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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A539E9 it is the complementary color #5AC616. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A539E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A539E9 shade: #AA39E4, #BB4BF7, #CC5DFF, #DD6FFF and #EE81FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A539E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A539E9 shade: #A539E9, #9427D6, #8315C3, #7203B0 and #61009D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A539E9 shade: #A539E9, #D439E9, #E939CE, #E9399E and #E9396F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A539E9 shade: #A539E9, #7539E9, #4639E9 and #3939E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A539E9 shade matches the following richer shades: #A539E9 and #A927FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A539E9 shade: #A539E9, #A14BD7, #9D5DC5, #996EB3 and #9580A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A539E9 shade: #4539E9, #7439E9, #A239E9, #D139E9 and #E939D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A539E9 shade: #7B14BB, #9318E0, #A539E9, #B65EED and #C783F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A539E9 shade: #A539E9, #E9395C and #39E95C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A539E9 shade: #A539E9, #E9A239 and #39E9A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A539E9 shade: #A539E9, #E9395C, #7FE939 and #39E9C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A539E9 shade: #A539E9, #E94B39, #7FE939 and #39D7E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 76 / 0 / 9

HEX #A539E9

RGB 165 57 233

HSL 276.82, 0.8%, 0.57%

LAB 48.02, 70.76, -69.09

 

Complementary color

CMYK 55 / 0 / 89 / 22

HEX #5AC616

RGB 90 198 22

HSL 96.82, 0.8%, 0.43%

LAB 71.3, -57.83, 67.84

 

CMYK 25 / 75 / 0 / 11

HEX #AA39E4

RGB 170 57 228

HSL 279.65, 0.76%, 0.56%

LAB 48.35, 70.61, -65.68

 

CMYK 24 / 70 / 0 / 3

HEX #BB4BF7

RGB 187 75 247

HSL 279.07, 0.91%, 0.63%

LAB 54.36, 70.8, -66.53

 

CMYK 20 / 64 / 0 / 0

HEX #CC5DFF

RGB 204 93 255

HSL 281.11, 1%, 0.68%

LAB 59.79, 68.35, -62.12

 

CMYK 13 / 56 / 0 / 0

HEX #DD6FFF

RGB 221 111 255

HSL 285.83, 1%, 0.72%

LAB 64.93, 64.13, -53.79

 

CMYK 7 / 49 / 0 / 0

HEX #EE81FF

RGB 238 129 255

HSL 291.9, 1%, 0.75%

LAB 70.24, 59.92, -45.27

 

CMYK 29 / 76 / 0 / 9

HEX #A539E9

RGB 165 57 233

HSL 276.82, 0.8%, 0.57%

LAB 48.02, 70.76, -69.09

 

CMYK 31 / 82 / 0 / 16

HEX #9427D6

RGB 148 39 214

HSL 277.37, 0.69%, 0.5%

LAB 42.16, 70, -67.9

 

CMYK 33 / 89 / 0 / 24

HEX #8315C3

RGB 131 21 195

HSL 277.93, 0.81%, 0.42%

LAB 36.56, 68.24, -66.11

 

CMYK 35 / 98 / 0 / 31

HEX #7203B0

RGB 114 3 176

HSL 278.5, 0.97%, 0.35%

LAB 31.29, 65.19, -63.59

 

CMYK 38 / 100 / 0 / 38

HEX #61009D

RGB 97 0 157

HSL 277.07, 1%, 0.31%

LAB 26.67, 59.87, -59.79

 

CMYK 29 / 76 / 0 / 9

HEX #A539E9

RGB 165 57 233

HSL 276.82, 0.8%, 0.57%

LAB 48.02, 70.76, -69.09

 

CMYK 9 / 76 / 0 / 9

HEX #D439E9

RGB 212 57 233

HSL 292.84, 0.8%, 0.57%

LAB 54.87, 79.31, -57.68

 

CMYK 0 / 76 / 12 / 9

HEX #E939CE

RGB 233 57 206

HSL 309.2, 0.8%, 0.57%

LAB 56.79, 79.41, -39.13

 

CMYK 0 / 76 / 32 / 9

HEX #E9399E

RGB 233 57 158

HSL 325.57, 0.8%, 0.57%

LAB 54.78, 73.43, -14.39

 

CMYK 0 / 76 / 52 / 9

HEX #E9396F

RGB 233 57 111

HSL 341.59, 0.8%, 0.57%

LAB 53.38, 69.08, 11.57

 

CMYK 29 / 76 / 0 / 9

HEX #A539E9

RGB 165 57 233

HSL 276.82, 0.8%, 0.57%

LAB 48.02, 70.76, -69.09

 

CMYK 50 / 76 / 0 / 9

HEX #7539E9

RGB 117 57 233

HSL 260.45, 0.8%, 0.57%

LAB 42.14, 63.24, -78.93

 

CMYK 70 / 76 / 0 / 9

HEX #4639E9

RGB 70 57 233

HSL 244.43, 0.8%, 0.57%

LAB 38.04, 57.85, -85.82

 

CMYK 76 / 76 / 0 / 9

HEX #3939E9

RGB 57 57 233

HSL 240, 0.8%, 0.57%

LAB 37.26, 56.81, -87.14

 

CMYK 29 / 76 / 0 / 9

HEX #A539E9

RGB 165 57 233

HSL 276.82, 0.8%, 0.57%

LAB 48.02, 70.76, -69.09

 

CMYK 32 / 84 / 0 / 2

HEX #A927FA

RGB 169 39 250

HSL 276.97, 0.95%, 0.57%

LAB 47.99, 80.3, -78.66

 

CMYK 29 / 76 / 0 / 9

HEX #A539E9

RGB 165 57 233

HSL 276.82, 0.8%, 0.57%

LAB 48.02, 70.76, -69.09

 

CMYK 25 / 65 / 0 / 16

HEX #A14BD7

RGB 161 75 215

HSL 276.86, 0.64%, 0.57%

LAB 48.9, 58.7, -57.46

 

CMYK 20 / 53 / 0 / 23

HEX #9D5DC5

RGB 157 93 197

HSL 276.92, 0.47%, 0.57%

LAB 50.72, 44.7, -44.27

 

CMYK 15 / 39 / 0 / 30

HEX #996EB3

RGB 153 110 179

HSL 277.39, 0.31%, 0.57%

LAB 53.14, 30.03, -30.11

 

CMYK 8 / 21 / 0 / 36

HEX #9580A2

RGB 149 128 162

HSL 277.06, 0.15%, 0.57%

LAB 56.52, 14.6, -15.15

 

CMYK 70 / 76 / 0 / 9

HEX #4539E9

RGB 69 57 233

HSL 244.09, 0.8%, 0.57%

LAB 37.98, 57.76, -85.93

 

CMYK 50 / 76 / 0 / 9

HEX #7439E9

RGB 116 57 233

HSL 260.11, 0.8%, 0.57%

LAB 42.03, 63.11, -79.1

 

CMYK 30 / 76 / 0 / 9

HEX #A239E9

RGB 162 57 233

HSL 275.8, 0.8%, 0.57%

LAB 47.61, 70.25, -69.76

 

CMYK 10 / 76 / 0 / 9

HEX #D139E9

RGB 209 57 233

HSL 291.82, 0.8%, 0.57%

LAB 54.41, 78.74, -58.44

 

CMYK 0 / 76 / 10 / 9

HEX #E939D1

RGB 233 57 209

HSL 308.18, 0.8%, 0.57%

LAB 56.93, 79.83, -40.61

 

CMYK 34 / 89 / 0 / 27

HEX #7B14BB

RGB 123 20 187

HSL 277.01, 0.81%, 0.41%

LAB 34.6, 65.75, -64.66

 

CMYK 34 / 89 / 0 / 12

HEX #9318E0

RGB 147 24 224

HSL 276.9, 0.81%, 0.49%

LAB 41.59, 75.56, -74.56

 

CMYK 29 / 76 / 0 / 9

HEX #A539E9

RGB 165 57 233

HSL 276.82, 0.8%, 0.57%

LAB 48.02, 70.76, -69.09

 

CMYK 23 / 60 / 0 / 7

HEX #B65EED

RGB 182 94 237

HSL 276.92, 0.8%, 0.65%

LAB 56.15, 59.2, -58.1

 

CMYK 17 / 46 / 0 / 5

HEX #C783F1

RGB 199 131 241

HSL 277.09, 0.8%, 0.73%

LAB 65.53, 45.47, -45.31

 

CMYK 29 / 76 / 0 / 9

HEX #A539E9

RGB 165 57 233

HSL 276.82, 0.8%, 0.57%

LAB 48.02, 70.76, -69.09

 

CMYK 0 / 76 / 61 / 9

HEX #E9395C

RGB 233 57 92

HSL 348.07, 0.8%, 0.57%

LAB 52.97, 67.78, 22.42

 

CMYK 76 / 0 / 61 / 9

HEX #39E95C

RGB 57 233 92

HSL 131.93, 0.8%, 0.57%

LAB 81.79, -70.97, 54.99

 

CMYK 29 / 76 / 0 / 9

HEX #A539E9

RGB 165 57 233

HSL 276.82, 0.8%, 0.57%

LAB 48.02, 70.76, -69.09

 

CMYK 0 / 30 / 76 / 9

HEX #E9A239

RGB 233 162 57

HSL 35.8, 0.8%, 0.57%

LAB 71.87, 17.39, 61.96

 

CMYK 76 / 0 / 30 / 9

HEX #39E9A2

RGB 57 233 162

HSL 155.8, 0.8%, 0.57%

LAB 82.78, -59.57, 22.3

 

CMYK 29 / 76 / 0 / 9

HEX #A539E9

RGB 165 57 233

HSL 276.82, 0.8%, 0.57%

LAB 48.02, 70.76, -69.09

 

CMYK 0 / 76 / 61 / 9

HEX #E9395C

RGB 233 57 92

HSL 348.07, 0.8%, 0.57%

LAB 52.97, 67.78, 22.42

 

CMYK 45 / 0 / 76 / 9

HEX #7FE939

RGB 127 233 57

HSL 96.14, 0.8%, 0.57%

LAB 83.49, -58.46, 70.56

 

CMYK 76 / 0 / 15 / 9

HEX #39E9C5

RGB 57 233 197

HSL 167.73, 0.8%, 0.57%

LAB 83.54, -51.54, 5.08

 

CMYK 29 / 76 / 0 / 9

HEX #A539E9

RGB 165 57 233

HSL 276.82, 0.8%, 0.57%

LAB 48.02, 70.76, -69.09

 

CMYK 0 / 68 / 76 / 9

HEX #E94B39

RGB 233 75 57

HSL 6.14, 0.8%, 0.57%

LAB 54.71, 59.83, 44.56

 

CMYK 45 / 0 / 76 / 9

HEX #7FE939

RGB 127 233 57

HSL 96.14, 0.8%, 0.57%

LAB 83.49, -58.46, 70.56

 

CMYK 76 / 8 / 0 / 9

HEX #39D7E9

RGB 57 215 233

HSL 186.14, 0.8%, 0.57%

LAB 79.24, -33.68, -20.39

 

Description

Color code: HEX #A539E9 | qconv.com Color code: HEX #A539E9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 57 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 57 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 76 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 76% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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