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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A54074 it is the complementary color #5ABF8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A54074. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A54074 shade: #AA406F, #BB5282, #CC6495, #DD76A8 and #EE88BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A54074. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A54074 shade: #A54074, #942E61, #831C4E, #720A3B and #610028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A54074 shade: #A54074, #A54059 and #A54040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A54074 shade: #A54074, #A5408F, #9F40A5, #8440A5 and #6940A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A54074 shade matches the following richer shades: #A54074, #B72D74, #CA1B75 and #DC0875

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A54074 shade: #A54074, #925273, #806573, #6D7772 and #5A8A72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A54074 shade: #A040A5, #A5408F, #A54074, #A54059 and #A54140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A54074 shade: #69294A, #87345F, #A54074, #BC5288 and #C7709D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A54074 shade: #A54074, #A58540 and #409CA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A54074 shade: #A54074, #74A540 and #4074A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A54074 shade: #A54074, #A58540, #40A571 and #4060A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A54074 shade: #A54074, #A5A340, #40A571 and #4041A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 30 / 35

HEX #A54074

RGB 165 64 116

HSL 329.11, 0.44%, 0.45%

LAB 42.65, 47.05, -8.51

 

Complementary color

CMYK 53 / 0 / 27 / 25

HEX #5ABF8B

RGB 90 191 139

HSL 149.11, 0.44%, 0.55%

LAB 70.39, -41.62, 17.44

 

CMYK 0 / 62 / 35 / 33

HEX #AA406F

RGB 170 64 111

HSL 333.4, 0.45%, 0.46%

LAB 43.3, 48, -4.38

 

CMYK 0 / 56 / 30 / 27

HEX #BB5282

RGB 187 82 130

HSL 332.57, 0.44%, 0.53%

LAB 49.75, 47.45, -6.06

 

CMYK 0 / 51 / 27 / 20

HEX #CC6495

RGB 204 100 149

HSL 331.73, 0.5%, 0.6%

LAB 56.21, 46.74, -7.43

 

CMYK 0 / 47 / 24 / 13

HEX #DD76A8

RGB 221 118 168

HSL 330.87, 0.6%, 0.66%

LAB 62.64, 45.96, -8.57

 

CMYK 0 / 43 / 21 / 7

HEX #EE88BB

RGB 238 136 187

HSL 330, 0.75%, 0.73%

LAB 69.02, 45.16, -9.56

 

CMYK 0 / 61 / 30 / 35

HEX #A54074

RGB 165 64 116

HSL 329.11, 0.44%, 0.45%

LAB 42.65, 47.05, -8.51

 

CMYK 0 / 69 / 34 / 42

HEX #942E61

RGB 148 46 97

HSL 330, 0.53%, 0.38%

LAB 36.2, 47.27, -6.57

 

CMYK 0 / 79 / 40 / 49

HEX #831C4E

RGB 131 28 78

HSL 330.87, 0.65%, 0.31%

LAB 29.93, 46.81, -3.94

 

CMYK 0 / 91 / 48 / 55

HEX #720A3B

RGB 114 10 59

HSL 331.73, 0.84%, 0.24%

LAB 24.03, 45.07, -0.22

 

CMYK 0 / 100 / 59 / 62

HEX #610028

RGB 97 0 40

HSL 335.26, 1%, 0.19%

LAB 18.78, 41.28, 5.1

 

CMYK 0 / 61 / 30 / 35

HEX #A54074

RGB 165 64 116

HSL 329.11, 0.44%, 0.45%

LAB 42.65, 47.05, -8.51

 

CMYK 0 / 61 / 46 / 35

HEX #A54059

RGB 165 64 89

HSL 345.15, 0.44%, 0.45%

LAB 41.83, 43.89, 7.03

 

CMYK 0 / 61 / 61 / 35

HEX #A54040

RGB 165 64 64

HSL 0, 0.44%, 0.45%

LAB 41.27, 41.72, 21.76

 

CMYK 0 / 61 / 30 / 35

HEX #A54074

RGB 165 64 116

HSL 329.11, 0.44%, 0.45%

LAB 42.65, 47.05, -8.51

 

CMYK 0 / 61 / 13 / 35

HEX #A5408F

RGB 165 64 143

HSL 313.07, 0.44%, 0.45%

LAB 43.73, 50.98, -23.36

 

CMYK 4 / 61 / 0 / 35

HEX #9F40A5

RGB 159 64 165

HSL 296.44, 0.44%, 0.45%

LAB 43.88, 53.13, -36.38

 

CMYK 20 / 61 / 0 / 35

HEX #8440A5

RGB 132 64 165

HSL 280.4, 0.44%, 0.45%

LAB 40.06, 46.23, -42.68

 

CMYK 36 / 61 / 0 / 35

HEX #6940A5

RGB 105 64 165

HSL 264.36, 0.44%, 0.45%

LAB 36.72, 39.63, -48.23

 

CMYK 0 / 61 / 30 / 35

HEX #A54074

RGB 165 64 116

HSL 329.11, 0.44%, 0.45%

LAB 42.65, 47.05, -8.51

 

CMYK 0 / 75 / 37 / 28

HEX #B72D74

RGB 183 45 116

HSL 329.13, 0.61%, 0.45%

LAB 43.07, 59.73, -7.57

 

CMYK 0 / 87 / 42 / 21

HEX #CA1B75

RGB 202 27 117

HSL 329.14, 0.76%, 0.45%

LAB 45.12, 69.1, -4.76

 

CMYK 0 / 96 / 47 / 14

HEX #DC0875

RGB 220 8 117

HSL 329.15, 0.93%, 0.45%

LAB 47.85, 75.56, -0.33

 

CMYK 0 / 61 / 30 / 35

HEX #A54074

RGB 165 64 116

HSL 329.11, 0.44%, 0.45%

LAB 42.65, 47.05, -8.51

 

CMYK 0 / 44 / 21 / 43

HEX #925273

RGB 146 82 115

HSL 329.06, 0.28%, 0.45%

LAB 43.34, 31.19, -7.17

 

CMYK 0 / 21 / 10 / 50

HEX #806573

RGB 128 101 115

HSL 328.89, 0.12%, 0.45%

LAB 45.82, 13.31, -3.72

 

CMYK 8 / 0 / 4 / 53

HEX #6D7772

RGB 109 119 114

HSL 150, 0.04%, 0.45%

LAB 49.08, -4.78, 1.46

 

CMYK 35 / 0 / 17 / 46

HEX #5A8A72

RGB 90 138 114

HSL 150, 0.21%, 0.45%

LAB 53.56, -21.81, 7.74

 

CMYK 3 / 61 / 0 / 35

HEX #A040A5

RGB 160 64 165

HSL 297.03, 0.44%, 0.45%

LAB 44.03, 53.39, -36.14

 

CMYK 0 / 61 / 13 / 35

HEX #A5408F

RGB 165 64 143

HSL 313.07, 0.44%, 0.45%

LAB 43.73, 50.98, -23.36

 

CMYK 0 / 61 / 30 / 35

HEX #A54074

RGB 165 64 116

HSL 329.11, 0.44%, 0.45%

LAB 42.65, 47.05, -8.51

 

CMYK 0 / 61 / 46 / 35

HEX #A54059

RGB 165 64 89

HSL 345.15, 0.44%, 0.45%

LAB 41.83, 43.89, 7.03

 

CMYK 0 / 61 / 61 / 35

HEX #A54140

RGB 165 65 64

HSL 0.59, 0.44%, 0.45%

LAB 41.45, 41.25, 21.99

 

CMYK 0 / 61 / 30 / 59

HEX #69294A

RGB 105 41 74

HSL 329.06, 0.44%, 0.29%

LAB 26.97, 32.57, -6.21

 

CMYK 0 / 61 / 30 / 47

HEX #87345F

RGB 135 52 95

HSL 328.92, 0.44%, 0.37%

LAB 34.87, 40.22, -7.52

 

CMYK 0 / 61 / 30 / 35

HEX #A54074

RGB 165 64 116

HSL 329.11, 0.44%, 0.45%

LAB 42.65, 47.05, -8.51

 

CMYK 0 / 56 / 28 / 26

HEX #BC5288

RGB 188 82 136

HSL 329.43, 0.44%, 0.53%

LAB 50.1, 48.56, -9.11

 

CMYK 0 / 44 / 21 / 22

HEX #C7709D

RGB 199 112 157

HSL 328.97, 0.44%, 0.61%

LAB 58.19, 40.06, -9.19

 

CMYK 0 / 61 / 30 / 35

HEX #A54074

RGB 165 64 116

HSL 329.11, 0.44%, 0.45%

LAB 42.65, 47.05, -8.51

 

CMYK 0 / 19 / 61 / 35

HEX #A58540

RGB 165 133 64

HSL 40.99, 0.44%, 0.45%

LAB 57.22, 4.05, 41.11

 

CMYK 61 / 5 / 0 / 35

HEX #409CA5

RGB 64 156 165

HSL 185.35, 0.44%, 0.45%

LAB 59.51, -24.2, -12.84

 

CMYK 0 / 61 / 30 / 35

HEX #A54074

RGB 165 64 116

HSL 329.11, 0.44%, 0.45%

LAB 42.65, 47.05, -8.51

 

CMYK 30 / 0 / 61 / 35

HEX #74A540

RGB 116 165 64

HSL 89.11, 0.44%, 0.45%

LAB 62.5, -33.33, 46.04

 

CMYK 61 / 30 / 0 / 35

HEX #4074A5

RGB 64 116 165

HSL 209.11, 0.44%, 0.45%

LAB 47.36, -2.01, -31.5

 

CMYK 0 / 61 / 30 / 35

HEX #A54074

RGB 165 64 116

HSL 329.11, 0.44%, 0.45%

LAB 42.65, 47.05, -8.51

 

CMYK 0 / 19 / 61 / 35

HEX #A58540

RGB 165 133 64

HSL 40.99, 0.44%, 0.45%

LAB 57.22, 4.05, 41.11

 

CMYK 61 / 0 / 32 / 35

HEX #40A571

RGB 64 165 113

HSL 149.11, 0.44%, 0.45%

LAB 60.95, -41.66, 18.46

 

CMYK 61 / 42 / 0 / 35

HEX #4060A5

RGB 64 96 165

HSL 220.99, 0.44%, 0.45%

LAB 41.49, 10.4, -40.77

 

CMYK 0 / 61 / 30 / 35

HEX #A54074

RGB 165 64 116

HSL 329.11, 0.44%, 0.45%

LAB 42.65, 47.05, -8.51

 

CMYK 0 / 1 / 61 / 35

HEX #A5A340

RGB 165 163 64

HSL 58.81, 0.44%, 0.45%

LAB 65.41, -12.21, 50.23

 

CMYK 61 / 0 / 32 / 35

HEX #40A571

RGB 64 165 113

HSL 149.11, 0.44%, 0.45%

LAB 60.95, -41.66, 18.46

 

CMYK 61 / 61 / 0 / 35

HEX #4041A5

RGB 64 65 165

HSL 239.41, 0.44%, 0.45%

LAB 33.11, 30.48, -54.26

 

Description

Color code: HEX #A54074 | qconv.com Color code: HEX #A54074 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 64 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 64 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 30 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 30% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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