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Color name
HEX #A52FA4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A52FA4 it is the complementary color #5AD05B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A52FA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A52FA4 shade: #AA2F9F, #BB41B2, #CC53C5, #DD65D8 and #EE77EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A52FA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A52FA4 shade: #A52FA4, #941D91, #830B7E, #72006B and #610058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A52FA4 shade: #A72FA6, #A72F85, #A72F65, #A72F45 and #A72F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A52FA4 shade: #A72FA6, #872FA7, #672FA7, #472FA7 and #2F2FA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A52FA4 shade matches the following richer shades: #A72FA6, #B81DB7 and #C90CC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A52FA4 shade: #A72FA6, #954095, #845183, #736372 and #617461

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A52FA4 shade: #672FA7, #872FA7, #A72FA7, #A72F87 and #A72F67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A52FA4 shade: #661C66, #862686, #A72FA6, #C738C5 and #D058CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A52FA4 shade: #A52FA4, #A7472F and #2FA777

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A52FA4 shade: #A52FA4, #A7A72F and #2FA7A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A52FA4 shade: #A52FA4, #A7472F, #2FA72F and #2F8FA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A52FA4 shade: #A52FA4, #A76B2F, #2FA72F and #2F6BA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 1 / 35

HEX #A52FA4

RGB 165 47 164

HSL 300.51, 0.56%, 0.42%

LAB 42.33, 61.22, -38.18

 

Complementary color

CMYK 57 / 0 / 56 / 18

HEX #5AD05B

RGB 90 208 91

HSL 120.51, 0.56%, 0.58%

LAB 74.85, -56.31, 47.57

 

CMYK 0 / 72 / 6 / 33

HEX #AA2F9F

RGB 170 47 159

HSL 305.37, 0.57%, 0.43%

LAB 42.89, 61.56, -34.25

 

CMYK 0 / 65 / 5 / 27

HEX #BB41B2

RGB 187 65 178

HSL 304.43, 0.48%, 0.49%

LAB 48.96, 62.02, -35.76

 

CMYK 0 / 59 / 3 / 20

HEX #CC53C5

RGB 204 83 197

HSL 303.47, 0.54%, 0.56%

LAB 55.13, 61.99, -36.9

 

CMYK 0 / 54 / 2 / 13

HEX #DD65D8

RGB 221 101 216

HSL 302.5, 0.64%, 0.63%

LAB 61.34, 61.65, -37.79

 

CMYK 0 / 50 / 1 / 7

HEX #EE77EB

RGB 238 119 235

HSL 301.51, 0.78%, 0.7%

LAB 67.55, 61.14, -38.51

 

CMYK 0 / 72 / 1 / 35

HEX #A52FA4

RGB 165 47 164

HSL 300.51, 0.56%, 0.42%

LAB 42.33, 61.22, -38.18

 

CMYK 0 / 80 / 2 / 42

HEX #941D91

RGB 148 29 145

HSL 301.51, 0.67%, 0.35%

LAB 36.4, 59.99, -36.27

 

CMYK 0 / 92 / 4 / 49

HEX #830B7E

RGB 131 11 126

HSL 302.5, 0.85%, 0.28%

LAB 30.81, 57.46, -33.57

 

CMYK 0 / 100 / 6 / 55

HEX #72006B

RGB 114 0 107

HSL 303.68, 1%, 0.22%

LAB 25.68, 53.14, -29.8

 

CMYK 0 / 100 / 9 / 62

HEX #610058

RGB 97 0 88

HSL 305.57, 1%, 0.19%

LAB 21, 46.96, -24.93

 

CMYK 0 / 72 / 1 / 35

HEX #A72FA6

RGB 167 47 166

HSL 300.5, 0.56%, 0.42%

LAB 42.77, 62.01, -38.66

 

CMYK 0 / 72 / 20 / 35

HEX #A72F85

RGB 167 47 133

HSL 317, 0.56%, 0.42%

LAB 41.12, 56.94, -21.27

 

CMYK 0 / 72 / 40 / 35

HEX #A72F65

RGB 167 47 101

HSL 333, 0.56%, 0.42%

LAB 39.9, 52.96, -3.24

 

CMYK 0 / 72 / 59 / 35

HEX #A72F45

RGB 167 47 69

HSL 349, 0.56%, 0.42%

LAB 39.03, 50.06, 15.76

 

CMYK 0 / 72 / 72 / 35

HEX #A72F2F

RGB 167 47 47

HSL 0, 0.56%, 0.42%

LAB 38.64, 48.73, 28.93

 

CMYK 0 / 72 / 1 / 35

HEX #A72FA6

RGB 167 47 166

HSL 300.5, 0.56%, 0.42%

LAB 42.77, 62.01, -38.66

 

CMYK 19 / 72 / 0 / 35

HEX #872FA7

RGB 135 47 167

HSL 284, 0.56%, 0.42%

LAB 37.8, 55.16, -47.49

 

CMYK 38 / 72 / 0 / 35

HEX #672FA7

RGB 103 47 167

HSL 268, 0.56%, 0.42%

LAB 33.36, 48.65, -54.87

 

CMYK 57 / 72 / 0 / 35

HEX #472FA7

RGB 71 47 167

HSL 252, 0.56%, 0.42%

LAB 29.82, 43.1, -60.81

 

CMYK 72 / 72 / 0 / 35

HEX #2F2FA7

RGB 47 47 167

HSL 240, 0.56%, 0.42%

LAB 27.92, 39.96, -64

 

CMYK 0 / 72 / 1 / 35

HEX #A72FA6

RGB 167 47 166

HSL 300.5, 0.56%, 0.42%

LAB 42.77, 62.01, -38.66

 

CMYK 0 / 84 / 1 / 28

HEX #B81DB7

RGB 184 29 183

HSL 300.39, 0.73%, 0.42%

LAB 44.92, 73.04, -45.12

 

CMYK 0 / 94 / 0 / 21

HEX #C90CC8

RGB 201 12 200

HSL 300.32, 0.89%, 0.42%

LAB 48.07, 80.99, -49.84

 

CMYK 0 / 72 / 1 / 35

HEX #A72FA6

RGB 167 47 166

HSL 300.5, 0.56%, 0.42%

LAB 42.77, 62.01, -38.66

 

CMYK 0 / 57 / 0 / 42

HEX #954095

RGB 149 64 149

HSL 300, 0.4%, 0.42%

LAB 41.57, 47.5, -30.53

 

CMYK 0 / 39 / 1 / 48

HEX #845183

RGB 132 81 131

HSL 301.18, 0.24%, 0.42%

LAB 41.89, 29.71, -19.3

 

CMYK 0 / 14 / 1 / 55

HEX #736372

RGB 115 99 114

HSL 303.75, 0.07%, 0.42%

LAB 43.92, 9.31, -6.07

 

CMYK 16 / 0 / 16 / 55

HEX #617461

RGB 97 116 97

HSL 120, 0.09%, 0.42%

LAB 46.84, -11.05, 8.18

 

CMYK 38 / 72 / 0 / 35

HEX #672FA7

RGB 103 47 167

HSL 268, 0.56%, 0.42%

LAB 33.36, 48.65, -54.87

 

CMYK 19 / 72 / 0 / 35

HEX #872FA7

RGB 135 47 167

HSL 284, 0.56%, 0.42%

LAB 37.8, 55.16, -47.49

 

CMYK 0 / 72 / 0 / 35

HEX #A72FA7

RGB 167 47 167

HSL 300, 0.56%, 0.42%

LAB 42.82, 62.17, -39.17

 

CMYK 0 / 72 / 19 / 35

HEX #A72F87

RGB 167 47 135

HSL 316, 0.56%, 0.42%

LAB 41.21, 57.22, -22.36

 

CMYK 0 / 72 / 38 / 35

HEX #A72F67

RGB 167 47 103

HSL 332, 0.56%, 0.42%

LAB 39.96, 53.18, -4.4

 

CMYK 0 / 73 / 0 / 60

HEX #661C66

RGB 102 28 102

HSL 300, 0.57%, 0.25%

LAB 25.61, 42.42, -26.81

 

CMYK 0 / 72 / 0 / 47

HEX #862686

RGB 134 38 134

HSL 300, 0.56%, 0.34%

LAB 34.35, 52.15, -32.91

 

CMYK 0 / 72 / 1 / 35

HEX #A72FA6

RGB 167 47 166

HSL 300.5, 0.56%, 0.42%

LAB 42.77, 62.01, -38.66

 

CMYK 0 / 72 / 1 / 22

HEX #C738C5

RGB 199 56 197

HSL 300.84, 0.56%, 0.5%

LAB 50.69, 71.08, -43.96

 

CMYK 0 / 58 / 0 / 18

HEX #D058CF

RGB 208 88 207

HSL 300.5, 0.56%, 0.58%

LAB 56.97, 62.53, -39.68

 

CMYK 0 / 72 / 1 / 35

HEX #A52FA4

RGB 165 47 164

HSL 300.51, 0.56%, 0.42%

LAB 42.33, 61.22, -38.18

 

CMYK 0 / 57 / 72 / 35

HEX #A7472F

RGB 167 71 47

HSL 12, 0.56%, 0.42%

LAB 42.65, 38, 33.56

 

CMYK 72 / 0 / 29 / 35

HEX #2FA777

RGB 47 167 119

HSL 156, 0.56%, 0.42%

LAB 61.28, -44.3, 15.54

 

CMYK 0 / 72 / 1 / 35

HEX #A52FA4

RGB 165 47 164

HSL 300.51, 0.56%, 0.42%

LAB 42.33, 61.22, -38.18

 

CMYK 0 / 0 / 72 / 35

HEX #A7A72F

RGB 167 167 47

HSL 60, 0.56%, 0.42%

LAB 66.56, -14.44, 58.4

 

CMYK 72 / 0 / 0 / 35

HEX #2FA7A7

RGB 47 167 167

HSL 180, 0.56%, 0.42%

LAB 62.53, -31.67, -9.48

 

CMYK 0 / 72 / 1 / 35

HEX #A52FA4

RGB 165 47 164

HSL 300.51, 0.56%, 0.42%

LAB 42.33, 61.22, -38.18

 

CMYK 0 / 57 / 72 / 35

HEX #A7472F

RGB 167 71 47

HSL 12, 0.56%, 0.42%

LAB 42.65, 38, 33.56

 

CMYK 72 / 0 / 72 / 35

HEX #2FA72F

RGB 47 167 47

HSL 120, 0.56%, 0.42%

LAB 60.29, -55.64, 50.05

 

CMYK 72 / 14 / 0 / 35

HEX #2F8FA7

RGB 47 143 167

HSL 192, 0.56%, 0.42%

LAB 55.11, -19.55, -20.7

 

CMYK 0 / 72 / 1 / 35

HEX #A52FA4

RGB 165 47 164

HSL 300.51, 0.56%, 0.42%

LAB 42.33, 61.22, -38.18

 

CMYK 0 / 36 / 72 / 35

HEX #A76B2F

RGB 167 107 47

HSL 30, 0.56%, 0.42%

LAB 50.61, 18.5, 42.29

 

CMYK 72 / 0 / 72 / 35

HEX #2FA72F

RGB 47 167 47

HSL 120, 0.56%, 0.42%

LAB 60.29, -55.64, 50.05

 

CMYK 72 / 36 / 0 / 35

HEX #2F6BA7

RGB 47 107 167

HSL 210, 0.56%, 0.42%

LAB 44.1, 1.2, -37.85

 

Description

Color code: HEX #A52FA4 | qconv.com Color code: HEX #A52FA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 47 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 47 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 1 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 1% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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