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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A51778 it is the complementary color #5AE887. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A51778. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A51778 shade: #AA1773, #BB2986, #CC3B99, #DD4DAC and #EE5FBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A51778. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A51778 shade: #A51778, #940565, #830052, #72003F and #61002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A51778 shade: #A61678, #A61651, #A6162B and #A61616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A51778 shade: #A61678, #A6169F, #8616A6, #5F16A6 and #3816A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A51778 shade matches the following richer shades: #A61678 and #B5077E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A51778 shade: #A61678, #962573, #87356D, #784467 and #685362

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A51778 shade: #8616A6, #A6169E, #A61678, #A61652 and #A6162C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A51778 shade: #5D0C43, #81115E, #A61678, #CA1B92 and #E22CA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A51778 shade: #A51778, #A66016 and #16A69A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A51778 shade: #A51778, #78A616 and #1678A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A51778 shade: #A51778, #A66016, #16A644 and #165BA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A51778 shade: #A51778, #A68B16, #16A644 and #1630A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 27 / 35

HEX #A51778

RGB 165 23 120

HSL 319.01, 0.76%, 0.37%

LAB 37.79, 61.61, -18.4

 

Complementary color

CMYK 61 / 0 / 42 / 9

HEX #5AE887

RGB 90 232 135

HSL 139.01, 0.76%, 0.63%

LAB 82.72, -58.97, 36.07

 

CMYK 0 / 86 / 32 / 33

HEX #AA1773

RGB 170 23 115

HSL 322.45, 0.76%, 0.38%

LAB 38.55, 62.18, -14.02

 

CMYK 0 / 78 / 28 / 27

HEX #BB2986

RGB 187 41 134

HSL 321.78, 0.64%, 0.45%

LAB 44.05, 64.03, -17.08

 

CMYK 0 / 71 / 25 / 20

HEX #CC3B99

RGB 204 59 153

HSL 321.1, 0.59%, 0.52%

LAB 49.82, 64.92, -19.45

 

CMYK 0 / 65 / 22 / 13

HEX #DD4DAC

RGB 221 77 172

HSL 320.42, 0.68%, 0.58%

LAB 55.74, 65.2, -21.3

 

CMYK 0 / 60 / 20 / 7

HEX #EE5FBF

RGB 238 95 191

HSL 319.72, 0.81%, 0.65%

LAB 61.76, 65.08, -22.8

 

CMYK 0 / 86 / 27 / 35

HEX #A51778

RGB 165 23 120

HSL 319.01, 0.76%, 0.37%

LAB 37.79, 61.61, -18.4

 

CMYK 0 / 97 / 32 / 42

HEX #940565

RGB 148 5 101

HSL 319.72, 0.93%, 0.3%

LAB 32.58, 58.49, -14.62

 

CMYK 0 / 100 / 37 / 49

HEX #830052

RGB 131 0 82

HSL 322.44, 1%, 0.26%

LAB 27.94, 53.41, -9.58

 

CMYK 0 / 100 / 45 / 55

HEX #72003F

RGB 114 0 63

HSL 326.84, 1%, 0.22%

LAB 23.46, 47.54, -3.82

 

CMYK 0 / 100 / 55 / 62

HEX #61002C

RGB 97 0 44

HSL 332.78, 1%, 0.19%

LAB 18.9, 41.6, 2.4

 

CMYK 0 / 87 / 28 / 35

HEX #A61678

RGB 166 22 120

HSL 319.17, 0.77%, 0.37%

LAB 37.91, 62.04, -18.19

 

CMYK 0 / 87 / 51 / 35

HEX #A61651

RGB 166 22 81

HSL 335.42, 0.77%, 0.37%

LAB 36.51, 58.11, 4.55

 

CMYK 0 / 87 / 74 / 35

HEX #A6162B

RGB 166 22 43

HSL 351.25, 0.77%, 0.37%

LAB 35.7, 55.77, 27.89

 

CMYK 0 / 87 / 87 / 35

HEX #A61616

RGB 166 22 22

HSL 0, 0.77%, 0.37%

LAB 35.48, 55.1, 39.82

 

CMYK 0 / 87 / 28 / 35

HEX #A61678

RGB 166 22 120

HSL 319.17, 0.77%, 0.37%

LAB 37.91, 62.04, -18.19

 

CMYK 0 / 87 / 4 / 35

HEX #A6169F

RGB 166 22 159

HSL 302.92, 0.77%, 0.37%

LAB 39.89, 67.35, -39.04

 

CMYK 19 / 87 / 0 / 35

HEX #8616A6

RGB 134 22 166

HSL 286.67, 0.77%, 0.37%

LAB 34.79, 62.79, -51.74

 

CMYK 43 / 87 / 0 / 35

HEX #5F16A6

RGB 95 22 166

HSL 270.42, 0.77%, 0.37%

LAB 28.8, 56.96, -61.77

 

CMYK 66 / 87 / 0 / 35

HEX #3816A6

RGB 56 22 166

HSL 254.17, 0.77%, 0.37%

LAB 24.22, 52.85, -69.49

 

CMYK 0 / 87 / 28 / 35

HEX #A61678

RGB 166 22 120

HSL 319.17, 0.77%, 0.37%

LAB 37.91, 62.04, -18.19

 

CMYK 0 / 96 / 30 / 29

HEX #B5077E

RGB 181 7 126

HSL 318.97, 0.93%, 0.37%

LAB 40.38, 68.1, -17.88

 

CMYK 0 / 87 / 28 / 35

HEX #A61678

RGB 166 22 120

HSL 319.17, 0.77%, 0.37%

LAB 37.91, 62.04, -18.19

 

CMYK 0 / 75 / 23 / 41

HEX #962573

RGB 150 37 115

HSL 318.58, 0.6%, 0.37%

LAB 36.07, 53.54, -18.14

 

CMYK 0 / 61 / 19 / 47

HEX #87356D

RGB 135 53 109

HSL 319.02, 0.44%, 0.37%

LAB 35.6, 41.81, -15.3

 

CMYK 0 / 43 / 14 / 53

HEX #784467

RGB 120 68 103

HSL 319.62, 0.28%, 0.37%

LAB 36.19, 27.69, -10.83

 

CMYK 0 / 20 / 6 / 59

HEX #685362

RGB 104 83 98

HSL 317.14, 0.11%, 0.37%

LAB 37.86, 11.54, -5.38

 

CMYK 19 / 87 / 0 / 35

HEX #8616A6

RGB 134 22 166

HSL 286.67, 0.77%, 0.37%

LAB 34.79, 62.79, -51.74

 

CMYK 0 / 87 / 5 / 35

HEX #A6169E

RGB 166 22 158

HSL 303.33, 0.77%, 0.37%

LAB 39.83, 67.2, -38.53

 

CMYK 0 / 87 / 28 / 35

HEX #A61678

RGB 166 22 120

HSL 319.17, 0.77%, 0.37%

LAB 37.91, 62.04, -18.19

 

CMYK 0 / 87 / 51 / 35

HEX #A61652

RGB 166 22 82

HSL 335, 0.77%, 0.37%

LAB 36.54, 58.19, 3.94

 

CMYK 0 / 87 / 73 / 35

HEX #A6162C

RGB 166 22 44

HSL 350.83, 0.77%, 0.37%

LAB 35.72, 55.82, 27.29

 

CMYK 0 / 87 / 28 / 64

HEX #5D0C43

RGB 93 12 67

HSL 319.26, 0.77%, 0.21%

LAB 20.03, 39.96, -12.22

 

CMYK 0 / 87 / 27 / 49

HEX #81115E

RGB 129 17 94

HSL 318.75, 0.77%, 0.29%

LAB 29.1, 51.28, -15.76

 

CMYK 0 / 87 / 28 / 35

HEX #A61678

RGB 166 22 120

HSL 319.17, 0.77%, 0.37%

LAB 37.91, 62.04, -18.19

 

CMYK 0 / 87 / 28 / 21

HEX #CA1B92

RGB 202 27 146

HSL 319.2, 0.76%, 0.45%

LAB 46.2, 72.1, -20.83

 

CMYK 0 / 81 / 26 / 11

HEX #E22CA8

RGB 226 44 168

HSL 319.12, 0.76%, 0.53%

LAB 52.73, 76.36, -23.53

 

CMYK 0 / 86 / 27 / 35

HEX #A51778

RGB 165 23 120

HSL 319.01, 0.76%, 0.37%

LAB 37.79, 61.61, -18.4

 

CMYK 0 / 42 / 87 / 35

HEX #A66016

RGB 166 96 22

HSL 30.83, 0.77%, 0.37%

LAB 47.66, 23.25, 50.09

 

CMYK 87 / 0 / 7 / 35

HEX #16A69A

RGB 22 166 154

HSL 175, 0.77%, 0.37%

LAB 61.46, -37.48, -3.81

 

CMYK 0 / 86 / 27 / 35

HEX #A51778

RGB 165 23 120

HSL 319.01, 0.76%, 0.37%

LAB 37.79, 61.61, -18.4

 

CMYK 28 / 0 / 87 / 35

HEX #78A616

RGB 120 166 22

HSL 79.17, 0.77%, 0.37%

LAB 62.78, -34.79, 61.14

 

CMYK 87 / 28 / 0 / 35

HEX #1678A6

RGB 22 120 166

HSL 199.17, 0.77%, 0.37%

LAB 47.44, -9.82, -32.05

 

CMYK 0 / 86 / 27 / 35

HEX #A51778

RGB 165 23 120

HSL 319.01, 0.76%, 0.37%

LAB 37.79, 61.61, -18.4

 

CMYK 0 / 42 / 87 / 35

HEX #A66016

RGB 166 96 22

HSL 30.83, 0.77%, 0.37%

LAB 47.66, 23.25, 50.09

 

CMYK 87 / 0 / 59 / 35

HEX #16A644

RGB 22 166 68

HSL 139.17, 0.77%, 0.37%

LAB 59.76, -56.3, 40.22

 

CMYK 87 / 45 / 0 / 35

HEX #165BA6

RGB 22 91 166

HSL 211.25, 0.77%, 0.37%

LAB 38.56, 8.15, -46.13

 

CMYK 0 / 86 / 27 / 35

HEX #A51778

RGB 165 23 120

HSL 319.01, 0.76%, 0.37%

LAB 37.79, 61.61, -18.4

 

CMYK 0 / 16 / 87 / 35

HEX #A68B16

RGB 166 139 22

HSL 48.75, 0.77%, 0.37%

LAB 58.63, -0.88, 59.14

 

CMYK 87 / 0 / 59 / 35

HEX #16A644

RGB 22 166 68

HSL 139.17, 0.77%, 0.37%

LAB 59.76, -56.3, 40.22

 

CMYK 87 / 71 / 0 / 35

HEX #1630A6

RGB 22 48 166

HSL 229.17, 0.77%, 0.37%

LAB 26.84, 36.9, -65.21

 

Description

Color code: HEX #A51778 | qconv.com Color code: HEX #A51778 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 23 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 23 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 27 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 27% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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