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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A500C9 it is the complementary color #5AFF36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A500C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A500C9 shade: #AA00C4, #BB12D7, #CC24EA, #DD36FD and #EE48FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A500C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A500C9 shade: #A500C9, #9400B6, #8300A3, #720090 and #61007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A500C9 shade: #A300C6, #C600B4, #C6007F, #C60049 and #C60013

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A500C9 shade: #A300C6, #6D00C6, #3700C6, #0200C6 and #0000C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A500C9 shade matches the following richer shades: #A300C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A500C9 shade: #A300C6, #9810B6, #8E20A6, #843096 and #794086

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A500C9 shade: #3800C6, #6D00C6, #A200C6, #C600B6 and #C60081

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A500C9 shade: #5F0074, #81009D, #A300C6, #C500F0 and #D61AFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A500C9 shade: #A500C9, #C60300 and #00C652

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A500C9 shade: #A500C9, #C6A200 and #00C6A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A500C9 shade: #A500C9, #C60300, #24C600 and #00C3C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A500C9 shade: #A500C9, #C63E00, #24C600 and #0087C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 100 / 0 / 21

HEX #A500C9

RGB 165 0 201

HSL 289.25, 1%, 0.39%

LAB 41.56, 76.73, -61.23

 

Complementary color

CMYK 65 / 0 / 79 / 0

HEX #5AFF36

RGB 90 255 54

HSL 109.25, 1%, 0.61%

LAB 88.9, -75.48, 76.16

 

CMYK 13 / 100 / 0 / 23

HEX #AA00C4

RGB 170 0 196

HSL 292.04, 1%, 0.38%

LAB 42.05, 76.6, -57.48

 

CMYK 13 / 92 / 0 / 16

HEX #BB12D7

RGB 187 18 215

HSL 291.47, 0.85%, 0.46%

LAB 46.85, 80.44, -60.58

 

CMYK 13 / 85 / 0 / 8

HEX #CC24EA

RGB 204 36 234

HSL 290.91, 0.83%, 0.53%

LAB 51.88, 83.29, -63.12

 

CMYK 13 / 79 / 0 / 1

HEX #DD36FD

RGB 221 54 253

HSL 290.35, 0.98%, 0.6%

LAB 57.17, 85.15, -65.08

 

CMYK 7 / 72 / 0 / 0

HEX #EE48FF

RGB 238 72 255

HSL 294.43, 1%, 0.64%

LAB 61.68, 83.4, -58.82

 

CMYK 18 / 100 / 0 / 21

HEX #A500C9

RGB 165 0 201

HSL 289.25, 1%, 0.39%

LAB 41.56, 76.73, -61.23

 

CMYK 19 / 100 / 0 / 29

HEX #9400B6

RGB 148 0 182

HSL 288.79, 1%, 0.36%

LAB 37.25, 71.09, -57.2

 

CMYK 20 / 100 / 0 / 36

HEX #8300A3

RGB 131 0 163

HSL 288.22, 1%, 0.32%

LAB 32.85, 65.34, -53.1

 

CMYK 21 / 100 / 0 / 44

HEX #720090

RGB 114 0 144

HSL 287.5, 1%, 0.28%

LAB 28.36, 59.46, -48.92

 

CMYK 22 / 100 / 0 / 51

HEX #61007D

RGB 97 0 125

HSL 286.56, 1%, 0.25%

LAB 23.74, 53.43, -44.64

 

CMYK 18 / 100 / 0 / 22

HEX #A300C6

RGB 163 0 198

HSL 289.39, 1%, 0.39%

LAB 41, 75.94, -60.41

 

CMYK 0 / 100 / 9 / 22

HEX #C600B4

RGB 198 0 180

HSL 305.45, 1%, 0.39%

LAB 46.04, 78.68, -41.42

 

CMYK 0 / 100 / 36 / 22

HEX #C6007F

RGB 198 0 127

HSL 321.52, 1%, 0.39%

LAB 43.56, 72.43, -13.34

 

CMYK 0 / 100 / 63 / 22

HEX #C60049

RGB 198 0 73

HSL 337.88, 1%, 0.39%

LAB 41.98, 68.26, 18.26

 

CMYK 0 / 100 / 90 / 22

HEX #C60013

RGB 198 0 19

HSL 354.24, 1%, 0.39%

LAB 41.3, 66.42, 48.72

 

CMYK 18 / 100 / 0 / 22

HEX #A300C6

RGB 163 0 198

HSL 289.39, 1%, 0.39%

LAB 41, 75.94, -60.41

 

CMYK 45 / 100 / 0 / 22

HEX #6D00C6

RGB 109 0 198

HSL 273.03, 1%, 0.39%

LAB 32.54, 69.68, -74.59

 

CMYK 72 / 100 / 0 / 22

HEX #3700C6

RGB 55 0 198

HSL 256.67, 1%, 0.39%

LAB 26.42, 66.38, -84.93

 

CMYK 99 / 100 / 0 / 22

HEX #0200C6

RGB 2 0 198

HSL 240.61, 1%, 0.39%

LAB 23.97, 65.47, -89.08

 

CMYK 100 / 100 / 0 / 22

HEX #0000C6

RGB 0 0 198

HSL 240, 1%, 0.39%

LAB 23.93, 65.46, -89.16

 

CMYK 18 / 100 / 0 / 22

HEX #A300C6

RGB 163 0 198

HSL 289.39, 1%, 0.39%

LAB 41, 75.94, -60.41

 

CMYK 18 / 100 / 0 / 22

HEX #A300C6

RGB 163 0 198

HSL 289.39, 1%, 0.39%

LAB 41, 75.94, -60.41

 

CMYK 16 / 91 / 0 / 29

HEX #9810B6

RGB 152 16 182

HSL 289.16, 0.84%, 0.39%

LAB 38.59, 69.71, -55

 

CMYK 14 / 81 / 0 / 35

HEX #8E20A6

RGB 142 32 166

HSL 289.25, 0.68%, 0.39%

LAB 37, 61.61, -48.11

 

CMYK 12 / 68 / 0 / 41

HEX #843096

RGB 132 48 150

HSL 289.41, 0.52%, 0.39%

LAB 36.41, 50.63, -39.48

 

CMYK 10 / 52 / 0 / 47

HEX #794086

RGB 121 64 134

HSL 288.86, 0.35%, 0.39%

LAB 36.84, 36.43, -29.1

 

CMYK 72 / 100 / 0 / 22

HEX #3800C6

RGB 56 0 198

HSL 256.97, 1%, 0.39%

LAB 26.5, 66.41, -84.79

 

CMYK 45 / 100 / 0 / 22

HEX #6D00C6

RGB 109 0 198

HSL 273.03, 1%, 0.39%

LAB 32.54, 69.68, -74.59

 

CMYK 18 / 100 / 0 / 22

HEX #A200C6

RGB 162 0 198

HSL 289.09, 1%, 0.39%

LAB 40.83, 75.8, -60.69

 

CMYK 0 / 100 / 8 / 22

HEX #C600B6

RGB 198 0 182

HSL 304.85, 1%, 0.39%

LAB 46.15, 78.95, -42.42

 

CMYK 0 / 100 / 35 / 22

HEX #C60081

RGB 198 0 129

HSL 320.91, 1%, 0.39%

LAB 43.64, 72.63, -14.45

 

CMYK 18 / 100 / 0 / 55

HEX #5F0074

RGB 95 0 116

HSL 289.14, 1%, 0.23%

LAB 22.63, 51.43, -40.71

 

CMYK 18 / 100 / 0 / 38

HEX #81009D

RGB 129 0 157

HSL 289.3, 1%, 0.31%

LAB 32.04, 63.98, -50.8

 

CMYK 18 / 100 / 0 / 22

HEX #A300C6

RGB 163 0 198

HSL 289.39, 1%, 0.39%

LAB 41, 75.94, -60.41

 

CMYK 18 / 100 / 0 / 6

HEX #C500F0

RGB 197 0 240

HSL 289.25, 1%, 0.47%

LAB 49.69, 87.61, -70.1

 

CMYK 16 / 90 / 0 / 0

HEX #D61AFF

RGB 214 26 255

HSL 289.26, 1%, 0.55%

LAB 54.3, 89.99, -70.89

 

CMYK 18 / 100 / 0 / 21

HEX #A500C9

RGB 165 0 201

HSL 289.25, 1%, 0.39%

LAB 41.56, 76.73, -61.23

 

CMYK 0 / 98 / 100 / 22

HEX #C60300

RGB 198 3 0

HSL 0.91, 1%, 0.39%

LAB 41.33, 65.92, 55.6

 

CMYK 100 / 0 / 59 / 22

HEX #00C652

RGB 0 198 82

HSL 144.85, 1%, 0.39%

LAB 70.17, -65.77, 45.86

 

CMYK 18 / 100 / 0 / 21

HEX #A500C9

RGB 165 0 201

HSL 289.25, 1%, 0.39%

LAB 41.56, 76.73, -61.23

 

CMYK 0 / 18 / 100 / 22

HEX #C6A200

RGB 198 162 0

HSL 49.09, 1%, 0.39%

LAB 67.91, 0.79, 71.2

 

CMYK 100 / 0 / 18 / 22

HEX #00C6A2

RGB 0 198 162

HSL 169.09, 1%, 0.39%

LAB 71.55, -49.86, 6.44

 

CMYK 18 / 100 / 0 / 21

HEX #A500C9

RGB 165 0 201

HSL 289.25, 1%, 0.39%

LAB 41.56, 76.73, -61.23

 

CMYK 0 / 98 / 100 / 22

HEX #C60300

RGB 198 3 0

HSL 0.91, 1%, 0.39%

LAB 41.33, 65.92, 55.6

 

CMYK 82 / 0 / 100 / 22

HEX #24C600

RGB 36 198 0

HSL 109.09, 1%, 0.39%

LAB 70.01, -68.84, 69.08

 

CMYK 100 / 2 / 0 / 22

HEX #00C3C6

RGB 0 195 198

HSL 180.91, 1%, 0.39%

LAB 71.63, -38.38, -13.05

 

CMYK 18 / 100 / 0 / 21

HEX #A500C9

RGB 165 0 201

HSL 289.25, 1%, 0.39%

LAB 41.56, 76.73, -61.23

 

CMYK 0 / 69 / 100 / 22

HEX #C63E00

RGB 198 62 0

HSL 18.79, 1%, 0.39%

LAB 46.25, 52.11, 57.69

 

CMYK 82 / 0 / 100 / 22

HEX #24C600

RGB 36 198 0

HSL 109.09, 1%, 0.39%

LAB 70.01, -68.84, 69.08

 

CMYK 100 / 32 / 0 / 22

HEX #0087C6

RGB 0 135 198

HSL 199.09, 1%, 0.39%

LAB 53.39, -7.48, -41.14

 

Description

Color code: HEX #A500C9 | qconv.com Color code: HEX #A500C9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, none green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 0 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 100 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 100% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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