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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A51EE6 it is the complementary color #5AE119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A51EE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A51EE6 shade: #AA1EE1, #BB30F4, #CC42FF, #DD54FF and #EE66FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A51EE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A51EE6 shade: #A51EE6, #940CD3, #8300C0, #7200AD and #61009A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A51EE6 shade: #A51EE6, #DA1EE6, #E61EBB, #E61E85 and #E61E4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A51EE6 shade: #A51EE6, #6F1EE6, #391EE6 and #1E1EE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A51EE6 shade matches the following richer shades: #A51EE6 and #AC09FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A51EE6 shade: #A51EE6, #9D32D1, #9646BD, #8F5AA9 and #886E95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A51EE6 shade: #381EE6, #6E1EE6, #A31EE6, #D81EE6 and #E61EBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A51EE6 shade: #71119F, #8C15C4, #A51EE6, #B343EA and #C268EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A51EE6 shade: #A51EE6, #E61E38 and #1EE653

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A51EE6 shade: #A51EE6, #E6A31E and #1EE6A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A51EE6 shade: #A51EE6, #E61E38, #60E61E and #1EE6CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A51EE6 shade: #A51EE6, #E63F1E, #60E61E and #1EC4E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 87 / 0 / 10

HEX #A51EE6

RGB 165 30 230

HSL 280.5, 0.8%, 0.51%

LAB 45.14, 77.9, -72.07

 

Complementary color

CMYK 60 / 0 / 89 / 12

HEX #5AE119

RGB 90 225 25

HSL 100.5, 0.8%, 0.49%

LAB 79.67, -67.02, 74.42

 

CMYK 24 / 87 / 0 / 12

HEX #AA1EE1

RGB 170 30 225

HSL 283.08, 0.76%, 0.5%

LAB 45.51, 77.67, -68.59

 

CMYK 23 / 80 / 0 / 4

HEX #BB30F4

RGB 187 48 244

HSL 282.55, 0.9%, 0.57%

LAB 50.93, 79.45, -70.4

 

CMYK 20 / 74 / 0 / 0

HEX #CC42FF

RGB 204 66 255

HSL 283.81, 1%, 0.63%

LAB 56.04, 78.89, -68.14

 

CMYK 13 / 67 / 0 / 0

HEX #DD54FF

RGB 221 84 255

HSL 288.07, 1%, 0.66%

LAB 60.72, 75.7, -60.49

 

CMYK 7 / 60 / 0 / 0

HEX #EE66FF

RGB 238 102 255

HSL 293.33, 1%, 0.7%

LAB 65.67, 72.22, -52.48

 

CMYK 28 / 87 / 0 / 10

HEX #A51EE6

RGB 165 30 230

HSL 280.5, 0.8%, 0.51%

LAB 45.14, 77.9, -72.07

 

CMYK 30 / 94 / 0 / 17

HEX #940CD3

RGB 148 12 211

HSL 281.01, 0.89%, 0.44%

LAB 40.02, 75.02, -69.66

 

CMYK 32 / 100 / 0 / 25

HEX #8300C0

RGB 131 0 192

HSL 280.94, 1%, 0.38%

LAB 35.26, 70.74, -66.47

 

CMYK 34 / 100 / 0 / 32

HEX #7200AD

RGB 114 0 173

HSL 279.54, 1%, 0.34%

LAB 30.87, 65.05, -62.49

 

CMYK 37 / 100 / 0 / 40

HEX #61009A

RGB 97 0 154

HSL 277.79, 1%, 0.3%

LAB 26.37, 59.25, -58.44

 

CMYK 28 / 87 / 0 / 10

HEX #A51EE6

RGB 165 30 230

HSL 280.5, 0.8%, 0.51%

LAB 45.14, 77.9, -72.07

 

CMYK 5 / 87 / 0 / 10

HEX #DA1EE6

RGB 218 30 230

HSL 296.4, 0.8%, 0.51%

LAB 53.54, 86.04, -58.07

 

CMYK 0 / 87 / 19 / 10

HEX #E61EBB

RGB 230 30 187

HSL 312.9, 0.8%, 0.51%

LAB 53.32, 82.25, -33.66

 

CMYK 0 / 87 / 42 / 10

HEX #E61E85

RGB 230 30 133

HSL 329.1, 0.8%, 0.51%

LAB 51.2, 76.5, -4.9

 

CMYK 0 / 87 / 66 / 10

HEX #E61E4F

RGB 230 30 79

HSL 345.3, 0.8%, 0.51%

LAB 49.88, 72.74, 26.09

 

CMYK 28 / 87 / 0 / 10

HEX #A51EE6

RGB 165 30 230

HSL 280.5, 0.8%, 0.51%

LAB 45.14, 77.9, -72.07

 

CMYK 52 / 87 / 0 / 10

HEX #6F1EE6

RGB 111 30 230

HSL 264.3, 0.8%, 0.51%

LAB 37.88, 71.47, -84.26

 

CMYK 75 / 87 / 0 / 10

HEX #391EE6

RGB 57 30 230

HSL 248.1, 0.8%, 0.51%

LAB 32.94, 67.59, -92.59

 

CMYK 87 / 87 / 0 / 10

HEX #1E1EE6

RGB 30 30 230

HSL 240, 0.8%, 0.51%

LAB 31.62, 66.63, -94.84

 

CMYK 28 / 87 / 0 / 10

HEX #A51EE6

RGB 165 30 230

HSL 280.5, 0.8%, 0.51%

LAB 45.14, 77.9, -72.07

 

CMYK 31 / 96 / 0 / 2

HEX #AC09FA

RGB 172 9 250

HSL 280.58, 0.96%, 0.51%

LAB 46.8, 85.51, -80.59

 

CMYK 28 / 87 / 0 / 10

HEX #A51EE6

RGB 165 30 230

HSL 280.5, 0.8%, 0.51%

LAB 45.14, 77.9, -72.07

 

CMYK 25 / 76 / 0 / 18

HEX #9D32D1

RGB 157 50 209

HSL 280.38, 0.63%, 0.51%

LAB 44.31, 66.91, -61.46

 

CMYK 21 / 63 / 0 / 26

HEX #9646BD

RGB 150 70 189

HSL 280.34, 0.47%, 0.51%

LAB 45, 52.91, -48.81

 

CMYK 15 / 47 / 0 / 34

HEX #8F5AA9

RGB 143 90 169

HSL 280.25, 0.31%, 0.51%

LAB 47, 36.13, -33.98

 

CMYK 9 / 26 / 0 / 42

HEX #886E95

RGB 136 110 149

HSL 280, 0.16%, 0.51%

LAB 50.16, 17.82, -17.36

 

CMYK 76 / 87 / 0 / 10

HEX #381EE6

RGB 56 30 230

HSL 247.8, 0.8%, 0.51%

LAB 32.88, 67.54, -92.7

 

CMYK 52 / 87 / 0 / 10

HEX #6E1EE6

RGB 110 30 230

HSL 264, 0.8%, 0.51%

LAB 37.76, 71.38, -84.46

 

CMYK 29 / 87 / 0 / 10

HEX #A31EE6

RGB 163 30 230

HSL 279.9, 0.8%, 0.51%

LAB 44.84, 77.62, -72.57

 

CMYK 6 / 87 / 0 / 10

HEX #D81EE6

RGB 216 30 230

HSL 295.8, 0.8%, 0.51%

LAB 53.21, 85.71, -58.62

 

CMYK 0 / 87 / 17 / 10

HEX #E61EBE

RGB 230 30 190

HSL 312, 0.8%, 0.51%

LAB 53.46, 82.62, -35.18

 

CMYK 29 / 89 / 0 / 38

HEX #71119F

RGB 113 17 159

HSL 280.56, 0.81%, 0.35%

LAB 30.44, 59.22, -54.74

 

CMYK 29 / 89 / 0 / 23

HEX #8C15C4

RGB 140 21 196

HSL 280.8, 0.81%, 0.43%

LAB 38.02, 69.67, -64.26

 

CMYK 28 / 87 / 0 / 10

HEX #A51EE6

RGB 165 30 230

HSL 280.5, 0.8%, 0.51%

LAB 45.14, 77.9, -72.07

 

CMYK 24 / 71 / 0 / 8

HEX #B343EA

RGB 179 67 234

HSL 280.24, 0.8%, 0.59%

LAB 51.31, 69.77, -64.22

 

CMYK 18 / 56 / 0 / 7

HEX #C268EE

RGB 194 104 238

HSL 280.3, 0.8%, 0.67%

LAB 59.47, 57.42, -53.27

 

CMYK 28 / 87 / 0 / 10

HEX #A51EE6

RGB 165 30 230

HSL 280.5, 0.8%, 0.51%

LAB 45.14, 77.9, -72.07

 

CMYK 0 / 87 / 76 / 10

HEX #E61E38

RGB 230 30 56

HSL 352.2, 0.8%, 0.51%

LAB 49.54, 71.77, 39.34

 

CMYK 87 / 0 / 64 / 10

HEX #1EE653

RGB 30 230 83

HSL 135.9, 0.8%, 0.51%

LAB 80.46, -73.85, 57.19

 

CMYK 28 / 87 / 0 / 10

HEX #A51EE6

RGB 165 30 230

HSL 280.5, 0.8%, 0.51%

LAB 45.14, 77.9, -72.07

 

CMYK 0 / 29 / 87 / 10

HEX #E6A31E

RGB 230 163 30

HSL 39.9, 0.8%, 0.51%

LAB 71.63, 14.75, 70.48

 

CMYK 87 / 0 / 29 / 10

HEX #1EE6A3

RGB 30 230 163

HSL 159.9, 0.8%, 0.51%

LAB 81.57, -60.69, 20.06

 

CMYK 28 / 87 / 0 / 10

HEX #A51EE6

RGB 165 30 230

HSL 280.5, 0.8%, 0.51%

LAB 45.14, 77.9, -72.07

 

CMYK 0 / 87 / 76 / 10

HEX #E61E38

RGB 230 30 56

HSL 352.2, 0.8%, 0.51%

LAB 49.54, 71.77, 39.34

 

CMYK 58 / 0 / 87 / 10

HEX #60E61E

RGB 96 230 30

HSL 100.2, 0.8%, 0.51%

LAB 81.39, -67.1, 75.07

 

CMYK 87 / 0 / 12 / 10

HEX #1EE6CB

RGB 30 230 203

HSL 171.9, 0.8%, 0.51%

LAB 82.48, -50.99, 0.34

 

CMYK 28 / 87 / 0 / 10

HEX #A51EE6

RGB 165 30 230

HSL 280.5, 0.8%, 0.51%

LAB 45.14, 77.9, -72.07

 

CMYK 0 / 73 / 87 / 10

HEX #E63F1E

RGB 230 63 30

HSL 9.9, 0.8%, 0.51%

LAB 52.37, 62.48, 55.18

 

CMYK 58 / 0 / 87 / 10

HEX #60E61E

RGB 96 230 30

HSL 100.2, 0.8%, 0.51%

LAB 81.39, -67.1, 75.07

 

CMYK 87 / 15 / 0 / 10

HEX #1EC4E6

RGB 30 196 230

HSL 190.2, 0.8%, 0.51%

LAB 73.2, -27.61, -28.03

 

Description

Color code: HEX #A51EE6 | qconv.com Color code: HEX #A51EE6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 30 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 30 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 87 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 87% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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