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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A50AE0 it is the complementary color #5AF51F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A50AE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A50AE0 shade: #AA0ADB, #BB1CEE, #CC2EFF, #DD40FF and #EE52FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A50AE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A50AE0 shade: #A50AE0, #9400CD, #8300BA, #7200A7 and #610094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A50AE0 shade: #A50AE0, #DE0AE0, #E00AA7, #E00A6E and #E00A34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A50AE0 shade: #A50AE0, #6B0AE0, #320AE0 and #0A0AE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A50AE0 shade matches the following richer shades: #A50AE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A50AE0 shade: #A50AE0, #9C1DCD, #9430BA, #8B43A7 and #835694

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A50AE0 shade: #310AE0, #6A0AE0, #A30AE0, #DC0AE0 and #E00AAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A50AE0 shade: #6B0691, #8808B8, #A50AE0, #B91FF4 and #C546F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A50AE0 shade: #A50AE0, #E00A1C and #0AE04E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A50AE0 shade: #A50AE0, #E0A30A and #0AE0A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A50AE0 shade: #A50AE0, #E00A1C, #47E00A and #0AE0CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A50AE0 shade: #A50AE0, #E0380A, #47E00A and #0AB1E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 96 / 0 / 12

HEX #A50AE0

RGB 165 10 224

HSL 283.46, 0.91%, 0.46%

LAB 43.65, 79.8, -71.08

 

Complementary color

CMYK 63 / 0 / 87 / 4

HEX #5AF51F

RGB 90 245 31

HSL 103.46, 0.91%, 0.54%

LAB 85.79, -73.31, 78.61

 

CMYK 22 / 95 / 0 / 14

HEX #AA0ADB

RGB 170 10 219

HSL 285.93, 0.91%, 0.45%

LAB 44.06, 79.56, -67.53

 

CMYK 21 / 88 / 0 / 7

HEX #BB1CEE

RGB 187 28 238

HSL 285.43, 0.86%, 0.52%

LAB 48.97, 82.87, -70.22

 

CMYK 20 / 82 / 0 / 0

HEX #CC2EFF

RGB 204 46 255

HSL 285.36, 1%, 0.59%

LAB 54.04, 84.69, -71.38

 

CMYK 13 / 75 / 0 / 0

HEX #DD40FF

RGB 221 64 255

HSL 289.32, 1%, 0.63%

LAB 58.28, 82.64, -64.41

 

CMYK 7 / 68 / 0 / 0

HEX #EE52FF

RGB 238 82 255

HSL 294.1, 1%, 0.66%

LAB 62.87, 80.02, -56.92

 

CMYK 26 / 96 / 0 / 12

HEX #A50AE0

RGB 165 10 224

HSL 283.46, 0.91%, 0.46%

LAB 43.65, 79.8, -71.08

 

CMYK 28 / 100 / 0 / 20

HEX #9400CD

RGB 148 0 205

HSL 283.32, 1%, 0.4%

LAB 39.08, 75.22, -67.72

 

CMYK 30 / 100 / 0 / 27

HEX #8300BA

RGB 131 0 186

HSL 282.26, 1%, 0.36%

LAB 34.74, 69.59, -63.78

 

CMYK 32 / 100 / 0 / 35

HEX #7200A7

RGB 114 0 167

HSL 280.96, 1%, 0.33%

LAB 30.32, 63.86, -59.77

 

CMYK 34 / 100 / 0 / 42

HEX #610094

RGB 97 0 148

HSL 279.32, 1%, 0.29%

LAB 25.8, 58.01, -55.68

 

CMYK 26 / 96 / 0 / 12

HEX #A50AE0

RGB 165 10 224

HSL 283.46, 0.91%, 0.46%

LAB 43.65, 79.8, -71.08

 

CMYK 1 / 96 / 0 / 12

HEX #DE0AE0

RGB 222 10 224

HSL 299.44, 0.91%, 0.46%

LAB 53.09, 88.07, -55.36

 

CMYK 0 / 96 / 25 / 12

HEX #E00AA7

RGB 224 10 167

HSL 315.98, 0.91%, 0.46%

LAB 50.52, 81.06, -26.38

 

CMYK 0 / 96 / 51 / 12

HEX #E00A6E

RGB 224 10 110

HSL 331.96, 0.91%, 0.46%

LAB 48.5, 75.75, 5.02

 

CMYK 0 / 96 / 77 / 12

HEX #E00A34

RGB 224 10 52

HSL 348.22, 0.91%, 0.46%

LAB 47.38, 72.7, 38.93

 

CMYK 26 / 96 / 0 / 12

HEX #A50AE0

RGB 165 10 224

HSL 283.46, 0.91%, 0.46%

LAB 43.65, 79.8, -71.08

 

CMYK 52 / 96 / 0 / 12

HEX #6B0AE0

RGB 107 10 224

HSL 267.2, 0.91%, 0.46%

LAB 35.45, 73.77, -84.87

 

CMYK 78 / 96 / 0 / 12

HEX #320AE0

RGB 50 10 224

HSL 251.21, 0.91%, 0.46%

LAB 30.1, 70.76, -93.91

 

CMYK 96 / 96 / 0 / 12

HEX #0A0AE0

RGB 10 10 224

HSL 240, 0.91%, 0.46%

LAB 28.55, 70.07, -96.54

 

CMYK 26 / 96 / 0 / 12

HEX #A50AE0

RGB 165 10 224

HSL 283.46, 0.91%, 0.46%

LAB 43.65, 79.8, -71.08

 

CMYK 26 / 96 / 0 / 12

HEX #A50AE0

RGB 165 10 224

HSL 283.46, 0.91%, 0.46%

LAB 43.65, 79.8, -71.08

 

CMYK 24 / 86 / 0 / 20

HEX #9C1DCD

RGB 156 29 205

HSL 283.3, 0.75%, 0.46%

LAB 41.77, 72.05, -63.27

 

CMYK 20 / 74 / 0 / 27

HEX #9430BA

RGB 148 48 186

HSL 283.48, 0.59%, 0.46%

LAB 41.14, 61.3, -53.26

 

CMYK 17 / 60 / 0 / 35

HEX #8B43A7

RGB 139 67 167

HSL 283.2, 0.43%, 0.46%

LAB 41.68, 46.93, -41.24

 

CMYK 11 / 42 / 0 / 42

HEX #835694

RGB 131 86 148

HSL 283.55, 0.26%, 0.46%

LAB 43.68, 30.06, -26.8

 

CMYK 78 / 96 / 0 / 12

HEX #310AE0

RGB 49 10 224

HSL 250.93, 0.91%, 0.46%

LAB 30.04, 70.73, -94.01

 

CMYK 53 / 96 / 0 / 12

HEX #6A0AE0

RGB 106 10 224

HSL 266.92, 0.91%, 0.46%

LAB 35.33, 73.69, -85.07

 

CMYK 27 / 96 / 0 / 12

HEX #A30AE0

RGB 163 10 224

HSL 282.9, 0.91%, 0.46%

LAB 43.34, 79.55, -71.61

 

CMYK 2 / 96 / 0 / 12

HEX #DC0AE0

RGB 220 10 224

HSL 298.88, 0.91%, 0.46%

LAB 52.75, 87.75, -55.93

 

CMYK 0 / 96 / 24 / 12

HEX #E00AAA

RGB 224 10 170

HSL 315.14, 0.91%, 0.46%

LAB 50.65, 81.4, -27.95

 

CMYK 26 / 96 / 0 / 43

HEX #6B0691

RGB 107 6 145

HSL 283.6, 0.92%, 0.3%

LAB 27.57, 57.6, -50.86

 

CMYK 26 / 96 / 0 / 28

HEX #8808B8

RGB 136 8 184

HSL 283.64, 0.92%, 0.38%

LAB 35.73, 68.82, -60.95

 

CMYK 26 / 96 / 0 / 12

HEX #A50AE0

RGB 165 10 224

HSL 283.46, 0.91%, 0.46%

LAB 43.65, 79.8, -71.08

 

CMYK 24 / 87 / 0 / 4

HEX #B91FF4

RGB 185 31 244

HSL 283.38, 0.91%, 0.54%

LAB 49.28, 83.11, -73.09

 

CMYK 20 / 72 / 0 / 4

HEX #C546F6

RGB 197 70 246

HSL 283.3, 0.91%, 0.62%

LAB 54.97, 74.46, -64.91

 

CMYK 26 / 96 / 0 / 12

HEX #A50AE0

RGB 165 10 224

HSL 283.46, 0.91%, 0.46%

LAB 43.65, 79.8, -71.08

 

CMYK 0 / 96 / 88 / 12

HEX #E00A1C

RGB 224 10 28

HSL 354.95, 0.91%, 0.46%

LAB 47.17, 72.11, 51.48

 

CMYK 96 / 0 / 65 / 12

HEX #0AE04E

RGB 10 224 78

HSL 139.07, 0.91%, 0.46%

LAB 78.42, -73.67, 56.96

 

CMYK 26 / 96 / 0 / 12

HEX #A50AE0

RGB 165 10 224

HSL 283.46, 0.91%, 0.46%

LAB 43.65, 79.8, -71.08

 

CMYK 0 / 27 / 96 / 12

HEX #E0A30A

RGB 224 163 10

HSL 42.9, 0.91%, 0.46%

LAB 70.91, 11.84, 73.35

 

CMYK 96 / 0 / 27 / 12

HEX #0AE0A3

RGB 10 224 163

HSL 162.9, 0.91%, 0.46%

LAB 79.63, -59.37, 17.34

 

CMYK 26 / 96 / 0 / 12

HEX #A50AE0

RGB 165 10 224

HSL 283.46, 0.91%, 0.46%

LAB 43.65, 79.8, -71.08

 

CMYK 0 / 96 / 88 / 12

HEX #E00A1C

RGB 224 10 28

HSL 354.95, 0.91%, 0.46%

LAB 47.17, 72.11, 51.48

 

CMYK 68 / 0 / 96 / 12

HEX #47E00A

RGB 71 224 10

HSL 102.9, 0.91%, 0.46%

LAB 78.85, -71.05, 75.47

 

CMYK 96 / 0 / 8 / 12

HEX #0AE0CE

RGB 10 224 206

HSL 174.95, 0.91%, 0.46%

LAB 80.65, -48.49, -3.95

 

CMYK 26 / 96 / 0 / 12

HEX #A50AE0

RGB 165 10 224

HSL 283.46, 0.91%, 0.46%

LAB 43.65, 79.8, -71.08

 

CMYK 0 / 75 / 96 / 12

HEX #E0380A

RGB 224 56 10

HSL 12.9, 0.91%, 0.46%

LAB 50.33, 62.68, 59.9

 

CMYK 68 / 0 / 96 / 12

HEX #47E00A

RGB 71 224 10

HSL 102.9, 0.91%, 0.46%

LAB 78.85, -71.05, 75.47

 

CMYK 96 / 21 / 0 / 12

HEX #0AB1E0

RGB 10 177 224

HSL 193.18, 0.91%, 0.46%

LAB 67.19, -20.83, -34.05

 

Description

Color code: HEX #A50AE0 | qconv.com Color code: HEX #A50AE0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 10 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 10 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 96 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 96% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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