%, 0.21%

LAB 19.89, 38.73, 3.82

 

CMYK 0 / 50 / 28 / 35

HEX #A65378

RGB 166 83 120

HSL 333.25, 0.33%, 0.49%

LAB 46.51, 38.52, -5.19

 

CMYK 0 / 50 / 41 / 35

HEX #A65362

RGB 166 83 98

HSL 349.16, 0.33%, 0.49%

LAB 45.87, 35.69, 7.25

 

CMYK 0 / 50 / 50 / 35

HEX #A65353

RGB 166 83 83

HSL 0, 0.33%, 0.49%

LAB 45.52, 34.09, 15.87

 

CMYK 0 / 50 / 28 / 35

HEX #A65378

RGB 166 83 120

HSL 333.25, 0.33%, 0.49%

LAB 46.51, 38.52, -5.19

 

CMYK 0 / 50 / 14 / 35

HEX #A6538F

RGB 166 83 143

HSL 316.63, 0.33%, 0.49%

LAB 47.34, 42.05, -17.79

 

CMYK 0 / 50 / 1 / 35

HEX #A653A5

RGB 166 83 165

HSL 300.72, 0.33%, 0.49%

LAB 48.27, 45.91, -29.41

 

CMYK 13 / 50 / 0 / 35

HEX #9053A6

RGB 144 83 166

HSL 284.1, 0.33%, 0.49%

LAB 45.45, 39.66, -34.63

 

CMYK 27 / 50 / 0 / 35

HEX #7A53A6

RGB 122 83 166

HSL 268.19, 0.33%, 0.49%

LAB 42.88, 33.35, -38.86

 

CMYK 0 / 50 / 28 / 35

HEX #A65378

RGB 166 83 120

HSL 333.25, 0.33%, 0.49%

LAB 46.51, 38.52, -5.19

 

CMYK 0 / 66 / 37 / 27

HEX #BA3F76

RGB 186 63 118

HSL 333.17, 0.49%, 0.49%

LAB 46.05, 54.19, -4.31

 

CMYK 0 / 79 / 44 / 19

HEX #CE2B74

RGB 206 43 116

HSL 333.13, 0.65%, 0.49%

LAB 47.12, 66.35, -1.1

 

CMYK 0 / 90 / 50 / 11

HEX #E21772

RGB 226 23 114

HSL 333.1, 0.82%, 0.49%

LAB 49.49, 75.09, 4.04

 

CMYK 0 / 99 / 54 / 3

HEX #F70271

RGB 247 2 113

HSL 332.82, 0.98%, 0.49%

LAB 52.96, 81.65, 10.16

 

CMYK 0 / 50 / 28 / 35

HEX #A65378

RGB 166 83 120

HSL 333.25, 0.33%, 0.49%

LAB 46.51, 38.52, -5.19

 

CMYK 0 / 29 / 16 / 43

HEX #91677A

RGB 145 103 122

HSL 332.86, 0.17%, 0.49%

LAB 48.42, 19.93, -3.86

 

CMYK 0 / 1 / 1 / 51

HEX #7D7C7C

RGB 125 124 124

HSL 0, 0%, 0.49%

LAB 52.1, 0.38, 0.13

 

CMYK 27 / 0 / 13 / 44

HEX #69907E

RGB 105 144 126

HSL 152.31, 0.16%, 0.49%

LAB 56.54, -17.46, 5.23

 

CMYK 48 / 0 / 22 / 36

HEX #55A480

RGB 85 164 128

HSL 152.66, 0.32%, 0.49%

LAB 61.69, -32.99, 11.29

 

CMYK 0 / 50 / 0 / 35

HEX #A653A6

RGB 166 83 166

HSL 300, 0.33%, 0.49%

LAB 48.32, 46.09, -29.93

 

CMYK 0 / 50 / 13 / 35

HEX #A65390

RGB 166 83 144

HSL 315.9, 0.33%, 0.49%

LAB 47.37, 42.22, -18.33

 

CMYK 0 / 50 / 27 / 35

HEX #A6537A

RGB 166 83 122

HSL 331.81, 0.33%, 0.49%

LAB 46.58, 38.8, -6.3

 

CMYK 0 / 50 / 40 / 35

HEX #A65364

RGB 166 83 100

HSL 347.71, 0.33%, 0.49%

LAB 45.93, 35.92, 6.11

 

CMYK 0 / 46 / 50 / 35

HEX #A65953

RGB 166 89 83

HSL 4.34, 0.33%, 0.49%

LAB 46.81, 30.86, 17.62

 

CMYK 0 / 50 / 28 / 56

HEX #6F3850

RGB 111 56 80

HSL 333.82, 0.33%, 0.33%

LAB 31.32, 27.42, -3.57

 

CMYK 0 / 50 / 28 / 46

HEX #8A4564

RGB 138 69 100

HSL 333.04, 0.33%, 0.41%

LAB 38.86, 33.18, -4.67

 

CMYK 0 / 50 / 28 / 35

HEX #A65378

RGB 166 83 120

HSL 333.25, 0.33%, 0.49%

LAB 46.51, 38.52, -5.19

 

CMYK 0 / 40 / 22 / 29

HEX #B56D8E

RGB 181 109 142

HSL 332.5, 0.33%, 0.57%

LAB 54.78, 33.1, -5.8

 

CMYK 0 / 30 / 16 / 24

HEX #C388A3

RGB 195 136 163

HSL 332.54, 0.33%, 0.65%

LAB 63.22, 26.61, -5.2

 

CMYK 0 / 50 / 27 / 35

HEX #A55378

RGB 165 83 120

HSL 332.93, 0.33%, 0.49%

LAB 46.37, 38.17, -5.41

 

CMYK 0 / 13 / 50 / 35

HEX #A69053

RGB 166 144 83

HSL 44.1, 0.33%, 0.49%

LAB 60.5, 0.01, 35.26

 

CMYK 50 / 7 / 0 / 35

HEX #539BA6

RGB 83 155 166

HSL 187.95, 0.33%, 0.49%

LAB 59.92, -19.45, -12.72

 

CMYK 0 / 50 / 27 / 35

HEX #A55378

RGB 165 83 120

HSL 332.93, 0.33%, 0.49%

LAB 46.37, 38.17, -5.41

 

CMYK 27 / 0 / 50 / 35

HEX #7AA653

RGB 122 166 83

HSL 91.81, 0.33%, 0.49%

LAB 63.37, -29.53, 38.01

 

CMYK 50 / 27 / 0 / 35

HEX #537AA6

RGB 83 122 166

HSL 211.81, 0.33%, 0.49%

LAB 50.11, -1, -27.73

 

CMYK 0 / 50 / 27 / 35

HEX #A55378

RGB 165 83 120

HSL 332.93, 0.33%, 0.49%

LAB 46.37, 38.17, -5.41

 

CMYK 0 / 13 / 50 / 35

HEX #A69053

RGB 166 144 83

HSL 44.1, 0.33%, 0.49%

LAB 60.5, 0.01, 35.26

 

CMYK 50 / 0 / 23 / 35

HEX #53A67F

RGB 83 166 127

HSL 151.81, 0.33%, 0.49%

LAB 62.21, -34.66, 12.56

 

CMYK 50 / 37 / 0 / 35

HEX #5369A6

RGB 83 105 166

HSL 224.1, 0.33%, 0.49%

LAB 45.21, 9.33, -35.39

 

CMYK 0 / 50 / 27 / 35

HEX #A55378

RGB 165 83 120

HSL 332.93, 0.33%, 0.49%

LAB 46.37, 38.17, -5.41

 

CMYK 2 / 0 / 50 / 35

HEX #A3A653

RGB 163 166 83

HSL 62.17, 0.33%, 0.49%

LAB 66.28, -13.07, 42.19

 

CMYK 50 / 0 / 23 / 35

HEX #53A67F

RGB 83 166 127

HSL 151.81, 0.33%, 0.49%

LAB 62.21, -34.66, 12.56

 

CMYK 48 / 50 / 0 / 35

HEX #5653A6

RGB 86 83 166

HSL 242.17, 0.33%, 0.49%

LAB 39.44, 23.91, -44.55

 

Description

Color code: HEX #A55378 | qconv.com Color code: HEX #A55378 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 83 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 83 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 27 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 27% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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