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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A54AD2 it is the complementary color #5AB52D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A54AD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A54AD2 shade: #AA4ACD, #BB5CE0, #CC6EF3, #DD80FF and #EE92FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A54AD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A54AD2 shade: #A54AD2, #9438BF, #8326AC, #721499 and #610286

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A54AD2 shade: #A54BD2, #C94BD2, #D24BB6, #D24B91 and #D24B6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A54AD2 shade: #A54BD2, #814BD2, #5C4BD2 and #4B4BD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A54AD2 shade matches the following richer shades: #A54BD2, #AB39E4 and #B127F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A54AD2 shade: #A54BD2, #9F5DBF, #996FAD, #93819B and #8D9489

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A54AD2 shade: #5D4BD2, #814BD2, #A54BD2, #C94BD2 and #D24BB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A54AD2 shade: #7A28A2, #9230C3, #A54BD2, #B66CDA and #C68DE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A54AD2 shade: #A54AD2, #D24B5D and #4BD26F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A54AD2 shade: #A54AD2, #D2A54B and #4BD2A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A54AD2 shade: #A54AD2, #D24B5D, #78D24B and #4BD2C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A54AD2 shade: #A54AD2, #D2614B, #78D24B and #4BBBD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 65 / 0 / 18

HEX #A54AD2

RGB 165 74 210

HSL 280.15, 0.6%, 0.56%

LAB 48.95, 58.97, -54.51

 

Complementary color

CMYK 50 / 0 / 75 / 29

HEX #5AB52D

RGB 90 181 45

HSL 100.15, 0.6%, 0.44%

LAB 66.07, -50.44, 57.04

 

CMYK 17 / 64 / 0 / 20

HEX #AA4ACD

RGB 170 74 205

HSL 283.97, 0.57%, 0.55%

LAB 49.32, 59.07, -51.01

 

CMYK 17 / 59 / 0 / 12

HEX #BB5CE0

RGB 187 92 224

HSL 283.18, 0.68%, 0.62%

LAB 55.69, 58.62, -51.52

 

CMYK 16 / 55 / 0 / 5

HEX #CC6EF3

RGB 204 110 243

HSL 282.41, 0.85%, 0.69%

LAB 62.05, 58, -51.88

 

CMYK 13 / 50 / 0 / 0

HEX #DD80FF

RGB 221 128 255

HSL 283.94, 1%, 0.75%

LAB 68.04, 55.88, -48.87

 

CMYK 7 / 43 / 0 / 0

HEX #EE92FF

RGB 238 146 255

HSL 290.64, 1%, 0.79%

LAB 73.52, 51.46, -40.15

 

CMYK 21 / 65 / 0 / 18

HEX #A54AD2

RGB 165 74 210

HSL 280.15, 0.6%, 0.56%

LAB 48.95, 58.97, -54.51

 

CMYK 23 / 71 / 0 / 25

HEX #9438BF

RGB 148 56 191

HSL 280.89, 0.55%, 0.48%

LAB 42.59, 59.17, -53.86

 

CMYK 24 / 78 / 0 / 33

HEX #8326AC

RGB 131 38 172

HSL 281.64, 0.64%, 0.41%

LAB 36.35, 58.81, -52.84

 

CMYK 25 / 87 / 0 / 40

HEX #721499

RGB 114 20 153

HSL 282.41, 0.77%, 0.34%

LAB 30.35, 57.45, -51.22

 

CMYK 28 / 99 / 0 / 47

HEX #610286

RGB 97 2 134

HSL 283.18, 0.97%, 0.27%

LAB 24.66, 54.77, -48.83

 

CMYK 21 / 64 / 0 / 18

HEX #A54BD2

RGB 165 75 210

HSL 280, 0.6%, 0.56%

LAB 49.11, 58.51, -54.24

 

CMYK 4 / 64 / 0 / 18

HEX #C94BD2

RGB 201 75 210

HSL 296, 0.6%, 0.56%

LAB 54.14, 66.79, -45.93

 

CMYK 0 / 64 / 13 / 18

HEX #D24BB6

RGB 210 75 182

HSL 312.44, 0.6%, 0.56%

LAB 54.14, 64.5, -29.72

 

CMYK 0 / 64 / 31 / 18

HEX #D24B91

RGB 210 75 145

HSL 328.89, 0.6%, 0.56%

LAB 52.71, 59.5, -10.22

 

CMYK 0 / 64 / 48 / 18

HEX #D24B6D

RGB 210 75 109

HSL 344.89, 0.6%, 0.56%

LAB 51.65, 55.7, 9.76

 

CMYK 21 / 64 / 0 / 18

HEX #A54BD2

RGB 165 75 210

HSL 280, 0.6%, 0.56%

LAB 49.11, 58.51, -54.24

 

CMYK 39 / 64 / 0 / 18

HEX #814BD2

RGB 129 75 210

HSL 264, 0.6%, 0.56%

LAB 44.73, 50.7, -61.52

 

CMYK 56 / 64 / 0 / 18

HEX #5C4BD2

RGB 92 75 210

HSL 247.56, 0.6%, 0.56%

LAB 41.15, 43.74, -67.5

 

CMYK 64 / 64 / 0 / 18

HEX #4B4BD2

RGB 75 75 210

HSL 240, 0.6%, 0.56%

LAB 39.88, 41.11, -69.63

 

CMYK 21 / 64 / 0 / 18

HEX #A54BD2

RGB 165 75 210

HSL 280, 0.6%, 0.56%

LAB 49.11, 58.51, -54.24

 

CMYK 25 / 75 / 0 / 11

HEX #AB39E4

RGB 171 57 228

HSL 280, 0.76%, 0.56%

LAB 48.49, 70.79, -65.45

 

CMYK 28 / 84 / 0 / 4

HEX #B127F6

RGB 177 39 246

HSL 280, 0.92%, 0.56%

LAB 48.82, 80.64, -75.01

 

CMYK 21 / 64 / 0 / 18

HEX #A54BD2

RGB 165 75 210

HSL 280, 0.6%, 0.56%

LAB 49.11, 58.51, -54.24

 

CMYK 17 / 51 / 0 / 25

HEX #9F5DBF

RGB 159 93 191

HSL 280.41, 0.43%, 0.56%

LAB 50.64, 43.92, -40.92

 

CMYK 12 / 36 / 0 / 32

HEX #996FAD

RGB 153 111 173

HSL 280.65, 0.27%, 0.56%

LAB 53.12, 28.14, -26.68

 

CMYK 5 / 17 / 0 / 39

HEX #93819B

RGB 147 129 155

HSL 281.54, 0.12%, 0.56%

LAB 56.36, 11.85, -11.38

 

CMYK 5 / 0 / 7 / 42

HEX #8D9489

RGB 141 148 137

HSL 98.18, 0.05%, 0.56%

LAB 60.47, -4.67, 4.93

 

CMYK 56 / 64 / 0 / 18

HEX #5D4BD2

RGB 93 75 210

HSL 248, 0.6%, 0.56%

LAB 41.24, 43.91, -67.36

 

CMYK 39 / 64 / 0 / 18

HEX #814BD2

RGB 129 75 210

HSL 264, 0.6%, 0.56%

LAB 44.73, 50.7, -61.52

 

CMYK 21 / 64 / 0 / 18

HEX #A54BD2

RGB 165 75 210

HSL 280, 0.6%, 0.56%

LAB 49.11, 58.51, -54.24

 

CMYK 4 / 64 / 0 / 18

HEX #C94BD2

RGB 201 75 210

HSL 296, 0.6%, 0.56%

LAB 54.14, 66.79, -45.93

 

CMYK 0 / 64 / 13 / 18

HEX #D24BB7

RGB 210 75 183

HSL 312, 0.6%, 0.56%

LAB 54.19, 64.64, -30.23

 

CMYK 25 / 75 / 0 / 36

HEX #7A28A2

RGB 122 40 162

HSL 280.33, 0.6%, 0.4%

LAB 34.53, 54.24, -49.85

 

CMYK 25 / 75 / 0 / 24

HEX #9230C3

RGB 146 48 195

HSL 280, 0.6%, 0.48%

LAB 41.48, 62.75, -58.01

 

CMYK 21 / 64 / 0 / 18

HEX #A54BD2

RGB 165 75 210

HSL 280, 0.6%, 0.56%

LAB 49.11, 58.51, -54.24

 

CMYK 17 / 50 / 0 / 15

HEX #B66CDA

RGB 182 108 218

HSL 280.36, 0.6%, 0.64%

LAB 57.78, 48.07, -44.85

 

CMYK 12 / 38 / 0 / 11

HEX #C68DE2

RGB 198 141 226

HSL 280.24, 0.59%, 0.72%

LAB 66.94, 36.62, -34.85

 

CMYK 21 / 65 / 0 / 18

HEX #A54AD2

RGB 165 74 210

HSL 280.15, 0.6%, 0.56%

LAB 48.95, 58.97, -54.51

 

CMYK 0 / 64 / 56 / 18

HEX #D24B5D

RGB 210 75 93

HSL 352, 0.6%, 0.56%

LAB 51.29, 54.37, 18.86

 

CMYK 64 / 0 / 47 / 18

HEX #4BD26F

RGB 75 210 111

HSL 136, 0.6%, 0.56%

LAB 75.29, -57.58, 38.41

 

CMYK 21 / 65 / 0 / 18

HEX #A54AD2

RGB 165 74 210

HSL 280.15, 0.6%, 0.56%

LAB 48.95, 58.97, -54.51

 

CMYK 0 / 21 / 64 / 18

HEX #D2A54B

RGB 210 165 75

HSL 40, 0.6%, 0.56%

LAB 70.26, 6.91, 51.74

 

CMYK 64 / 0 / 21 / 18

HEX #4BD2A5

RGB 75 210 165

HSL 160, 0.6%, 0.56%

LAB 76.26, -47.16, 11.67

 

CMYK 21 / 65 / 0 / 18

HEX #A54AD2

RGB 165 74 210

HSL 280.15, 0.6%, 0.56%

LAB 48.95, 58.97, -54.51

 

CMYK 0 / 64 / 56 / 18

HEX #D24B5D

RGB 210 75 93

HSL 352, 0.6%, 0.56%

LAB 51.29, 54.37, 18.86

 

CMYK 43 / 0 / 64 / 18

HEX #78D24B

RGB 120 210 75

HSL 100, 0.6%, 0.56%

LAB 76.43, -50.36, 56.69

 

CMYK 64 / 0 / 9 / 18

HEX #4BD2C0

RGB 75 210 192

HSL 172, 0.6%, 0.56%

LAB 76.92, -40.55, -1.85

 

CMYK 21 / 65 / 0 / 18

HEX #A54AD2

RGB 165 74 210

HSL 280.15, 0.6%, 0.56%

LAB 48.95, 58.97, -54.51

 

CMYK 0 / 54 / 64 / 18

HEX #D2614B

RGB 210 97 75

HSL 9.78, 0.6%, 0.56%

LAB 54.82, 43.01, 33.85

 

CMYK 43 / 0 / 64 / 18

HEX #78D24B

RGB 120 210 75

HSL 100, 0.6%, 0.56%

LAB 76.43, -50.36, 56.69

 

CMYK 64 / 11 / 0 / 18

HEX #4BBBD2

RGB 75 187 210

HSL 190.22, 0.6%, 0.56%

LAB 70.66, -24.58, -20.97

 

Description

Color code: HEX #A54AD2 | qconv.com Color code: HEX #A54AD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 74 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 74 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 65 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 65% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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