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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A55578 it is the complementary color #5AAA87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A55578. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A55578 shade: #AA5573, #BB6786, #CC7999, #DD8BAC and #EE9DBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A55578. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A55578 shade: #A55578, #944365, #833152, #721F3F and #610D2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A55578 shade: #A45477, #A45462 and #A45454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A55578 shade: #A45477, #A4548D, #A454A3, #9154A4 and #7B54A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A55578 shade matches the following richer shades: #A45477, #B94075, #CD2C72, #E11870 and #F5046D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A55578 shade: #A45477, #90697A, #7C7D7D, #68917F and #54A582

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A55578 shade: #A454A3, #A4548E, #A45478, #A45463 and #A45B54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A55578 shade: #6E3850, #894664, #A45477, #B46E8D and #C289A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A55578 shade: #A55578, #A49054 and #5498A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A55578 shade: #A55578, #78A454 and #5478A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A55578 shade: #A55578, #A49054, #54A480 and #5468A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A55578 shade: #A55578, #A0A454, #54A480 and #5854A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 27 / 35

HEX #A55578

RGB 165 85 120

HSL 333.75, 0.32%, 0.49%

LAB 46.78, 37.11, -4.8

 

Complementary color

CMYK 47 / 0 / 21 / 33

HEX #5AAA87

RGB 90 170 135

HSL 153.75, 0.32%, 0.51%

LAB 63.89, -32.96, 10.54

 

CMYK 0 / 50 / 32 / 33

HEX #AA5573

RGB 170 85 115

HSL 338.82, 0.33%, 0.5%

LAB 47.34, 38.2, -0.87

 

CMYK 0 / 45 / 28 / 27

HEX #BB6786

RGB 187 103 134

HSL 337.86, 0.38%, 0.57%

LAB 54.01, 37.31, -2.14

 

CMYK 0 / 41 / 25 / 20

HEX #CC7999

RGB 204 121 153

HSL 336.87, 0.45%, 0.64%

LAB 60.62, 36.45, -3.22

 

CMYK 0 / 37 / 22 / 13

HEX #DD8BAC

RGB 221 139 172

HSL 335.85, 0.55%, 0.71%

LAB 67.14, 35.62, -4.17

 

CMYK 0 / 34 / 20 / 7

HEX #EE9DBF

RGB 238 157 191

HSL 334.81, 0.7%, 0.77%

LAB 73.58, 34.84, -5.02

 

CMYK 0 / 48 / 27 / 35

HEX #A55578

RGB 165 85 120

HSL 333.75, 0.32%, 0.49%

LAB 46.78, 37.11, -4.8

 

CMYK 0 / 55 / 32 / 42

HEX #944365

RGB 148 67 101

HSL 334.81, 0.38%, 0.42%

LAB 40, 37.94, -3.45

 

CMYK 0 / 63 / 37 / 49

HEX #833152

RGB 131 49 82

HSL 335.85, 0.46%, 0.35%

LAB 33.2, 38.62, -1.72

 

CMYK 0 / 73 / 45 / 55

HEX #721F3F

RGB 114 31 63

HSL 336.87, 0.57%, 0.28%

LAB 26.49, 38.9, 0.65

 

CMYK 0 / 87 / 55 / 62

HEX #610D2C

RGB 97 13 44

HSL 337.86, 0.76%, 0.22%

LAB 20.09, 38.17, 4.1

 

CMYK 0 / 49 / 27 / 36

HEX #A45477

RGB 164 84 119

HSL 333.75, 0.32%, 0.49%

LAB 46.4, 37.15, -4.78

 

CMYK 0 / 49 / 40 / 36

HEX #A45462

RGB 164 84 98

HSL 349.5, 0.32%, 0.49%

LAB 45.79, 34.41, 7.1

 

CMYK 0 / 49 / 49 / 36

HEX #A45454

RGB 164 84 84

HSL 0, 0.32%, 0.49%

LAB 45.46, 32.88, 15.13

 

CMYK 0 / 49 / 27 / 36

HEX #A45477

RGB 164 84 119

HSL 333.75, 0.32%, 0.49%

LAB 46.4, 37.15, -4.78

 

CMYK 0 / 49 / 14 / 36

HEX #A4548D

RGB 164 84 141

HSL 317.25, 0.32%, 0.49%

LAB 47.18, 40.55, -16.86

 

CMYK 0 / 49 / 1 / 36

HEX #A454A3

RGB 164 84 163

HSL 300.75, 0.32%, 0.49%

LAB 48.11, 44.43, -28.52

 

CMYK 12 / 49 / 0 / 36

HEX #9154A4

RGB 145 84 164

HSL 285.75, 0.32%, 0.49%

LAB 45.69, 38.97, -33.06

 

CMYK 25 / 49 / 0 / 36

HEX #7B54A4

RGB 123 84 164

HSL 269.25, 0.32%, 0.49%

LAB 43.11, 32.55, -37.3

 

CMYK 0 / 49 / 27 / 36

HEX #A45477

RGB 164 84 119

HSL 333.75, 0.32%, 0.49%

LAB 46.4, 37.15, -4.78

 

CMYK 0 / 65 / 37 / 27

HEX #B94075

RGB 185 64 117

HSL 333.72, 0.49%, 0.49%

LAB 46, 53.36, -3.8

 

CMYK 0 / 79 / 44 / 20

HEX #CD2C72

RGB 205 44 114

HSL 333.91, 0.65%, 0.49%

LAB 46.97, 65.63, -0.12

 

CMYK 0 / 89 / 50 / 12

HEX #E11870

RGB 225 24 112

HSL 333.73, 0.81%, 0.49%

LAB 49.29, 74.56, 4.95

 

CMYK 0 / 98 / 56 / 4

HEX #F5046D

RGB 245 4 109

HSL 333.86, 0.97%, 0.49%

LAB 52.51, 80.81, 11.9

 

CMYK 0 / 49 / 27 / 36

HEX #A45477

RGB 164 84 119

HSL 333.75, 0.32%, 0.49%

LAB 46.4, 37.15, -4.78

 

CMYK 0 / 27 / 15 / 44

HEX #90697A

RGB 144 105 122

HSL 333.85, 0.16%, 0.49%

LAB 48.81, 18.38, -3.3

 

CMYK 1 / 0 / 0 / 51

HEX #7C7D7D

RGB 124 125 125

HSL 180, 0%, 0.49%

LAB 52.32, -0.37, -0.14

 

CMYK 28 / 0 / 12 / 43

HEX #68917F

RGB 104 145 127

HSL 153.66, 0.16%, 0.49%

LAB 56.81, -18.1, 5.03

 

CMYK 49 / 0 / 21 / 35

HEX #54A582

RGB 84 165 130

HSL 154.07, 0.33%, 0.49%

LAB 62, -33.28, 10.61

 

CMYK 0 / 49 / 1 / 36

HEX #A454A3

RGB 164 84 163

HSL 300.75, 0.32%, 0.49%

LAB 48.11, 44.43, -28.52

 

CMYK 0 / 49 / 13 / 36

HEX #A4548E

RGB 164 84 142

HSL 316.5, 0.32%, 0.49%

LAB 47.22, 40.72, -17.4

 

CMYK 0 / 49 / 27 / 36

HEX #A45478

RGB 164 84 120

HSL 333, 0.32%, 0.49%

LAB 46.43, 37.29, -5.34

 

CMYK 0 / 49 / 40 / 36

HEX #A45463

RGB 164 84 99

HSL 348.75, 0.32%, 0.49%

LAB 45.82, 34.53, 6.53

 

CMYK 0 / 45 / 49 / 36

HEX #A45B54

RGB 164 91 84

HSL 5.25, 0.32%, 0.49%

LAB 46.99, 29.06, 17.22

 

CMYK 0 / 49 / 27 / 57

HEX #6E3850

RGB 110 56 80

HSL 333.33, 0.33%, 0.33%

LAB 31.17, 27.03, -3.81

 

CMYK 0 / 49 / 27 / 46

HEX #894664

RGB 137 70 100

HSL 333.13, 0.32%, 0.41%

LAB 38.93, 32.27, -4.59

 

CMYK 0 / 49 / 27 / 36

HEX #A45477

RGB 164 84 119

HSL 333.75, 0.32%, 0.49%

LAB 46.4, 37.15, -4.78

 

CMYK 0 / 39 / 22 / 29

HEX #B46E8D

RGB 180 110 141

HSL 333.43, 0.32%, 0.57%

LAB 54.84, 32.04, -5.13

 

CMYK 0 / 29 / 16 / 24

HEX #C289A2

RGB 194 137 162

HSL 333.68, 0.32%, 0.65%

LAB 63.32, 25.53, -4.51

 

CMYK 0 / 48 / 27 / 35

HEX #A55578

RGB 165 85 120

HSL 333.75, 0.32%, 0.49%

LAB 46.78, 37.11, -4.8

 

CMYK 0 / 12 / 49 / 36

HEX #A49054

RGB 164 144 84

HSL 45, 0.32%, 0.49%

LAB 60.32, -0.75, 34.47

 

CMYK 49 / 7 / 0 / 36

HEX #5498A4

RGB 84 152 164

HSL 189, 0.32%, 0.49%

LAB 58.99, -18.2, -12.98

 

CMYK 0 / 48 / 27 / 35

HEX #A55578

RGB 165 85 120

HSL 333.75, 0.32%, 0.49%

LAB 46.78, 37.11, -4.8

 

CMYK 27 / 0 / 49 / 36

HEX #78A454

RGB 120 164 84

HSL 93, 0.32%, 0.49%

LAB 62.66, -29.2, 36.6

 

CMYK 49 / 27 / 0 / 36

HEX #5478A4

RGB 84 120 164

HSL 213, 0.32%, 0.49%

LAB 49.49, -0.18, -27.51

 

CMYK 0 / 48 / 27 / 35

HEX #A55578

RGB 165 85 120

HSL 333.75, 0.32%, 0.49%

LAB 46.78, 37.11, -4.8

 

CMYK 0 / 12 / 49 / 36

HEX #A49054

RGB 164 144 84

HSL 45, 0.32%, 0.49%

LAB 60.32, -0.75, 34.47

 

CMYK 49 / 0 / 22 / 36

HEX #54A480

RGB 84 164 128

HSL 153, 0.32%, 0.49%

LAB 61.65, -33.25, 11.22

 

CMYK 49 / 37 / 0 / 36

HEX #5468A4

RGB 84 104 164

HSL 225, 0.32%, 0.49%

LAB 44.89, 9.56, -34.71

 

CMYK 0 / 48 / 27 / 35

HEX #A55578

RGB 165 85 120

HSL 333.75, 0.32%, 0.49%

LAB 46.78, 37.11, -4.8

 

CMYK 2 / 0 / 49 / 36

HEX #A0A454

RGB 160 164 84

HSL 63, 0.32%, 0.49%

LAB 65.49, -13.19, 40.69

 

CMYK 49 / 0 / 22 / 36

HEX #54A480

RGB 84 164 128

HSL 153, 0.32%, 0.49%

LAB 61.65, -33.25, 11.22

 

CMYK 46 / 49 / 0 / 36

HEX #5854A4

RGB 88 84 164

HSL 243, 0.32%, 0.49%

LAB 39.74, 23.14, -42.87

 

Description

Color code: HEX #A55578 | qconv.com Color code: HEX #A55578 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 85 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 85 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 27 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 27% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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