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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A54034 it is the complementary color #5ABFCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A54034. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A54034 shade: #AA402F, #BB5242, #CC6455, #DD7668 and #EE887B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A54034. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A54034 shade: #A54034, #942E21, #831C0E, #720A00 and #610000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A54034 shade: #A64034 and #A63434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A54034 shade: #A64034, #A65F34, #A67E34, #A69C34 and #91A634

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A54034 shade matches the following richer shades: #A64034, #B83222 and #CA2411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A54034 shade: #A64034, #944E46, #835C58, #716A69 and #5F787B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A54034 shade: #A63466, #A63447, #A64034, #A65E34 and #A67C34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A54034 shade: #672820, #87342A, #A64034, #C34F41 and #CD6C60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A54034 shade: #A54034, #84A634 and #3456A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A54034 shade: #A54034, #34A640 and #4034A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A54034 shade: #A54034, #84A634, #349BA6 and #5634A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A54034 shade: #A54034, #62A634, #349BA6 and #7934A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 68 / 35

HEX #A54034

RGB 165 64 52

HSL 6.37, 0.52%, 0.43%

LAB 41.08, 40.94, 28.75

 

Complementary color

CMYK 56 / 6 / 0 / 20

HEX #5ABFCB

RGB 90 191 203

HSL 186.37, 0.52%, 0.57%

LAB 72.06, -25.93, -14.98

 

CMYK 0 / 62 / 72 / 33

HEX #AA402F

RGB 170 64 47

HSL 8.29, 0.57%, 0.43%

LAB 41.87, 42.51, 32.81

 

CMYK 0 / 56 / 65 / 27

HEX #BB5242

RGB 187 82 66

HSL 7.93, 0.48%, 0.5%

LAB 48.25, 41.24, 30.11

 

CMYK 0 / 51 / 58 / 20

HEX #CC6455

RGB 204 100 85

HSL 7.56, 0.54%, 0.57%

LAB 54.67, 39.94, 27.8

 

CMYK 0 / 47 / 53 / 13

HEX #DD7668

RGB 221 118 104

HSL 7.18, 0.63%, 0.64%

LAB 61.07, 38.7, 25.8

 

CMYK 0 / 43 / 48 / 7

HEX #EE887B

RGB 238 136 123

HSL 6.78, 0.77%, 0.71%

LAB 67.44, 37.52, 24.04

 

CMYK 0 / 61 / 68 / 35

HEX #A54034

RGB 165 64 52

HSL 6.37, 0.52%, 0.43%

LAB 41.08, 40.94, 28.75

 

CMYK 0 / 69 / 78 / 42

HEX #942E21

RGB 148 46 33

HSL 6.78, 0.64%, 0.35%

LAB 34.72, 42.02, 31.82

 

CMYK 0 / 79 / 89 / 49

HEX #831C0E

RGB 131 28 14

HSL 7.18, 0.81%, 0.28%

LAB 28.61, 42.61, 35.12

 

CMYK 0 / 91 / 100 / 55

HEX #720A00

RGB 114 10 0

HSL 5.26, 1%, 0.22%

LAB 22.98, 42.04, 34.46

 

CMYK 0 / 100 / 100 / 62

HEX #610000

RGB 97 0 0

HSL 0, 1%, 0.19%

LAB 18.1, 39.46, 27.92

 

CMYK 0 / 61 / 69 / 35

HEX #A64034

RGB 166 64 52

HSL 6.32, 0.52%, 0.43%

LAB 41.25, 41.31, 29

 

CMYK 0 / 69 / 69 / 35

HEX #A63434

RGB 166 52 52

HSL 0, 0.52%, 0.43%

LAB 39.26, 46.66, 26.6

 

CMYK 0 / 61 / 69 / 35

HEX #A64034

RGB 166 64 52

HSL 6.32, 0.52%, 0.43%

LAB 41.25, 41.31, 29

 

CMYK 0 / 43 / 69 / 35

HEX #A65F34

RGB 166 95 52

HSL 22.63, 0.52%, 0.43%

LAB 47.67, 25.09, 36.47

 

CMYK 0 / 24 / 69 / 35

HEX #A67E34

RGB 166 126 52

HSL 38.95, 0.52%, 0.43%

LAB 55.36, 7.61, 44.91

 

CMYK 0 / 6 / 69 / 35

HEX #A69C34

RGB 166 156 52

HSL 54.74, 0.52%, 0.43%

LAB 63.45, -8.85, 53.35

 

CMYK 13 / 0 / 69 / 35

HEX #91A634

RGB 145 166 52

HSL 71.05, 0.52%, 0.43%

LAB 64.6, -23.1, 53.97

 

CMYK 0 / 61 / 69 / 35

HEX #A64034

RGB 166 64 52

HSL 6.32, 0.52%, 0.43%

LAB 41.25, 41.31, 29

 

CMYK 0 / 73 / 82 / 28

HEX #B83222

RGB 184 50 34

HSL 6.4, 0.69%, 0.43%

LAB 42.13, 52.63, 41.02

 

CMYK 0 / 82 / 92 / 21

HEX #CA2411

RGB 202 36 17

HSL 6.16, 0.84%, 0.43%

LAB 44.03, 61.99, 51.78

 

CMYK 0 / 61 / 69 / 35

HEX #A64034

RGB 166 64 52

HSL 6.32, 0.52%, 0.43%

LAB 41.25, 41.31, 29

 

CMYK 0 / 47 / 53 / 42

HEX #944E46

RGB 148 78 70

HSL 6.15, 0.36%, 0.43%

LAB 41.51, 28.43, 17.9

 

CMYK 0 / 30 / 33 / 49

HEX #835C58

RGB 131 92 88

HSL 5.58, 0.2%, 0.43%

LAB 43.04, 15.41, 8.67

 

CMYK 0 / 6 / 7 / 56

HEX #716A69

RGB 113 106 105

HSL 7.5, 0.04%, 0.43%

LAB 45.41, 2.54, 1.54

 

CMYK 23 / 2 / 0 / 52

HEX #5F787B

RGB 95 120 123

HSL 186.43, 0.13%, 0.43%

LAB 48.63, -8.31, -4.64

 

CMYK 0 / 69 / 39 / 35

HEX #A63466

RGB 166 52 102

HSL 333.68, 0.52%, 0.43%

LAB 40.45, 50.84, -3.08

 

CMYK 0 / 69 / 57 / 35

HEX #A63447

RGB 166 52 71

HSL 350, 0.52%, 0.43%

LAB 39.61, 47.92, 15.25

 

CMYK 0 / 61 / 69 / 35

HEX #A64034

RGB 166 64 52

HSL 6.32, 0.52%, 0.43%

LAB 41.25, 41.31, 29

 

CMYK 0 / 43 / 69 / 35

HEX #A65E34

RGB 166 94 52

HSL 22.11, 0.52%, 0.43%

LAB 47.44, 25.65, 36.2

 

CMYK 0 / 25 / 69 / 35

HEX #A67C34

RGB 166 124 52

HSL 37.89, 0.52%, 0.43%

LAB 54.83, 8.73, 44.36

 

CMYK 0 / 61 / 69 / 60

HEX #672820

RGB 103 40 32

HSL 6.76, 0.53%, 0.26%

LAB 25.28, 27.73, 19.4

 

CMYK 0 / 61 / 69 / 47

HEX #87342A

RGB 135 52 42

HSL 6.45, 0.53%, 0.35%

LAB 33.51, 34.89, 24.43

 

CMYK 0 / 61 / 69 / 35

HEX #A64034

RGB 166 64 52

HSL 6.32, 0.52%, 0.43%

LAB 41.25, 41.31, 29

 

CMYK 0 / 59 / 67 / 24

HEX #C34F41

RGB 195 79 65

HSL 6.46, 0.52%, 0.51%

LAB 48.98, 45.56, 31.87

 

CMYK 0 / 47 / 53 / 20

HEX #CD6C60

RGB 205 108 96

HSL 6.61, 0.52%, 0.59%

LAB 56.63, 37.1, 24.08

 

CMYK 0 / 61 / 68 / 35

HEX #A54034

RGB 165 64 52

HSL 6.37, 0.52%, 0.43%

LAB 41.08, 40.94, 28.75

 

CMYK 20 / 0 / 69 / 35

HEX #84A634

RGB 132 166 52

HSL 77.89, 0.52%, 0.43%

LAB 63.69, -28.48, 52.76

 

CMYK 69 / 48 / 0 / 35

HEX #3456A6

RGB 52 86 166

HSL 222.11, 0.52%, 0.43%

LAB 38.09, 15.06, -46.83

 

CMYK 0 / 61 / 68 / 35

HEX #A54034

RGB 165 64 52

HSL 6.37, 0.52%, 0.43%

LAB 41.08, 40.94, 28.75

 

CMYK 69 / 0 / 61 / 35

HEX #34A640

RGB 52 166 64

HSL 126.32, 0.52%, 0.43%

LAB 60.22, -52.6, 42.76

 

CMYK 61 / 69 / 0 / 35

HEX #4034A6

RGB 64 52 166

HSL 246.32, 0.52%, 0.43%

LAB 30.15, 38.86, -59.68

 

CMYK 0 / 61 / 68 / 35

HEX #A54034

RGB 165 64 52

HSL 6.37, 0.52%, 0.43%

LAB 41.08, 40.94, 28.75

 

CMYK 20 / 0 / 69 / 35

HEX #84A634

RGB 132 166 52

HSL 77.89, 0.52%, 0.43%

LAB 63.69, -28.48, 52.76

 

CMYK 69 / 7 / 0 / 35

HEX #349BA6

RGB 52 155 166

HSL 185.79, 0.52%, 0.43%

LAB 58.91, -25.37, -14.35

 

CMYK 48 / 69 / 0 / 35

HEX #5634A6

RGB 86 52 166

HSL 257.89, 0.52%, 0.43%

LAB 32.23, 42.59, -56.2

 

CMYK 0 / 61 / 68 / 35

HEX #A54034

RGB 165 64 52

HSL 6.37, 0.52%, 0.43%

LAB 41.08, 40.94, 28.75

 

CMYK 41 / 0 / 69 / 35

HEX #62A634

RGB 98 166 52

HSL 95.79, 0.52%, 0.43%

LAB 61.76, -41.3, 50.14

 

CMYK 69 / 7 / 0 / 35

HEX #349BA6

RGB 52 155 166

HSL 185.79, 0.52%, 0.43%

LAB 58.91, -25.37, -14.35

 

CMYK 27 / 69 / 0 / 35

HEX #7934A6

RGB 121 52 166

HSL 276.32, 0.52%, 0.43%

LAB 36.51, 49.73, -49.07

 

Description

Color code: HEX #A54034 | qconv.com Color code: HEX #A54034 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 64 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 64 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 68 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 68% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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